Sophomore Switch (4 page)

“He seems to.” I try to follow what the great professor is jotting on the whiteboard.

“He worked at Fox for a while in the nineties, development,” he continues enthusiastically. “Rumor has it he was the one who bought
Speed
and —”

“Look,” I stop him apologetically, “I really appreciate your help, but this is all new to me, and I don’t want to get behind . . .”

“Sure.” He studies me for a moment and then leans away, leaving me to despair over my lack of social skills and quickly skim-read this script I’m supposed to be so well acquainted with.

Twenty minutes later, I’ve reread the script, made copious notes, and now I’m sitting, bemused at the outpouring of praise that’s coming from the class. Surely we haven’t been reading the same thing?

“. . . And the characterization was great.” A thin emo boy sweeps back his slice of fringe and finishes his critique, which turned out to be light on any actual criticism. I’m itching to add to the discussion, but something holds me back. After all, I only watch films for an escape, some entertainment. I don’t know anything about this topic, and while Lowell may have asked for our instinctive reactions, I always think opinions need to be backed up with research and facts. Otherwise, what use are they?

“And I really liked the part where he confesses his feelings,” a girl with funky, cropped red hair adds, her expression wistful. “It was so romantic.”

I can’t help but give a little snort of laughter. Quickly, I try to disguise it with a cough, but it’s too late. Lowell swings around from his place at the front table and fixes his stare on me.

“Our Brit!” he exclaims. “Care to add anything?”

I pause, looking around cautiously.

“Come on, now, don’t be scared,” Lowell prompts. “We’ll go easy on you.”

“Well,” I begin, flicking back to the beginning of my notes, “I don’t really agree.”

“With who?”

“With anyone.” I give an awkward shrug, feeling curious eyes on me. “It just didn’t work for me. Take the scene you were just talking about.” I nod at the redhead. “It wasn’t believable at all. His lines were far too polished.”

Lowell gives a chuckle, and the dark-haired boy turns back to me.

“But you’re totally missing the point,” he objects, restlessly tapping his pen against the side of his seat. “If he’s been waiting for years to tell her how he feels, then it would be polished, right? He’s been rehearsing his words in his head forever.”

“No, I don’t think it would work like that,” I say, my confidence building. “If anything, it would make them
more
scattered — I mean, nothing ever comes out the way we plan, does it? And if she’s supposed to mean so much to him, then having the scene play so perfectly just sort of dilutes the emotional impact. We don’t get to see any of his fear or anxiety.”

I remember sitting dumbly on the bed as Sebastian told me it was over. There had been so much I wanted to tell him, but I hadn’t been able to say a word. I just sat there, picking at the fraying edge of the bedspread as my relationship slowly unraveled.

“Interesting point.” Lowell nods. “So —”

“And that scene shouldn’t even be so early in the story,” I continue, trying to banish all thoughts of Sebastian. “It’s the emotional climax of the whole piece, but it comes so soon that we don’t care enough about the characters yet.”

“But it’s not a love story.” Emo boy sighs. “The romance isn’t the main theme. And isn’t it better that the script is being different, not having the weepy scene
at the end like all those chick flicks?”

I might have left it at that, just let the class carry on now that I’d contributed my part, but there was just enough condescension in his tone to make me keep talking.

I happen to like “chick flicks.”

“Perhaps, but this isn’t innovative — it’s bad,” I exclaim. “The whole structure is a mess — there’s no journey or tension. Things just happen!”

“What do you know about structure?” the boy next to me asks, his voice even.

I remember my layperson status and blush. “I might not have studied film, but narrative structure is universal. I mean, it goes all the way back to the Greeks and classic literature.” I look to Lowell for confirmation. He inclines his head slightly in what could be a nod, so I press on. “There has to be something the characters want, and then
obstacles in their way before they get it. This script has that, but in such a messy way, there’s no real reason to care what happens.” I send silent thanks for those years of dull Classics lessons I had to take in school. Memorizing Latin verbs was torture, but I always loved the great myths and legends.
The Odyssey,
Hercules, Theseus and the Minotaur. There’s a strange kind of order to the tales: a world where everyone is doomed to tragedy and death. There are few happily-ever-afters, but I found the tales satisfying all the same.

“I’m afraid we’re out of time, but it’s been a great discussion.” Lowell claps his hands together, and immediately a rustle of activity sweeps through the room. “Remember, I want a couple of pages about your script of choice by the end of the week. You can find all our guinea-pig projects on the class website.”

I start to pack my things away, but a moment later, Lowell appears by my side. “Good points, ah . . .”

“Emily,” I reply. “Emily Lewis.”

“Well, Emily, it’s a class requirement that you be part of a project group: making your own short feature.” Tilting his head, Lowell regards me with an amused look. “Since you seem to have so many opinions about this script, how about you work on it?”

I move to speak, but someone beats me to it.

“What?” The boy who lent me his pages is frozen midstep, looking at us both in horror.

“Ryan, meet Emily.” Lowell grins. “She’ll be rewriting your script. I’m sure you’ll make a great team.”

“But —”

“Really, I couldn’t —”

“No excuses.” Lowell cuts off our protests and regards us both with satisfaction. “Consider yourselves partners for the rest of the semester. I look forward to seeing what you come up with.”

He saunters away, no doubt to the beach, while Ryan stands, glowering at me.

“Sorry,” I offer, picking up my bag and moving down the steps toward the front exit.

“You could have just let it slide.” He follows, scuffing battered black Converses on the floor.

“And what, pretended your script is some kind of masterpiece?” I pause in the doorway and look back at him curiously. “It was just a little constructive criticism.”

“Constructive?” He raises his eyebrows rather sarcastically. “Sure. Anyway, don’t think this means you can tear it apart. I spent all vacation writing, and I’m not having it wrecked by some . . .”

“Girl?”

Ryan folds his arms. “Someone who knows nothing about screenwriting.”

“Not according to your professor,” I remind him, annoyed by the way his friendly act dropped the moment I had something intelligent to say. Just like a boy to be threatened by a challenge.

“Look, just leave the thing alone. We’ll put your name on the end, and everyone’s happy, OK?” he proposes. “I get my script; you get the credit.”

“Thank you, but no,” I reply, baffled that he thinks I’ll just agree.

“Come on.” He sighs. “It’s not like you even care.”

“How do you figure that?”

Ryan smirks at me. “What’s your favorite movie?”

“What?” I frown.

“Your favorite movie, tell me.”

I shrug. “I don’t know.”

“Exactly!” He stares at me with satisfaction. “You don’t even care enough to decide that. So, just leave my production alone and we’ll be cool.” He slings a graffitied messenger bag across his chest and begins to walk away, as if we’re done now that he’s had his say.

“I’ll be cutting whatever I want,” I call after him. Ryan spins back and glares at me, as if by sheer will he can make me disappear. “It was nice to meet you,” I continue, taking at least a little pleasure from his annoyance. “I’ll let you know when my first draft is done.”

I go straight to the library after that to stock up on film textbooks. My father always drilled us to make the most of all opportunities: if we had to do something at all, we should do it well. Hence if I’m going to waste a term in film classes, I may as well emerge with an A. And if I’m going to be doing battle with Ryan’s smug grin on a weekly basis over our final project, I can’t afford to give him any ammunition.
Love Actually
to
Citizen Kane
: I plan to know them all.

Hoisting my stack of books up the stairs to the apartment, I begin to plan the next few days. Without the essays I had due at Oxford, my week is decidedly structure free, but I’m sure a quiet hour with my day planner
will remedy that. Unlocking the door, I see a routine taking shape. I can work out a timetable of movie viewings, library time and research, and perhaps even . . .

“What are you doing here?”

The door swings open to reveal a familiar body stretched on the sofa, flicking through a magazine. Ryan sits bolt upright at the sight of me. “What are
you
doing here?”

“I live here,” I inform him icily, crossing the room and stacking the books neatly on the table.

“You’re . . .” He blinks. “Of course. The uptight British chick.”

“The
what
?”

But before I have a chance to ask anything else, Morgan appears from her bedroom. She’s wearing her hair loose and straight, with a white denim skirt and matching tank. She practically glows with tanning product and sunshine.

“Awesome, you’ve already met.” Morgan beams at us, as I begin to get a very bad feeling. “Em, this is my boyfriend!”

“No, I get it — it’s cool.”

Sighing, I kick off my heels and drop my purse back on the floor.

“I’m really sorry,” Holly apologizes on the other end of the phone. “I tried to get all the reading done in time, but I’ve still got another six chapters left and labs to write up, and —”

“Really, it’s cool!” I say again, trying to hide my disappointment. “We can party another time.”

“Thanks, Natasha.” Holly already sounds distracted, and I just know she’s already got her textbook open. “Perhaps at the weekend? I’ve got practice on Saturday, but Sunday could work.”

“OK.” It’s not like I have any other plans. “Sunday, then.”

“See you soon.”

I hang up and let out a long sigh. Holly can’t help it, I know. She’s pre-med, which means more lectures and labs than any normal person could handle. My two essays a week are nothing compared to her workload, but somehow she manages to take crew as well: waking up at five every morning to go train in the gym or row lengths on the icy river. I think she’s insane.

Crazy or not, she’s my one and only friend in Oxford — if hanging out a couple of times in the two weeks since we met counts as friendship, I mean. So when we made plans to go out to a bar tonight, then maybe on to one of the tiny clubs for some dancing, well, it was pretty much the social highlight of my stay so far. I even took time away from the library this evening to straighten my hair and give myself a manicure.

Some good perfect nails will do me now.

“Hey, wait up!”

“Come on, we’ll miss kickoff.”

“Give me a second. . . .”

A group of people clatter loudly past my room, and then they’re gone and it’s silent again. I hate the quiet around here; it makes it easier to hear all the fun everyone else is having. And when I say fun, I don’t just mean the good, clean stuff; my walls are so thin I can hear every passionate grunt and moan from the room next door. Every night it’s the same: murmured conversation, the sappy Robin Thicke starts up, and then showtime, while I press my headphones tighter and blast Kelly Clarkson so loudly I probably do lasting damage to my eardrums. I
haven’t seen the guy yet (and come on, it’s got to be a guy. I mean, Robin Thicke?), but he’s a player all right.

I check if Morgan’s online to chat, but nobody’s there. Now that I’m all dressed, I can’t bear to just stay in and watch DVDs again, so I grab my coat — and scarf and gloves — pass the cluster of kids by the stairs, and head out, tripping down the uneven stone staircase and letting myself out the side gate. Inside the battlements, Raleigh is calm and ordered, but the moment I pass out onto the street, I’m almost hit by speeding cyclists and the rush of traffic and city life.

I plug in my iPod and set off into town. It’s past 8:00
PM
, but I’ve already spent six hours in the library today, gone for my gym workout, and written my next paper, which leaves me the one final choice in my now-regular routine: bookstores. I never got the appeal of hanging out in one before, but in a city where everything except the pubs and bars close by seven, Borders offers one last place to spend the evening. Warm, quiet, and full of armchairs and distraction, it can almost lull me into believing I’m not completely alone.

There are groups of students hanging around by the ATM outside, and I can’t help but stare, the girls in bare legs and tiny jackets despite the fact my face is going numb just peeking out between my hat and scarf. I’m used to girls dressing trashy — I mean, I own skirts that would make Band-Aids look demure — but that’s in seventy-degree weather! Oxford girls may look totally prim during the daytime, but after hours, it’s like the search for the next Pussycat Doll came to town.