Songs of a Dead Dreamer and Grimscribe (25 page)

DREAMS FOR THE DEAD
DR. LOCRIAN'S ASYLUM

Years passed and no one in our town, no one I could name, allotted a single word to that great ruin which marred the evenness of the horizon. Nor was mention made of the gated patch of ground closer to the town's edge. Even in days more remote, few things were said about these sites. Perhaps someone would propose tearing down the old asylum and razing the burial ground where no inmate had been interred for a generation or more; and perhaps a few others, swept along by the moment, would nod their heart's assent. But the resolution always remained poorly formed, very soon losing its shape entirely, its impetus dying a gentle death in the gentle old streets of our town.

Then how can I explain that sudden turn of events, that overnight conversion which set our steps toward that hulking and decayed structure, trampling its burial ground along the way? In answer, I put forward the existence of a secret movement, one conducted in the souls of the town's citizens, and in their dreams. Conceived thus, the mysterious conversion loses some of its mystery. One need only accept that we were all haunted by the same revenant, that certain images began to establish themselves deep within each of us and became part of our hidden lives. Finally, we resolved that we could no longer live as we had been.

When the idea of taking action first arose, the residents of the humble west end of town were the most zealous and impatient. For it was they who had suffered the severest unease, living as they did in close view of the wild plots and crooked headstones of that crowded strip of earth where mad minds had come to be shut away for eternity. But all of us were equally burdened by the asylum itself, which seemed to be visible from every corner of town—from the high rooms of the old hotel, from the quiet rooms of our houses, from streets obscured by morning mist or twilight haze, and from my own shop whenever I looked out its front window. To make things worse, the setting sun would each day slip out of sight behind the asylum, thus committing our town to a premature darkness in the long shadow of that massive edifice.

Yet more disturbing than our view of the asylum was the idiotic gaze that it seemed to cast back at us. Throughout the years, some persons actually claimed to have seen mad-eyed and immobile figures staring out from the asylum's windows on nights when the moon shone with unusual brightness and the sky appeared to contain more than its usual share of stars. Though few people spoke of such experiences, almost everyone had seen other sights at the asylum that no one could deny. And what strange things were brought to mind because of them; all over town vague scenes were inwardly envisioned.

As children, most of us had paid a visit at some time to that forbidden place, and later we carried with us memories of our somber adventures. Over time we came to compare what we experienced, compiling this knowledge of the asylum until it became unseemly to augment it further.

By all accounts that old institution was a chamber of horrors, if not in its entirety then at least in certain isolated corners. It was not simply that a particular room attracted notice for its atmosphere of desolation: gray walls pocked like sponges, the floor filthied by the years entering freely through broken windows, and a shallow bed sunken after supporting so many nights of futile tears and screaming. There was something more.

Perhaps one of the walls to such a room would have built into it a sliding panel that could be opened only from the other side. And next to that room would be another room that was unfurnished and seemed never to have been occupied. But leaning against one wall of this other room, directly below the sliding panel, would be some long wooden sticks; and mounted at the ends of these sticks would be horrible little puppets.

Another room might be completely bare, yet its walls would be covered with pale fragments of weird funereal scenes. By removing some loose floorboards at the center of the room, one would discover several feet of earth piled upon an old, empty coffin.

Then there was a very special room—a room I had visited myself—that was located on the uppermost floor of the asylum. In the ceiling of that room was a great skylight. And positioned under that opening upon the heavens, fixed securely in place, there stood a long table with thick straps hanging from its sides.

Other rooms of a strange type have been struck from my memory, though I know they existed and may have dreamed of them. But none of these was singled out for comment during the actual dismantling of the asylum, when most of us were busy heaving the debris of decades through great breaches we had made in the building's outer walls, while some distance away the rest of the town witnessed the wrecking in a state of watchful silence. Among this group was Mr. Harkness Locrian, a thin and large-eyed old gentleman whose silence was not like that of the others.

Perhaps we expected Mr. Locrian to voice opposition to our project, but he did not do so. Though no one to my knowledge suspected him of preserving any morbid sentiment for the old asylum, it was difficult to forget that his grandfather had been the director of the Shire County Sanitarium during its declining years and that his father had closed down the place under circumstances that remained an obscure episode in the town's history. If we spoke very little about the asylum and its burial ground, Mr. Locrian spoke of them not at all. This reticence, no doubt, served only to strengthen in our minds the intangible bond which seemed to exist between him and the awful ruin that sealed the horizon. Even I, who knew the old man better than anyone else in the town, regarded him with a degree of circumspection. Outwardly, of course, I was courteous to him, even friendly; he was, after all, the oldest and most reliable patron of my business. And not long after the demolition of the asylum was concluded, and the last of its former residents' remains had been exhumed and hastily cremated, Mr. Locrian paid me a visit.

At the very moment he entered the shop, I was examining some volumes of curiosa which had just arrived for him by special order. But even if I had grown jaded to such coincidences following years of dealing in books, which have a quality about them that seems to breed events of this nature, there was something unpleasant about this particular freak of timing.

“Afternoon,” I said. “You know, I was just looking over—”

“So I see.”

Mr. Locrian approached the counter where tiers of books left very little open space. As he glanced at these new arrivals—hardly interested, it seemed—he slowly unbuttoned his overcoat, a bulky thing which made his head appear somewhat small for his body. How easily I can envision him on that day. And even now his voice sounds clear in my memory, a voice that was far too quiet for the old man's harshly brilliant eyes. After a few moments he turned and casually began to wander about the shop, as if seeking out others who might be secluded among its stacks. He rounded a corner and momentarily left my view. “So at last it's done,” he said. “Something of a feat, I would say. A deed worthy of record.”

“I suppose it is,” I replied, watching as Mr. Locrian traversed the rear aisle of the shop, appearing and disappearing as he passed by several rows of shelves.

“Without doubt it is,” he said, proceeding straight down the aisle in front of me. Finally reaching the counter behind which I stood, he placed his hands upon it, leaned forward, and said: “But what has been achieved, what has really changed?”

The tone of voice in which he posed this question was both sardonic and morose, carrying undesirable connotations that echoed in all the remote places where truth had been shut up and abandoned like a howling imbecile. Nonetheless, I held to the lie.

“If you mean that there's very little difference now, I would have to agree. Only the removal of an eyesore. That was all we intended to do. Simply that.”

Then I tried to draw his attention to the books that had arrived for him that day. But I was coldly interrupted when he said: “We must be walking different streets, Mr. Crane, and seeing quite different faces, hearing different voices in this town.” He paused, as if waiting for me to contradict him. His face took on a sly look. “Tell me, Mr. Crane, did you ever hear those stories about the sanitarium? What some people saw in its windows? Perhaps you yourself were one of them.”

I said nothing, which he might have accepted as a confirmation that I was one of those people. He continued:

“And isn't there now the same sense of consternation, here in this town, as those stories inspired in anyone who heard them? Can you admit that the days and nights are much worse now than they were before? Of course, you may tell me that it's just the moodiness of the season, the chill, the dour afternoons you observe through your shop window. On my way here, I actually heard some people saying such things. They also said other things which they didn't think I could hear. Somehow everyone seems to know about these books of mine, Mr. Crane.”

He did not look at me while delivering this last remark, but began to pace slowly between one end of the counter and the other.

“I'm sorry, Mr. Locrian, if you feel that I've violated some trust. I never imagined it would mean anything.”

He paused in his pacing and now gazed at me with an expression of almost paternal forgiveness.

“Of course,” he said. “But things are now very different, will you allow that?”

“Yes,” I finally conceded.

“But no one is exactly sure in what way things are different.”

“No,” I agreed.

“Did you know that my grandfather,
Doctor
Harkness Locrian, was buried in that cemetery you ravaged?”

Feeling a sudden surprise and embarrassment, I replied: “I'm sure if you had said something.” But he ignored my words as if I had said nothing at all, or at least nothing that would deter him from imposing his confidences on me.

“Is this safe to sit in?” he asked, pointing to an old chair by the front window. And beyond the window, unobstructed, the pale autumn sun was sinking down.

“Yes, help yourself,” I said, noticing some passersby who had noticed Mr. Locrian and looked oddly at him.

“My grandfather,” Mr. Locrian continued, “felt at home with his lunatics. You may be startled to hear such a thing. Though the house that is now mine was once his, he did not spend any time there, not even to sleep. It was only after they closed down the sanitarium that he actually became a resident of his own home, which by then had become the residence where I lived with my parents, who now had charge of the old man.

“My grandfather passed his final years in a small upstairs room overlooking the outskirts of town, and I recall seeing him day after day gazing through his window at the sanitarium.”

“I had no idea,” I interjected. “That seems rather—”

“Please, before you are led to think that his was merely a sentimental attachment, however perverse, let me say that it was no such thing. His feelings with respect to the sanitarium were in fact quite incredible by reason of the manner in which he had used his authority at that place. I found out about this when I was still very young, but not so young that I could not understand the profound conflict that existed between my father and grandfather. I disregarded my parents' admonitions that I not spend too much time with the old man, succumbing to the mystery of his presence. And one afternoon he revealed himself.

“He was gazing through the window and never once turned to face me. But after we had sat in silence for some time, he started to whisper something. ‘They questioned,' he said. ‘They accused. They complained that no one in that place ever became well.' Then he smiled and began to elaborate. ‘What things had they seen,' he hissed, ‘to give them such . . . wisdom? They did not look into the faces,' no, he did not say ‘faces' but ‘eyes.' Yes, he said, ‘. . . did not look into the
eyes
of those beings, the eyes that reflected the lifeless beauty of the silent, staring universe itself.'

“Those were his words. And then he talked about the voices of the patients under his care. He whispered, and I quote, that ‘the wonderful music of those voices spoke the supreme delirium of the planets as they go round and round like bright puppets dancing in the blackness.' In the wandering words of those lunatics, he told me, the ancient mysteries were restored.

“Like all true mysteriarchs,” Mr. Locrian went on, “my grandfather aspired to a knowledge that was unspoken and unspeakable. And every volume of the strange library he left to his heirs attests to this aspiration. As you know, I have added to this collection in my own way, as did my father. But our reasons were not those of the old doctor. At his sanitarium, Dr. Locrian had done something very strange, something that perhaps only he possessed both the knowledge and the impulse to do. It was not until many years later that my father attempted to explain everything to me, as I now am attempting to explain it to you.

“I have said that my grandfather was and always had been a mysteriarch, never a philanthropist of the mind, not a restorer of wounded psyches. In no way did he take a therapeutic approach with the inmates at the sanitarium. He did not view them as souls that were possessed, either by demons or by their own painful histories, but as beings who held a strange alliance with other orders of existence, who contained within themselves a particle of something eternal, a golden speck of magic which he thought might be enlarged. Thus, his ambition led him not to relieve his patients' madness, but to
exasperate
it—to let it breathe with a life of its own. And this he did in certain ways that wholly eradicated what human attributes remained in these people. But sometimes that peculiar magic he saw in their eyes would seem to fade, and then he would institute his ‘proper treatment,' which consisted of putting them through a battery of hellish ordeals intended to loosen their attachment to the world of humanity and to project them further into the realm of the ‘silent, staring universe' where the insanity of the infinite might work a rather paradoxical cure. The result was something as pathetic as a puppet and as exalted as the stars, something at once dead and never dying, a thing utterly without destiny and thus imperishable, forever consigned to that abysmal vacuity which is the essence of all that is immortal. And somehow, in his last days, my grandfather used this same procedure on himself, reaching into spaces beyond death.

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