The Arthur Machen Megapack: 25 Classic Works (82 page)

“There is a survival for you,” said Dyson; “it has come to its last days, I imagine. Look how the laurels have grown gaunt, and weedy, and black, and bare, beneath; look at the house, covered with yellow wash and patched with green damp. Why, the very notice-board which informs all and singular that the place is to be let has cracked and half fallen.”

“Suppose we go in and see it,” said Phillipps. “I don’t think there is anybody about.”

They turned up the drive, and walked slowly, towards this remnant of old days. It was a large straggling house, with curved wings at either end, and behind a series of irregular roofs and projections, showing that the place had been added to at divers dates; the two wings were roofed in cupola fashion, and at one side, as they came nearer, they could see a stable-yard, and a clock turret with a bell, and the dark masses of gloomy cedars. Amidst all the lineaments of dissolution, there was but one note of contrast: the sun was setting beyond the elm-trees, and all the west and the south were in flames, and on the upper windows of the house the glow shone reflected, and it seemed as if blood and fire were mingled. Before the yellow front of the mansion, stained, as Dyson had remarked, with gangrenous patches, green and blackening, stretched what once had been, no doubt, a well-kept lawn, but it was now rough and ragged, and nettles and great docks, and all manner of coarse weeds, struggled in the places of the flower-beds. The urns had fallen from their pillars beside the walk, and lay broken in shards upon the ground, and everywhere from grass-plot and path a fungoid growth had sprung up and multiplied, and lay dank and slimy like a festering sore upon the earth. In the middle of the rank grass of the lawn was a desolate fountain; the rim of the basin was crumbling and pulverized with decay, and within, the water stood stagnant, with green scum for the lilies that had once bloomed there; and rust had eaten into the bronze flesh of the Triton that stood in the middle, and the conch-shell he held was broken.

“Here,” said Dyson, “one might moralize over decay and death. Here all the stage is decked out with the symbols of dissolution; the cedarn gloom and twilight hangs heavy around us, and everywhere within the pale dankness has found a harbor, and the very air is changed and brought to accord with the scene. To me, I confess, this deserted house is as moral as a graveyard, and I find something sublime in that lonely Triton, deserted in the midst of his water-pool. He is the last of the gods; they have left him and he remembers the sound of water falling on water, and the days that were sweet.”

“I like your reflections extremely,” said Phillipps, “but I may mention that the door of the house is open.”.

“Let us go in then.”

The door was just ajar, and they passed into the mouldy hall, and looked in at a room on one side. It was a large room, going far back, and the rich old red flock paper was peeling from the walls in long strips, and blackened with vague patches of rising damp; the ancient clay, the dank reeking earth rising up again, and subduing all the work of men’s hands after the conquest of many years. And the floor was thick with the dust of decay, and the painted ceiling fading from all gay colors and light fancies of cupids in a career, and disfigured with sores of dampness, seemed transmuted into other work. No longer the amorini chased one another pleasantly, with limbs that sought not to advance, and hands that merely simulated the act of grasping at the wreathed flowers, but it appeared some savage burlesque of the old careless world and of its cherished conventions, and the dance of the loves had become a dance of Death; black pustules and festering sores swelled and clustered on fair limbs, and smiling faces showed corruption, and the fairy blood had boiled with the germs of foul disease; it was a parable of the leaven working, and worms devouring for a banquet the heart of the rose.

Strangely, under the painted ceiling, against the decaying walls, two old chairs still stood alone, the sole furniture of the empty place. High-backed, with curving arms and twisted legs, covered with faded gold leaf, and upholstered in tattered damask, they too were a part of the symbolism, and struck Dyson with surprise. “What have we here?” he said. “Who has sat in these chairs? Who, clad in peach-bloom satin, with lace ruffles and diamond buckles, all golden,
a conté fleurettes
to his companion? Phillipps, we are in another age. I wish I had some snuff to offer you, but failing that, I beg to offer you a seat, and we will sit and smoke tobacco. A horrid practice, but I am no pedant.”

They sat down on the queer old chairs, and looked out of the dim and grimy panes to the ruined lawn, and the fallen urns, and the deserted Triton.

Presently Dyson ceased his imitation of eighteenth century airs; he no longer pulled forward imaginary ruffles, or tapped a ghostly snuff-box.

“It’s a foolish fancy,” he said at last, “but I keep thinking I hear a noise like someone groaning. Listen; no, I can’t hear it now. There it is again! Did you notice it, Phillipps?

“No, I can’t say I heard anything. But I believe that old places like this are like shells from the shore, ever echoing with noises. The old beams, mouldering piecemeal, yield a little and groan, and such a house as this I can fancy all resonant at night with voices, the voices of matter so slowly and so surely transformed into other shapes; the voice of the worm that gnaws at last the very heart of the oak; the voice of stone grinding on stone, and the voice of the conquest of time.”

They sat still in the old armchairs and grew graver in the musty ancient air,—the air of a hundred years ago.

“I don’t like the place,” said Phillipps, after a long pause. “To me it seems, as if there were a sickly, unwholesome smell about it, a smell of something burning.”

“You are right; there is an evil odor here. I wonder what it is! Hark! Did you hear that?”

A hollow sound, a noise of infinite sadness and infinite pain broke in upon the silence; and the two men looked fearfully at one another, horror and the sense of unknown things glimmering in their eyes.

“Come,” said Dyson, “we must see into this,” and they went into the hall and listened in the silence.

“Do you know,” said Phillipps, “it seems absurd, but I could almost fancy that the smell is that of burning flesh.”

They went up the hollow-sounding stairs, and the the odor became thick and noisome, stifling the breath; and a vapor, sickening as the smell of the chamber of death, choked them. A door was open and they entered the large upper room, and clung hard to one another, shuddering at the sight they saw.

A naked man was lying on the floor, his arms and legs stretched wide apart, and bound to pegs that had been hammered into the boards. The body was torn and mutilated in the most hideous fashion, scarred with the marks of red-hot irons, a shameful ruin of the human shape. But upon the middle of the body a fire of coals was smouldering; the flesh had been burned through. The man was dead, but the smoke of his torment mounted still, a black vapor.

“The young man with spectacles,” said Mr. Dyson.

THE RED HAND

I

The Problem of the Fish-Hooks

“There can be no doubt whatever,” said Mr. Phillipps, “that my theory it the true one; these flints are prehistoric fish-hooks.”

“I dare say; but you know that in all probability the things were forged the other day with a door-key.”

“Stuff!” said Phillipps; “I have some respect, Dyson, for your literary abilities, but your knowledge of ethnology is insignificant, or rather non-existent. These fish-hooks satisfy every test; they are perfectly genuine.”

“Possibly, but as I said just now, you go to work at the wrong end. You neglect the opportunities that confront you and await you, obvious, at every corner; you positively shrink from the chance of encountering primitive man in this whirling and mysterious city, and you pass the weary hours in your agreeable retirement of Red Lion Square fumbling with bits of flint, which are, as I said, in all probability, rank forgeries.”

Phillipps took one of the little objects, and held it up in exasperation.

“Look at that ridge,” he said. “Did you ever see such a ridge as that on a forgery?”

Dyson merely grunted and lit his pipe and the two sat smoking in rich silence, watching through the open window the children in the square as they flitted to and fro in the twilight of the lamps, as elusive as bats flying on the verge of a dark wood.

“Well,” said Phillipps at last, “it is really a long time since you have been round. I suppose you have been working at your old task.”

“Yes,” said Dyson, “always the chase of the phrase. I shall grow old in the hunt. But it is a great consolation to meditate on the fact that there are not a dozen people in England who know what style means.”

“I suppose not; for the matter of that, the study of ethnology is far from popular. And the difficulties! Primitive man stands dim and very far off across the great bridge of years.”

“By the way,” he went on after a pause, “what was that stuff you were talking just now about shrinking from the chance of encountering primitive man at the corner, or something of the kind? There are certainly people about here whose ideas are very primitive.”

“I wish, Phillipps, you would not rationalize my remarks. If I recollect the phrases correctly, I hinted that you shrank from the chance of encountering primitive man in this whirling and mysterious city, and I meant exactly what I said. Who can limit the age of survival? The troglodyte and the lake-dweller, perhaps representatives of yet darker races, may very probably be lurking in our midst, rubbing shoulders with frock-coated and finely draped humanity, ravening like wolves at heart and boiling with the foul passions of the swamp and the black cave. Now and then as I walk in Holborn or Fleet Street I see a face which I pronounce abhorred, and yet I could not give a reason for the thrill of loathing that stirs within me.”

“My dear Dyson, I refuse to enter myself in your literary ‘trying-on’ department. I know that survivals do exist, but all things have a limit, and our speculations are absurd. You must catch me our troglodyte before I will believe in him.”

“I agree to that with all my heart,” said Dyson, chuckling at the ease with which he had succeeded in “drawing” Phillipps. “Nothing could be better. It’s a fine night for a walk,” he added taking up his hat.

“What nonsense you are talking, Dyson!” said Phillipps. “However, I have no objection to taking a walk with you: as you say, it is a pleasant night.”

“Come along then,” said Dyson, grinning, “but remember our bargain.”

The two men went out into the square, and threading one of the narrow passages that serve as exits, struck towards the north-east. As they passed along a flaring causeway they could hear at intervals between the clamour of the children and the triumphant
Gloria
played on a piano-organ the long deep hum and roll of the traffic in Holborn, a sound so persistent that it echoed like the turning of everlasting wheels. Dyson looked to the right and left and conned the way, and presently they were passing through a more peaceful quarter, touching on deserted squares and silent streets black as midnight. Phillipps had lost all count of direction, and as by degrees the region of faded respectability gave place to the squalid, and dirty stucco offended the eye of the artistic observer, he merely ventured the remark that he had never seen a neighbourhood more unpleasant or more commonplace.

“More mysterious, you mean,” said Dyson. “I warn you, Phillipps, we are now hot upon the scent.”

They dived yet deeper into the maze of brickwork; some time before they had crossed a noisy thoroughfare running east and west, and now the quarter seemed all amorphous, without character; here a decent house with sufficient garden, here a faded square, and here factories surrounded by high, blank walls, with blind passages and dark corners; but all ill-lighted and unfrequented and heavy with silence.

Presently, as they paced down a forlorn street of two-story houses, Dyson caught sight of a dark and obscure turning.

“I like the look of that,” he said; “it seems to me promising.” There was a street lamp at the entrance, and another, a mere glimmer, at the further end. Beneath the lamp, on the pavement, an artist had evidently established his academy in the daytime, for the stones were all a blur of crude colours rubbed into each other, and a few broken fragments of chalk lay in a little heap beneath the wall.

“You see people do occasionally pass this way,” said Dyson, pointing to the ruins of the screever’s work. “I confess I should not have thought it possible. Come, let us explore.”

On one side of this byway of communication was a great timber-yard, with vague piles of wood looming shapeless above the enclosing wall; and on the other side of the road a wall still higher seemed to enclose a garden, for there were shadows like trees, and a faint murmur of rustling leaves broke the silence. It was a moonless night, and clouds that had gathered after sunset had blackened, and midway between the feeble lamps the passage lay all dark and formless, and when one stopped and listened, and the sharp echo of reverberant footsteps ceased, there came from far away, as from beyond the hills, a faint roll of the noise of London. Phillipps was bolstering up his courage to declare that he had had enough of the excursion, when a loud cry from Dyson broke in upon his thoughts.

“Stop, stop, for Heaven’s sake, or you will tread on it! There! Almost under your feet!” Phillipps looked down, and saw a vague shape, dark, and framed in surrounding darkness, dropped strangely on the pavement, and then a white cuff glimmered for a moment as Dyson lit a match, which went out directly.