Seduction: A Novel of Suspense (22 page)

The gibbous moon offered more than enough light to guide me on the short walk to the shore. I strode down the slipway and headed north. I’d been walking for about fifteen minutes when a bank of heavy clouds drifted by and shrouded my heavenly lantern, casting me in a deeper darkness.

As I passed by the rocky promontory where I often sat to look out at the sea and gaze at France, I could make out a young man sitting on my usual perch.

He saw me too, for he called down.
May I join you, Monsieur Hugo?
He spoke French in a voice that was familiar though I couldn’t place him.

“Yes, of course,” I answered. Even if I hadn’t wanted company—which I didn’t—there was little I could do to stop a stranger from walking with me on the public beach.

Moments later he emerged from the shadows just as the moon did the same and shone down on him. Not tall but slim, he was dressed in a well-cut dark suit. His hair was black and thick and wavy and curled on the back of his neck. His almond-shaped eyes were a very light brown, almost golden, unblinking and mysterious. His strong cheekbones and refined nose were perfectly proportioned. His mouth was full and red. His beauty was almost feminine and mesmerizing.

“Do we know each other?” I asked.

We do.
But then instead of giving me his name, he said,
You may have what you want, you know. It’s yours for the asking.

I was put off by the cryptic comment and toyed with saying so. But that would have been rude, and I was, I admit, curious, so I played along. To this day I wish I hadn’t. If I had paid attention the kernel of suspicion in my belly . . .

“What do you mean, I may have what I want? Pertaining to what?”

You may have all that you seek. I can create the reality you crave so very much.

“But you are a stranger to me—why would you help me?”

I’m not a stranger. I am known to you.

No, I didn’t know these features. Not the nose, chin, forehead and lips, all so finely sculpted. Not the long, black curls, or dark eyelashes that fringed the topaz eyes. His attitude, attire, vocabulary and the timbre of his voice suggested he’d been raised in the upper echelons of society, attended the finest schools and been taught by the most learned of men. But I did not recognize him.

Don’t gaze upon my visage to know me.
He waved his arm in a graceful, almost royal gesture.
Just listen to my voice, Hugo. We were just together an hour ago and yet you do not recognize me?

“Confound you! What is your name?”

I am the Shadow of the Sepulcher.

I stopped midstep. “The waves are loud,” I suggested. “I believe I have misunderstood your name.”

No, Monsieur Hugo, you heard me. The Shadow of the Sepulcher. The archangel Lucifer.

“A spirit cannot be made flesh.” Emboldened by my anger at whichever member of my family or friends had decided to play this game with me, I reached out for the man’s lapel, to pull him toward me, to insist he reveal his true identity. But he was quicker than I, and stepped back so my hand merely waved through the air. Touching nothing.

He laughed and the ghostly sound traveled out to the sea and was lost in the roar of the waves.
You cannot touch me, sir. I am not flesh but a manifestation of your desire. Even so, I can deliver that which you want more than your life itself.

“And what is that?”

To bring your daughter back from the dead.

“That is not possible. You speak blasphemy.”

I told you when first we communicated: for a price all things are possible.

“A bargain with the devil? Is this not a cliché? You expect me to believe such foolishness? Indeed this is a joke. Well played, young man.” I relaxed as I realized the folly of it all. “But somewhat in poor taste, I must say. And nothing I find funny. Whoever put you up to this has a perverted sense of humor.”

I turned on my heel and walked away from him in the direction from which I had come.

With some trick of speed and using the darkness to his advantage, he was now suddenly in front of me.

I beseech you, do not squander this opportunity, Hugo. The window during which we can accomplish this goal is narrow.

Up ahead on the beach, I saw a speck of someone walking my way. I took out my watch. Nine o’clock. The time your duties with my mistress were completed.

This is the hour she takes her own nightly walk with the dead. She is so lovely,
the man beside me said.
But very sad. She seems not to have the strength to distract herself as most mortals do.

“Do you know her?” I asked.

I can help her,
he said, not answering my question.

“How can you do that?”

I can provide her with what she wants.

“More of this game?”

It is not a game. I implore you to believe me.

“Well, then, how can you give her what she wants?”

Until I know you have accepted my offer, I cannot share that.

“No surprise there, since this is nothing but an elaborate ruse.”

I think you will come to regret your dismissal of me.

“What an impertinent position to take,” I said.

I made you this offer already once, and you rejected me. Pray be careful.

We were still walking, getting closer to you, and I wanted to be done with this joker before we reached you.

“I am not aware of what offer you are referring to.”

I put the child you found in the castle. You wound up a hero but still bereft. If you’d done what I suggested, you would have been a happier one.

“This is all ridiculous.”

O ye of little faith.

“Clichés you give me again? Your words are less than inspired.”

You wound me, monsieur.

“Then forgive me for appreciating more sophisticated writing.”

Perhaps you might write me some words,
he suggested.

I laughed at the preposterous idea. “You could not afford me.”

Ah, but I could.
His golden eyes bored deep into mine, and I was suffused with a sense of hope that was unlike anything I had known.

You’re feeling something, aren’t you?
he asked.

I didn’t trust him. I didn’t respond.

Do you believe what occurs during the séances you attend?
he asked.

“I do not
not
believe. Absence of proof is proof of nothing.”

But you have proof.
He gestured to you—only a few meters away now—up the beach. You’d stopped and were watching us, waiting for us to reach you.

You will walk with Fantine now?
he asked.

I was startled he knew your name but then realized whoever had asked him to play this prank would have schooled him well, and you were, after all, my mistress’s maid.

“Perhaps,” I said.

Be kind to her.

“How impertinent of you. What do you know of her?”

I know how torn her soul is. Even more ripped apart than yours, Hugo. Even than yours,
he said and turned away from me toward an outcropping of rocks.

“There’s no exit that way,” I called out. “You need to go right or left.” But he kept walking. In the impossible direction, as if he were walking right into the rock face. I waited and watched, but he didn’t come back out.

“Who were you calling out to?”

I turned. You had walked up behind me. But I hadn’t heard you approach.

“That young man. Didn’t you see him?”

“A man?”

“Yes. I’ve been talking to him for the last half hour. I walked down this whole stretch of beach with him.”

“Monsieur Hugo, I’ve been watching you for at least the last five minutes as you walked this way. There was no one with you.”

“It must have been a trick of light that cast him in shadow,” I said, and shivered at the word I’d chosen to use. “It was an unpleasant and annoying conversation, but it was a conversation.”

“Look.” You were pointing down at the sand in the direction from which I’d just approached. “Look,” you repeated. “There is only one set of footprints. No one was with you. You were quite alone.”

Theo was waiting for Jac outside the hotel just before noon the next day. Once she was settled in the car, he showed her a map with black hand-drawn lines that divided it into quadrants.

“I’ve spent the last few weeks taking it in sections, walking the cliffs up and down, looking for any opening that might lead to Lucifer’s Lair. But I’ve come up empty-handed. I don’t expect there will be an actual spot with that name. More likely it was a phrase the poet came up with himself. Still, I was hoping the shoreline’s configuration or the look of a cave would offer up a clue. But there hasn’t been anything.”

“Have you researched any older maps dating back to the Hugo years?”

“I didn’t think of that.”

“Maybe there was an area called Lucifer’s Lair, when Hugo lived here, that has since changed names. Is there a library on the island where we can find old maps?”

“No need for that.” As Theo drove, he explained. “In the late nineteen twenties my grandfather’s art collection outgrew being a hobby and turned into a side business. He bought an abandoned fire-control tower, had it renovated and set up shop. While he ran the bank with one of his brothers, he ran the gallery with his wife.”

He turned down a road and headed toward the cliffs.

“I’m not sure how much of Jersey’s history you are familiar with, but during World War II our island was invaded by and occupied by the Germans. It was, according to what I’ve been told, a dismal time for the natives. Many people quietly tried to help the Jews who lived here. Including my grandfather. He let all his clients know he’d safeguard their art and protect it from the Nazis.”

“How did he do that?”

“I’m about to show you.”

The road had dead-ended in dirt. In front of them was a seemingly endless vista of sea. To the right an outcropping of cliffs, and rising out of them, constructed of the same rock, was a tower. If not for the windows cut into its surface, it might have been another cliff.

On the front, to the right of the door, was a plaque—copper turned green—that read Gaspard Gallery.

Theo opened the door. There was no artwork in the entranceway, just a glass Art Deco desk and an aluminum chair, now empty. To the right was a staircase going up, to the left, one going down. Above she glimpsed large canvases painted with tantalizing colors. Below she saw gold frames and the reflection of glass. At the same time she smelled the odors typically associated with an art gallery that did some restoration and framing: oily paints, fresh-cut timber, shellac and the tang of turpentine. And the woodsy smell of aging paper.

All suggesting long-forgotten treasures waiting to be discovered.

“Paintings and sculpture are upstairs. Down here is our ephemera collection of old posters and maps. This is what he did to help the Jews.”

“I don’t understand.”

“To hide the artwork that the Nazis might have confiscated, my grandfather took the paintings out of their frames, covered them with maps, reframed them and hung them here, and in Wells in Wood. Quite a few more were hung in the bank. No one paid any attention to old maps of Jersey.”

Jac walked through the three rooms that made up the downstairs gallery, inspecting the maps on the wall. “And now? What’s behind these maps?”

“Nothing. After the war was over, my grandfather extracted the paintings and put them in the bank’s vault with the intention of returning every treasure to its rightful family.” He stopped beside a large flat file cabinet. “What year’s maps do we want to look at?”

“Based on the 1855 date of the letter, I’d say those created after 1850 and before 1860.”

Theo knelt down, opened one of the drawers and began pulling out the maps. He took all six and spread them out on a long oak table. There were four original hand-colored, hand-drawn maps and two that were printed.

“Did your grandfather manage to return all the paintings?”

He shook his head. “Only about half. By the time the war was over, some of the owners had moved or died—many were killed in the Holocaust. Records had been lost. There needed to be incontrovertible proof of ownership. It’s actually how I met my wife. She was an expert in art restoration and came to the island on behalf of a client, then wound up staying to take over the recovery project and . . .” He stopped speaking suddenly, bent over the maps and began to look at them intently. Jac wasn’t sure if something had really caught his interest or if he were just averting his gaze so she couldn’t see him.

“You’ve really had a hard time, haven’t you?” she asked.

He nodded and then did look up at her. She could see the grief in his eyes. This was only the second time he’d mentioned his wife. And other than Malachai saying it had been an accident, Jac still didn’t know how she died.

“Thank you for coming,” Theo said.

Regardless of what happened with the Druid find, Jac was glad she’d come. It felt right to be here with him—with someone who was as lost in his way as she was in hers. The strange bond she’d had with this man years ago when he was a sullen teenager was still there. She didn’t quite know who he’d become, but they’d once started to help each other. Maybe they could finish that job now.

“Okay, let’s get a look,” she said. “If we spot anything on these old maps, we can compare it to what is now on the current map.” A few
minutes passed. “What is this place called Devil’s Hole?” Jac asked. “That sounds promising.”

“It’s a crater originally called the Spiral Cave. About thirty meters across and sixty meters deep. During a shipwreck in 1851 the vessel’s figurehead wound up washing inside. It was recarved by a local artist to resemble a devil, hence the name. It was my first thought when I found the letter. But sadly there’s no way Hugo could have hidden anything there. One of the caveats is the area had to be accessible by foot without too much arduous climbing. Hugo was in his early fifties at the time.”