Read Serendipity and Me (9781101602805) Online
Authors: Judith Roth
Serendipity
&
Me
BY
Judith L. Roth
Viking
An Imprint of Penguin Group (USA) Inc.
Viking
Published by the Penguin Group
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Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England
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First published in the United States of America by Viking, a division of Penguin Young Readers Group, 2013
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Copyright © Judith L. Roth, 2013
All rights reserved
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The three poems quoted in Serendipity and Me, “The Look,” “I Shall Not Care,”
and a section from “A November Night,” come from the collection Love Songs,
by Sara Teasdale (New York: The Macmillan Company, 1917).
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Library of Congress Cataloging-in-Publication Data
Roth, Judith L.
Serendipity and me / by Judith L. Roth.
p. cm.
Summary: “Sara and her father start to heal from her mother's death when a white kitten lands on their doorstep”âProvided by publisher.
[1. Novels in verse. 2. GriefâFiction. 3. LonelinessâFiction. 4. CatsâFiction. 5. AnimalsâInfancyâFiction. 6. Fathers and daughtersâFiction.] I. Title.
PZ7.5.R74Se 2013 [Fic]âdc23 2012014395
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ISBN 978-1-101-60280-5
All rights reserved. No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the author's rights. Purchase only authorized editions.
FOR MARC
, in gratitude and loveâfrom that first
dorm kitty to children, grown, our life together
has been a blessing. . . .
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I remember
my mom quoting
“The fog comes
on little cat feet”
And my dad replying
“More like big elephant feet”
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because the fog here
in Central California
is a dense gray wall
that bellows in its silence
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Tule
sounds like
toolie
named for grass
growing in wetlands
where this fog forms
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Tule
sounds like
boonies
like out in the boonies
where this fog is thickest
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like out in the Tule boonies
where my mom
was lost to me
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forever
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It starts as a tickle
in the back of my throat.
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But I can't pay attention
because Mrs. Detweiler
(the other sixth-grade teacher, not mine)
is going over prerehearsal notes,
is saying,
Channel your mother, Sara,
thinking she's being cute
because you only channel someone
who's dead.
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She doesn't know, I guess.
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My teacher shoots her a look
and tells me,
Just be gentle
when you tuck in the Lost Boys. . . .
Wendy is very nurturing.
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I look down at Miss Conglin from the stage
and put my hand on my neck
that feels wider than usual.
Put my hand on my neck
where my throat feels
like it's swallowing knives
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and wish someone
was mothering me.
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Today is Monday of our
last week of rehearsing
before the performance
Saturday night.
Our first day for dress rehearsal. . . .
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I am in a nightgown
in front of Garrett.
It is long and thick and white
and buttoned high on my neck.
But still . . .
it is a little embarrassing.
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He sees me blush and says,
Are you kidding me?
So you're in a nightgownâ
I have to wear freaking tights!
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And just like that
he gets me smiling again.
He sees the smile and jumps into
his Peter Pan pose,
fists on hips
and chest held high.
How clever I am!
he quotes from his lines.
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And I am about to give him
a gentle Wendy-bashing
but I am too tired
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and it's not the nightgown
that's making me feel sleepy.
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