Selected Stories (8 page)

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Authors: Katherine Mansfield

Tags: #Fiction classics

. . . Of course, I couldn't. I had my young ladies. And what would I have looked like perched up there in my uniform? But all the rest of the day it was donkeys—donkeys on the brain with me. I felt I should have burst if I didn't tell someone; and who was there to tell? But when I went to bed—I was sleeping in Mrs. James's bedroom, our cook that was, at the time—as soon as the lights was out, there they were, my donkeys, jingling along, with their neat little feet and sad eyes. . . . Well, madam, would you believe it, I waited for a long time and pretended to be asleep, and then suddenly I sat up and called out as loud as I could,
“I do want to go on a donkey. I do want a donkey-ride!”
You see, I had to say it, and I thought they wouldn't laugh at me if they knew I was only dreaming. Artful—wasn't it? Just what a silly child would think. . . .

. . . No, madam, never now. Of course, I did think of it at one time. But it wasn't to be. He had a little flower-shop just down the road and across from where we was living. Funny—wasn't it? And me such a one for flowers. We were having a lot of company at the time and I was in and out of the shop more often than not, as the saying is. And Harry and I (his name was Harry) got to quarrelling about how things ought to be arranged—and that began it. Flowers! you wouldn't believe it, madam, the flowers he used to bring me. He'd stop at nothing. It was lilies-of-the-valley more than once, and I'm not exaggerating! Well, of course, we were going to be married and live over the shop, and it was all going to be just so, and I was to have the window to arrange. . . . Oh, how I've done that window of a Saturday! Not really, of course, madam, just dreaming, as you might say. I've done it for Christmas—motto in holly, and all—and I've had my Easter lilies with a gorgeous star all daffodils in the middle. I've hung—well, that's enough of that. The day came he was to call for me to choose the furniture. Shall I ever forget it? It was a Tuesday. My lady wasn't quite herself that afternoon. Not that she'd said anything, of course; she never does or will. But I knew by the way that she kept wrapping herself up and asking me if it was cold—and her little nose looked . . . pinched. I didn't like leaving her; I knew I'd be worrying all the time. At last I asked her if she'd rather I put it off. “Oh no, Ellen,” she said, “you mustn't mind about me. You mustn't disappoint your young man.” And so cheerful, you know, madam, never thinking about herself. It made me feel worse than ever. I began to wonder . . . then she dropped her handkerchief and began to stoop down to pick it up herself—a thing she never did. “Whatever are you doing!” I cried, running to stop her. “Well,” she said, smiling, you know, madam, “I shall have to begin to practise.” Oh, it was all I could do not to burst out crying. I went over to the dressing-table and made believe to rub up the silver, and I couldn't keep myself in, and I asked her if she'd rather I . . . didn't get married. “No, Ellen,” she said—that was her voice, madam, like I'm giving you—“No, Ellen, not for the
wide world
!” But while she said it, madam—I was looking in her glass; of course, she didn't know I could see her—she put her little hand on her heart just like her dear mother used to, and lifted her eyes. . . . Oh,
madam
!

When Harry came I had his letters all ready, and the ring and a ducky little brooch he'd given me—a silver bird it was, with a chain in its beak, and on the end of the chain a heart with a dagger. Quite the thing! I opened the door to him. I never gave him time for a word. “There you are,” I said. “Take them all back,” I said, “it's all over. I'm not going to marry you,” I said, “I can't leave my lady.” White! he turned as white as a woman. I had to slam the door, and there I stood, all of a tremble, till I knew he had gone. When I opened the door—believe me or not, madam—that man
was
gone! I ran out into the road just as I was, in my apron and my house-shoes, and there I stayed in the middle of the road . . . staring. People must have laughed if they saw me. . . .

. . . Goodness gracious!—What's that? It's the clock striking! And here I've been keeping you awake. Oh, madam, you ought to have stopped me. . . . Can I tuck in your feet? I always tuck in my lady's feet, every night, just the same. And she says, “Good night, Ellen. Sleep sound and wake early!” I don't know what I should do if she didn't say that, now.

. . . Oh dear, I sometimes think . . . whatever should I do if anything were to . . . But, there, thinking's no good to anyone—is it, madam? Thinking won't help. Not that I do it often. And if ever I do I pull myself up sharp, “Now then, Ellen. At it again—you silly girl! If you can't find anything better to do than to start thinking . . .!”

MR. AND MRS. DOVE

Of course he knew—no man better—that he hadn't a ghost of a chance, he hadn't an earthly. The very idea of such a thing was preposterous. So preposterous that he'd perfectly understand it if her father—well, whatever her father chose to do he'd perfectly understand. In fact, nothing short of desperation, nothing short of the fact that this was positively his last day in England for God knows how long, would have screwed him up to it. And even now . . . He chose a tie out of the chest of drawers, a blue and cream check tie, and sat on the side of his bed. Supposing she replied, “What impertinence!” would he be surprised? Not in the least, he decided, turning up his soft collar and turning it down over the tie. He expected her to say something like that. He didn't see, if he looked at the affair dead soberly, what else she could say.

Here he was! And nervously he tied a bow in front of the mirror, jammed his hair down with both hands, pulled out the flaps of his jacket pockets. Making between £500 and £600 a year on a fruit farm in—of all places—Rhodesia. No capital. Not a penny coming to him. No chance of his income increasing for at least four years. As for looks and all that sort of thing, he was completely out of the running. He couldn't even boast of top-hole health, for the East Africa business had knocked him out so thoroughly that he'd had to take six months' leave. He was still fearfully pale—worse even than usual this afternoon, he thought, bending forward and peering into the mirror. Good heavens! What had happened? His hair looked almost bright green. Dash it all, he hadn't green hair, at all events. That was a bit too steep. And then the green light trembled in the glass; it was the shadow from the tree outside. Reggie turned away, took out his cigarette-case, but remembering how the mater hated him to smoke in his bedroom, put it back again and drifted over to the chest of drawers. No, he was dashed if he could think of one blessed thing in his favour, while she . . . Ah! . . . He stopped dead, folded his arms, and leaned hard against the chest of drawers.

And in spite of her position, her father's wealth, the fact that she was an only child and far and away the most popular girl in the neighbourhood; in spite of her beauty and her cleverness—cleverness!—it was a great deal more than that—there was really nothing she couldn't do; he fully believed, had it been necessary, she would have been a genius at anything—in spite of the fact that her parents adored her, and she them, and they'd as soon let her go all that way as . . . In spite of every single thing you could think of, so terrific was his love that he couldn't help hoping. Well, was it hope? Or was this queer, timid longing to have the chance of looking after her, of making it his job to see that she had everything she wanted, and that nothing came near her that wasn't perfect—just love? How he loved her! He squeezed hard against the chest of drawers and murmured to it, “I love her, I love her!” And just for the moment he was with her on the way to Umtali. It was night. She sat in a corner asleep. Her soft chin was tucked into her soft collar, her gold-brown lashes lay on her cheeks. He doted on her delicate little nose, her perfect lips, her ear like a baby's and the gold-brown curl that half covered it. They were passing through the jungle. It was warm and dark and far away. Then she woke up and said, “Have I been asleep?” and he answered, “Yes. Are you all right? Here, let me—” And he leaned forward to . . . He bent over her. This was such bliss that he could dream no further. But it gave him the courage to bound downstairs, to snatch his straw hat from the hall, and to say as he closed the front door, “Well, I can only try my luck, that's all.”

But his luck gave him a nasty jar, to say the least, almost immediately. Promenading up and down the garden path with Chinny and Biddy, the ancient Pekes, was the mater. Of course Reginald was fond of the mater and all that. She—she meant well, she had no end of grit, and so on. But there was no denying it, she was rather a grim parent. And there had been moments, many of them, in Reggie's life, before Uncle Alick died and left him the fruit farm, when he was convinced that to be a widow's only son was about the worst punishment a chap could have. And what made it rougher than ever was that she was positively all that he had. She wasn't only a combined parent, as it were, but she had quarrelled with all her own and the governor's relations before Reggie had won his first trouser pockets. So that whenever Reggie was homesick out there, sitting on his dark veranda by starlight, while the gramophone cried, “Dear, what is Life but Love?” his only vision was of the mater, tall and stout, rustling down the garden path, with Chinny and Biddy at her heels. . . .

The mater, with her scissors outspread to snap the head of a dead something or other, stopped at the sight of Reggie.

“You are not going out, Reginald?” she asked, seeing that he was.

“I'll be back for tea, mater,” said Reggie weakly, plunging his hands into his jacket pockets.

Snip. Off came a head. Reggie almost jumped.

“I should have thought you could have spared your mother your last afternoon,” said she.

Silence. The Pekes stared. They understood every word of the mater's. Biddy lay down with her tongue poked out; she was so fat and glossy she looked like a lump of half-melted toffee. But Chinny's porcelain eyes gloomed at Reginald, and he sniffed faintly, as though the whole world were one unpleasant smell. Snip went the scissors again. Poor little beggars; they were getting it!

“And where are you going, if your mother may ask?” asked the mater.

It was over at last, but Reggie did not slow down until he was out of sight of the house and half-way to Colonel Proctor's. Then only he noticed what a top-hole afternoon it was. It had been raining all the morning, later summer rain, warm, heavy, quick, and now the sky was clear, except for a long tail of little clouds, like ducklings, sailing over the forest. There was just enough wind to shake the last drops off the trees; one warm star splashed on his hand. Ping!—another drummed on his hat. The empty road gleamed, the hedges smelled of briar, and how big and bright the hollyhocks glowed in the cottage gardens. And here was Colonel Proctor's—here it was already. His hand was on the gate, his elbow jogged the syringa bushes and petals and pollen scattered over his coat sleeve. But wait a bit. This was too quick altogether. He'd meant to think the whole thing out again. Here, steady. But he was walking up the path, with the huge rose bushes on either side. It can't be done like this. But his hand had grasped the bell, given it a pull, and started it pealing wildly, as if he'd come to say the house was on fire. The housemaid must have been in the hall, too, for the front door flashed open, and Reggie was shut in the empty drawing-room before that confounded bell had stopped ringing. Strangely enough, when it did, the big room, shadowy, with someone's parasol lying on top of the grand piano, bucked him up—or rather, excited him. It was so quiet, and yet in one moment the door would open, and his fate be decided. The feeling was not unlike that of being at the dentist's; he was almost reckless. But at the same time, to his immense surprise, Reggie heard himself saying, “Lord, Thou knowest—Thou hast not done
much
for me. . . .” That pulled him up; that made him realise again how dead serious it was. Too late. The door-handle turned. Anne came in, crossed the shadowy space between them, gave him her hand, and said, in her small, soft voice, “I'm so sorry, father is out. And mother is having a day in town, hat-hunting. There's only me to entertain you, Reggie.”

Reggie gasped, pressed his own hat to his jacket buttons, and stammered out, “As a matter of fact, I've only come . . . to say good-bye.”

“Oh!” cried Anne softly—she stepped back from him and her grey eyes danced—“what a
very
short visit!”

Then, watching him, her chin tilted, she laughed outright, a long, soft peal, and walked away from him over to the piano, and leaned against it, playing with the tassel of the parasol.

“I'm so sorry,” she said, “to be laughing like this. I don't know why I do. It's just a bad ha-habit.” And suddenly she stamped her grey shoe, and took a pocket-handkerchief out of her white woolly jacket. “I really must conquer it, it's too absurd,” said she.

“Good heavens, Anne,” cried Reggie, “I love to hear you laughing! I can't imagine anything more—”

But the truth was, and they both knew it, she wasn't always laughing; it wasn't really a habit. Only ever since the day they'd met, ever since that very first moment, for some strange reason that Reggie wished to God he understood, Anne had laughed at him. Why? It didn't matter where they were or what they were talking about. They might begin by being as serious as possible, dead serious—at any rate, as far as he was concerned—but then suddenly, in the middle of a sentence, Anne would glance at him, and a little quick quiver passed over her face. Her lips parted, her eyes danced, and she began laughing.

Another queer thing about it was, Reggie had an idea she didn't herself know why she laughed. He had seen her look away, frown, suck in her cheeks, press her hands together. But it was no use. The long, soft peal sounded, even while she cried, “I don't know why I'm laughing.” It was a mystery. . . .

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