The Alexandria Quartet (61 page)

‘That year we went to the carnival together and got separated though we each wore something to distinguish each other by; you know of course that carnival is the one time of the year when vampires walk freely abroad, and those who are wise carry a pig of garlic in their pockets to drive them off — if by chance one were to be encountered. Next morning I went into my host's room and found him lying pale as death in bed, dressed in the white nightshirt with lace cuffs, with a doctor taking his pulse. When the doctor had gone he said: “I have met the perfect woman, masked; I went home with her and she proved to be a vampire.” Then drawing up his nightshirt he showed me with exhausted pride that his body was covered with great bites, like the marks of a weasel's teeth. He was utterly exhausted but at the same time excited — and frightening to relate, very much in love. “Until you have experienced it” he said “you have no idea what it is like. To have one's blood sucked in darkness by someone one adores.” His voice broke. “Sade could not begin to describe it. I did not see her face, but I had the impression she was fair, of a northern fairness; we met in the dark and separated in the dark. I have only the impression of white teeth, and a voice — never have I heard any woman say the things she says. She is the very lover for whom I have been waiting all these years. I am meeting her again tonight by the marble griffin at the Footpads' Bridge. O my friend, be happy for me. The real world has become more and more meaningless to me. Now at last, with this vampire's love, I feel I can live again, feel again, write again!” He spent all that day at his papers, and at nightfall set off, cloaked, in his gondola. It was not my business to say anything. The next day once more I found him, pale and deathly tired. He had a high fever, and again these terrible bites. But he could not speak of his experience without weeping — tears of love and exhaustion. And it was now that he had begun his great poem which begins — you all know it ——

“Lips not on lips, but on each other's wounds

Must suck the envenomed bodies of the loved

And through the tideless blood draw nourishment

To feed the love that feeds upon their deaths.…”

‘The following week I left for Ravenna where I had some studies to make for a book I was writing and where I stayed two months. I heard nothing from my host, but I got a letter from his sister to say that he was ill with a wasting disease which the doctors could not diagnose and that the family was much worried because he insisted on going out at night in his gondola on journeys of which he would not speak but from which he returned utterly exhausted. I did not know what to reply to this.

‘From Ravenna, I went down to Greece and it was not until the following autumn that I returned. I had sent a card to Negroponte saying I hoped to stay with him, but had no reply. As I came down the Grand Canal a funeral was setting off in choppy water, by twilight, with the terrible plumes and emblems of death. I saw that they were coming from the Negroponte Palazzo. I landed and ran to the gates just as the last gondola in the procession was filling up with mourners and priests. I recognized the doctor and joined him in the boat, and as we rowed stiffly across the canal, dashed with spray and blinking at the stabs of lightning, he told me what he knew. Negroponte had died the day before. When they came to lay out the body, they found the bites: perhaps of some tropical insect? The doctor was vague. “The only such bites I have seen” he said, “were during the plague of Naples when the rats had been at the bodies. They were so bad we had to dust him down with talcum powder before we could let his sister see the body.”

Pursewarden took a long sip from his glass and went on wickedly. ‘The story does not end there; for I should tell you how I tried to avenge him, and went myself at night to the Bridge of the Footpads — where according to the gondolier this woman always waited in the shadow.… But it is getting late, and anyway, I haven't made up the rest of the story as yet.'

There was a good deal of laughter and Athena gave a well-bred shudder, drawing her shawl across her shoulders. Narouz had been listening open-mouthed, with reeling senses, to this recital: he was spellbound. ‘But' he stammered ‘is all this true?' Fresh laughter greeted his question.

‘Of course it's true' said Pursewarden severely, and added: ‘I have never been in Venice in my life.'

And he rose, for it was time for them to be going, and while the impassive black servants waited they put on the velveteen capes and adjusted their masks like the actors they were, comparing their identical reflections as they stood side by side in the two swollen mirrors among the palms. Giggles from Pierre and sallies of wit from Toto de Brunel; and so they stepped laughing into the clear night air, the inquisitors of pleasure and pain, the Alexandrians.…

The cars engulfed them while the solicitous domestics and chauffeurs tucked them in, carefully as bales of precious merchandise or spices, tenderly as flowers. ‘I feel fragile' squeaked Toto at these attentions. ‘This side up with care, eh? Which side up, I ask myself?' He must have been the only person in the city not to know the answer to his own question.

When they had started, Justine leaned forward in the car and plucked his sleeve. ‘I want to whisper' she said hoarsely though there was little need for Nessim and Narouz were discussing something in harsh tones (Narouz' voice with the characteristic boyish break in it) and Athena was squibbling to Pierre like a flute. ‘Toto … listen. One great service tonight, if you will. I have put a chalk-mark on your sleeve, here, at the back. Later on in the evening, I want to give you my ring to wear. Shh. I want to disappear for an hour or so on my own. Hush … don't giggle.' But there were squeaks from the velvet hood. ‘You will have adventures in my name, dear Toto, while I am gone. Do you agree?'

He threw back his cape to show a delighted face, dancing eyes and that grim little procurer's smile. ‘Of course' he whispered back, enraptured by the idea and full of admiration. The featureless hood at his side from which the voice of Justine had issued like an oracle glowed with a sort of death's-head beauty of its own, nodding at him in the light from the passing street-lamps. The conversation and laughter around them sealed them in a conspiracy of private silence. ‘Do you agree?' she said.

‘Darling, of course.'

The two masked men in the front seats of the car might have been abbots of some medieval monastery, discussing theological niceties. Athena, consumed by her own voice, still babbled away to Pierre. ‘But of course.'

Justine took his arm and turned back the sleeve to show him the chalk-mark she had made. ‘I count on you' she said, with some of the hoarse imperiousness of her speaking-voice, yet still in a whisper. ‘Don't let me down!' He took her hand and raised it to his Cupid's lips, kissing the ring from the dead finger of the Byzantine youth as one might kiss the holy picture which had performed a miracle long desired; he was to be turned from a man into a woman. Then he laughed and cried: ‘And my indiscretions will be on your head. You will spend the rest of your days.…'

‘Hush.'

‘What is all this?' cried Athena Trasha, scenting a joke or a scandal worth repetition. ‘What indiscretions?'

‘My own' cried Toto triumphantly into the darkness. ‘My very own.' But Justine lay back in the dark car impassively hooded, and did not speak. ‘I can't wait to get there' said Athena, and turned back to Pierre. As the car turned into the gate of the Cervoni house, the light caught the intaglio, throwing into relief (colour of burnt milk) a Pan raping a goat, his hands grasping its horns, his head thrown back in ecstasy. ‘Don't forget' Justine said once more, for the last time, allowing him to maul her hand with gratitude for such a wonderful idea. ‘Don't forget' allowing her ringed fingers to lie in his, cool and unfeeling as a cow which allows itself to be milked. ‘Only tell me all the interesting conversations you have, won't you?' He could only mutter ‘Darling, darling, darling' as he kissed the ring with the ovarian passion of the sexually dispossessed.

Almost at once, like the Gulf Stream breaking up an iceberg with its warm currents, dispersing it, their party disintegrated as it reached the ballroom and merged with the crowd. Abruptly Athena was dragged screaming into the heart of the press by a giant domino who gobbled and roared incomprehensible blasphemies in his hood. Nessim, Narouz, Pierre, they suddenly found themselves turned to ciphers, expelled into a formless world of adventitious meetings, mask to dark mask, like a new form of insect life. Toto's chalk-mark gave him a few fugitive moments of identity as he was borne away like a cork on a stream, and Justine's ring as well (for which I myself was hunting all that evening in vain).

But everything now settled into the mindless chaotic dance-figures of the black jazz supported only by the grinding drums and saxophones, the voices. The spirits of the darkness had taken over you'd think, disinheriting the daylight hearts and minds of the maskers, plunging them ever deeper into the loneliness of their own irrecoverable identities, setting free the polymorphous desires of the city. The tide washed them up now onto the swampy littorals of their own personalities — symbols of Alexandria, a dead brackish lake surrounded by the silent, unjudging, wide-eyed desert which stretches away into Africa under a dead moon.

Locked in our masks now we prowled about despairingly among the company, hunting from room to room, from floor to lighted floor of the great house, for an identifiable object to direct our love: a rose pinned to a sleeve, a ring, a scarf, a coloured bead. Something, anything, to discover our lovers by. The hoods and masks were like the outward symbols of our own secret minds as we walked about — as single-minded and as dispossessed as the desert fathers hunting for their God. And slowly but with irresistible momentum the great carnival ball gathered pace around us. Here and there, like patches of meaning in an obscure text, one touched upon a familiar identity: a bullfighter drinking whisky in a corridor greeted one in the lisping accents of Tony Umbada, or Pozzo di Borgo unmasked for an instant to identify himself to his trembling wife. Outside in the darkness on the grass by the lily pond sat Amaril, also trembling and waiting. He did not dare to remain unmasked lest the sight of his face might disgust or disappoint her, should she return this year to the promised assignation. If one falls in love with a mask when one is masked oneself… which of you will first have the courage to raise it? Perhaps such lovers would go through life together, remaining masked? (Racing thoughts in Amaril's sentimental brain.… Love rejoices in self-torture.)

An expressive washerwoman dressed in a familiar picture-hat and recognizable boots (Pombal, as ever was), had pinned a meagre-looking Roman centurion to a corner of the mantelpiece and was cursing him in a parrot-voice. I caught the word
‘salaud'
. The little figure of the Consul-General managed to mime his annoyance with choppy gestures and struggles, but it was all in vain, for Pombal held him fast in his great paws. It was fascinating to watch. The centurion's casque fell off, and pushing him to the bandstand Pombal began to beat his behind rhythmically upon the big drum and at the same time to kiss him passionately. He was certainly getting his own back. But as I watched this brief scene, the crowd closed down upon it in a whirl of streamers and confetti and obliterated it. We were packed body to body, cowl to cowl, eye to eye. The music drove us round and round the floor. Still no Justine.

Old Tiresias

No-one half so breezy as
,

Half so free and easy as

Old Tiresias
.

It must have been about two o'clock that the fire started in one of the chimneys on the first floor, though its results were not serious and it caused more delight than alarm by its appropriateness. Servants scurried officiously everywhere; I caught a glimpse of Cervoni, running unmasked upstairs, and then a telephone rang. There were pleasing clouds of smoke, suggesting whiffs of brimstone from the bottomless pit. Then within minutes a fire-engine arrived with its siren pealing, and the hall was full of fancy-dress figures of
pompiers
with hatchets and buckets. They were greeted with acclamation as they made their way up to the scene of the fireplace which they virtually demolished with their axes. Others of the tribe had climbed on the roof and were throwing buckets of water down the chimney. This had the effect of filling the first floor with a dense cloud of soot like a London fog. The maskers crowded in shouting with delight, dancing like dervishes. These are the sort of inadvertencies which make a party go. I found myself shouting with them. I suppose I must have been rather drunk by now.

In the great tapestried hall the telephone rang and rang again, needling the uproar. I saw a servant answer it, lay the receiver down, and quest about like a gun-dog until presently he returned with Nessim, smiling and unmasked, who spoke into it quickly and with an air of impatience. Then he too put the receiver down and came to the edge of the dance-floor, staring about him keenly. ‘Is anything wrong?' I asked, lifting my own hood as I joined him. He smiled and shook his head. ‘I can't see Justine anywhere. Clea wants to speak to her. Can you?' Alas! I had been trying to pick up the distinguishing ring all evening without success. We waited, watching the slow rotation of the dancers, keenly as fishermen waiting for a bite. ‘No' he said and I echoed ‘No.' Pierre Balbz came up and joined us, lifting his cowl, and said ‘A moment ago I was dancing with her. She went out, perhaps.'

Nessim returned to the telephone and I heard him say. ‘She's here somewhere. Yes, quite sure. No. Nothing has happened. Pierre had the last dance with her. Such a crowd. She may be in the garden. Any message? Can I ask her to ring you? Very well. No, it was simply a fire in a chimney. It's out now.' He put down the receiver and turned back to us. ‘Anyway' he said ‘we have a rendezvous in the hall unmasked at three.'