Read Super Sad True Love Story Online

Authors: Gary Shteyngart

Super Sad True Love Story (9 page)

Then I caught sight of a healthy-looking old Chinese woman ripe for celebration and, at the speed of half a furlong an hour, tailed her
down Grand Street and then East Broadway, watching her feel up exotic tubers and slap around some silvery fish. She was shopping with suburban abandon, buying everything that came within her grasp and then, after each purchase, running over to stand next to one of the wooden telegraph poles that now lined the streets.

My fashion friend Sandi in Rome had told me about the Credit Poles, yapping on about their cool retro design, the way the wood was intentionally gnarled in places and how the utility wire was replaced by strings of colored lights. The old-fashioned appearance of the Poles was obviously meant to evoke a sturdier time in our nation’s history, except for the little LED counters at eye level that registered your Credit ranking as you walked by. Atop the Poles, American Restoration Authority signs billowed in several languages. In the Chinatown parts of East Broadway, the signs read in English and Chinese—“America Celebrates Its Spenders!”—with a cartoon of a miserly ant happily running toward a mountain of wrapped Christmas presents. In the Latino sections on Madison Street, they read in English and Spanish—“Save It for a Rainy Day,
Huevón
”—with a frowning grasshopper in a zoot suit showing us his empty pockets. Alternate signs read in all three languages:

The Boat Is Full
Avoid Deportation
Latinos Save
Chinese Spend
ALWAYS Keep Your Credit Ranking Within Limits

A
MERICAN
R
ESTORATION
A
UTHORITY
“T
OGETHER
W
E

LL
S
URPRISE THE
W
ORLD
!”

I felt the perfunctory liberal chill at seeing entire races of human beings so summarily reduced and stereotyped, but was also voyeuristically interested in seeing people’s Credit rankings. The old Chinese woman had a decent 1400, but others, the young Latina mothers, even a profligate teenaged Hasid puffing down the street, were showing blinking red scores below 900, and I worried for them. I walked
past one of the Poles, letting it zap the data off my äppärät, and saw my own score, an impressive 1520. But there was a blinking red asterisk next to the score.

Was the otter still flagging me?

I sent a GlobalTeens message to Nettie Fine, but got a chilling “
RECIPIENT DELETED
” in response. What could that mean? No one
ever
gets deleted from GlobalTeens. I tried to GlobalTrace her but got an even more frightening “
RECIPIENT UNTRACEABLE/INACTIVE
.” What kind of person couldn’t be found on this earth?

Back in Rome, I used to meet Sandi for lunch at da Tonino and we’d talk about what we missed the most about Manhattan. For me it was fried pork-and-scallion dumplings on Eldridge Street, for him bossy older black women at the gas company or the unemployment office who called him “honey” and “sugar” and sometimes “baby.” He said it wasn’t a gay thing, but, rather, that these black women made him feel calm and at ease, as if he had momentarily won the love and mothering of a complete stranger.

I guess that’s what I wanted right now, with Nettie Fine “
INACTIVE
,” with Eunice six time zones away, with the Credit Poles reducing everyone to a simple three-digit numeral, with an innocent fat man dragged off a plane, with Joshie telling me “future salary & employment = let’s discuss”: a little love and mothering.

I stalked up and down the eastern part of Grand Street, trying to get my bearings, trying to re-establish my hold on the place. But it wasn’t just the Credit Poles. The neighborhood had changed since I left for Rome a year ago. All the meager businesses I remember were still there, decayed linoleum places with names like the A-OK Pizza Shack, frequented by poor patrons who pawed at the keyboard of an old computer terminal while smearing their faces with pizza oils, a moldy 1988 ten-volume edition of
The New Book of Popular Science
stacked in the corner, awaiting customers who could read. But there was an added aimlessness to the population, the unemployed men staggering down the chicken-bone-littered street as if drunk off a pint of grain alcohol and not just a bevy of Negra Modelos, their face blunted beneath the kind of depressive affect that I usually associate
with my father. An angelic seven-year-old girl in braids was shouting into her äppärät: “Nex’ time I see her ass I’m gonna punch that nigga in the stomach!” An old Jewish woman from my co-ops had fallen on the sun-baked asphalt, and her friends had made a protective scrim around her as she spun around like a turtle. By the razor-wired fence delineating a failed luxury-condo development, a drunk in a frilly guayabera shirt pulled down his pants and began to evacuate. I’ve seen this particular gent publicly crapping before, but the pained expression on his face, the way he rubbed his naked haunches while he shat, as if the June heat wasn’t enough to keep them warm, the staggering grunts he spat at the direction of our city’s cloud-streaked harbor skies, made me feel as if my native street was slipping away from me, falling into the East River, falling into a new time wrinkle where we would all drop our pants and dump furiously on the motherland.

An armored personnel carrier bearing the insignia of the New York Army National Guard was parked astride a man-sized pothole at the busy intersection of Essex and Delancey, a roof-mounted .50-caliber Browning machine gun rotating 180 degrees, back and forth, like a retarded metronome along the busy but peaceable Lower East Side streetscape. Traffic was frozen all across Delancey Street. Silent traffic, for no one dared to use a horn against the military vehicle. The street corner emptied around me until I stood alone, staring down the barrel of a gun like an idiot. I lifted up my hands in panic and directed my feet to scram.

My celebrations were turning sour. I took out the list I had written by hand and decided to make immediate use of Point No. 2 (Make Joshie Protect You). By a recently shuttered Bowery scones-and-libations establishment called Povertea, I found a cab and directed it to the Upper East Side lair of my second father.

The Post-Human Services division of the Staatling-Wapachung Corporation is housed in a former Moorish-style synagogue near Fifth Avenue, a tired-looking building dripping with arabesques, kooky
buttresses, and other crap that brings to mind a lesser Gaudí. Joshie bought it at auction for a mere eighty thousand dollars when the congregation folded after being bamboozled by some kind of Jewish pyramid scheme years ago.

The first thing I noticed upon my return was the familiar smell. Heavy use of a special hypoallergenic organic air freshener is encouraged at Post-Human Services, because the scent of immortality is complex. The supplements, the diet, the constant shedding of blood and skin for various physical tests, the fear of the metallic components found in most deodorants, create a curious array of post-mortal odors, of which “sardine breath” is the most benign.

With one or two exceptions, I haven’t made any work-time buddies at Post-Human Services since I turned thirty. It’s not easy being friends with some twenty-two-year-old who cries over his fasting blood-glucose level or sends out a GroupTeen with his adrenal-stress index and a smiley face. When the graffito in the bathroom reads “Lenny Abramov’s insulin levels are whack,” there is a certain undeniable element of one-upmanship, which, in turn, raises the cortisol levels associated with stress and encourages cellular breakdown.

Still, when I walked through the door I expected to recognize
someone
. The synagogue’s gilded main sanctuary was filled by young men and women dressed with angry post-college disregard, but projecting from somewhere between the eyes the message that they were the personification of that old Whitney Houston number I’ve mentioned before, that they, the children, were
de facto
the future. We had enough employees at Post-Human Services to repopulate the original Twelve Tribes of Israel, which were handily represented by the stained-glass windows of the sanctuary. How dull we looked in their ocean-blue glare.

The ark where the Torahs are customarily stashed had been taken out, and in its place hung five gigantic Solari schedule boards Joshie had rescued from various Italian train stations. Instead of the
arrivi
and
partenze
times of trains pulling in and out of Florence or Milan, the flip board displayed the names of Post-Human Services employees,
along with the results of our latest physicals, our methylation and homocysteine levels, our testosterone and estrogen, our fasting insulin and triglycerides, and, most important, our “mood + stress indicators,” which were always supposed to read “positive/playful/ready to contribute” but which, with enough input from competitive co-workers, could be changed to “one moody betch today” or “not a team playa this month.” On this particular day, the black-and-white flaps were turning madly, the letters and numbers mutating—a droning ticka-ticka-ticka-ticka—to form new words and figures, as one unfortunate Aiden M. was lowered from “overcoming loss of loved one” to “letting personal life interfere with job” to “doesn’t play well with others.” Disturbingly enough, several of my former colleagues, including my fellow Russian, the brilliantly manic-depressive Vasily Greenbaum, were marked by the dreaded legend
TRAIN CANCELED
.

As for me, I wasn’t even listed.

I positioned myself in the middle of the sanctuary to a spot beneath The Boards, trying to make myself a part of the soft jabber around me. “Hi,” I said. And with a splash of the arms: “Lenny Abramov!” But my words disappeared into the new soundproofed wood paneling while various configurations of young people, some arm in arm, as if on a casual date, swooped through the sanctuary, headed for the Soy Kitchen or the Eternity Lounge, leaving me to hear the words “Soft Policy” and “Harm Reduction,” “ROFLAARP,” “PRGV,” “TIMATOV,” and “butt-plugging Rubenstein,” and, attendant with female laughter, “Rhesus Monkey.” My nickname! Someone had recognized my special relationship to Joshie, the fact that I used to be important around here.

It was Kelly Nardl. My darling Kelly Nardl. A supple, low-slung girl my age whom I would be terminally attracted to if I could stand to spend my life within three meters of her nondeodorized animal scent. She welcomed me with a kiss on both cheeks, as if she were the one just returned from Europe, and took me by the hand toward her bright, clean wedge of a desk in what used to be the cantor’s office. “I’m going to make you a plate of cruciferous vegetables,
baby,” she said, and that sentence alone halved my fears. They don’t fire you after they feed you flowering cabbage at Post-Human Services. Vegetables are a sign of respect. Then again, Kelly was an exception to the hard-edged types around here, Louisiana-bred for kindness and gentility, a younger, less hysterical Nettie Fine (may she be alive and well, wherever she is).

I stood behind her as she dotted golden cress along steppes of Siberian kale. I rested my hands on her solid shoulders, breathed in her sour vitality. She leaned her hot cheek against one of my wrists, a motion so familiar it seemed to me we had been related even before this lifetime. Her pale, blooming thighs spread beyond a modest pair of khaki shorts, and I remembered again to
celebrate
, in this case, every inch of Kelly’s imperfection. “Hey,” I said, “Vasily Greenbaum’s train got canceled? He played the guitar and could speak a little Arabic. He was
so
‘ready to contribute’ when he wasn’t totally depressed.”

“He turned forty last month,” Kelly sighed. “Didn’t make quotas.”

“I’m almost forty too,” I said. “And why isn’t my name up on The Boards?”

Kelly didn’t say anything. She was parsing cauliflower with a dull safety knife, moisture beading her white forehead. Kelly and I had once shared an entire bottle of wine—or “resveratrol,” as we Post-Humans like to call it—at a tapas bar in Brooklyn, and after walking her to her violent Bushwick tenement I wondered if I could one day fall in love with a woman so unobtrusively, compulsively decent (answer: no).

“So who’s still around from the old gang?” I asked, voice atremble. “I didn’t see Jami Pilsner’s name. Or Irene Po. Are they just going to fire all of us?”

“Howard Shu’s doing fine,” Kelly told me. “Got promoted.”

“Great,” I said. Of all the people still employed, it had to be that sleek 124-pound bastard Shu, my classmate at NYU who had bested me for the last dozen years in all of life’s gruesome contests. If you ask me, there’s a little something sad about the employees of Post-Human Services, and to me brash, highly functional Howard Shu is
the personification of that sadness. The truth is, we may think of ourselves as the future, but we are not. We are servants and apprentices, not immortal clients. We hoard our yuan, we take our nutritionals, we prick ourselves and bleed and measure that dark-purple liquid a thousand different ways, we do everything but pray, but in the end we are still marked for death. I could commit my genome and proteome to heart, I could wage nutritional war against my faulty apo E4 allele until I turn myself into a walking cruciferous vegetable, but nothing will cure my main genetic defect:

My father is a janitor from a poor country.

Howard Shu’s dad hawks miniature turtles in Chinatown. Kelly Nardl is rich, but hardly rich enough. The scale of wealth we grew up with no longer applies.

Kelly’s äppärät lit up the air around her, and she was plunged into the needs of a hundred clients. After the daily decadence of Rome, our offices looked spare. Everything bathed in soft colors and the healthy glow of natural wood, office equipment covered in Chernobyl-style sarcophagi when not in use, alpha-wave stimulators hidden behind Japanese screens, stroking our overactive brains with calming rays. Little framed humorous hints scattered throughout. “Just Say No to Starch.” “Cheer Up! Pessimism Kills.” “Telomere-Extended Cells Do It Better.” “
NATURE HAS A LOT TO LEARN FROM US
.” And, fluttering in the wind above Kelly Nardl’s desk, a wanted poster showing a cartoon hippie being whacked over the head with a stalk of broccoli:

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