"You know that?"
Matu nodded and drank saki. He was still built like a
sumo
wrestler, but now the fat draped him in robes of flabbiness and his features were too sharp. His eyes were deep set, with huge pouches under them, and they burned with fever and with something else that was consuming him.
He nodded again. "I always knew a great deal more than you suspected, Nick. About you and AXE. You knew me as a friend, and as your karate and judo teacher. I was working for Japanese Intelligience."
"So Tonaka told me."
"Yes. I told her that at last. What she could not tell you, because she does not know — very few people do — is that I was a double agent all those years. I also worked for the British. For MI5."
Nick sipped at his saki. He was not particularly surprised, though it was news to him. He kept his eye on the stubby Swedish K machine gun that Matu had been carrying — it was on the table — and said nothing. Matu had brought him many thousands of miles to talk. When he was ready he would. Nick waited.
Matu was not yet ready to get down to cases. He stared at the saki bottle. Rain played a tinny ragtime on the roof. Someone coughed somewhere in the house. Nick cocked an ear and looked at the big man.
"A servant. A good boy. We can trust him."
Nick refilled his cup with saki and lit a cigarette. Matu refused. "My doctor does not permit it. He is a liar and says that I will live a long time." He tapped his huge belly. "I know better. This cancer is eating me alive. My daughter mentioned this?"
"Something of it." The doctor
was
a liar. Killmaster knew death when it was written on a man's face.
Kunizo Matu sighed. "I give myself six months. It is not much time to do the things I would like. A pity. But then I suppose it is always like that — one stalls and delays and puts off, and then one day Death is there and the time is all gone. I..."
Gently, very gently, Nick prodded him. "I understand some of it, Kunizo. Some of it I do not. About your people and how you have come back to them, the
Burakumin,
and that things are not well with you and your daughter. I know you are trying to make amends before you die. You have all my sympathy, Kunizo, and you know that in our profession sympathy is not given easily and is hard to come by. But we have always been honest and blunt with each other — you must come to the point, Kunizo! What do you want of me?"
Matu expelled a long breath. There was about him a peculiar odor and Nick wondered if it was the actual smell of the cancer. He had read that some of them
did
stink.
"You are right," said Matu. "Just as in the old days — you were usually right. So listen carefully. I told you that I was a double agent, working for both our intelligence and for British MI5. Well, in MI5 I came to know a man by the name of Cecil Aubrey. He was only a junior officer then. Now he is a knight, or soon will be — Sir Cecil Aubrey! Now, even after all these years, I still have many contacts. I have kept them in good repair, you might say. For an old man, Nick, for a dying man, I know pretty well what goes on in the world. In
our
world. The espionage underground. A few months ago..."
Kunizo Matu spoke steadily for half an hour. Nick Carter listened intently, interrupting only now and then to ask a question. Mostly he drank saki, smoked one cigarette after another and fondled the Swedish K machine gun. It was an exquisite piece of machinery.
Kunizo Matu said: "So you see, old friend, it is a complex matter. I no longer have official connections, so I have organized the Eta women and do the best I can. It is frustrating at times. Especially now, when we are confronted with a double plot. I am sure that Richard Philston has not come to Tokyo merely to organize a sabotage campaign and a blackout. There is more to it than that. Much more. It is my humble opinion that the Russians are going to swindle the Chinese somehow, double-cross them and leave them in the soup."
Nick's grin was hard. "Old Chinese recipe for Duck soup — first catch duck!"
He had come doubly alert at the first mention of Richard Philston's name. To catch Philston, even to kill him, would be the coup of the century. It
was
hard to believe that the man would leave the safety of Russia just to oversee a sabotage ploy, no matter how massive. Kunizo was right about that. It had to be something else.
He filled his saki cup again. "You're positive that Philston is in Tokyo? Now?"
Fat billowed as the old man shrugged his big shoulders. "As positive as one can ever be in this business. Yes. He is here. I had him and then I lost him. He knows all the tricks. It is my belief that even Johnny Chow, who is the leader of the local Chicoms, does not at the moment know where Philston is. And they are supposed to be working closely together."
"That means Philston has his own people, then. His own organization apart from the Chicoms?"
Again the shrug. "I suppose so. A small group. It would have to be small to avoid attention. Philston will operate on his own. He will have no connection with the Russian Embassy here. If he is caught doing — whatever it is that he intends doing — they will disavow him."
Nick thought a moment. "Their place still at 1 Azabu Mamiana?"
"The same. But it is no good watching their Embassy. For days now my girls have kept a 24-hour watch. Nothing."
The front door began to slide open. Slowly. An inch at a time. The grooves were well tallowed and the door made no sound.
"So there you are," said Kunizo Matu. "I can handle the sabotage plot. I can get evidence and, at the last moment, hand it over to the police. They will listen to me because, although I am no longer active, I can still bring certain pressures to bear. But I can do nothing about Richard Philston and he is the real danger. That game is too big for me. It is why I sent for you, why I sent the medallion, why I ask now what I thought I never would ask. That you pay a debt."
He leaned suddenly over the little table toward Nick. "A debt / never claimed, mind you! It is you, Nick, who has always insisted that you owe me for your life."
"That is true. I do not like debts. I will pay it if I can. You want me to find Richard Philston and kill him?"
Matu's eyes burned at him. "I do not care what you do with him. Kill him. Turn him over to our police, take him back to the States. Give him to the British. It is all one to me."
The front door was open now. A spate of rain drifted in to wet the matting in the hall. The man moved slowly toward the inner room. The pistol glinted dully in his hand.
"MI5 knows that Philston is in Tokyo," said Matu. "I saw to that. I spoke of Cecil Aubrey a moment ago. He knows. He will know what to do."
Nick was not particularly pleased. "That means I might be falling all over British agents. CIA, too, if he asks our help officially. Things could get cluttered. I like to work alone as much as possible."
The man was halfway down the hall now. Carefully, without the betraying
snick,
he eased the safety off the pistol.
Nick Carter stood up and stretched. He was suddenly bone weary. "All right, Kunizo. We'll leave it at that. I'll try to find Philston. When I leave here I'll be on my own. Just to keep it from getting too fouled up I'm going to forget about this Johnny Chow and the Chinese and the sabotage plot. You handle that angle. I'll concentrate on Philston. When I get him, if I get him, then I'll decide what to do with him. Okay?"
Matu had also risen. He nodded and his chins trembled. "As you say, Nick. Okay. It is best, I think, to concentrate and narrow it down. But now I must show you something. Tonaka let you see the body at the — the place you were first taken?"
The man in the hall, standing in the dark, could see the dim silhouettes of the two men in the inner room. They had just risen from the table. One was stretching.
Nick said: "She did. Gentleman name of Sadanaga. Due to go into the harbor any time now."
Matu went to a small lacquered cabinet in a corner. He stooped with a grunt, his big belly swaying. "Your memory is as good as ever, Nick. But his name is not important. Not even his death. He is, not the first and he will not be the last. But I am glad you saw bis body. It, and this, will serve to explain just how rough a game is played by Johnny Chow and his Chicoms."
He put the little Buddha on the table. It stood about a foot high and was of bronze. Matu touched it and the front half swung open on minute hinges. Light glinted on the scores of tiny blades set into the inside of the statue.
"They call it the Bloody Buddha," said Matu. "An old idea brought up to date. And not really Oriental, you see, because it is a version of the Iron Maiden used in Europe in medieval times. They put the victim in the Buddha and close it on him. There are not, of course, really a thousand knives, but does it matter? He bleeds to death very slowly because the blades are arranged very cunningly and none of them stabs too deeply or touches a vital spot. Not a very pleasant death."
The door to the room slid open the first inch.
Nick had the picture. "The Chicoms force the Eta men into this Society of the Bloody Buddha?"
"Yes." Matu shook his head sadly. "A few of the Etas stand up to them. Not many. Etas,
Burakumin,
are a minority and they do not have many ways of fighting back. The Chicoms use jobs, political pressure, money — but mostly terror. They are very clever. They force the men to join the Society by terror, by threats to their wives and children. Then if the men renege, if they find their manhood again and try to fight back — you see what happens." He pointed to the deadly little Buddha on the table. "So I have turned to the women, and with some success, because the Chicoms have not yet figured out just how to handle the women. I had this model made to show the women, what would happen to
them
if they are caught."
Nick eased the Colt .45 in his belt, where it was digging into his stomach. "That's your worry, Kunizo. But I see what you mean — the Chicoms are going to black out Tokyo and burn it down and your people, the Eta, will be blamed."
The door behind them was half open now.
"The sad truth is, Nick, that many of my people
do
riot. They do loot and bum, in protest against poverty and discrimination. They are a natural tool for the Chicoms. I try to reason with them, but I do not have much success. My people are very bitter."
Nick shrugged into the old trenchcoat. "Yes. But that's your problem, Kunizo. Mine is to find Richard Philston. So I'll go to work, the sooner the better. One thing, thought — it might help me. What do
you
think that Philston is really up to? His real reason for being in Tokyo? It just might give me a starting place."
Silence. Behind them the door had stopped moving.
Matu said: "It is only a wild guess, Nick. Crazy. You must understand that. Laugh if you want to, but I think that Philston is in Tokyo to..."
The gun behind them coughed nastily in the silence. It was an old-fashioned broom-handle Luger with a relatively low muzzle velocity. The brutal 9mm slug tore away most of Kunizo Matu's face. His head jerked backward. His body, laden with fat, did not move for a split instant. Then he fell forward, smashing the little table to splinters, spewing blood on the
totami,
crushing the Buddha model.
By that time Nick Carter had hit the deck and was rolling to his right. He came up in a crouch with the Colt in his hand. He saw a vague figure, a blurred shadow, moving away from the door. Nick fired from his crouch.
BLA M-BLAM-BLA M-BLAM
The Colt roared like a canon in the silence. The shadow vanished and Nick heard footsteps pounding down the hali. He went after the sound.
The shadow was just going out the door.
BLAM-BLAM.
The heavy .45 was waking the echoes. And the neighborhood. Carter knew that he had only minutes, perhaps only seconds, to get the hell out of there. He did not look back at his old friend. That was over now.
He ran out into the rain and the first false hint of dawn. There was light enough to see the assassin making a left turn down the way that he, and Nick, had come in. It was probably the only way in and out. Nick pelted after him. He did not fire again. It was pointless, and already he had the gut-churning feeling of failure. The bastard was going to get away.
When he got to the turn there was no one in sight. Nick ran down the narrow passage that led back to the flophouses, slipping and sliding in the filth underfoot. Voices were all around him now. Babies crying. Women questioning. Men moving, and wondering.
At the stairs the old beggar still crouched beneath his rain mat. Nick touched his shoulder. "Papa-san! Did you see..."
The old man fell over like a broken doll. The ugly gash in his throat stared up at Nick like a silent and reproving mouth. The mat under him was drenched in red. In one gnarled hand he still clutched the crisp bill Nick had given him.
"Sorry, Papa-san." Nick vaulted up the steps. Despite the rain it was growing lighter by the minute. He had to get out of there. Now! No point at all in hanging around. The assassin had gotten clean away, lost in the maze of slums, and Kunizo Matu was dead, the cancer was cheated. Take it from there.
The police cars came into the street from opposite directions, two of them neatly blocking all escape. Two spotlights fixed him like a moth on cork.
"Tomarinasai!"
Nick stopped. There was a strong odor of frame-up and he was in the middle of it. Someone had been using a telephone and the timing was exquisite. He dropped the Colt and kicked it down the stairs. There was a chance, if he could engage their attention, that they wouldn't see it. Or find the dead beggar. Think fast, Carter! He did think fast and went into his act. He put up bis hands and walked slowly toward the nearest police car. He might get away with it. He had drunk just enough saki to have the smell on him.