The Arthur Machen Megapack: 25 Classic Works (62 page)

Richmond shivered and stamped his foot. “We had better be going soon,” he said; “there is nothing else to be done here.”

“No,” said Davies, “it is finished at last. I thought for some time we should never get hold of the gentleman with the spectacles. He was a clever fellow, but, Lord! He broke up badly at last. I can tell you he looked white at me when I touched him on the arm in the bar. But where could he have hidden the thing? We can all swear it was not on him.”

The girl laughed, and they turned away, when Richmond gave a violent start. “Ah!” he cried, turning to the girl, “what have you got there? Look, Davies, look! It’s all oozing and dripping.”

The young woman glanced down at the little parcel she was carrying, and partially unfolded the paper.

“Yes, look both of you,” she said; “it’s my own idea. Don’t you think it will do nicely for the doctor’s museum? It comes from the right hand, the hand that took the gold Tiberius.”

Mr. Davies nodded with a good deal of approbation, and Richmond lifted his ugly high-crowned bowler, and wiped his forehead with a dingy handkerchief.

“I’m going,” he said; “you two can stay if you like.”

The three went round by the stable path, past the withered wilderness of the old kitchen garden, and struck off by a hedge at the back, making for a particular point in the road. About five minutes later two gentlemen, whom idleness had led to explore these forgotten outskirts of London, came sauntering up the shadowy carriage drive. They had spied the deserted house from the road, and as they observed all the heavy desolation of the place they began to moralize in the great style, with considerable debts to Jeremy Taylor.

“Look, Dyson,” said the one as they drew nearer, “look at those upper windows; the sun is setting, and though the panes are dusty, yet

“The grimy sash an oriel burns.”

“Phillipps,” replied the elder and (it must be said) the more pompous of the two, “I yield to fantasy, I cannot withstand the influence of the grotesque. Here, where all is falling into dimness and dissolution, and we walk in cedarn gloom, and the very air of heaven goes mouldering to the lungs, I cannot remain commonplace. I look at that deep glow on the panes, and the house lies all enchanted; that very room, I tell you, is within all blood and fire.”

ADVENTURE OF THE GOLD TIBERIUS.

The acquaintance between Mr. Dyson and Mr. Charles Phillipps arose from one of those myriad chances which are every day doing their work in the streets of London. Mr. Dyson was a man of letters, and an unhappy instance of talents misapplied. With gifts that might have placed him in the flower of his youth among the most favored of Bentley’s favorite novelists, he had chosen to be perverse; he was, it is true, familiar with scholastic logic, but he knew nothing of the logic of life, and he flattered himself with the title of artist, when he was in fact but an idle and curious spectator of other men’s endeavors. Amongst many delusions, he cherished one most fondly, that he was a strenuous worker; and it was with a gesture of supreme weariness that he would enter his favorite resort, a small tobacco shop in Great Queen Street, and proclaim to any one who cared to listen that he had seen the rising and setting of two successive suns. The proprietor of the shop, a middle-aged man of singular civility, tolerated Dyson partly out of good nature, and partly because he was a regular customer; he was allowed to sit on an empty cask, and to express his sentiments on literary and artistic matters till he was tired or the time for closing came; and if no fresh customers were attracted, it is believed that none were turned away by his eloquence. Dyson, was addicted to wild experiments in tobacco; he never wearied of trying new combinations, and one evening he had just entered the shop and given utterance to his last preposterous formula, when a young fellow, of about his own age, who had come in a moment later, asked the shopman to duplicate the order on his account, smiling politely, as he spoke, to Mr. Dyson’s address. Dyson felt profoundly flattered, and after a few phrases the two entered into conversation, and in an hour’s time the tobacconist saw the new friends sitting side by side on a couple of casks, deep in talk.

“My dear sir,” said Dyson, “I will give you the task of the literary man in a phrase. He has got to do simply this: to invent a wonderful story, and to tell it in a wonderful manner.”

“I will grant you that,” said Mr. Phillipps, “but you will allow me to insist that in the hands of the true artist in words all stories are marvellous, and every circumstance has its peculiar wonder. The matter is of little consequence, the manner is everything. Indeed, the highest skill is shown in taking matter apparently commonplace and transmuting it by the high alchemy of style into the pure gold of art.”

“That is indeed a proof of great skill, but it is great skill exerted foolishly, or at least unadvisedly. It is as if a great violinist were to show us what marvellous harmonies he could draw from a child’s banjo.”

“No, no, you are really wrong. I see you take a radically mistaken view of life. But we must thresh this out. Come to my rooms; I live not far from here.”

It was thus that Mr. Dyson became the associate of Mr. Charles Phillipps, who lived in a quiet square not far from Holborn. Thenceforth they haunted each other’s rooms at intervals, sometimes regular, and occasionally the reverse, and made appointments to meet at the shop in Queen Street, where their talk robbed the tobacconist’s profit of half its charm. There was a constant jarring of literary formulas, Dyson exalting the claims of the pure imagination, while Phillipps, who was a student of physical science and something of an ethnologist, insisted that all literature ought to have a scientific basis. By the mistaken benevolence of deceased relatives both young men were placed out of reach of hunger, and so, meditating high achievements, idled their time pleasantly away, and revelled in the careless joys of a Bohemianism devoid of the sharp seasoning of adversity.

One night in June Mr. Phillipps was sitting in his room in the calm retirement of Red Lion Square. He had opened the window, and was smoking placidly, while he watched the movement of life below. The sky was clear, and the afterglow of sunset had lingered long about it; and the flushing twilight of a summer evening, vying with the gas-lamps in the square, had fashioned a chiaroscuro that had in it something unearthly; and the children, racing to and fro upon the pavement, the lounging idlers by the public, and the casual passers-by rather flickered, and hovered in the play of lights than stood out substantial things. By degrees in the houses opposite one window after another leaped out a square of light, now and again a figure would shape itself against a blind and vanish, and to all this semi-theatrical magic the runs and flourishes of brave Italian opera played a little distance off on a piano-organ seemed an appropriate accompaniment, while the deep-muttered bass of the traffic of Holborn never ceased. Phillipps enjoyed the scene and its effects; the light in the sky faded and turned to darkness, and the square gradually grew silent, and still he sat dreaming at the window, till the sharp peal of the house bell roused him, and looking at his watch he found that it was past ten o’clock. There was a knock at the door, and his friend Mr. Dyson entered, and, according to his custom, sat down in an armchair and began to smoke in silence.

“You know, Phillipps,” he said at length, “that I have always battled for the marvellous. I remember your maintaining in that chair that one has no business to make use of the wonderful, the improbable, the odd coincidence in literature, and you took the ground that it was wrong to do so, because, as a matter of fact, the wonderful and the improbable don’t happen, and men’s lives are not really shaped by odd coincidence. Now, mind you, if that were so, I would not grant your conclusion, because I think the “criticism-of-life” theory is all nonsense; but I deny your premise. A most singular thing has happened to me tonight.”

“Really, Dyson, I am very glad to hear it. Of course I oppose your argument, whatever it may be; but if you would be good enough to tell me of your adventure I should be delighted.”

“Well, it came about like this. I have had a very hard day’s work; indeed, I have scarcely moved from my old bureau since seven o’clock last night. I wanted to work out that idea we discussed last Tuesday, you know, the notion of the fetish-worshipper.”

“Yes, I remember. Have you been able to do anything with it?”

“Yes; it came out better than I expected; but there were great difficulties, the usual agony between the conception and the execution. Anyhow I got it done at about seven o’clock tonight, and I thought I should like a little of the fresh air. I went out and wandered rather aimlessly about the streets; my head was full of my tale, and I didn’t much notice where I was going. I got into those quiet places to the north of Oxford Street as you go west, the genteel residential neighborhood of stucco and prosperity. I turned east again without knowing it, and it was quite dark when I passed along a sombre little by-street, ill lighted and empty. I did not know at the time in the least where I was, but I found out afterwards that it was not very far from Tottenham Court Road. I strolled idly along, enjoying the stillness; on one side there seemed to be the back premises of some great shop; tier after tier of dusty windows lifted up into the night, with gibbet-like contrivances for raising heavy goods, and below large doors, fast closed and bolted, all dark and desolate. Then there came a huge pantechnicon warehouse; and over the way a grim blank wall, as forbidding as the wall of a jail, and then the headquarters of some volunteer regiment, and afterwards a passage leading to a court where wagons were standing to be hired. It was, one might almost say, a street devoid of inhabitants, and scarce a window showed the glimmer of a light. I was wondering at the strange peace and dimness there, where it must be close to some roaring main artery of London life, when suddenly I heard the noise of dashing feet tearing along the pavement at full speed, and from a narrow passage, a mews or something of that kind, a man was discharged as from a catapult under my very nose and rushed past me, flinging something from him as he ran. He was gone and down another street in an instant, almost before I knew what had happened, but I didn’t much bother about him, I was watching something else. I told you he had thrown something away; well, I watched what seemed a line of flame flash through the air and fly quivering over the pavement, and in spite of myself I could not help tearing after it. The impetus lessened, and I saw something like a bright half-penny roll slower and slower, and then deflect towards the gutter, hover for a moment on the edge, and dance down into a drain. I believe I cried out in positive despair, though I hadn’t the least notion what I was hunting; and then to my joy I saw that, instead of dropping into the sewer, it had fallen flat across two bars. I stooped down and picked it up and whipped it into my pocket, and I was just about to walk on when I heard again that sound of dashing footsteps. I don’t know why I did it, but as a matter of fact I dived down into the mews, or whatever it was, and stood as much in the shadow as possible. A man went by with a rush a few paces from where I was standing, and I felt uncommonly pleased that I was in hiding. I couldn’t make out much feature, but I saw his eyes gleaming and his teeth showing, and he had an ugly-looking knife in one hand, and I thought things would be very unpleasant for gentleman number one if the second robber, or robbed, or what you like, caught him up. I can tell you, Phillipps, a fox hunt is exciting enough, when the horn blows clear on a winter morning, and the hounds give tongue, and the red-coats charge away, but it’s nothing to a man hunt, and that’s what I had a slight glimpse of tonight. There was murder in the fellow’s eyes as he went by, and I don’t think there was much more than fifty seconds between the two. I only hope it was enough.”

Dyson leant back in his armchair and relit his pipe, and puffed thoughtfully. Phillipps began to walk up and down the room, musing over the story of violent death fleeting in chase along the pavement, the knife shining in the lamplight, the fury of the pursuer, and the terror of the pursued.

“Well,” he said at last, “and what was it, after all, that you rescued from the gutter?”

Dyson jumped up, evidently quite startled. “I really haven’t a notion. I didn’t think of looking. But we shall see.”

He fumbled in his waistcoat pocket and drew out a small and shining object, and laid it on the table. It glowed there beneath the lamp with the radiant glory of rare old gold; and the image and the letters stood out in high relief, clear and sharp, as if it had but left the mint a month before. The two men bent over it, and Phillipps took it up and examined it closely.

“Imp. Tiberius Cæsar Augustus,” he read the legend, and then, looking at the reverse of the coin, he stared in amazement, and at last turned to Dyson with a look of exultation.

“Do you know what you have found?” he said.

“Apparently a gold coin of some antiquity,” said Dyson, coolly.

“Quite so, a gold Tiberius. No, that is wrong. You have found
the
gold Tiberius. Look at the reverse.”

Dyson looked and saw the coin was stamped with the figure of a faun standing amidst reeds and flowing water. The features, minute as they were, stood out in delicate outline; it was a face lovely and yet terrible, and Dyson thought of the well-known passage of the lad’s playmate, gradually growing with his growth and increasing with his stature, till the air was filled with the rank fume of the goat.

“Yes,” he said, “it is a curious coin. Do you know it?”