Tess was staring at him. Tears had formed in her eyes but they did not fall.
‘Sad? Yes, terribly said,’ she said at last. ‘Oh, that poor girl – so
that
was why she stood up in the boat! So
that
was what Daddy was trying to hide! It was my fault all the time . . . she wasn’t trying to leave me, she was trying to save me!’
She told Mal, of course. Snuggled up in his arms, in the lower bunk, she told him everything that Mr Moss had told her.
‘Isn’t it strange though, Mal, that in order to find out how my mother really died I had to marry you and come all the way to Australia?’ she said, when the tale was told. ‘Mr Moss was only in England for three months, and in Norfolk for one of them. And he wasn’t a Walcott man, so I could have asked and asked there and no one would have been any the wiser. He just happened to be checking crab pots off shore, and saw everything. Well, almost everything. He didn’t see me go down to the breakwater and he didn’t see the boy come interfering along and drag me off home.’
‘If it happened,’ Mal said gently. ‘Oh, I don’t mean what Mr Moss saw, that certainly happened just the way he told it. I mean you and the beach and the breakwater and whatever it was in the water, and the boy coming and picking you up . . . Don’t you think it’s likelier that the dream came out of all that happened afterwards? Hushed voices, talk of drowning, your father saying you must never be told . . . and perhaps the boy looked after you in the days directly following your mother’s death, when everything was topsy-turvy and your father was too busy packing up and leaving the place, seeing to your mother’s funeral and so on, to have much time for his little daughter?’
‘I don’t know,’ Tess said drowsily. ‘And I don’t suppose it matters now. I’ve not had the dreams for years and years – not since I met you, in fact. All that matters is I understand it all, now.’
‘And you aren’t blaming yourself for Leonora’s death?’
‘It’s a bit late to lay blame, wouldn’t you say? But no, I’m certainly not blaming anyone, least of all myself. I was a very young child, mischievous certainly, but not bad. I know I said I killed my mother but that was over-dramatisation, to put it no stronger. Poor Leonora, she died for love, you could say.’
‘What matters, to you, is that you know, now, that she didn’t kill herself. Isn’t that it?’ Mal asked.
‘That’s it,’ Tess said. ‘If I have a baby I shall call it Leonora if it’s a girl and Peter if it’s a boy.’
‘If you have a baby? If? Are you casting doubts on my abilities?’
Tess giggled. ‘All right, when, then. Glory, I’m tired. Good-night, darling Mal.’
She struggled out of the bed and he caught her ankle as she swung herself on to the top bunk and kissed her soft little heel. ‘Good-night, darling Tess.’
Tess lay on her back for a little, gazing up at the ceiling so close to her nose. The ship’s motion was soothing, but she didn’t want to go to sleep just yet. She wanted to savour her knowledge, hugging it to her bosom. Ever since she could remember, she had wanted to know who she was; the child of whom? Names meant little, it was the people behind the names she had longed to know.
And now, at last, she did know them. She could be proud of her father, who had died for his country, and of her mother, who had died trying to take care of her child. It was a pity she had never found the liquorice-eating boy, but it no longer mattered. What mattered was that Tess Chandler, who had been Tess Delamere until so recently, had found herself at last.
Tess turned on her side and closed her eyes and below her, Mal began, very softly, to snore.
ALSO AVAILABLE IN ARROW
The Runaway
Katie Flynn
When Dana and Caitlin meet by chance on the ferry from Ireland, they tell each other that they are simply going to search for work, but they soon realise they have more than that in common. They are both in search of new lives in Liverpool, leaving their secrets behind in Ireland. But Dana is ambitious and resourceful, and when the opportunity comes to own their own tearoom she persuades her friend to join her.
No one is willing to rent property to a couple of girls, however, especially during the Depression. So when Caitlin’s new man friend says he’ll back them, they are delighted and soon the tearoom is thriving.
Then fate intervenes, and soon the girls find themselves fighting to survive in a world on the brink of war.
ALSO AVAILABLE BY KATIE FLYNN
The Forget-Me-Not Summer
Katie Flynn
Liverpool 1936
Miranda and her mother, Arabella, live comfortably in a nice area. But when her mother tells her she can no longer afford their present lifestyle, they have a blazing row, and Miranda goes to bed angry and upset. When she wakes the next morning, however, her mother has disappeared.
She raises the alarm but everyone is baffled, and when searches fail to discover Arabella’s whereabouts, Miranda is forced to live with her Aunt Vi and cousin Beth, who resent her presence and treat her badly.
Miranda is miserable, but when she meets a neighbour, Steve, things begin to look up and Steve promises to help his new friend in her search, and does so until war intervenes…
ALSO AVAILABLE IN ARROW
First Love Last Love
Katie Flynn
Writing as Judith Saxton
A powerful story of two sisters, and the love that changed their lives
It wasn’t a privileged childhood, but it was a happy one. Sybil and Lizzie Cream, brought up in a fisherman’s cottage on the edge of the cold North Sea were content to leave privilege where it belonged: with their friends the Wintertons. Christina Winterton was the same age as Sybil and the two girls were inseparable, but it was Lizzie whom Ralph Winterton, three years older, found irresistible.
Then war came to East Anglia, and so did Manchester-born Fenn Kitzmann now of the American Army Air Force. At their first meeting he is attracted by Sybil’s subtle charm, but before he sees her again her own personal tragedy has struck, and he finds her changed almost out of recognition...
ALSO AVAILABLE IN ARROW
Someone Special
Katie Flynn
Writing as Judith Saxton
On 21st April 1926, three baby girls are born.
In North Wales, Hester Coburn, a farm labourer’s wife, gives birth to Nell, whilst in Norwich, in an exclusive nursing home, Anna is born to rich and pampered Constance Radwell. And in London, Elizabeth, Duchess of York, has her first child, Princess Elizabeth Alexandra Mary.
The future looks straightforward for all three girls, yet before Nell is eight, she and Hester are forced to leave home, finding work with a travelling fair. Anna’s happy security is threatened by her father’s infidelities and her mother’s jealousy, and the Princess’s life is irrevocably altered by her uncle’s abdication.
Set in the hills of Wales and the rolling Norfolk countryside, the story follows Nell and Anna through their wartime adolescence into young womanhood as they struggle to overcome their problems, whilst watching ‘their’ Princess move towards her great destiny. Only when they finally meet do the two girls understand that each of them is ‘someone special’.
ALSO AVAILABLE IN ARROW
You are my Sunshine
Katie Flynn
Writing as Judith Saxton Kay Duffield’s fiancee is about to leave the country, and her own duty with the WAAF is imminent when she becomes a bride. The precious few days she spends with her new husband are quickly forgotten once she starts work as a balloon operator, trained for the heavy work in order to release more men to fight.
There she makes friends with shy Emily Bevan, who has left her parents’ hill farm in Wales for the first time; down-to-earth Biddy Bachelor, fresh from the horrors of the Liverpool bombing, and spirited Jo Stewart, the rebel among them, whose disregard for authority looks set to land them all in trouble.
This ebook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorized distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.
Reissued by Arrow Books in 2014
2 4 6 8 10 9 7 5 3 1
Copyright © Judith Saxton, 1996
Judith Saxton has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work.
This book is a work of fiction. Names and characters are the product of the author’s imagination and any resemblance to actual persons, living or dead, is entirely coincidental.
This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.