Authors: Kelly Bingham
“I need to meet this dog of yours.
Spot.”
Justin laughs. “She’s kissing me right now.”
Justin laughing.
What a beautiful sound.
I see Mom cleaning,
cleaning,
washing and folding,
dusting. Shopping.
Guilt.
One afternoon,
while she is at work,
I try folding the laundry.
What a joke.
Wrinkled heaps, sleeves
poking sideways,
but at least Chuck is good for something —
he helps me get the shirts
on their hangers.
Taking out the trash,
I hold the bag at the top,
center,
but everything bulges out
and before I can reach the garage,
trash spills
to the ground.
Coffee grounds,
tin foil bits,
last night’s spaghetti,
bread crusts — all
lie before me
like a dare.
Michael finds me
crying in the garage,
surrounded by mess.
“It’s okay,” he says
gently, and steers me inside.
“I’ll take care of it.”
I don’t know what’s worse.
Knowing I can’t do something as simple
as take out the trash
or seeing my brother
feel sorry for me.
Rachel and I prep
for the expedition.
I try not to think
about how I felt
at the grocery store.
I try to be
a clean slate.
In my room,
I set my purse on the bed,
unzip it, fish out the wallet,
fumble around for money;
dollars wrinkle up in a wad,
coins tinkle to the floor.
“Try again,” Rachel says.
And I do.
I use Chuck to help,
but frankly, Chuck
is a pain in the ass.
He clunks, bumps, and blocks
my view.
Chuck is removed from the scene.
Rachel raises an eyebrow.
“You’re going without it?”
“No. Of course not.
But it’s in the way,” I say.
This time, I get the wad of money out,
lay it down,
extract three dollars,
set them aside.
I return the remaining bills,
somewhat crinkled,
to the pocket of the wallet.
Coins next,
raining, bouncing, thumping
off our freshly painted toenails.
Rachel draws her feet up to the bed,
fluffs up her bangs, and sighs.
“Maybe skip the change?”
“Right.” I remove one more dollar.
I hand over the money. Rachel
scoops up some littered dimes and dumps them
into my palm.
I stare at the tiny coin pocket on my wallet.
Can’t slide them in this way,
they’ll fall to the sides.
To hell with it. I slide the coins into my pocket.
“Good enough,” Rachel says.
I stand straight,
zip the purse shut.
“Order?” Rachel asks.
“Tall mocha latte, please,” I reply.
Rachel pretends to hand me a cup,
then goes into her standard
Idiot Person
imitation, hunching apelike.
“Say, what happened to your arm there?”
I almost laugh, but this is a dry run.
“I had an accident,” I say,
and practice becoming a distant
stone wall.
“Oooh, good look,” Rachel says.
“That would shut
me
down.
But you may run into a real boob
out there. What if he or she does this?
‘
Hey,
wait a sec, I know you.
You’re that girl that —’”
“Okay, I want to stop now,”
I say quickly.
“‘The shark girl!’”
Rachel crows, still in ape mode.
“‘Hey, I saw that video on —’”
“Stop it, Rachel.”
“‘Wow, that must have been weird.
Do you remember anything that —’”
“Knock it off. No one will say that.”
“‘Did you
see
the shark?’”
“It’s none of your damn business
and I would prefer you don’t ask me
such personal questions!”
We stare at each other,
shocked.
Then Rachel smiles,
and she is herself again.
“Good. I think you’re ready.”
Chuck is strapped on.
The three of us set out
for the perfect cup of java.
My knees shake,
my armpits grow wet
when we enter the coffee shop,
teeming with bodies and voices,
the clatter of humanity over
the smell of espresso and shortbread,
we’re onstage,
all the world is watching.
I’ve forgotten the script.
I grab Rachel’s elbow.
“I can’t do this. Let’s go.”
She shakes me off.
“Ten minutes,” she whispers.
“We can last ten minutes.
That’s all I ask.”
For a second, I hate her.
With alarming passion.
Deep breaths,
I think. She’s right.
Ten minutes.
We can do it.
Waiting our turn,
I whisper my line once more,
for practice.
“Tall mocha latte, please.”
My throat is so dry,
so tight,
I know one sip
will choke me.
At a table barely big enough
for two cups and a scone,
Rachel and I sit.
We don’t really talk.
I am watching the clock.
Feeling the pressure of
so many bodies, so much noise,
crushing.
Rachel seems nervous, too.
We smile thinly at each other,
and absorb.
Those girls over there,
tossing their heads
and jabbering away,
those two guys
sitting facing straight out
instead of toward each other,
talking,
laughing,
that woman reading a magazine,
sipping a chocolate drink
with cream on top
who looks at me briefly,
takes in the fake hand
and doesn’t look again,
all of them
have no idea
how whole they are,
how beautiful
and dangerous
and fragile
they are,
and that
for this moment,
they are all
safe,
on dry land.
This very thing happened to someone else.
A girl, in Hawaii.
Her arm was taken completely off.
She was back surfing a month later.
Why can’t I be like that?
I want to be like that. . . .
And I don’t.
I suck.
Everyone wants me to be brave,
to impress them with dazzling fortitude,
to give them inspiration
and smiles and a feeling of,
If
she
can do it, I can, too.
Maybe the old
If
she’s
not complaining about life,
then I won’t, either.
Because then,
everyone else gets to say,
Looking at the Shark Girl, I realize —
I’m lucky.
Well, screw that.
Complain? Yeah. The pain,
for one thing. The tingling,
the numbness, the stupid chafing.
The hot prosthesis,
the stares, the inability to do
ANYTHING normally.
Some days, I hate everyone I see.
Even babies.
How’s that for inspirational?
I must love to punish myself.
I can’t leave that
pad of paper alone.
The point of the pen
won’t travel the path
I have planned.
It oozes out of a circle,
wobbles to the left,
wanders off
in midline.
I draw shaky ovals,
crooked squares,
while the lamp on my bedside table
patiently dries out my scalp.
Maybe I’ll never get the shapes
precisely
the way I want.
Maybe
it’s all just a big,
fat joke.
But I continue,
just in case.
Dear Jane:
My Uncle/Aunt/Brother-in-Law’s Friend Had Their Leg/Foot/Toe/Finger or Hand Amputated Because of Diabetes/Frostbite/Circulation Problems/War/Job Injury, But You’d Never Know It, Because They Are So Funny/Athletic/Good-Natured/Spiritual/Successful/At Ease with Themselves/Happy.
If I have to listen to one more story,
I will scream.