The Art of Murder (38 page)

Gemma Locke was now in custody and undergoing extensive psychological testing. Geoff Hickle was on the mend. His ear had been reattached and was taking, but it would be a while before his glorious teeth would be back to their former state. A thorough search of Gemma Locke’s flat had turned up the original collection of letters she had claimed were written by Jack the Ripper. Pendragon had held them between his gloved hands before bagging them for forensic analysis. After Dr
Newman had finished with them, he had contacted Professor Stokes, an eminent archaeologist and expert in the history of London at Queen Mary College. Six months earlier, Stokes had been instrumental in helping Pendragon solve the mystery of how a ring once owned by the Borgia family had ended up on an ancient skeleton found on a building site off Mile End Road. Pendragon knew that if anyone could authenticate the letters, Stokes could.

Jack looked up from the pages lying on his kitchen table, past piles of other books and papers, to survey the living-room of his flat. The walls were still multi-coloured, the grubby pale blue only partially covered by fresh paint; half the skirting boards were still to be sanded. Heaps of unironed washing lay on the sofa, and the sink was piled high with unwashed dishes. He had let the place go during the past fortnight, but did not feel bad about it. He had had more pressing matters to attend to. He would get back to the decorating and smarten the place up when he could.

Then his eye was drawn to the kitchen worktop and the solitary birthday card standing close to the kettle. He reached over and pulled it towards him. It was from his son Simon. It read simply: ‘Dad, have a good one – 32 again? Love, Si’. Pendragon placed it back on the worktop and turned to his books, thinking that, after the chaos of the last two weeks, he really did not mind spending his forty-seventh birthday on his own, in the peace and quiet of his flat. He had never been one for parties and fuss.

The doorbell rang. He got up from the table and walked over to the intercom on the wall near the door. ‘If it’s
Jehovah’s Witnesses … go away. Aren’t you supposed to be in church?’

‘Guv, it’s me.’

‘Turner? What is it?’

‘Can I come up?’

Pendragon opened the door to his sergeant and showed him over to the sofa. He collected up two piles of clothes and strode through to the bedroom with them. When he returned, Jez was looking around at the half-painted walls.

‘I know,’ Pendragon sighed. ‘Looks a bloody mess.’

Turner smiled. ‘I think you have a good excuse.’

‘Yes, well. What can I do for you?’

‘I thought … well, as it’s your birthday and all … I could buy you a drink?’

Pendragon ran his hand over his forehead, then folded his arms. ‘That’s very kind of you …’

‘I guess you don’t like to be reminded of birthdays any more.’

Pendragon produced a smile. ‘No, haven’t for a long time. But the drink …’

‘’Fraid I can’t take no for an answer over that drink, sir. Looks like you’ve been slaving over a hot textbook. Thirsty work.’

Jack laughed. ‘You’ve twisted my arm!’

‘So, you discovered anything amazing from those letters?’ the sergeant asked as they descended the stairs to the lobby.

‘Professor Stokes has confirmed they do indeed date from the 1880s, but has to prepare them for some invasive analyses to see if he can find out anything more. To be honest, he’s not very hopeful.’

They reached the ground floor and stepped out into the freezing early afternoon. There was a stiff breeze. ‘Good God!’ Pendragon exclaimed. It felt as though the cold was removing several layers of skin from his face.

‘Yeah, a bit nippy,’ Turner responded as they crossed the road. ‘But Stokes gave you photocopies, right? I read most of them on Friday at the station.’

‘More or less. He has some sort of scanner to duplicate delicate manuscripts without damaging them, and he was kind enough to pass copies on to me.’

‘That’s why the washing hasn’t been ironed!’

Pendragon glanced at the sergeant. ‘That and the constant demands from the media.’

‘Oh, to be a celebrity!’ Turner quipped. ‘And, can you now answer the question that’s troubled Ripperologists for over a century? Do you know who he was?’ Turner looked genuinely excited.

‘Oh, come on! Do you think if I did I’d be going to the pub with you now?’

‘No, probably not, sir. So that would be a “no” then?’

‘Sadly, nothing matches up. I think the letters were certainly written by a contemporary, and some details given about the murders prove almost conclusively that they were written by someone in the know … quite possibly The Ripper himself. But that’s about as far as it goes.’

‘Why?’

‘The letters are a frustrating blend of truth and lies. There never was a Fellwick Manor in Hemel Hempstead, nor a Sandler family fitting their description living in the town. There was no William Sandler born on 10 August 1867, and no such student enrolled at Exeter College,
Oxford, under that name at any time between 1884 and 1886. But there was, and still is, a Wentworth Street, and there was even a corn-chandler’s shop there that burned down in October 1888. But again, absolutely no trace of a Sandler or a Harry Tumbril ever living there. There was a White Star Line ship called the
Oceanic
which crisscrossed the Atlantic at that time, but there is no record of our quarry purchasing a ticket to New York. And, once he arrived in America, if indeed that was where he ended up, he simply vanished, never to be heard of again.’

‘And what about the newspaper editor? Archibald Thomson, wasn’t it?’

‘He really did exist, and was abducted in late 1888. He was traumatised by the experience and died in Bedlam Hospital soon after.’

‘How did you find that out?’

‘Well, it was actually thanks to one of the most puzzling questions about all this – how did the letters get into Juliette Kinnear’s hands?’

‘Her father had them in his library.’

‘But how did
he
get them?’

Turner shrugged. ‘He collected books and manuscripts. I assumed he must have picked them up at an auction or a second-hand book shop.’

Pendragon gave his sergeant a sceptical look. ‘Much more interesting, actually. I’d had them for at least a day before I noticed a very faint paragraph of writing on the bottom of one of them. It was written in a different hand from the author of the letters. It said, something like: “I cannot think what to do with these horrible things. I cannot destroy them, for that would somehow feel wrong.
So I entrust them to you”. It was signed by Sonia Thomson.’

‘Archibald’s wife, the woman The Ripper was writing to?’

‘Yes. I then traced back the Kinnear family tree. Turns out Juliette’s great-grandfather, David Kinnear, had been the Warden of Bedlam Hospital between 1911 and 1914. Sonia Thomson must have left the letters at the hospital with one of David Kinnear’s predecessors, and somehow they surfaced during his tenure. It seems it was David Kinnear who started the family library and sparked the bibliophilia in his grandson, Juliette’s father John.’

They had reached the door to the pub and Turner held it open for his boss. They walked through the public bar, along a narrow corridor and emerged into the lounge bar. As Pendragon stepped into the room, a loud cheer went up followed by a tumultuous: ‘HAPPY BIRTHDAY!’

Stunned for a second, he surveyed their faces – the entire team from the station were there as well as Colette Newman and Neil Jones. Behind them hung a paper banner with: MANY HAPPY RETURNS, JACK written on it. Jimmy Thatcher stepped forward, blowing a party whistle and holding out a pint of bitter.

Pendragon was so surprised he just stared at the gathering open-mouthed before grasping the glass of beer automatically. No one had ever thrown him a surprise party before and he could barely believe that it was happening now. He had not realised how much he had settled here, become part of the team. For a second he felt almost overwhelmed with emotion. Then he raised the glass and grinned from ear to ear.

Superintendent Hughes stepped forward with a gift wrapped in bright orange and red paper.

‘For you, Jack.

Pendragon looked at the gift and then back at the gathering.

‘Come on, guv. Open it then,’ Inspector Grant shouted from the back of the group, and they moved forward to surround him.

He looked around at all the smiling faces. ‘Thanks,’ he said, blushing. ‘I didn’t expect …’ He pulled the ribbon and carefully peeled apart the edges of the paper. Inside it was a large coffee-table book with a blaringly colourful cover. He read the title aloud:
THE SURREALISTS
. Then he burst out laughing.

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A brutal murder. A three-hundred-year conspiracy. A deadly secret.

Oxford, 2006: a young woman is found brutally murdered, her throat cut. Her heart has been removed and in its place lies an apparently ancient gold coin. Twenty-four hours later, another woman is found. The MO is identical, except that this time her brain has been removed, and a silver coin lies glittering in the bowl of her skull.

The police are baffled but when police photographer Philip Bainbridge and his estranged lover Laura Niven become involved, they discover that these horrific, ritualistic murders are not confined to the here and now. And a shocking story begins to emerge which intertwines Sir Isaac Newton, one of seventeenth-century England’s most powerful figures, with a deadly conspiracy which echoes down the years to the present day, as lethal now as it was then.

Before long those closest to Laura are in danger, and she finds herself the one person who can rewrite history; the only person who can stop the killer from striking again …

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An ancient mystery. A conspiracy of silence. A secret to kill for.

In the crypt of the Medici Chapel in Florence, palaeopathologist, Edie Granger, and her uncle, Carlin Mackenzie, are examining the mummified remains of one of the most powerful families in Renaissance Italy.

The embalmers have done their work well in terms of outward appearance. But under the crisp skin, the organs have shrivelled to a fraction of their original size, which means it is difficult to gather a usable DNA sample. Edie and Mackenzie both have serious doubts about the true identity of at least two of the five-hundred-year-old bodies.

And no one can explain the presence of an alien object discovered resting against Cosimo de’ Medici’s spine.

For Carlin Mackenzie, this is the most fascinating and the most dangerous discovery of his life. For Edie, it is the beginning of an obsessive, life-threatening quest …

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A weapon from the past. A secret that has survived the centuries. A deadly obsession.

When a blackened skeleton is unearthed on a building site in the City of London, no one can have the slightest idea of its extraordinary link to a plot to assassinate the Queen of England over 500 years ago.

But there is one very conspicuous clue. On the index finger of the body’s right hand is a gold ring topped with a brilliant, round emerald.

DCI Jack Pendragon has just transferred from Oxford to Brick Lane police station – in part to escape his own past. Immediately, he finds himself investigating three particularly gruesome murders. And he will need all the experience he has acquired from two decades on the force to track down a killer for whom an eerie obsession has become total madness. A killer who draws his murderous inspiration from a Renaissance family whose power and cruelty remain a living legend.