Shooting 007: And Other Celluloid Adventures (3 page)

Strangely enough, I still have pictures in my mind of visiting my grandparents. Ted Hodgson was a giant of a man, who to a small boy appeared to rule his household with great authority. Their home was always impeccably clean and had a strong Dickensian atmosphere: a mantelpiece with a dark green pelmet covering a highly polished black-leaded fireplace, not forgetting the traditional aspidistra plant housed in a flowered china pot – a typical feature of the time. Gas mantles complete the image – electricity had yet to arrive in their house. Ted Hodgson was king in his castle, while my grandmother Mary, a sweet kindly lady, appeared to know her place; but, again, all this was seen through young eyes.

The year 1939 saw the outbreak of war, which to a 7-year-old would mean little. To be honest, I don’t recall Lil or Alf being too concerned about it at the time; if they were, they certainly didn’t show it. Anyway, I had my own problems to deal with in the daily ritual of going to school – war or no war, nothing would change that!

Family discussions about the conflict remained frequent, where Dad would tell of his involvement in the First World War. If pressed, he would tell his part in the Battle of the Somme, his memories of the dreadful conditions in the trenches. Regrettably, I paid little attention to his wartime exploits, although it will be necessary to return to this sad history when I later discover more about my hero.

Home was a small ground-floor flat in a three-storey Victorian dwelling in Croxley Road, housing three families. The house had a small backyard with sheds for storing coal for the fires – the main source of heating in the home. In consultation with the other families, Alf built a small air-raid shelter in the yard which we could all squeeze into should it be necessary. Constructed of corrugated iron and concrete and fitted with basic wooden benches, the shelter would be strong enough to save our lives should the house be hit during the Blitz. As our family was housed on the ground floor we were also supplied with a Morrison shelter – an iron frame covering the bed with wire mesh to the sides
–
though everyone preferred to visit Alf’s work of art in the backyard.

With the Luftwaffe losing the Battle of Britain to the Royal Air Force, Hitler decided to bomb London into submission at night, the only way the Luftwaffe could protect their bombers from the British fighter pilots. This was a strange and interesting episode, if seen through young eyes. With the radar system picking up the German aircraft crossing the English Channel, an air-raid siren would tell of an imminent attack on the capital, forewarning families to rush to Alf’s safe haven. There we would all squeeze into the cramped shelter, soon to hear the pulsing sound of the German aircraft arriving above.

The bombers’ arrival automatically brought a nervous silence; no one spoke as the bombs rained down, fingers crossed as one or two exploded nearby
–
another even closer! This may seem strange, but I don’t recall ever being frightened by this: concerned possibly, interested certainly, but terrified
–
I don’t think so. Everything seemed unreal … A strange atmosphere now takes over as ladies silently pray under their breath, their moving lips betraying their inner thoughts; God’s protection was needed now more than ever! One night their prayers failed when relatives living in nearby in Woodchester Street were killed in the bombing; their home was flattened by a German bomb. My cousin Brian was the only survivor from the devastation, and he would help me later with these recollections.

The bombing of London continued, and my ninth birthday present from Hitler was the heaviest night of destruction recorded on London. As the clock passed midnight, Lil led the way with a subdued verse of ‘Happy Birthday’: a weird moment as bombs fell around us. With the sound of aircraft moving away, the tension finally started to ease, the concern now was for others with all the destruction going on around us. I leave the rest to the imagination.

When the dreaded school day was over I would amuse myself playing around on an old upright piano which, believe me, had seen better days. While my attempt at playing was not serious, I quickly mastered ‘Chopsticks’, before the reality of the night bombers returned. Self-taught, I was soon able to play the popular tunes of the day, which somehow came easily to me. ‘God’s gift’, Lil claimed, with this sudden talent emerging, and another sacrifice would be made for my piano lessons.

The selected tutor, Mr Braithwaite, was impressed with my playing by ear, but it would be a different matter when a sheet of music was placed in front of me. In spite of this, after a period of his expert tuition my never-say-die tutor was convinced that I should go the Royal Academy of Music in London and try for their junior exam. Lil was pleased that I did ‘reasonably well’, but with a changed music sheet put in front of me I was slow in transferring the challenge to the keyboard. To everyone’s surprise – not least my own – I passed the exam, if not enough to win their ‘plaudit of merit’.

Although this was an achievement, even with this so-called ‘gift’ I really wanted to give up the piano lessons, knowing that I was a ‘tinkler’ rather than a real pianist. Lil later came to accept the inevitable, realising it was a waste of time and money, though probably more noticeable was my lack of interest in becoming a musician. If truth be known, not at any time was my heart set on a music career and with a little nudge I was allowed to abandon that most unlikely idea. Perhaps in time I might have achieved Lil’s ambition, but this young lad was not appreciative of the possibilities put his way.

Lil had not given up that easily. With the accolade of my achievement at the Royal Academy, she now planned her next overconfident move, this time without telling me what she had in mind. It was time to prove what her son could do on
Opportunity Knocks,
the famed talent show in the days before the
X Factor
or
Britain’s Got Talent
, compered by Hughie Green. Auditions for those to take part in the show would be held at the London Palladium; it appeared that confirmation of my entry had already arrived in the post.

Lil’s big day finally arrived. With the other young hopefuls
–
and their equally doting parents
–
we all stood in an orderly line in the wings of the vast London Palladium stage, waiting for our names to be called out. Parents prayed that their offspring would win a place on the show and I shook nervously in the background, thinking of the disaster which surely lies ahead.

At the time, Richard Addinsell’s
Warsaw Concerto
was a popular piece which had captured the nation’s imagination. In all humility, I suppose I played the concerto reasonably well, though apparently not as well as Anton Walbrook who in the film played a shell-shocked Polish pilot who also happened to be a famous pianist. I had practised hard to get the concerto as near to perfection as my tiny hands could stretch.

The routine was simple. When your name was called by the ‘talent master’
–
an indistinct figure sitting in the shadows of the auditorium
–
you walked to centre stage, confirming your name and what you were going to do; then you got on with it without further ado. With over a hundred auditions to be held, limited time was allocated to each ‘artiste’: a singer might get an opportunity to prove their worth, a musician possibly got a little extra time to play his piece, while a comedian’s ‘jokes’ would allow the poor talent master to cringe further into the shadows.

Slowly the queue moved forward as we watched the hopefuls performing their various talents to the talent master, whose sighs at the torment he was suffering were clearly audible before he yelled out, ‘NEXT!’ The obvious failure would then quietly exit stage right in tears as the next package of talent took centre stage and the ritual started over again, as the hopefuls indicated what particular gift they had to offer to the world of show business before proving it.

With Lil and her favourite musician at last reaching the front of the queue, the moment of truth had come. Carefully watching those who went before, Lil was convinced that the talent master would appreciate the value of this young artiste and would allow the concerto to be played without interruption. The moment Lil had been dreaming of finally arrived.

‘ALEC MILLS!’ the shadowy figure called out from the darkness.

With a squeeze of the hand for good luck, Lil eased my small reluctant frame forwards. I walked slowly to the centre of the enormous Palladium stage, where nervous tension now started to rise. Swallowing hard, I whispered my name before moving to the massive Steinway grand piano, dwarfing our old upright back home. Out there all alone where my feet barely managed to reach the pedals, and now feeling well below par, I quietly paused to compose myself (as rehearsed with Lil) as my clammy hands touched the keys ready to attack Addinsell’s masterpiece. A deep breath and I was ready for the challenge ahead …

Before I continue, I should first explain for those who are not familiar with the
Warsaw Concerto
that the music starts with heavy chords: twenty, possibly thirty, fortissimo chords.

My tiny hands struck the keys perfectly with the required passion
.
I suppose I had got as far as about the twentieth chord or so – certainly no more – when the talent master yelled out, ‘NEXT!’ with great gusto. Although this came as a relief to me, sadly the shock was too much for Lil to accept as there was no doubt in her mind, and mine, that the chords had been played immaculately. However, the decision had been made, and her darling son’s musical career was cut brutally short simply because this silly ‘tosser’ didn’t appreciate real talent – at least as Lil saw it. More embarrassment would follow when Lil crossed the stage to join me on the way to the nearest exit – the notorious stage right – pausing for a brief moment to give a cruel stare to the indistinct figure cowering from her in the shadows.

Now we turn away from the world of showbiz to the world where my interest really lay.

My passion for the cinema came early at the local church hall watching silent films of Charlie Chaplin, Buster Keaton, Laurel and Hardy and other comedians of that era. It was free and therefore acceptable for the family budget to cope with. However, to visit a real cinema, to enter the sanctuary of the auditorium, required money and was a domestic luxury unaffordable in the Mills household.

Following my failure to become a musician, I decided to focus instead on other strategies that would enable me to enjoy the expense of an afternoon at the local fleapit along with my roguish pals. If we emptied our pockets, the few pennies collected would be enough to buy one ticket for a shilling to sit close to the screen. Entering the darkened hall, the holder of the precious permit would find a seat close to a side exit and, after five minutes or so, he would go to the toilet, which was usually situated by an exit door. Opening the door would allow the rest of the waiting criminals loitering outside to creep silently into the darkened auditorium, one at a time, suggesting that we had come from the toilet. This unlawful exercise usually worked well, but inevitably there came the time when the usherette’s torch was pointed directly in my face, caught out for not being in possession of a ticket. My plea of losing the receipt failed to impress the lady and I was quickly shown the exit door – the same door by which I had entered; it would seem that I was on their wanted list!

The only reason I tell this sad account was because of one occasion when we went to the cinema on a Sunday afternoon, entering the hallowed hall in the usual rehearsed illegal manner. The film – a musical, I seem to recall – ran longer than usual, making it necessary for me to run home very fast. Perspiring like mad, I swallowed a quick cup of tea forced on me by Lil before dashing out to the local church of St Simon for Evensong, where one of my many labours was to sing in the church choir, earning money for my visits to the cinema. With the film having run late, I made the service with seconds to spare. Rushing into the vestry, with the help of the elderly choristers, I quickly put on my black cassock and white surplice, possibly wearing a tilted halo after cheating my way into the cinema. With the organ already playing, a Bible was thrust into my hands and it was time to adopt the customary slow pace on entering God’s house. Mr Elliott, organist and choirmaster, cast a glance in my direction and was obviously displeased with my late arrival and flushed appearance. Even so, I quickly adopted the required angelic look for the measured walk to the choir’s pews, where, along with the congregation, we sang our hearts out to the Almighty. But the Lord was not pleased with Alec this day, nor was this the first time I had been late for my religious duties, and now, finding myself further in debit on my account with Him, it was time for the reckoning; time to teach Alec a lesson.

The evening service usually ran for an hour or so but soon a call of nature would make the point that it had been a mistake to drink the tea Lil had forced on me. At first I was not too concerned about the problem: an hour was not long to control myself. But before long it was necessary to review the situation, which was now becoming desperate. Mr Elliott was already annoyed by my arriving late for the service – rightly so, as we were paid for singing in the choir – so with this in mind I decided not to disturb my fellow choristers, who would come to regret this decision. With the priest now well into his sermon and his attentive parishioners holding to his every word, I knew that if I climbed over the other members of the choir seated behind the cleric, the congregation would turn their attention to me. This was not school so I could not put my hand up and ask the vicar if I could go to the toilet without his sermon ending in disaster, but it was about to do so anyway as nature took its course.