"Daddy, wait," Kristin said in a stage whisper. "Are we going shopping for Mommy's presents now?"
"No, that's tomorrow, remember?"
"Oh, good, 'cuz I don't have my money."
"No problemo."
Rand
left, maneuvering his way around an incoming customer laden with boxes and bags bearing the imprints of the town's small but charming shops: the Kitchen Gallery, the Owl and the Pussycat, Cheap Thrills, Best Foot Forward. The lady was not only a shopper, but a local one, and that was the very best kind.
"Hi, I was in here earlier," the woman explained. "I bought a pair of silk tassels? Anyway,' somewhere in my wanderings I lost an earring. It's a gold twist, like this one," she said, holding out the mate.
No one had turned in an earring, Liv told her, but she asked for a phone number, just in case. While she rang up her latest sale, the woman scribbled the information on a Post-it Note.
"Isn't that something, about Quinn Leary?" she remarked as she handed the note over to Olivia. "He was before my time, but—"
Olivia's head came up. "Quinn? What about him?" she asked. She hadn't heard his name mentioned in years. She had a sudden, awful fear that he'd robbed a bank and killed all the customers and had made the six o'clock news.
"He's back, apparently."
"Back," Olivia repeated in a blank tone. "Back where? In jail?"
"Back here! In Keepsake!" The shopper shifted her bags to get more comfortable, thrilled that they hadn't yet heard. "During the tree lighting he was roaming all over Town Hill as if he owned the place. People were shocked," she said with a certain amount of glee. "I wish I'd taken the time to attend, but I wasn't wearing boots."
"But why?"
"Well, they weren't forecasting more than a dusting."
Eileen smiled and said, "I think she means, why would he come back now, after all these years?''
"His father died, they say, so I guess there's nothing to stop him. Not that people didn't try. Someone called the police, but their hands are tied. Quinn Leary's not a fugitive, and his father was never officially arrested, so Quinn never technically aided and abetted a fugitive, so—"
"He's back." Olivia had listened, dumbfounded, to the news. "Good God."
Her reaction took the smug woman down a notch. Nervous now, she whispered, "Do you suppose we'll have to start locking our doors during the day?"
Olivia stared at her. "Why would you do that? Quinn didn't do it. He was at a party with dozens of classmates when it happened. I know; I was there."
"Maybe so, but that kind of thing runs in families."
"What kind of thing?"
"You know—the killer instinct."
"That's ridiculous!"
Eileen jumped in to keep the peace. "Olivia went to high school with Quinn Leary," she explained. "They were on the student council together. They were friends, they—"
"No, we weren't," Olivia cut in. "We were rivals."
"But friendly rivals."
"Hardly. Oh, what does it matter! This is awful!"
"I knew it," the frightened customer said in an undertone. "He
is
dangerous."
Ignoring her, Olivia said to her sister-in-law, "My parents will be outraged.
Rand
, too. Oh—and my aunt! My
uncle!"
When they were roommates in college, Olivia had told Eileen the whole shocking story of the fugitive and his son: how the gardener had been seen staring at Liv's cousin Alison on more than one occasion. How the hanging had been staged to look like a suicide, except that the rope had come from the gardener's shed. How the police had been on the brink of arresting Francis Leary when he ran off, accompanied by his son Quinn. And how Olivia's parents—the suspect's employers—had been left to fend off a nosy press and negative publicity.
Olivia had always insisted to Eileen that what little evidence the police had was circumstantial, and that she herself did not believe Francis Leary had murdered her cousin Alison. But then Eileen had begun to date Olivia's brother Rand and discovered that the rest of Olivia's family was convinced that the gardener was guilty.
And now, seventeen years later, Olivia could see that her open-minded sister-in-law was still trying hard to stay that way about the whole affair, but not succeeding. Eileen looked doubtful and troubled as she said to her little girl, "Come over here, Kristin. Let's get your hat on. Daddy's going to be bringing the car by any minute."
An impromptu game of hide-and-seek between Olivia's niece and nephew came to a sudden end when Zack knocked over a bolt of ivory
fleur de sole
onto
the parquet floor and into a pu
ddle left by someone's boots. The accident brought an accusing shriek from Kristin, mortifying her older brother and prompting a sharp reprimand from their mother.
"Okay, that's it! Let's go, you two, before you wreck the whole place," she said, picking up the soiled bolt. "Livvy, I'm so sorry. Bill me for this, would you?"
Olivia
now
had two customers waiting with questions and another with a bolt of Ultrasuede in her arms. "Sure, okay," she said, still reeling from the news of Quinn's return.
Eileen apologized again for the silk as she rebuttoned her daughter's coat. A silver Lexus pulled up in front of the shop.
Rand
leaned on the horn, and his family hurried to the summons.
For the next two hours Olivia did the job of three assistants, which was the number that should've been at her shop in the course of the twelve-hour day. But two were sick and one had asked for the evening off to attend a wedding rehearsal; Olivia couldn't very well flog them into coming in. Still, it
was
the Christmas rush, and they'd put her in a bind.
And now this. Good grief—Quinn Leary. What was he thinking, strolling onto Town Hill in the middle of the tree lighting? It was the most celebrated event in Keepsake, attended by everyone who was anyone. Her father must have seen him. Had they exchanged words? What could you say at a time like that?
Gee, Quinn, the sight of you sure brings back memories of the good old days: reporters peering through our first-floor windows, police rummaging through our garbage cans, neighbors staring over the hedges to see if anyone was coming out in a body bag.
Olivia's parents had felt utterly betrayed when they learned that their gardener was under suspicion for murder. They'd given Quinn's father a dream job, after all, with a charming cottage for him and his son to live in, good benefits, and frequent raises. Frank Leary himself had once told Olivia that her mother was the best employer he'd ever had.
To be fair, it was also true that the man was a wizard as a groundskeeper: The extensive grounds on the Bennett estate were the envy of the county and had been photographed
for
House and Garden
a few months before Frank Leary and his son took off in the night. Naturally the
HG
piece never went to press—one more reason, Olivia supposed, for her father to resent them.
Him.
Damn.
They were going to have to relive the murder all again—the discovery, the shock, the publicity, the depressing realization that Alison would never be a bridesmaid at Olivia's wedding and that Olivia would never be a bridesmaid at her cousin's.
She remembered a Saturday in her junior year when Alison's father was out of town and Olivia's mother had taken Alison and her to
New York
on a clandestine shopping spree. Olivia had prepared for the day by reading a book on dressing for success, and then had headed straight for the racks of career clothing. Alison, on the other hand, had gravitated toward more feminine, sexier things: V necks that dipped low, and tops with front zippers.
"You'll never get a job wearing something like that," Olivia had chided. She had been young and stupid then; what did she know?
"I don't want a job,". Alison had answered. "I want a husband. I want to get out of my house and away from my father. He won't let me go away to a four-year college; I'm going to have to commute to ECCC. No thanks. You pick your clothes, Livvy, and I'll pick mine."
When they found Alison at the quarry she was wearing one of those V-necked sweaters that she so preferred. She had put on weight because of the pregnancy: Her breasts were fuller than ever.
Olivia sighed, then flipped the card that hung by a silken cord in the door window to its closed side. She turned down the lights in the shop and dimmed the recessed halogen lights that hovered over the window display. The holiday window was always her favorite of the year, and this December was no exception. She had draped elegant fabrics—bolts of taffeta, brocade, and tissue in glittering silver and gold—to flow like sparkling streams and tumbling wa
terfalls into pools of shimmery
opulence on the floor of the display window. With the lights dimmed low, the effect was of a winter scene at twilight: pure magic, if only you paused long enough to take it all in.
And she did. Despite the unnerving news about Quinn's return, despite the surge of seventeen-year-old melancholy at thoughts of her murdered cousin, despite her dread that her family was about to be put through the wringer all over again—despite all those things, Olivia found herself responding to the exquisite beauty before her. It appealed to the artistic side of her in a way that gross receipts and profit margins never could.
Once upon a time, she had hoped to design her own fabrics. But somehow the business side of her had taken precedence, and this was where she ended up: buying and selling textiles designed by people other than her. Ah, well. Miracourt was a financial success, and so was the mill-end outlet she'd opened six months ago to handle remnants and misprints she was able to buy dirt-cheap from her father's textile mill. For now, a life in commerce would have to do.
She sighed again, not so cheerful as she had been before, and then she closed up the shop, dreading the slippery drive to her townhouse perched on a steep hill outside of town. She'd been too busy to go car-shopping for that four-wheel drive—or even to have the snow tires put on her minivan—and now she was kicking herself.
I'm either at Miracourt or at Run of the Mill seven days a week. I don't have time to buy a TV dinner, much less an automobile.
Rand
is right. I'm out of control.
But then, wasn't that what lazy
Rand
would think?
She sprinted across the snowy street rutted with tire tracks, just two steps ahead of the
sluk-sluk-sluk
of a Jeep Cherokee bearing down on her. After a last look at the softly lit window in all of its holiday charm, she flipped up the hood of her coat and hurried through falling snow to her van.
Chapter 3
"Glad you could squeeze me in, Tony."
"Ah, don't worry about it," said the barber, shaking out the folds of a white linen smock with a snap, then circling it around Quinn's neck and jamming it inside his collar. "To tell the truth, business ain't been so brisk. I'm losing customers to that
... that
franchise
down the street. Aagh! Don't get me started. So. How you want it? Short?" he asked hopefully.
"Maybe take an inch off the bottom."
Tony gave Quinn a dry look in the mirror they faced. "And the other twelve?"
"I'll keep a rubber band around it for now."
The gray-haired barber sighed and, with a look of exquisite distaste, rolled down the band from Quinn's ponytail.
"Why you want to look like this?" he couldn't help saying as he took up a comb and a small pair of shears. "You're a good-looking guy. Still in good shape. Why you wanna go around like some hippie?"
"You think this is bad, you should've seen me with the full beard," Quinn said with a smile.
"Aagh."
Quinn didn't bother to explain that the beard and long hair were part of an effort to disguise himself during those first years in hiding. Eventually he had felt secure enough to lose the beard, but the ponytail stayed. He still liked to believe that with his hazel eyes, hawk nose, and ever-present tan, he could dye his sunstreaked hair black and pass for a Native American if he had to.
In the thoughtful pause that hangs between threads of conversation, the barber ran a comb to the bottom of Quinn's hair and began, under Quinn's watchful eye, to cut it back the inch.
"I hear you had a little trouble last night."
Ah. Same old Keepsake. Thank God he hadn't mentioned the bloodied carnations to Vickers.
"Yeah, some jerk bashed in the windshield," he said. "Do you get a lot of that nowadays?"
"Never. Mailboxes, yes. Not windshields. Windshields are in the city."
Quinn grunted, the way men do in barbershops, and then he took a flyer and said, "This guy was driving a pickup."
There was an infinitesimal break in the rhythm between snips. "That so? What color?"
"Couldn't say. I'm figuring
a truck by the look of the wide tire tracks."
A much more pronounced gap between snips now. Thinking
... what?