Authors: Donna Leon
Vianello signalled to the men who had drawn up behind the doctor as he knelt over the body. Venturi started to get to his feet, but the toe of his right foot slipped on the wet pavement and he stopped himself from falling prone only by putting both palms flat down in front of him. Quickly he scrambled to his feet. He moved away from the body, careful to keep his dirty hands away from his sides, turned to one of the photographers, and said, 'Would you get me my handkerchief?'
The photographer, a man of about Brunetti's age, was busy setting up his tripod. He pulled one of the legs out, screwed it in place, looked over at the doctor and said,
‘I
didn't drop it,' and turned his attention to the second leg.
Venturi opened his mouth to reprimand the technician, thought better of it, and headed off in the direction of the launch, leaving his handkerchief on the ground beside the body. Brunetti watched as he walked away, hands held horizontal, and was struck by how much like a penguin he looked. The empty boat bobbed out in the water, at least a metre from the edge of the pier. Neither of the pilots was anywhere to be seen. Rather than haul the boat closer by means of its mooring rope or attempt the broad leap from the pier to the deck, Venturi walked along the pier and sat on a wooden park bench. Brunetti suddenly noticed the heavy evening mist that had settled in, and was glad of it.
He walked back to Signora Follini and knelt beside her, welcoming the momentary distraction of the dampness that began to soak into the knees of his trousers. She wore a low-cut angora sweater, the pile of the fabric swirled into chaotic ridges and whirls by the water in which she had floated. Though he was no pathologist, Brunetti was familiar with the signs of violent death, but he saw none here. The skin of her throat was untouched, as was the fabric of her sweater. With the fingers of his right hand, he lifted the hem of her sweater, exposing her stomach. Seeing nothing but the stretch marks of age, he turned his eyes away and covered her again.
The various technicians busied themselves while Vianello and Brunetti waited. As they stood there idly, Brunetti saw the man with the blanket approach again. He went up to Vianello and said, nodding in the direction of the technicians, 'When they're finished, can you cover her?'
Vianello agreed and took the blanket the man offered.
'I don't need it back, so don't worry about that,' the man said, then walked away from the pier and disappeared into the darkness at the mouth of a small alley that ran between the houses. Time passed. Occasionally, the darkness was punctured by flashes from the technician's camera. Vianello waited until the crime team had finished and started to assemble their equipment, then he walked over to Signora Follini, flung the blanket open in the air and let it fall over her, careful to cover her face and her eyes.
'Rizzardi would have told us something,' Vianello said as he rejoined Brunetti.
'Rizzardi would have picked up his own handkerchief,' Brunetti answered.
'Does it matter that we won't know what killed her until the autopsy?' Vianello asked.
Brunetti tilted his chin in the direction of the houses of Pellestrina, most of them fully dark by now. 'Do you think any of them is going to help us, even when we do know?'
'It seems some of them liked her,' Vianello said with cautious optimism.
"They liked Marco Bottin, too,' was Brunetti's rejoinder.
Because of the presence in the village of Sigriorina Elettra and Pucetti, Brunetti judged it better to delay until the next day the questioning that would have to be done. That might give the two of them, moving casually among the residents, the opportunity to hear things which would be forgotten or ignored by the time the police began the formal inquiry into the death of Signora Follini.
Brunetti signalled to the technicians and they unrolled a stretcher. The blanket barely shifted as they lifted Signora Follini and carried her over to the launch.
On the way back to Venice, Brunetti stood on deck, thinking of the jokes he and Vianello had made about Signora Follini, though at the time neither of them had had any idea of how practised her attentions had been. He took some comfort in the thought that, had she heard their jokes, she might have been amused by them, but the realization that she was now far beyond any possibility of sensing his regret merely added to his remorse.
He was home long after midnight but found Paola, as he had hoped, waiting for him. She was sitting in bed, reading, but she closed the book and set it on the table then removed her glasses before she spoke. 'What happened?'
Brunetti hung his jacket in the closet, pulled off his tie and draped it over the back of a chair. 'Signora Follini. Someone pulled her out of the
laguna
’
he said as he started to unbutton his shirt. He sat, more tired than he had realized, on the chair beside the bed and bent down to untie his shoes. 'Someone tossed her in the water and left her to drown, I think.'
'Because of the other killings?' she asked.
'It would have to be.'
'Is she still out there?' Paola asked. For a moment, Brunetti thought she must mean Luisa Follini, whose body was by now lying in the chill company of the other dead at the Ospedale Civile, but then he realized she must mean Signorina Elettra.
'I'll tell her to come back,' he said. Before Paola could comment, he padded down to the bathroom, where he was careful to avoid looking at himself in the mirror as he brushed his teeth.
Some time later, when he slipped under the covers beside her, Paola picked up just where things had been left. 'Will she listen to you?'
'She always listens to me.'
'So does Chiara
’
Paola said but left it at that.
He turned towards her and draped his arm over her stomach. He felt her move, and the light in the room went out. She shifted and slipped her arm around him until his head rested comfortably in the hollow just under her shoulder. He lay in the arms of his wife and thought of another woman, but because he told himself he was thinking of her safety, he made no effort to resist the thought.
After a long time, so long that both of them should have been asleep, Paola said, 'You better do something about this.'
He made a noise, and then more time passed, and then they both slept.
The next morning, even before he left home, he called the morgue and asked the attendant who had been assigned to do the autopsy on the woman brought in from Pellestrina the night before.
'Dottor Rizzardi.'
'Good. When?'
There was a pause, and Brunetti heard the sound of a page being turned. 'There were two people who died in Castello. Probably fumes from their water heater. But I can put her up first. He should be done by eleven.'
'Thanks,' said Brunetti. 'Tell him I'll call, would you?'
'Certainly, Commissario,' the attendant said and put the phone down.
Brunetti was keen to know when Signora Follini had died, and only Rizzardi could tell him that. Some time after Wednesday, unless he found someone who said they'd seen her later than that.
And where? He found the map of the
laguna
and studied the narrow length of Pellestrina. At the southern end was the mouth of the canal where she had been found, about three kilometres from the village, just beyond the protected area of the Riserva of Ca' Roman. He folded the map and slipped it into the inside pocket of his jacket. Only one of the pilots could tell him what he wanted to know about tides and currents and the way things drifted in the water.
At the Questura, he went first to the room used by the officers and there found Bonsuan, who often opted to work the quieter Sunday shift. The pilot was sitting in the strangely empty officers' room, looking idly at a ragged copy of
Gazzetta dello Sport
in a manner that suggested he would be just as interested in staring at the wall. Brunetti spread the map on top of the newspaper, repeated what the fisherman said about where he found Signora Follini, and asked the pilot to explain what could have happened to have brought her there.
After studying the map for a while, Bonsuan asked, 'How bad was she?'
She was dead, Brunetti thought. How much worse could things be for her? 'I don't understand.'
'You saw her body, didn't you?' the pilot asked patiently. 'Yes.'
'How much damage had been done?' 'Her eyes were gone.'
Bonsuan nodded, as if he'd expected this. 'How about her arms and legs? Did it look like she'd been dragged on the bottom?'
Brunetti, with some reluctance, cast his memory back to the last he'd seen of Signora Follini. 'She was wearing a sweater and slacks, so I couldn't see her arms or legs. But I didn't notice any damage to her hands or face. Aside from the eyes.'
Bonsuan grunted and bent over the map. "They brought her in about eight, didn't they?'
"That's when the call reached me.' Brunetti was surprised to realize that, even with the pilot, he didn't mention that the call had come from Pucetti. Perhaps this was the beginning of real paranoia.
'You don't have any idea of when she went in?' 'No.'
Bonsuan pushed himself up from the desk and went over to a glass-fronted bookcase, a relic from former days. He pulled open the door and took down a thin, paper-covered book, flipped it open, ran his forefinger down a page, turned it, did the same with the next, and then the next. He found what he was searching for, studied it, then shut the book and put it back in the case.
When he returned to the desk, he said, 'I need to know how long she was in the water. She could have drifted out there from just about anywhere: Chioggia, Pellestrina, even from one of the other channels if she was dumped over the side.' He paused, then added, 'The tide was running strong last night because of the full moon, and it was running out when they found her, so she was headed out to sea. That would make it more unlikely that she'd be found.'
'I won't know when she died until later this morning, after I talk to Rizzardi,' Brunetti said.
Bonsuan indicated that he had heard. 'If she was in the water for a long time, then whoever did it probably just tossed her in, not planning much of anything. But if she wasn't dead a long time, then they threw her in some place where they knew the tide would pull her out into the Adriatic. If she got caught in the bottom of the channel, then there wouldn't have been much of her left when she got there: the tides are strong, and she'd be moving quickly. A lot of her would have been pulled off by the stones down there.'
Bonsuan saw the look his superior gave him. 'It's not my doing, sir. It's just the way the tides work.'
Brunetti thanked him for the information, made no comment on Bonsuan's casual assumption that she had been murdered, and went back up to his own office to wait for it to be time to call Rizzardi.
The doctor, however, called him first to tell him that the cause of death was simple drowning, in salt water.
'Could someone have drowned her?' he asked.
Rizzardi's answer took a moment to come. 'Possibly. All they'd have to do is push her in from a boat or take her into the water and hold her down. There were no recent signs that she had been tied up.'
Before Brunetti could ask about that, the pathologist added, 'From a gynaecological point of view, she was interesting.'
'Why?'
"There are signs that, at one time or another, she'd had most of the major venereal diseases, and there are signs of at least one abortion.'
'She was an addict for years,' Brunetti said. Rizzardi grunted, as though that fact were so obvious as barely to merit mention. 'And, it seems, a prostitute.'
'That's what I would have guessed,' Rizzardi observed with a neutrality that reminded Brunetti of how much he liked the doctor, and why.
Brunetti went back to the question he had not been able to ask. 'You said there were no recent signs that she had been tied up. What does that mean?'
There was a long hesitation but at last the pathologist said, 'There are signs of binding on the upper arms and ankles. So I'd guess that whoever she was with most recently, if she had a steady man, was interested in rough stuff.'
'What do you mean, "rough stuff?" Rape?'
'No,' Rizzardi's answer was immediate.
'Then what else? What else can it be?'
'If sex is rough, it's not necessarily rape,' Rizzardi said with sufficient asperity to leave Brunetti waiting for a terse, 'Commissario' at the end of the sentence.
"Then what's rape?' Brunetti asked.
'If either partner is unwilling, then it's rape.'
'Either?'
Rizzardi's voice softened, 'We live in different times, Guido. The days are gone when rape was something that happened only between a violent man and an innocent woman.'
Brunetti, father of a teenage daughter, was curious to hear what Dottor Rizzardi had to say on the subject, but he couldn't see how this would advance his investigation and so he let it go and asked, 'When did it happen?'
'I'd guess it was two days ago, some time Friday night.'
'Why?'
'Just believe me, Guido. This isn't television, where I have to talk about the contents of her stomach or the amount of oxygen in her blood. Two days ago,' he repeated, 'probably in the evening, after ten or so. Just believe me and believe it will stand up in court.'