Shades of Grey

Read Shades of Grey Online

Authors: Clea Simon

Table of Contents

Cover

A Selection of Recent Titles by Clea Simon

Title Page

Copyright

Dedication

Acknowledgments

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-One

Chapter Twenty-Two

Chapter Twenty-Three

Chapter Twenty-Four

Chapter Twenty-Five

Chapter Twenty-Six

Chapter Twenty-Seven

Chapter Twenty-Eight

Chapter Twenty-Nine

Chapter Thirty

Chapter Thirty-One

A Selection of Recent Titles by Clea Simon

CATTERY ROW

CRIES AND WHISKERS

MEW IS FOR MURDER

SHADES OF GREY

Clea Simon

This ebook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author's and publisher's rights and those responsible may be liable in law accordingly.
First world edition published 2009
in Great Britain and in the USA by
SEVERN HOUSE PUBLISHERS LTD of
9–15 High Street, Sutton, Surrey, England, SM1 1DF.
Copyright © 2009 by Clea Simon.
All rights reserved.
The moral right of the author has been asserted.
British Library Cataloguing in Publication Data
Simon, Clea.
Shades of Grey
1.Women graduate students – Fiction 2. Animal
Ghosts – Fiction 3. Gothic novels – Fiction
4. Murder – Fiction 5. Detective and mystery stories
I. Title
813.6-dc22
ISBN-13: 978-1-78010-259-7 (ePub)
ISBN-13: 978-0-7278-6781-0 (cased)
ISBN-13: 978-1-84751-153-9 (trade paper)
Except where actual historical events and characters are being described for the storyline of this novel, all situations in this publication are fictitious and any resemblance to living persons is purely coincidental.
This ebook produced by
Palimpsest Book Production Limited,
Falkirk, Stirlingshire, Scotland.

For Jon

Acknowledgments

Many people had a hand in helping Dulcie Schwartz into the world. For their assistance with this new series, as well as with many previous projects, I would like to thank my readers Naomi Yang, Caroline Leavitt, Brett Milano, Chris Mesarch, Lisa Susser, Vicki Croke, Karen Schlosberg, and Michelle Jaeger. Ann Porter, Iris Simon, Frank Garelick, Lisa Jones, and Sophie Garelick have been tireless cheerleaders, and Colleen Mohyde of the Doe Coover Agency is everything one could want in an agent. Thanks, of course, to Amanda Stewart and the staff at Severn House, for recognizing Dulcie’s charms and helping to polish them. Jon S. Garelick has read this manuscript more times than I thought possible, and improved it every time. Thank you, love. Thank you, all.

One

‘The carving knife was the last straw.’

Stomping along the steaming sidewalk, her mood matching the thunder clouds overhead, Dulcie knew that the sentence made no logical sense. How could a knife be a straw? She could hear herself asking her students such a question, her usual wry smile softening the criticism as she urged them back on the metaphorical track.

But as she trudged toward the apartment she shared for the summer, increasingly unwillingly, with Tim, she couldn’t stop the grammatical train wreck of her thoughts.

She sighed and paused for a moment, looking around at the other drones on the street. How did they do it, day after day? A man in a suit passed her. At least he’d been able to shed his jacket, which now hung over his shoulder. No such relief for Dulcie. Pantyhose in July ought to be illegal. Had last summer been so muggy and dense?

Thirty minutes ago she’d been shivering, trapped in the recycled cold of the overly air-conditioned Priority Insurance office, like a bug in some global version of ‘contrast and compare’. She shouldn’t be temping; shouldn’t have been in that soulless place at all. Insurance. Bah! It was all numbers juggling, all about profits and odds; nothing that actually affected people. She should have been in the pleasingly cool depths of Widener Library, lost in the fogs of the northern moors. Or perhaps on a night voyage across the Carpathians in a horse-drawn carriage. At the very least, she should have her thesis topic by now. According to the terms of her biggest grant, she should be writing already. But right before the holiday break, she’d heard that summer school enrollment was down. And that meant that her teaching section was canceled. No ‘Nightmare Imagery in the Early British Novel’, and by then it was too late to grab a section of the basic required survey course, English 10, the bane of freshmen and the salvation of starving grad students. It was too late to back out of the summer sublet that had allowed Tim into her home. And although she hadn’t known it at the time, it was too late for Mr Grey.

Thoughts of her late, great cat made her stop again in the street. Mr Grey had been a stray, full-grown and sleek, when she’d found him during her freshman year. He’d been so skinny at the end, though, right after Memorial Day, the ribs obvious beneath his silky grey fur. Even before the vet told her, she knew it was the end of the line for the big cat. Still, she’d tried everything. And now, even though the vet was being super sweet about the bills, she was hundreds of dollars in debt, with no real job, and a room-mate who teased her about her still-raw grief.

That was bad enough, but then Tim had taken her knife. One of her few good cooking utensils, along with a cast-iron pan and a two-quart pot that always cleaned up well, no matter how burned, the knife had been her mother’s second best. She’d found it, just as she’d found her Wheeler Latin grammar, her new iPod earbuds, and most of her vintage soul collection, in Suze’s room – Tim’s room as it would be until Labor Day. She’d gone in to close the window during one of the summer’s many thunderstorms and found it on the carpet, coated with some dried-on grime, its edge knicked and the point slightly bent. When he’d gotten in, hours after the rain had come and gone, Tim had given her some vague excuse. Something about the window screen getting stuck and how the insulation she and Suze had put in the winter before was really a health hazard. In other words, he had implied the whole thing was her fault. It was after two by then, and Dulcie had been half asleep – and too distracted thinking about what use he’d made of her Barry White CDs to listen to details. There’d been no point. Timothy S. Worthington was a walking entitlement – the ‘S’ standing for yet another Harvard building funded by one of his ancestors – and she knew she’d never get a straight answer out of him. The knife was damaged, possibly ruined. It
had
been the last straw.

A car honked, swinging around the corner as if driven by demons, and Dulcie jumped back. How she missed Mr Grey! He’d always seemed to understand her moods, coming up with a catnip mouse when she needed distraction; sleeping quietly by her feet when she was reading or grading papers. She’d called Suze almost every night those last few weeks, and even though her friend was starting her internship with a hotshot judge, Suze had listened. Only after the latest bill came, and her mother confided in her usual dithering way that she needed a loan to keep her own power on, had Dulcie cut back. And now she was stranded, alone, and temping in downtown insurance offices until September.

The knife, as Tim would never understand, was more than a utensil. When poor old Lucy Schwartz had packed up her daughter to send her back East, she’d been at a loss as to what practical things Dulcie would need. She had spent too many years on the commune, as Dulcie still thought of the arts colony, and perhaps there had also been too many psychedelic mind excursions as well. But along with an oversized quilt, eight sweaters all hand-knitted into various shapes, and her own Riverside Shakespeare, the one-time hippie had pulled the second best of everything from her small kitchen. ‘Give me a penny for luck, dear,’ she’d insisted as she’d wrapped the long knife in newspaper for packing. ‘If you don’t “buy” it from me, it may end up hurting you.’

So Dulcie had given her mother a penny, and hadn’t looked back. Leaving the Oregon forests for the university-centered metropolis, she had found she loved the city’s bustle and diversity. Everything was businesslike here. Even her reading now had order, strengthened by the discipline of academia. And when Dulcie had discovered Gothic literature, which set its wildest imaginings against the strict conventions of the eighteenth-century novel, she knew she’d found her niche. It wouldn’t hurt if her dissertation was on something that might actually get her a teaching gig, something hot like ‘Conventions of Morality in Nineteenth-Century Clerical Verse’ or ‘Beyond the Metaphor: Physics and Metaphysics in Science Fiction’s Golden Age’. But she’d worry about the job market later. What she really needed – and soon – was a topic; that, and a few good friends, her cat, and some decent kitchenware.

Instead, she had Tim. Rounding the corner, at last, on to her block, she felt the first drop of rain. Great. But maybe if it really poured, the heat would break. Another drop. She sped up – increasing the pain of those God-awful heels. Maybe she’d treat herself to a good cry. Tim was rarely home in the early evening; the habits that had him sleeping in while she got ready for work and out by the time she arrived home were her favorite of his traits. A third drop hit her face. She definitely needed a good cry. She knew she wasn’t up to any more teasing. One more ‘it’s just a cat’ comment would lay her out. But if Tim were true to form, she would have the apartment to herself. She could collapse on to her bed in her tiny room, at the back of the top floor, that she thought of as her garret. The weather was certainly cooperating. But as she crossed the street, she was startled to see a cat on the front stoop leading up to her front door. A long-haired grey who looked startlingly like Mr Grey.

I wouldn’t go in, if I were you.
Dulcie spun around. The voice had seemed to be immediately behind her, calm and deep and right by her ear. But as she peered down the street, she couldn’t see anybody there.

I know it’s about to pour, but why don’t you hit that coffee place with the good muffins instead?
There was nobody behind her. The street was deserted. Was she hearing voices now?

Just good advice. That’s all.
The cat on the middle step was washing its face, carefully licking its left paw and then running it over each ear in turn.

‘Mr Grey?’ It made no sense. The cat kept washing, straining sideways now to get its tongue into the thick grey ruff.

Dulcie closed her eyes. The heat, grief, and these damned pantyhose. She was losing it. When she dared to look again, the cat was gone. Undoubtedly, it was a neighborhood cat, a lovely grey she’d never noticed before. Undoubtedly, it had fled the rain. Climbing the stairs, she reached for the key and noticed that the white front door was ajar.

‘Good work, Tim.’ At least, she no longer had to worry about Mr Grey getting out. She pushed the door further open and started up the steep stairs that led from the pint-sized entryway up to her second-floor living room. God, she was wiped. For a moment, she paused and thought again of Mr Grey. He’d always met her at the front door, his plume of a tail leading the way in.

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