Talent Is Overrated

Table of Contents

 

 

 

PORTFOLIO
Published by the Penguin Group

Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, U.S.A. • Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3 (a division of Pearson Penguin Canada Inc.) • Penguin Books Ltd, 80 Strand, London WC2R 0RL, England • Penguin Ireland, 25 St. Stephen's Green, Dublin 2, Ireland (a division of Penguin Books Ltd) • Penguin Books Australia Ltd, 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd) • Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi -110 017, India • Penguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore 0632, New Zealand (a division of Pearson New Zealand Ltd) • Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa

 
Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England

 
First published in 2008 by Portfolio, a member of Penguin Group (USA) Inc. 

 
Copyright © Geoffrey Colvin, 2008

All rights reserved 
LIBRARY OF CONGRESS CATALOGING -IN-PUBLICATION DATA
Colvin, Geoffrey.
Talent is overrated : what
really
separates world-class performers from everybody else/by Geoff Colvin.
p. cm.
Includes bibliographical references and index.

eISBN : 978-1-591-84224-8

 
Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.

 
The scanning, uploading, and distribution of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions and do not participate in or encourage electronic piracy of copyrightable materials. Your support of the author's rights is appreciated.

For my sons

Chapter One

The Mystery

 
 
It is mid-1978, and we are inside the giant Procter & Gamble headquarters in Cincinnati, looking into a cubicle shared by a pair of twenty-two-year-old men, fresh out of college. Their assignment is to help sell Duncan Hines brownie mix, but they spend a lot of their time just rewriting memos according to strict company rules. They are clearly smart: one has just graduated from Harvard, the other from Dartmouth. But that doesn't distinguish them from a slew of other new hires at P&G. What does distinguish them from many of the young go-getters the company takes on each year is that neither man is particularly filled with ambition. Neither has any kind of career plan or any specific career goals. Every afternoon they play waste-bin basketball with wadded-up memos. One of them later recalls, “We were voted the two guys probably least likely to succeed.”

These two young men are of interest to us now for only one reason: They are Jeffrey Immelt and Steven Ballmer, who before age fifty would become CEOs of the world's two most valuable corporations, General Electric and Microsoft. Contrary to what any reasonable person would have expected when they were new recruits, they reached the absolute apex of corporate achievement. The obvious question is how.

Was it talent? If so, it was a strange kind of talent that hadn't revealed itself in the first twenty-two years of their lives. Was it brains? These two were sharp but had shown no evidence of being sharper than thousands of their classmates or colleagues. Was it mountains of hard work? Certainly not up to that point.

And yet something carried them to the heights of the business world. Which leads to perhaps the most puzzling question, one that applies not just to Immelt and Ballmer but also to everyone in our lives and to ourselves: If that certain something turns out not to be any of the the things we usually think of, then what is it?

 
Look around you.

Look at your friends, your relatives, your coworkers, the people you meet when you shop or go to a party. How do they spend their days? Most of them work. They all do many other things as well, playing sports, performing music, pursuing hobbies, doing public service. Now ask yourself honestly: How well do they do what they do?

The most likely answer is that they do it fine. They do it well enough to keep doing it. At work they don't get fired and probably get promoted a number of times. They play sports or pursue their other interests well enough to enjoy them. But the odds are that few if any of the people around you are truly great at what they do—awesomely, amazingly, world-class excellent.

Why—exactly why—aren't they? Why don't they manage businesses like Jack Welch or Andy Grove, or play golf like Tiger Woods, or play the violin like Itzhak Perlman? After all, most of them are good, conscientious people, and they probably work diligently. Some of them have been at it for a very long time—twenty, thirty, forty years. Why isn't that enough to make them great performers? It clearly isn't. The hard truth is that virtually none of them has achieved greatness or come even close, and only a tiny few ever will.

This is a mystery so commonplace that we scarcely notice it, yet it's critically important to the success or failure of our organizations, the causes we believe in, and our own lives. In some cases we can give plausible explanations, saying that we're less than terrific at hobbies and games because we don't take them all that seriously. But what about our work? We prepare for it through years of education and devote most of our waking hours to it. Most of us would be embarrassed to add up the total hours we've spent on our jobs and then compare that number with the hours we've given to other priorities that we claim are more important, like our families; the figures would show that work is our real priority. Yet after all those hours and all those years, most people are just okay at what they do.

In fact the reality is more puzzling than that. Extensive research in a wide range of fields shows that many people not only fail to become outstandingly good at what they do, no matter how many years they spend doing it, they frequently don't even get any better than they were when they started. Auditors with years of experience were no better at detecting corporate fraud—a fairly important skill for an auditor—than were freshly trained rookies. When it comes to judging personality disorders, which is one of the things we count on clinical psychologists to do, length of clinical experience told nothing about skill—“the correlations,” concluded some of the leading researchers, “are roughly zero.” Surgeons were no better at predicting hospital stays after surgery than residents were. In field after field, when it came to centrally important skills—stockbrokers recommending stocks, parole officers predicting recidivism, college admissions officials judging applicants—people with lots of experience were no better at their jobs than those with very little experience.

The most recent studies of business managers confirm these results. Researchers from the INSEAD business school in France and the U.S. Naval Postgraduate School call the phenomenon “the experience trap.” Their key finding: While companies typically value experienced managers, rigorous study shows that, on average, “managers with experience did not produce high-caliber outcomes.”

Bizarre as this seems, in at least a few fields it gets one degree odder. Occasionally people actually get worse with experience. More experienced doctors reliably score lower on tests of medical knowledge than do less experienced doctors; general physicians also become less skilled over time at diagnosing heart sounds and X-rays. Auditors become less skilled at certain types of evaluations.

What is especially troubling about these findings is the way they deepen, rather than solve, the mystery of great performance. When asked to explain why a few people are so excellent at what they do, most of us have two answers, and the first one is hard work. People get extremely good at something because they work hard at it. We tell our kids that if they just work hard, they'll be fine. It turns out that this is exactly right. They'll be fine, just like all those other people who work at something for most of their lives and get along perfectly acceptably but never become particularly good at it. The research confirms that merely putting in the years isn't much help to someone who wants to be a great performer.

So our instinctive first answer to the question of exceptional performance does not hold up.

Our second answer is the opposite of the first, but that doesn't stop us from believing it fervently. It goes back at least twenty-six hundred years, to the time of Homer:

 
That's from the
Odyssey,
one of many references in it and the
Iliad
to the god-given gifts of various characters. We've changed our views on a lot of important matters since then—how the planets move, where diseases come from—but we have not changed our views on what makes some people extraordinarily good at what they do. We still think what Homer thought: that the awesomely great, apparently superhuman performers around us came into this world with a gift for doing exactly what they ended up doing—in the case of Demodocus, composing and singing. We use the same words that the ancient Greeks used, simply translated. We still say, as Homer did, that great performers are inspired, meaning that their greatness was breathed into them by gods or muses. We still say they have a gift, which is to say their greatness was given to them, for reasons no one can explain, by someone or something apart from themselves.

We believe further that such people had the great good fortune to discover their gift, usually early in life. While this explanation of great performance obviously contradicts the just-work-hard explanation, it's much more deeply rooted and in some ways is more satisfying. It explains why great performers seem to do effortlessly certain things that most of us can't imagine doing at all, whether it's forming a strategy for a multibillion-dollar company or playing the Tchaikovsky Violin Concerto or hitting a golf ball 330 yards. The natural-gift explanation also explains why extraordinary performers are so rare; god-given talents are presumably not handed out willy-nilly.