She breathed in the thick, heady smell of jasmine and honeysuckle, relaxing already as she opened the front door, and de-activated the alarm.
Then the phone rang.
It was her mobile. She reached into her limited-edition Fendi Spy Bag and fished it out. The ringtone was 'I Will Survive', Gloria Gaynor's classic anthem of feminine defiance. It was only later that she realized how much of a grim irony there was in this.
The screen said 'Anonymous Call' and, though she never liked answering her phone to anyone she couldn't identify, she also knew that it was possible it was business, even at this hour, and Andrea never said no to business, particularly when the market was as tough as it was at the moment. Opening the door and stepping into her empty hallway, she put the phone to her ear. 'Hello, Andrea Devern.'
'We have your daughter.'
The words were delivered in a high-pitched, artificial voice which sounded vaguely like a man impersonating a woman.
At first she thought she'd misheard, but in the slow, heavy silence that followed, the realization dawned on her like an approaching wave, getting bigger and bigger. 'What . . . ? What do you mean?'
'We have your daughter,' repeated the caller, and now she could tell that he was using something to disguise his voice. 'She's not there, is she? Look around. Can you see her?' His tone was vaguely mocking.
Andrea looked around. The hallway was bathed in gloom, the rooms leading off it silent. There was no one here. She felt a rising sense of helpless panic, and fought to keep herself calm.
'You can't see her, can you? That's because we have her, Andrea. And if you ever want to see her again, you'll do exactly as you're told.'
Andrea felt faint. Needing some kind of support, she leaned back against the front door, her movement clicking it shut. Keep calm, she told herself. For God's sake, keep calm. If they're phoning you, then it's got to be a good sign. Surely? 'What do you want?' she whispered, her whole body tensing as she waited for the answer.
'Half a million pounds in cash.'
'I haven't got that sort of money.'
'Yes, you have. And you're going to get hold of it for us as well. You've got exactly forty-eight hours.'
'Please, I'm going to need longer than that . . .'
'There's no compromise. You have to get us that money.'
Andrea began to shake. She couldn't believe this was happening. One minute she'd been thinking about winding down after her meeting, the next she was plunged into a crisis involving the most precious person in the world to her: Emma, her only daughter. She exhaled slowly. It was still possible this was some kind of hoax. 'How do I know you're not lying?' she asked.
'Do you want to hear your daughter scream?' replied the caller matter of factly.
Oh, Jesus, no.
'Please, for God's sake, don't do anything to her. Please.'
'Then do exactly as we say, and don't ask stupid questions. Otherwise we really will make her scream.'
'She's fourteen years old, for Christ's sake! What sort of animal are you?'
'One who doesn't care,' he snapped. 'Do you understand that? I don't give a toss.' His tone became more businesslike. 'So listen closely. It's
five to nine now. At nine o'clock on Thursday, in forty-eight hours' time, you're going to receive a phone call on your landline. At that point, you'll have the half a million ready in used notes, denominations of fifties and twenties. Do you understand that?'
Andrea cleared her throat. 'Yes,' she said.
'You'll be told where and when to deliver it. As soon as we've received it, you get her back.'
'I want you to let me speak to her now. Please.'
'You'll speak to her when we're ready.'
'No.'
'No? I'm afraid you're not in any position to argue with us. We have your child, remember?'
She took a deep breath. 'Please. Let me speak to her. I need to know she's okay.'
'You can speak to her next time we call. When you have the money.'
'How do I know she's even alive?' she shouted, determined not to cry even though she felt the tears stinging her eyes.
'Because,' said the caller calmly, 'she's no use to us dead. Now go and get that money, Andrea. Then you can speak to her. And don't even think about going to the police. Because if you do, we'll know about it. We're watching you. The whole time. The first sign of the police and
Emma dies. Slowly and painfully.' There was a pause. 'Nine o'clock Thursday night. Be ready.' The line went dead.
For several seconds Andrea remained frozen to the spot, the shock of what was happening still seeping through her system. Someone had taken her daughter. Her lively, pretty fourteen-year-old girl who did well at school and who'd never hurt anyone. A complete innocent. Her poor baby must be absolutely terrified. 'Please don't hurt her,' Andrea whispered aloud, her words sounding hollow in the empty hallway.
Andrea Devern was a tough woman, and her life hadn't been easy. A successful, financially independent entrepreneur, she'd had to fight hard to get to the position where she was now. She'd taken one hell of a lot of knocks on the way, knocks that would have finished a lot of other, more privileged people, and she'd always held firm. But nothing could have prepared her for this. Emma was Andrea's world, no question, and to think of her now, trapped and frightened, with no understanding of what was going on, filled her with a helpless dread. And that was the worst part . . . The sheer helplessness. Her daughter was missing, and there was absolutely nothing she could do.
Except satisfy the demands of the anonymous caller, and find him half a million pounds.
My only child . . . If anything happens to her . . .
She flicked shut the phone and walked into the kitchen, the heels of her court shoes clicking loudly on the mahogany floorboards. She grabbed a glass from one of the cupboards and filled it with water from the tap, then drained it in one go.
She had to keep calm, but it was hard when you were alone. And that was when her thoughts turned to Pat.
Pat Phelan. Andrea's husband of two years, and Emma's stepfather. Charming, good-looking and five years younger than her, she'd been infatuated with him when they'd met. A whirlwind romance had been followed by a marriage barely four months later. Her mother had described her as a 'fool' and Pat as a 'ne'er do well'. At the time Andrea had thought her mother was being short-sighted, and maybe even a little jealous, but in recent months she'd begun to get the first hints that maybe the old woman, spiteful as she'd always been, had a point after all. After all, it takes one to know one.
She needed Pat now, more than she ever had.
So where the hell was he?
She re-filled the water glass and swallowed another couple of large gulps, then walked over
to the landline and punched in the number of his mobile. Pat didn't work. He was between jobs. It seemed he'd been between jobs pretty much ever since they'd met. His trade, if you could call it that, was bar work. He'd been working in a bar in Holborn when she'd first seen him. A month later he'd had an argument with the owner, and the job was history. He tended to be something of a house husband now. He ferried Emma to and from school most days, and picked her up from friends' houses when Andrea was at work, but more and more in the evenings he liked to go out for a couple of drinks at the local pub, or to one of his old haunts down the road in Finchley, which was where he'd been brought up. Sometimes he didn't come home until well after she was in bed.
But the thing was, Pat didn't leave Emma alone in the house. He'd only ever go out when Andrea got back from work. It was a situation that suited her well, although occasionally she wished he'd show a bit of get up and go, and maybe secure some gainful employment.
The phone rang and rang, but Pat wasn't answering. It went to message and, keeping her voice even, Andrea left one, asking - no, telling - him to call her back as soon as possible.
She slammed the receiver back in its cradle,
cursing the fact that he hadn't picked up, then stood by the sink, her eyes closed, taking slow, deep breaths, trying to make sense of the situation she found herself in. Emma had been kidnapped by a ruthless individual who, from the way he spoke, clearly had an accomplice, or accomplices. She forced herself to look at things logically. The motive for abducting Emma was money. Which meant there was a good chance of getting her back. There had to be. Andrea knew she could raise half a million in the time given. It wouldn't be easy, but she had access to ready cash in a way that other people didn't. There were numbered accounts, and cash that had been squirrelled away far from the prying eyes of the taxman in a safety-deposit box in Knightsbridge. Probably just enough to cover this amount. If she did what she was told, and delivered the money to where they wanted it, then she'd have her daughter back. The thought filled her with relief, but it was an emotion that lasted barely seconds, because it relied on trusting Emma's kidnappers. What if they didn't release her? What if, God forbid, she was already dead? A spasm of sheer terror shot up her spine. If anything happened to Emma, she was finished. The thought of life without her was simply too much to bear.
Andrea reached into her handbag and pulled
out a cigarette, lighting it with shaking hands. She took a long drag and tried Pat's number again, but there was still no answer. She left a second, curt message: 'Call me now. It's urgent.'
She leaned back against one of the kitchen's spotless worktops. This house had been Andrea's dream home when she'd bought it five years earlier for close to a million cash, which was most of the proceeds of the 10 per cent stake she'd sold to her current business partner. It had character, space, land, everything that had been missing in the tiny post-war terrace in which she'd grown up with three brothers and a pair of warring parents. It was her and Emma's safe and private haven, where they could relax and spend time together. And yet tonight it felt alien, like a place she'd just stepped into for the very first time. Normally at this time there'd be noise: music playing from Emma's room; the tinny blare of the TV; the sounds of life. Tonight her home was dead, and she wondered whether it would ever feel the same again.
She went into the lounge and over to the drinks cabinet, avoiding turning on the lights. There were photos in here, of her and Emma - Emma as a baby; as a toddler; her first day at school. She didn't want to see them. Not now. She averted her eyes and poured herself a large brandy in the gloom, taking a big hit of it. It
didn't make her feel any better, but at the moment nothing was going to.
With the drink in one hand and a succession of cigarettes in the other, she paced the darkening house, upstairs and down, walking fast but heading nowhere, eyes straight ahead so she didn't have to see any reminder of Emma. Thinking, worrying, trying to keep a lid on the terror and frustration that infected every ounce of her being. She wondered where they'd snatched Emma, and how. There were no signs of a struggle anywhere in the house, and besides, the alarm had been on when she'd come in.
'
But they have her, Andrea
,' said a voice in her head. '
That's the only thing that matters. They have her
.'
Half an hour passed. In that time, she stopped walking only once, to re-fill her brandy tumbler, and to look out of the French windows and into the darkness beyond, wondering if even now there was someone out there watching her, checking her reactions. She pulled shut the curtains and resumed her pacing. She knew now she wouldn't be able to sleep until Emma was safe, and in her arms. In the meantime, all she could do was pace and think.
Where was Pat?
An hour passed. She called him again. Still no
answer. This time she didn't bother leaving a message. She was getting a bad feeling about this. It wasn't like him not to answer his mobile. He carried it with him everywhere. It finally occurred to her that he might be at the Eagle, a pub he often liked to drink in on his evenings out. She didn't know the number, so she looked it up in the Yellow Pages and gave them a call.
A young woman with a foreign accent answered. In the background Andrea could hear the casual buzz of conversation, and immediately felt a pang of jealousy. Sounding as casual as possible, she asked if Pat Phelan was in tonight.
'I'll ask,' the girl replied. 'Hold on, please.'
Andrea waited, the phone clutched tight to her ear.
Thirty seconds later the girl came back on the line. 'I'm afraid no one has seen him for a long time,' she said politely.
Andrea's jaw tightened. Tonight was Tuesday. Pat had told her he'd been at the Eagle the previous Friday night, and last Wednesday.
'Is that everything?' asked the girl.
'Yes,' said Andrea quickly. 'Thank you.' She hung up and stared at the phone. So Pat had been lying about his whereabouts. The question was why.
An unpleasant thought began to form in her mind. Could he possibly be involved in this? It was difficult to believe he would be. After all, they'd been together four years, and although, if she was honest, she didn't entirely trust him, particularly where other women were concerned, he'd always got on all right with Emma. They hadn't been the best of friends, and Emma had certainly not welcomed his arrival into their close family unit, but she'd come round in the end. If anything, their relations had been improving in recent months. It was too much of a step to imagine him hurting her like this, and yet . . . And yet, Pat was one of the only people in the world who knew she had cash reserves that she could call upon without attracting too much attention. Near enough half a million pounds of cash reserves, in fact. Nor was he whiter than white. He'd admitted to her that, years earlier as a young man, he'd had a few scrapes with the law, and had even served a few months for receiving stolen goods. Receiving stolen goods was a long, long way from abduction but even so, in her weakened state, the thought preyed on Andrea's mind that the man who, for all his faults, she still loved could have betrayed her so dramatically.