Sailing to Byzantium (59 page)

She held back, though, from entering me. She wanted me to tell her it was safe. I beckoned her in; and then came that sharp warm moment I remembered so well, as she slipped down into my neural network and we became one.

“I can only stay a little while,” I said. “It’s still very chancy for me to be with you.”

“Oh, Adam, Adam, it’s been so awful for me in here—”

“I know. I can imagine.”

“Are they still looking for me?”

“I think they’re starting to put you out of their minds,” I said. And we both laughed at the play on words that that phrase implied.

I didn’t dare remain more than a few minutes. I had only wanted to touch souls with her briefly, to reassure myself that she was all right and to ease the pain of separation. But it was irregular for a captain to enter a virtuality at all. To stay in one for any length of time exposed me to real risk of detection.

But my next visit was longer, and the one after that longer still. We were like furtive lovers meeting in a dark forest for hasty delicious trysts. Hidden there in that not-quite-real outstructure of the ship we would join our two selves and whisper together with urgent intensity until I felt it was time for me to leave. She would always try to keep me longer; but her resistance to my departure was never great, nor did she ever suggest accompanying me back into the stable sector of the ship. She had come to understand that the only place we could meet was in the virtuality.

We were nearing the vicinity of Cul-de-Sac now. Soon we would go to worldward and the shoreships would travel out to meet us, so that we could download the cargo that was meant for them. It was time to begin considering the problem of what would happen to Vox when we reached our destination.

That was something I was unwilling to face. However I tried, I could not force myself to confront the difficulties that I knew lay just ahead.

But she could.

“We must be getting close to Cul-de-Sac now,” she said.

“We’ll be there soon, yes.”

“I’ve been thinking about that. How I’m going to deal with that.”

“What do you mean?”

“I’m a lost soul,” she said. “Literally. There’s no way I can come to life again.”

“I don’t under—”

“Adam, don’t you see?” she cried fiercely. “I can’t just float down to Cul-de-Sac and grab myself a body and put myself on the roster of colonists. And you can’t possibly smuggle me down there while nobody’s looking. The first time anyone ran an inventory check, or did passport control, I’d be dead. No, the only way I can get there is to be neatly packed up again in my original storage circuit. And even if I could figure out how to get back into that, I’d be simply handing myself over for punishment or even eradication. I’m listed as missing on the manifest, right? And I’m wanted for causing the death of that passenger. Now I turn up again, in my storage circuit. You think they’ll just download me nicely to Cul-de-Sac and give me the body that’s waiting for me there? Not very likely. Not likely that I’ll ever get out of that circuit alive, is it, once I go back in? Assuming I
could
go back in in the first place. I don’t know how a storage circuit is operated, do you? And there’s nobody you can ask.”

“What are you trying to say, Vox?”

“I’m not trying to say anything. I’m saying it. I have to leave the ship on my own and disappear.”

“No. You can’t do that!”

“Sure I can. It’ll be just like starwalking. I can go anywhere I please. Right through the skin of the ship, out into heaven. And keep on going.”

“To Cul-de-Sac?”

“You’re being stupid,” she said. “Not to Cul-de-Sac, no. Not to anywhere. That’s all over for me, the idea of getting a new body. I have no legal existence any more. I’ve messed myself up. All right: I admit it. I’ll take what’s coming to me. It won’t be so bad, Adam. I’ll go starwalking. Outward and outward and outward, forever and ever.”

“You mustn’t,” I said. “Stay here with me.”

“Where? In this empty storage unit out here?”

“No,” I told her. “Within me. The way we are right now. The way we were before.”

“How long do you think we could carry that off?” she asked.

I didn’t answer.

“Every time you have to jack into the machinery I’ll have to hide myself down deep,” she said. “And I can’t guarantee that I’ll go deep enough, or that I’ll stay down there long enough. Sooner or later they’ll notice me. They’ll find me. They’ll eradicate me and they’ll throw you out of the Service, or maybe they’ll eradicate you too. No, Adam. It couldn’t possibly work. And I’m not going to destroy you with me. I’ve done enough harm to you already.”

“Vox—”

“No. This is how it has to be.”

A
ND THIS IS HOW
it was. We were deep in the Spook Cluster now, and the Vainglory Archipelago burned bright on my realspace screen. Somewhere down there was the planet called Cul-de-Sac. Before we came to worldward of it, Vox would have to slip away into the great night of heaven.

Making a worldward approach is perhaps the most difficult maneuver a starship must achieve; and the captain must go to the edge of his abilities along with everyone else. Novice at my trade though I was, I would be called on to perform complex and challenging processes. If I failed at them, other crewmen might cut in and intervene, or, if necessary, the ship’s intelligences might override; but if that came to pass my career would be destroyed, and there was the small but finite possibility, I suppose, that the ship itself could be gravely damaged or even lost.

I was determined, all the same, to give Vox the best send-off I could.

On the morning of our approach I stood for a time on Outerscreen Level, staring down at the world that called itself Cul-de-Sac. It glowed like a red eye in the night. I knew that it was the world Vox had chosen for herself, but all the same it seemed repellent to me, almost evil. I felt that way about all the worlds of the shore people now. The Service had changed me; and I knew that the change was irreversible. Never again would I go down to one of those worlds. The starship was my world now.

I went to the virtuality where Vox was waiting.

“Come,” I said, and she entered me.

Together we crossed the ship to the Great Navigation Hall.

The approach team had already gathered: Raebuck, Fresco, Roacher, again, along with Pedregal, who would supervise the downloading of cargo. The intelligence on duty was 612 Jason. I greeted them with quick nods and we jacked ourselves together in approach series.

Almost at once I felt Roacher probing within me, searching for the fugitive intelligence that he still thought I might be harboring. Vox shrank back, deep out of sight. I didn’t care. Let him probe, I thought. This will all be over soon.

“Request approach instructions,” Fresco said.

“Simulation,” I ordered.

The fiery red eye of Cul-de-Sac sprang into vivid representation before us in the hall. On the other side of us was the simulacrum of the ship, surrounded by sheets of white flame that rippled like the blaze of the aurora.

I gave the command and we entered approach mode.

We could not, of course, come closer to planetskin than a million shiplengths, or Cul-de-Sac’s inexorable forces would rip us apart. But we had to line the ship up with its extended mast aimed at the planet’s equator, and hold ourselves firm in that position while the shoreships of Cul-de-Sac came swarming up from their red world to receive their cargo from us.

612 Jason fed me the coordinates and I gave them to Fresco, while Raebuck kept the channels clear and Roacher saw to it that we had enough power for what we had to do. But as I passed the data along to Fresco, it was with every sign reversed. My purpose was to aim the mast not downward to Cul-de-Sac but outward toward the stars of heaven.

At first none of them noticed. Everything seemed to be going serenely. Because my reversals were exact, only the closest examination of the ship’s position would indicate our l80-degree displacement.

Floating in the free fall of the Great Navigation Hall, I felt almost as though I could detect the movements of the ship. An illusion, I knew. But a powerful one. The vast ten-kilometer-long needle that was the
Sword of Orion
seemed to hang suspended, motionless, and then to begin slowly, slowly to turn, tipping itself on its axis, reaching for the stars with its mighty mast. Easily, easily, slowly, silently—

What joy that was, feeling the ship in my hand!

The ship was mine. I had mastered it.

“Captain,” Fresco said softly.

“Easy on, Fresco. Keep feeding power.”

“Captain, the signs don’t look right—”

“Easy on. Easy.”

“Give me a coordinates check, captain.”

“Another minute,” I told him.

“But—”

“Easy on, Fresco.”

Now I felt restlessness too from Pedregal, and a slow chilly stirring of interrogation from Raebuck; and then Roacher probed me again, perhaps seeking Vox, perhaps simply trying to discover what was going on. They knew something was wrong, but they weren’t sure what it was.

We were nearly at full extension, now. Within me there was an electrical trembling: Vox rising through the levels of my mind, nearing the surface, preparing for departure.

“Captain, we’re turned the wrong way!” Fresco cried.

“I know,” I said. “Easy on. We’ll swing around in a moment.”

“He’s gone crazy!” Pedregal blurted.

I felt Vox slipping free of my mind. But somehow I found myself still aware of her movements, I suppose because I was jacked into 6l2 Jason and 6l2 Jason was monitoring everything. Easily, serenely, Vox melted into the skin of the ship.

“
Captain!
” Fresco yelled, and began to struggle with me for control.

I held the navigator at arm’s length and watched in a strange and wonderful calmness as Vox passed through the ship’s circuitry all in an instant and emerged at the tip of the mast, facing the stars. And cast herself adrift. Because I had turned the ship around, she could not be captured and acquired by Cul-de-Sac’s powerful navigational grid, but would be free to move outward into heaven. For her it would be a kind of floating out to sea, now. After a time she would be so far out that she could no longer key into the shipboard bioprocessors that sustained the patterns of her consciousness, and, though the web of electrical impulses that was the Vox matrix would travel outward and onward forever, the set of identity responses that was Vox herself would lose focus soon, would begin to waver and blur. In a little while, or perhaps not so little, but inevitably, her sense of herself as an independent entity would be lost. Which is to say, she would die.

I followed her as long as I could. I saw a spark traveling across the great night. And then nothing.

“All right,” I said to Fresco. “Now let’s turn the ship the right way around and give them their cargo.”

T
HAT WAS MANY YEARS
ago. Perhaps no one else remembers those events, which seem so dreamlike now even to me. The
Sword of Orion
has carried me nearly everywhere in the galaxy since then. On some voyages I have been captain; on others, a downloader, a supercargo, a mind-wiper, even sometimes a push-cell. It makes no difference how we serve, in the Service.

I often think of her. There was a time when thinking of her meant coming to terms with feelings of grief and pain and irrecoverable loss, but no longer, not for many years. She must be long dead now, however durable and resilient the spark of her might have been. And yet she still lives. Of that much I am certain. There is a place within me where I can reach her warmth, her strength, her quirky vitality, her impulsive suddenness. I can feel those aspects of her, those gifts of her brief time of sanctuary within me, as a living presence still, and I think I always will, as I make my way from world to tethered world, as I journey onward everlastingly spanning the dark lightyears in this great ship of heaven.

Robert Silverberg (b. 1935) is an American author best known for his science fiction titles, including
Nightwings
(1969),
Dying Inside
(1972), and
Lord Valentine’s Castle
(1980). He has won five Nebula Awards and five Hugo Awards. In 2004, the Science Fiction and Fantasy Writers of America honored Silverberg with the Damon Knight Memorial Grand Master Award.

Silverberg was born in Brooklyn, New York, on January 15, 1935, the only child of Michael and Helen Silverberg. An avid reader and writer from an early age, Silverberg began his own fanzine,
Spaceship
, in 1949. In 1953, at age eighteen, he sold his first nonfiction piece to
Science Fiction Adventures
magazine. His first novel,
Revolt on Alpha C
, was published shortly after, in 1955. That same year, while living in New York City and studying at Columbia University, Silverberg met his neighbors and fellow writers Randall Garrett and Harlan Ellison, both of whom went on to collaborate with him on numerous projects. Silverberg and Randall published pieces under the name Robert Randall. In 1956, Silverberg graduated from Columbia University with a bachelor of arts degree in comparative literature, married Barbara Brown, and won the Hugo Award for Most Promising New Author.

Following the whirlwind of his college years, Silverberg continued to write consistently for most of his life. Writing under various pseudonyms, including David Osborne and Calvin M. Knox, Silverberg managed to publish eleven novels and more than two hundred short pieces between 1957 and 1959. Having established himself as a science fiction writer by this time, Silverberg went on to show dexterity in other genres, from historical nonfiction with
Treasures Beneath the Sea
(1960) to softcore pornography under the pseudonym Don Elliot.

Silverberg continued to write outside science fiction until Frederik Pohl, the editor of
Galaxy Science Fiction
, convinced him to rejoin the field. It was in this period, from the late 1960s to early 1970s, that Silverberg’s classics, including
Tower of Glass
(1970),
The World Inside
(1971), and
The Book of Skulls
(1972), came to life. After taking a break from writing, Silverberg returned with
Lord Valentine’s Castle
in 1980.