Read So Many Ways to Begin Online
Authors: Jon McGregor
28
Page torn from
Aberdeen Press & Journal,
crumpled, August 1968
Sometimes, if she was prompted, Eleanor would tell other people besides David about her life before she came to Coventry; Susan perhaps, or Susan's husband John, or one of David's colleagues from work, if the wine had been around the table a few times and she felt for once that no harm could come from it. You never tell us about Aberdeen, Susan would say, somewhere in the lull between main course and pudding; what's it like?
Aberdeen? she'd say. There's not all that much to tell. It was a bit colder than it is down here, there were fewer jobs about - what did you want to know?
Well, Susan would persist, I don't know. I mean, what did your parents do, and your brothers and sisters, what was your house like, that kind of thing.
And Eleanor would tell them about the small house in which all eight of them had lived, making a joke out of the bed-sharing and the outside toilet, the tin bath hanging on the wall, the belting for getting soot on the laundry that hung around the fireplace, making it all sound distant and unreal. She told them about her father's job in the shipyard, and her brothers leaving the house one by one to work in the merchant navy, the shipyard, the railways, the joiner's shop at the far end of town; and she told them about her own first job at the museum tea rooms. We didn't have much for entertainment, she told them once, mainly I had my head stuck in a book and just about the only place I could find quiet enough for reading was in the lav so long as it was warm enough. That got me in trouble as well, she said, laughing, filling her glass again, bawling out an imitation of one of her brothers - Mam! Ellie's been in there for hours, will ye tell her? - and lowering her head for a moment as she ran out of steam.
People laughed when Eleanor told these stories. Not at the stories themselves, but at the delight she took in turning these things into bleak caricatures, at the unexpected contrast with her usually quiet and self-contained self. Sometimes, David thought, people laughed more from an awkward embarrassment - especially when she joked about being sent to bed without supper for cursing, or being smacked in the teeth for losing a schoolbook - than because they were amused. She'd usually had too much to drink when she said these things, and by the time everyone had gone home she would tip over into regret. Did I say too much David? she would ask, as he helped her up the stairs. Did I embarrass myself any? Did I say too much?
Was that true? he asked her, once. What you said last night? He was standing halfway up a stepladder as he said this, a paintbrush balanced wetly on the lip of a tin. They were decorating their back room, finally, the furniture stacked under a sheet in the middle of the room, wallpaper shreds scattered across the floor. Eleanor was rubbing down the wall on the other side of the room, her hair tied back from her face with an elastic band and the sleeves of an old work-shirt rolled up to the elbow.
Hmm? she said, above the rough shush of the sandpaper. Was what true?
You know, he said, about being smacked, in the teeth you said. The words felt odd even as he said them.
Oh, that, she said, aye, of course. She seemed distracted, surprised that he'd even had to ask.
I mean, literally in the mouth? he said. She laughed a little, picking at a stray scrap of wallpaper still stuck to the bare grey plaster.
Yes David, she said. Right in the mouth. Why?
Well, he said. It just seems a bit much, that's all. She didn't say anything, and he lifted the brush to press another wet slick of pale yellow paint against the wall. They both worked in silence for a few minutes, Eleanor taking a damp cloth to wipe the dust from the wall, David dipping the brush in and out of the pot.
It didn't just happen once then? he said. She looked at him blankly.
What? she asked.
Being hit like that, he said, and again she seemed surprised that he was asking.
Well no, she said, I suppose not. It didn't happen all the time, and I suppose getting hit in the mouth was unusual. But I can't really remember. Why?
David climbed down, moved the ladder further along the wall, and climbed up again. Because it bothers me Eleanor, he said. It's not normal, it's not right. Why didn't you ever tell someone about it? She laughed tightly, as if she thought he was being naive, and she took the cloth into the kitchen to rinse it out.
Oh, come on, she said. Tell who? She came back into the room and began wiping along the top of the skirting board. Anyway, she said, changing the subject, what did you think about John last night?
John? he said. Oh, right. He seemed okay I thought. I mean, Susan seems very happy with him, doesn't she?
Aye but he doesn't say much, does he? she said. He barely said a word all evening.
David laughed.
That's because he couldn't get a word in edgeways, he said, the way you were going all night. He laughed again, and Eleanor was silent. He finished painting what he could reach from the ladder, and climbed down, and it was only when he turned round and saw how flushed her face was that he realised how much he'd upset her.
Oh El, he said. I didn't mean it. He moved towards her and she pulled away very slightly. I was only joking, he said.
I ruined the evening, didn't I? she said, whispering, staring straight ahead.
Of course not, he said. Don't be silly.
I did, she said. I ruined the evening. She put her hands over her face, as if she was ashamed even to be looked at. He sighed and put the pot and the brush down on to a sheet of newspaper.
Eleanor, he said, I was only joking. Everyone had a lovely evening. He took hold of her wrists and gently lifted her hands away from her face.
Really? she said.
Really, he said, licking his thumb and wiping a smear of plaster dust from her forehead; I promise. She wrinkled her nose and looked up at him, and the flush of embarrassment ebbed out of her face. She smiled.
I'm sorry, she said. It just worries me, what people think, especially your family and everyone. He kissed her forehead, then her nose.
They all think the world of you, he said. And so do I. He let go of her wrists, kissed her lips, and started to unbutton the worn-out shirt she was wearing, uncovering her small neat breasts. So do I, he murmured again, stooping to kiss each dark nipple, unbuttoning the rest of her shirt, slipping his hands behind her back. Eleanor stepped away, covering herself and fiddling with the buttons.
David, she said, quietly. Not now. I'm not— she said, and stopped. We've hardly started in here, she said. Give me a brush. David passed her another brush, wiping his mouth with the back of his hand, surprised and a little embarrassed at himself. He moved the ladder, and went back to the painting without saying anything more.
Later, sharing a bag of chips while they waited for the first coat to dry, she said, I'm sorry about before. I just wasn't feeling like it; I wras a bit preoccupied.
It's fine, he said, pretending to have forgotten. Don't worry about it.
And the next day, when all the painting was done, the brushes washed and the spattered newspaper thrown away, the furniture shifted back into place and the pictures rehung on the wall, when they were looking around the room and each wondering if they'd ever really like the colour, she turned to him and said well, I think we're all done here now, aren't we? She swept the loose strands of hair away from her face and unbuttoned her shirt. He noticed that she still had yellow paint under her fingernails, and across one of her knuckles, and he noticed that she was shrugging her shirt to the floor.
Afterwards, lying across their bed together, he said now tell me something. She turned her face towards him, questioningly. Tell me what it was like, at home, when you were growing up. I want to know more, he said.
So she told him about watching her mother clean the kitchen floor when she was a child barely old enough to speak; hiding under the table, watching soap bubbles balloon and burst into the cold sunlight as her mother's wooden-soled shoes slid like skates across the wet flagstoned floor. The hot soapy water slopping towards her, and her mother hoisting the chairs from the floor and slamming them up on to the table as she caught glaring sight of her daughter.
She told him about her mother not talking to her for days at a time, not talking to anyone, stopping in bed with a mystery illness that nobody ever discussed.
She told him about having to make her brothers' beds each morning, slipping out of her own to straighten the mess left from the morning's rush into work, gathering the tight-rolled balls of yesterday's socks and heaping them into the wash-bag, untangling the sheets and blankets from their heap at the bottom of the bed.
She told him about her mother cutting her hair, insisting on keeping it short so that it wouldn't be any trouble, never taking any time over it so that she always came out looking hacked and shorn and the other children would tease her. I didn't dare say anything though, or ask to get it done in a shop, she said, Mam would have walloped me. It was only when she was older, fourteen, fifteen, that she resisted and persuaded her mother to let her be, and her hair began to grow long and straight and fine. I couldn't keep my hands off it for a long time, she said, smiling, playing with it even as she spoke; it seemed like such a new part of me.
She told him that once, when it had reached down to her shoulders, her brother's wife Rosalind had brushed it for her, telling her how she could keep it nice, showing her different ways of wearing it, running the brush and her fingers through it over and over again. It was the first time anyone had touched me like that, she said.
29
Set of clothes pegs, traditional style,
w/hand-drawn faces,
C.1920S-1950S
When Eleanor was seven years old her sister Tessa told her something awful, whispering it in her ear while they sat in their bedroom one long Sunday afternoon. Tessa was already laughing to herself when I ran downstairs to find Mam, Eleanor told David, but I didn't know if that meant it was true or it wasn't true. She found her mother in the kitchen, sitting on a chair with her hands pressed against her lower back, arching her spine, a pile of freshly wrung sheets leaking murky water into a tub in front of her. Outside, more sheets were hanging on the line, swinging and snapping in the hard wind blowing up from the sea.
Oh you've come to help, have you? Ivy said, and Eleanor looked at her blankly. Because there'll be no food on the table while these sheets are waiting to be hung. Eleanor nodded and followed her mother as she hauled the washtub out into the backyard. She fetched the basket from the scullery and took the end of the first unpegged sheet from her mother, bringing the corners together and pulling them tight, bringing the corners together again, passing the ends back to her mother and fetching the hanging end up to meet the top until there was a neatly folded square in the basket. She knew exactly what to do. She'd had plenty of practice. They folded two more in this way, and then Eleanor said Mam is it true that when you have a baby all your stomach comes out and they have to stick it back in again? Ivy looked up.
Eh, no, she said, not quite. Feels like it mind, she said, unpegging another sheet. Eleanor looked at her, eyes wide.
Does it? she said. She was quiet for a moment while they folded the next sheet, thinking. But is there any actual blood? she said, and her voice was quiet and disbelieving.
Oh aye, said Ivy, there's blood all right. She passed Eleanor the end of another sheet. When I had you, she said, looking at her daughter carefully, the whole bed was covered in blood, and every towel in the house wasn't enough to mop it up off me. Her daughter stared back at her, bringing corner to corner and fetching up the hanging end, the colour fading from her face.
Did it hurt? she whispered, and her mother laughed, a single hard snort of unamused laughter. Or she laughed long and hard, sarcastic but also genuinely entertained by her daughter's innocence. Or she didn't laugh at all, but stared and thought there's a lot I've got to teach you yet my girl.
Did it hurt? she replied. Oh, aye. Felt like my whole body was ripping in two. Felt like my bones were cracking every time I pushed. Wasn't as young as I used to be, my body was too old to be coping with that kind of nonsense. I shouldn't really have been having a baby at all at that age. Midwife said I was lucky, said she thought she was going to lose us both with all the blood that was pouring out of me.
Ivy watched the effect her words were having on her daughter. She wanted her to know how it was, to understand and be grateful. Or she deliberately wanted to frighten her, to find revenge for what had happened. Eleanor stared at her.
But your stomach didn't come out at all? she asked eventually, confused. Her mother shook her head.
No girl, she said, smiling thinly. May have felt like it, but no, my stomach didn't come out at all. Who's been telling you that? she asked, and Eleanor's eyes immediately dropped away.
No one, she muttered.
Aye, well, of course, no one, said Ivy, hoisting the first wet sheet into the blustery air and pegging it to the line, glancing up at the house. Drops of water fell from the sheet on to the cobbled ground, spattering up around Eleanor's ankles, winding their way between the stones to the gutter running along the backs of the yards. The wind began to blow stronger as they hung out the rest, Eleanor passing the ends up to her mother and holding out the pegs, and as they went back into the house one of the sheets was lifted and flapped suddenly into shape by a sharp gust, the sound like a whipcrack echoing off the dark stone walls.
A letter came from the university in the summer, and where Eleanor thought that it would confirm her successful deferred application and forthcoming start date, it said instead that the course had been withdrawn due to lack of interest. She opened it while they were having breakfast, and slammed it down on to the table so hard that her wedding ring left a dented crack in the formica. David watched her, a slice of toast halfway to his mouth, reaching across the table to read the letter for himself. No, no, no, she said, her voice brisk and determined, no. That's not fair, it's not good enough. She stood up, and her voice rose with her, building to a rarely heard shout. They already accepted my application David. They said it would be okay! They can't do this! He stood, and held her, and her voice fell away again. Can they? she said.
She telephoned the admissions office, and they said they were very sorry but they'd had no alternative. They hoped to be able to run the course the following year, they said, and she slammed down the phone with a yell of frustration. He tried to persuade her to try another university - Birmingham, or Leicester, or one of the new polytechnics - but somewhere among all that shouting she seemed to have lost her nerve. Maybe it's not a good idea, she said. Maybe it's not what I'm cut out for. He sent off for the prospectuses, but she just smiled and said thank you and put them away. Maybe next year, she said softly. I'll try again next year, eh?