Shatterday (27 page)

But there was only silence.

So he played the songs for them, because they would have spoken if they could. He knew that. And they enjoyed the music. He was a wonderful musician.

And the
shürmerkommandos
did not come.

The purple glow settled around Michel Hervé and the silent creatures watched him, and suddenly he stopped playing. They watched him for a time, but he did not seem inclined to play more, and they went away silently, one by one.

•

He dragged the canister wearily. If he had known why he was compelled to burden himself so, it might have been easier. But he had no idea. The canister had been there in the golden sand when he had drifted down through the air from the space where the peculiar passage had occurred. He had understood, without questioning, that this was a thing he had to keep with him. He even knew it was leaking death, but he had attached the rope and had assumed the burden.

And when he came to the second altar, much larger but exactly identical to the tiny one of dark stones where he had rested, he knew he should bury the canister there.

So he did, and he lay down a good distance from the leaking metal container, and he waited for someone to come and tell him what he should do. He perceived that he had no control over what was happening to him, that where he was and what it meant would probably never be revealed to him, but that he must be patient.

All through the night that stretched on without end, he waited; sometimes sleeping, sometimes letting the music have its life. And in the night the dark stones of the great altar let loose the purple glow, and he was bathed in the radiance. When he awoke, there was day all around him, and the purple glow was faintly discernible, but there was still no sun, not of any color.

But Claudeville and Bernot and little Gaston were there. They sat around him, cross-legged on the golden sand, and they waited for him to awaken. For just an instant he was happy to see them, but then he understood that they were dead, and he sat up with pain in his face.

"Now I must make the choice, is that it?" he said.

They watched him. They did not plead nor did they try by their deaths to shame him. They merely sat quietly, as the animals had sat. They presented him with the other side of the question by their presence.

"If the music, then you cannot go home, eh, Gaston, little friend? Claudeville? Bernot, I'll never smell your pipe tobacco again? Is that it? If I want to make the music?"

The glow from the altar surrounded them, because the time for making the decision was at hand.

"And what of this metal thing with the death in it? Does that come with me and my music, or does it stay here where no one will ever suffer from it?"

Spectacular runs of notes cascaded through his mind.

He began to breathe very heavily. He felt himself about to cry. He didn't want to cry; he knew what that would make him decide.

"I have no
choice," he said. "It is the music. It was always the music. Forgive me. You understand, perhaps you won't understand, but you died for something you loved, and I would do the same. But to live for it is even better."

And he made the choice, and was returned, and the dead remained dead, and the canister came soon after, but not soon enough for the
stürmerkommandos
to use it.

And he made great music for a while, for just the little while that he bought in that peculiar place of silent animals and dark stone altars. And it was
great
music, because he became a jazz legend, even with two dead fingers, and buying those few years was the only brave thing he could do.

His name was Michel Hervé and when he died, he died honorably.

This story is dedicated to the
memory of Django Reinhardt
,
the greatest jazz guitarist who
ever lived
;
and to the music
that he left us
.

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For those whose reading taste runs to
People Magazine
and
TV Guide
, whose idea of "conversation" is the self-aggrandizement and flotsam-Jetsam chitchat of The Merv Griffin Show, who cannot wait to buy books that reveal Elvis Presley was a dope addict and that Errol Flynn was a nazi spy (Jesus, do you believe
that
lunacy? Robin Hood was a Nazi spy! Gimme a break, Lord!)—for all such open receivers of meretricious, mischievous gossip who happened to wander in here, I offer the current information that my fourth marriage broke up several years ago and I am once again loose on the streets of the world.

Why does he tell us this?

I tell you this because the story you're about to read was begun on the shores of Loch Tummel in Scotland on October 12, 1975, during a stay at the Queen's View Inn while in company with Lori, whom I later married. (For historians of trivia, I asked Lori to marry me on Saturday, May 8, 1976; we were married on Saturday, June 5, 1976; she left me for Smilin' Jack on Saturday, November 20, 1976; and the divorce was effected on Wednesday March 16, 1977.)

I was in love. Apparently Lori was in love. We were in love with each other. And I began what I intended as a love story. Things began falling apart, though, even before we were married; and I wrote only three pages of the story that Sunday night at the Queen's View. The day before we'd taken the train to Edinburgh, we'd wasted most of the day sleeping in at the Portobello Hotel in London. I'd wakened several times during that lazy morning and afternoon that I'd intended to spend revisiting for the third time the Tate Gallery, and I was struck by how much valuable time is wasted in even the most adventurous and event-filled life. Thought about that, lying there staring out through the French doors at the Stanley Gardens, and went back to sleep. Woke later, more time gone, and thought about it again as a fly buzzed through our room. And slept again.

Just so are stories born. Apocryphally, on that day were sown the seeds of the dissolution of love and marriage—even then, before we were wed, it was falling apart.

And the next evening, in Scotland, where I'd longed to live for as far back as I could remember, sitting there before a roaring fireplace in the Queen's View Inn, I was overcome with the painful knowledge that I was alien to that place, that love somehow would not endure, that I could never come to make my home in Scotland, and I began the story.

I did not finish that story until September of 1978.

It was concluded in four days of sporadic writing while sitting in a plastic tent on the mezzanine of the Hyatt Regency Hotel in Phoenix, Arizona. I was engaged in two mutually contradictory activities at that time. I was the Guest of Honor at the 36th annual World Science Fiction Convention (the IguanaCon) and I was protesting Arizona's failure to ratify the Equal Rights Amendment. Quite a lot has been written about all that, and it hasn't much to do with the writing of this story, so I'll skip over it, leaving to those whose curiosity has been piqued, all the reams of copy about my subversive, fandom-destroying activities in the name of equal rights.

To the point: because I felt that too often Guests of Honor are inaccessible to the mass of attendees at such World Conventions, I arranged for the IguanaCon committee to erect a work-space in full and open view of the entire membership of the Convention. I promised to write a new story, to be taped to the wall for progressive reading as I worked, that would keep me available to the attendees but would also provide a minimal loss of writing time during that long weekend of Guest-of-Honoring.

I concluded "Count the Clock That Tells the Time" on Sunday, September 3, 1978, just a few hours before I won my seventh Hugo award for "Jeffty is Five," the story that opens this book.

I finished the story, I won another Hugo, I fulfilled my moral and ethical obligations … and I was once again alone. I low time flies when you're enjoying yourself…

When I do count the clock that tells the time,
And see the brave day sunk in hideous night;
When I behold the violet past prime,
And sable curls all silver'd o'er with white;
When lofty trees I see barren of leaves
Which erst from heat did canopy the herd,
And summer's green all girdled up in sheaves
Borne on the bier wth white and bristly beard,
Then of thy beauty do I question make,
That thou among the wastes of time must go…

WILLIAM SHAKESPEARE,
the
XIIth
Sonnet

WAKING IN THE COOL and cloudy absolute dead middle of a Saturday afternoon, one day, Ian Ross felt lost and vaguely frightened. Lying there in his bed, he was disoriented; and it took him a moment to remember when it was and where he was. Where he was: in the bed where he had awakened every day of his thirty-five-year-old life. When it was: the Saturday he had resolved to spend
doing
something. But as he lay there he realized he had come to life in the early hours just after dawn, it had looked as though it would rain, the sky seen through the high French windows, and he had turned over and gone back to sleep. Now the clock-radio on the bedside table told him it was the absolute dead middle of the afternoon; and the world outside his windows was cool and cloudy.

"Where does the time go?" he said.

He was alone, as always: there was no one to hear him or to answer. So he continued lying there, wasting time, feeling vaguely frightened. As though something important were passing him by.

•

A fly buzzed him, circled, buzzed him again. It had been annoying him for some time. He tried to ignore the intruder and stared off across Loch Tummel to the amazing flesh tones of the October trees, preparing themselves for winter's disingenuous attentions and the utter absence of tourism. The silver birches were already a blazing gold, the larches and ash trees still blending off from green to rust; in a few weeks the Norway spruces and the other conifers would darken until they seemed mere shadows against the slate sky.

Perthshire was most beautiful at this time of year. He had taken the time to learn to pronounce the names—Schiehallion, Killiecrankie, Pitlochry, Aberfeldy—and had come here to sit. The dream. The one he had always held: silent, close to him, unspoken, in his idle thoughts. The dream of going to Scotland. For what reason he could not say. But this was the place that had always called, and he had come.

For the first time in his life, Ian Ross had
done
something. Thirty-seven years old, rooted to a tiny apartment in Chicago, virtually friendless, working five days a week at a drafting table in a firm of industrial designers, watching television till sign-off, tidying the two-and-a-half rooms till every picture hung from the walls in perfect true with the junctures of walls and ceiling, entering each checkbook notation in the little ledger with a fine point ink pen, unable to remember what had happened last Thursday that made it different from last Wednesday, seeing himself reflected in the window of the cafeteria slowly eating the $2.95 Christmas Dinner Special, a solitary man, somehow never marking the change of the seasons save to understand only by his skin that it was warmer or colder, never tasting joy because he could never remember having been told what it was, reading books about
things
and
subject matter
, topics not people, because he knew so few people and
knew
none of them, drawing straight lines, feeling deserted but never knowing where to put his hands to relieve that feeling, a transient man, passing down the same streets every day and perceiving only dimly that there were streets
beyond
those streets, drinking water, and apple juice, and water, replying when he was addressed directly, looking around sometimes when he was addressed to see if it was, in fact, himself to whom the speaker was speaking, buying gray socks and white undershorts, staring out the windows of his apartment at the Chicago snow, staring for hours at the invisible sky, feeling the demon wind off Lake Michigan rattling the window glass in its frame and thinking this year he would re-putty and this year failing to re-putty, combing his hair as he always had, cooking his own meals, alone with the memories of his mother and father who had died within a year of each other and both from cancer, never having been able to speak more than a few awkward sentences to any woman but his mother … Ian Ross had lived his life like the dust that lay in a film across the unseen top of the tall wardrobe cabinet in his bedroom: colorless, unnoticed, inarticulate, neither giving nor taking.

Until one day be had said, "Where does the time go?" And in the months following those words he had come to realize he had not, in any remotely valuable manner,
lived
his life. He had wasted it. Months after the first words came, unbidden and tremulous, he admitted to himself that he had wasted his life.

He resolved to actualize at least the one dream. To go to Scotland. Perhaps to live. To rent or even buy a crofter's cottage on the edge of a moor, or overlooking one of the lochs he had dreamed about. He had all the insurance money still put by, he hadn't touched a cent of it. And there, in that far, chill place in the north he would live … walking the hills with a dog by his side, smoking a pipe that trailed a fragrant pennant of blue-white smoke, hands thrust deep into the pockets of a fleece-lined jacket. He would
live
there. That was the dream.

So he had taken the vacations he had never taken, all of them at one time, saved up from eleven years at the drafting table, and he flew to London. Not directly to Edinburgh, because he wanted to come upon the dream very slowly, creep up on it so it wouldn't vanish like a woodland elf hiding its kettle of gold.

And from King's Cross Station he had taken the 21.30 sleeper to Edinburgh, and he had walked the Royal Mile and gazed in wonder at Edinburgh Castle high on the bluff overlooking that bountiful city, and finally he had rented a car and had driven north out the Queens-ferry Road, across the bridge that spanned the Firth of Forth, on up the A—90 till he reached Pitlochry. Then a left, a random left, but not so random that he did not know it would come out overlooking the Queen's View, said to be the most beautiful view in the world, certainly in Scotland, and he had driven the twisting, narrow road till he was deep in the hills of Perth.