Songs of Love & Death

This book is a work of fiction. Names, characters, places, and incidents either are products of the authors’ imaginations or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.

Copyright © 2010 by George R. R. Martin and Gardner Dozois

“Love Hurts” copyright © 2010 by Jim Butcher

“The Marrying Maid” copyright © 2010 by Jo Beverley

“Rooftops” copyright © 2010 by Carrie Vaughn LLC

“Hurt Me” copyright © 2010 by M. L. N. Hanover

“Demon Lover” copyright © 2010 by Cecelia Holland

“The Wayfarer’s Advice” copyright © 2010 by Melinda Snodgrass

“Blue Boots” copyright © 2010 by Robin Hobb

“The Thing About Cassandra” copyright © 2010 by Neil Gaiman

“After the Blood” copyright © 2010 by Marjorie M. Liu

“You, and You Alone” copyright © 2010 by Jacqueline Carey

“His Wolf” copyright © 2010 by Lisa Tuttle

“Courting Trouble” copyright © 2010 by Linnea Sinclair

“The Demon Dancer” copyright © 2010 by Mary Jo Putney

“Under/Above the Water” copyright © 2010 by Tanith Lee

“Kaskia” copyright © 2010 by Peter S. Beagle

“Man in the Mirror” copyright © 2010 by Yasmine Galenorn

“A Leaf on the Wind of All Hallows” copyright © 2010 by Diana Gabaldon

All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Gallery Books Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020.

First Gallery Books hardcover edition November 2010

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Library of Congress Cataloging-in-Publication Data

     Songs of love and death : tales of star-crossed love / edited by George R. R. Martin and Gardner Dozois. — 1st Gallery Books hardcover ed.

       p. cm.

     1. Love stories, American. 2. Love stories, English. 3. Fantasy fiction, American.
4. Fantasy fiction, English. I. Martin, George R. R. II. Dozois, Gardner R.

PS648.L6S55 2010 823'.08508—dc22 2010021181

ISBN 978-1-4391-5014-6
ISBN 978-1-4391-7083-0 (ebook)

For everyone we’ve loved and lost

—you know who you are.

Star-crossed Lovers ix

Love Hurts,
Jim Butcher

The Marrying Maid,
Jo Beverley

Rooftops,
Carrie Vaughn

Hurt Me,
M. L. N. Hanover

Demon Lover,
Cecelia Holland

The Wayfarer’s Advice,
Melinda M. Snodgrass

Blue Boots,
Robin Hobb

The Thing About Cassandra,
Neil Gaiman

After the Blood,
Marjorie M. Liu

You, and You Alone,
Jacqueline Carey

His Wolf,
Lisa Tuttle

Courting Trouble,
Linnea Sinclair

The Demon Dancer,
Mary Jo Putney

Under/Above the Water,
Tanith Lee

Kaskia,
Peter S. Beagle

Man in the Mirror,
Yasmine Galenorn

A Leaf on the Wind of All Hallows,
Diana Gabaldon

The earliest reference we can find for the phrase “star-crossed lovers” traces it to 1595, attributing it to Shakespeare’s
Romeo and Juliet
, a tragedy about the doomed romance that blossoms between a young man and a young woman on the brawling streets of Verona, a romance that is destined to fail because the families they come from are locked in a deadly feud: “From forth the fatal loins of these two foes, / a pair of star-cross’d lovers take their life.”

It’s an astrological phrase, of course, stemming from the old belief (still held today by millions of people, as a look at any newspaper will tell you) that the position of the stars at your birth casts a supernatural influence that determines your fate. So to say that a romantic relationship is “star-crossed” is to say that the influence of the stars are working against it, that it’s opposed by fate, ill-fated, “thwarted by a malign star.” Not meant to be. That you’re destined to be kept apart no matter how hard you struggle to be together.

In real life, even without the influence of the stars or the dread hand of Fate, there are any number of things that can doom a relationship—differences in temperament, race, religion, social status, political affiliations, being on different sides of a bitter war, philosophical dogma, degrees of affluence (or lack of it). Even simple distance can work to keep people apart, and over the centuries there must have been many lovers who stood on the dock and watched their loved ones sail off to destinations like Australia or America thousands of miles away, knowing that they’d never see them again, since in the days before modern transportation, they might as well have been sailing off to Mars. Many, many immigrants must have left someone behind them in the Old Country, as they were forced into exile or set off to find their fortunes, and most were never reunited.

This is a theme that has been eagerly embraced by fiction and folklore, and world literature is full of star-crossed lovers desperately struggling to
hold on to love no matter how overwhelming the odds against them: Paris and Helen, Pyramus and Thisbe, Lancelot and Guinevere, Roxanne and Cyrano, Cathy and Heathcliff. Recently, thanks to the booms in fantasy and romance, everyone knows of Buffy and Angel, Bill Compton and Sookie Stackhouse, Edward Cullen and Bella Swan.

Which brings us down to the book you hold in your hands at this moment (unless you’re using your mental powers to make it levitate or reading it off a screen), a cross-genre anthology called
Songs of Love & Death,
which explores the borderlands of fantasy and romance, stories from the heart and about the heart, tales of endangered love played out against every kind of setting, from ghost-haunted fantasy landscapes to mile-long spaceships in transit between the stars, stories where a lover’s heart is put in danger, and love, life, and happiness are at risk with great odds to be overcome to achieve them. Star-crossed lovers who are
really
star-crossed, with grave obstacles to be overcome before they succeed in finding love (if they do): a wizard who must battle both a supremely powerful vampire and the hidden desires of his own heart; a man who must seduce a reluctant maiden or forfeit his family’s life to the Queen of Faerie; a woman who falls in love with a superhero she glimpses hurtling toward the scene of a crime; a ghost who lusts for sex and blood long after he should be safely in his grave; a girl who must brave the wrath of an otherworldly prince to rescue the man she loves; a lonely man who falls in love with a woman he can never meet; a smuggler who dares to fall in love with the ruler of a star-spanning Empire; a soldier cast adrift from his world who will face immense hardships to return to his own time and place; a lover who may—or may not—exist; a love that persists across lives and worlds, and transcends death . . .

We’ve gathered for you here some of the most prestigious and widely read names in romance and fantasy, and the booming hot new field of paranormal romance, including Jim Butcher, Robin Hobb, Neil Gaiman, Diana Gabaldon, Jacqueline Carey, Carrie Vaughn, and eleven other first-class writers. Among other goodies, we are proud to offer you a brand-new Harry Dresden story, a pivotal story in the Kushiel series, a follow-up to
An Echo in the Bone
, and a new novelette set in the Farseer universe. And more star-crossed lovers, of every imaginable sort, than you can shake a stick at.

Enjoy!

New York Times
bestseller Jim Butcher is best known for the Dresden Files series, starring Harry Dresden, a wizard for hire, who goes down some very mean streets indeed to do battle against the dark creatures of the supernatural world and is one of the most popular fictional characters of the twenty-first century to date; he even had his own TV show. The Dresden Files books include
Storm Front, Fool Moon, Grave Peril, Summer Knight, Death Masks, Blood Rites, Dead Beat, Proven Guilty, White Night, Small Favor,
and
Turn Coat.
Butcher is also the author of the swashbuckling sword and sorcery Codex Alera series, consisting of
Furies of Calderon, Academ’s Fury, Cursor’s Fury, Captain’s Fury,
and
Princeps’ Fury.
His most recent books are
First Lord’s Fury,
the new Codex Alera novel, and
Changes,
the new Dresden Files novel. Butcher lives in Missouri with his wife, his son, and a ferocious guard dog.

Here he sends Harry Dresden up against one of his deadliest adversaries and also into battle with the secret desires of his heart—which may turn out to be even more dangerous.