State of Grace

Joy Williams’s
STATE OF GRACE

Also by
JOY WILLIAMS

FICTION
The Changeling
Taking Care
Breaking and Entering

NONFICTION
The Florida Keys: A History and Guide

There is no warning of daylight here. It is strange to know that it is only twenty miles to the Gulf of Mexico and all that dizzying impossible white light, for here there is such darkness. Here when one can see the sky, it is almost always blue, but the trees are so thick nothing can make its way through them. Not the sun or the wind. And the ground never dries. The yard is rich mud with no definition between it and the riverbank. Tiny fish swim in the marks our feet make. The trees are tall and always look wet as though they’d been dipped in grease. Many of them are magnolias and oaks. Pods, nuts and Spanish moss hang in wide festoons. The river is the perfect representation of a southern river, thin and blond, swampy, sloppy and warm. It is in everyone’s geography book. I was not shocked at all when I saw it. I was not pleased, although it is quite pretty.

The moss is smoky and dreamy-looking. We can thank the Indians for that. It’s the hair of a girl who killed herself after her father murdered her lover.

The moss feels like Father’s hands, which were always very rough although there wasn’t any reason for their being
so. So many textures are the same. So many views. Almost all arms and noons and lips and anger are the same and love. It’s no wonder we’re all testy and exhausted, trying to show delight or even a polite interest.

This silence is beautiful but it makes my head ring. If I awake at the proper time, I can sometimes see the mist rising from the ground and floating down through the trees to the river. I sometimes feel I live in a dangerous place. The river is only the mist moving down it.

I wake early, as a rule. I try to remember what I’ve told him. There’s no way of being sure how much he knows. Sometimes, when we are walking through the woods together, I am quite at peace and even believe that any terror I previously felt is merely an aspect of my parturient condition. I know that he is thinking. I know that he is trying to decide what to do. I wait for his decision as nothing can proceed without it. It is the choice between life or death, between renewal or resumption. I have no fear of him. We are in love. Of course I could only hope that he would kill us, that is, Daddy and me, because I have a feeling, though I know it’s mad, that we are going to go on forever. But it’s too late for that now. I must be realistic. Even if he traveled there, he would not find Daddy. Even if he did, even if Daddy made himself available, he would not be able to deal with him. God and the Devil are the whole religion and Daddy has both on his side.

I have not offered to leave but he does not think of this. Several times he has suggested traveling together far away. I would agree to anything but he dismisses his suggestions instantly, almost before they are uttered, as though he was not the one who made them. No possibilities are open to me. As I say, I wait. What is going to happen waits with me. We have always been reluctant companions.

And in the meanwhile, time, as always, passes or fails to. To the eye, we have proceeded with it. We have our little
willfulnesses and quirks. For example, I have terrible eating habits. He eats almost nothing now. He used to saw away at a huge side of pork that he brought down himself and prepare that in a variety of ways. But the hog is gone now, as is the reason for his killing it. Or at least we have always liked to believe that the hog was the same that butchered our hound, though the woods are full of hogs, shaking the land with their mean rooting and rutting. But the hog is gone now and the dog and our hopes for living simply, on the land and on our love. Once he liked grits with syrup and pecans that we’d shake down from the trees but now he cannot even be comforted by memories. I, on the other hand, have a terrible hunger. I love awful foods. Children’s cereals, cupcakes and store pies, that wonderful gluey bread Dixie Darling, yes, two long loaves for only 21 cents. Once, before I moved out here, I ate nothing for three weeks but Froot Loops. It became hallucinogenic after a few days. Anything will. If you breathe in too much basil, a scorpion will be born inside your head. If you eat too much roe, you’ll probably die. Why not? I had to stop the Froot Loops. Everything was so enormous and I was becoming so small. My gums bled. The girls became lecherous and outraged even though I was curious about them as well. Everything smelled rancid in that big house even though the girls washed themselves constantly and all the food was kept in jars. They were so boring about their hygiene, their hair and fingernails. They were healthy enough I suppose. The lint-free pussy plombs employed! The cases of disposable M’Lady Tru-Touch Hand-Savers.…

Once, for an infraction of the rules, I was forced to clean the shower drains. I also had to change all the beds.…

I do little here in the woods. I assimilate the soundlessness. We pursue the meager life with a few garish exceptions. I have my Dixie Darling products, which, I might add, have never disappointed me, and he has his Jaguar. An old faithless
and irrational roadster, black, and in perfect running condition. It is so fast and inside it is a warm cave and smells delicious. It is parked beside the trailer and often, in the afternoon, I go out and sit in it and have a drink there. It calms me. The leather is a soft dusky yellow from all the saddle soap he works into it. It smells like lemons and good tack.

After that singular Fourth of July, Daddy never had a car, although there once were two. Daddy and I walked everywhere. On Sundays, we would skate across the pond to church—two sweethearts, my hand in his, in the other glove, ten pennies for the offering plate. Slivers of ice flew up beneath my skirt, my eyes wept. We skated quickly, seriously, lightly on Sunday mornings, barely leaving a mark behind us.…

He loves the Jaguar—the skill and appreciation it takes to enjoy it. He is Grady. I shall make myself clear. Grady, my husband, a country boy with brown face and hands and blond matted hair low on his brow. The rest of him is long, white and skinny. He knows a great deal about hunting, fishing and engines. He loves the Jaguar and he also takes an abashed pleasure in this dank trailer which is his. It cost $10. He bought it from Sweet Tit Sue who now lives farther upriver. She wrote out a bill of sale which we keep in Rimbaud’s
Illuminations
. At the moment, it happens to mark the spot you know, Andthenwhenyouarehungryandthirstythereissome-
onewhodrivesyouaway. It is not always there. We move it about for amusement, to tell our fortune. He used to enjoy that. All those words with their imminence and no significance. He always saw luck in these woods.