The Baroque Cycle: Quicksilver, the Confusion, and the System of the World (224 page)

“In any event,” said Gabriel Goto, “Peter’s fame has reached the court of the shogun. Obviously Russia will one day threaten Nippon from the north. When that day arrives, Nippon will be defenseless against Peter’s Dutch-style ships and
al-jebr
-trained gunners, unless we are well established in northern Honshu and on the vast island to the north—a wilderness full of blue-eyed savages, called Ezo, or Hokkaido.”

“So your family may be doubly useful to the shogun. You can mine copper, and you have an interest in moving northwards.”

Gabriel Goto said nothing, which Jack took to mean
yes
.

“Tell me—has the shogun’s concern about this military threat led him to relax his ban on firearms?”

“He imports books of
rangaku,
which means ‘Dutch learning,’ so as to keep abreast of developments in fortifications and artillery. But the ban on guns will
never
be lifted,” said Gabriel Goto firmly. “The sword is the symbol of nobility—it is what marks a man as a Samurai.”

“How many Samurai are there in Japan?”

Gabriel Goto shrugged. “Their proportion to the entire population is somewhere between one in ten, and one in twenty.”

“And there are a million souls in Edo
alone
?”

“That is what I am told.”

“So, between fifty and a hundred thousand Samurai in that one city—each of whom must possess a sword?”

“Two—the long and the short. Many have more than one set, of course.”

“Of course. And is watered steel as desirable there as it is everywhere else?”

“We may be isolated, but we are not ignorant.”

“And where do the sword-smiths of Nippon get this kind of steel?”

Gabriel Goto inhaled sharply, as if Jack had strayed into the middle of his garden and left muddy foot-prints in the white gravel. “This is a great secret, the subject of legends,” he said. “You know that most Japanese are Buddhists.”

“Of course,” said Jack, who hadn’t known.

“Buddhism came from Hindoostan. And so did some of our other traditions that are very ancient—such as tea…”

“And steel,” Jack said, “which for centuries has been imported, by the finest swordsmiths of Nippon, from India, in the form of small egg-shaped ingots with a distinctive cross-hatch pattern.”

For once Gabriel Goto was openly dumbfounded. “How did you come to know this!?”

Down below, the narrow end of the giant mast had plowed into
the beach. One pair of boats was being abandoned by drenched rowers. The other group was thrashing the water, trying to wheel the trunk around so it could be rolled up onto dry land. At a glance it seemed not to be moving at all. But move it did, as slowly as the minute-hand of a clock—as steadily as that mysterious Wheel that Gabriel Goto was always speaking of.

“You want to return to this homeland that you have never seen,” Jack said. “It could hardly be more obvious.”

Gabriel Goto closed his eyes and turned towards the Laccadive Sea. The onshore breeze blew his long hair back from his face and made his kimono billow like a colorful sail. “When I was a boy standing at my father’s knee and watching him paint his pictures of the Passage to Niigata, he told me, over and over again, that Nippon was now a forbidden land to us, and that the places he was drawing were places I would never see. And that is just what I believed for most of my life. But let me tell you that when I stood in Saint Peter’s, in Rome, waiting to kiss the Pope’s ring, I looked up at the ceiling of that place, which was magnificently adorned by a painter named Michelangelo. Not in Latin, English, or Nipponese are there words to express its magnificence. And that is the very reason for its being there, for sometimes pictures say more than words. There is a place in that painting where the Heavenly Father reaches out with one finger toward Adam, whose hand is outstretched as I am doing here, and between the fingertips of the Father and the Son there is a gap. And something has leapt across that gap, something invisible, something that not even Michelangelo could portray, but anyway it has crossed from the Father into the Son, and the Son has been awakened by it, and been infused with awareness and purpose. At the moment that I stood there in Saint Peter’s and saw all of these things, understanding suddenly came into my mind, bridging the gap of miles and years that separated me from my father, and I became aware for the first time. I understood that even though
with his words
he had forbidden me to return to Nippon,
in his pictures
he had told me that one day I
must
return—and in those same pictures he had given me the means.”

“You believe that the
Hundred and Seven Views of the Passage to Niigata
are a sort of nautical chart, telling you how to return?”

“They are better than a chart,” said Father Gabriel Goto of the Society of Jesus. “They are a living memory.”

H
ALF THE TOWN WAS PULLED
away from their mock-battle to heave the mast up onto the beach, and eventually three elephants were brought into play. Through the Queen’s spyglass, which had evidently
been pilfered from some Portuguese sea-captain’s personal effects, Jack could see his sons—now half-naked, and covered with bruises—striving alongside Nayar youths to land this prize. Eventually it was paraded through the town, garlanded with flowers, bristling with incense-sticks, and then it was made the centerpiece of more merry-making, which continued into the night. In earlier years Jack would have been at the center of this, but as it was, he delegated the revelry to Jimmy and Danny, and spent most of the evening huddled with Enoch and the other members of the Cabal.

Everyone in the town slept late the next morning, save a few sentries and low-caste laborers. Jack reckoned it would be a simple matter to find his sons passed out under a palm-tree somewhere. But he could not find them. The tide was about to go out, and men on ships were calling his name. Jack returned to the top of the cliff, intending to wake up Monsieur Arlanc and ask him to search for Jimmy and Danny later. But on his way to the apartment where the Huguenot slept, Jack detected volcanic emanations from the Queen’s chambers, and detoured thataway out of curiosity. As he approached her door he saw not just one but two sets of weapons leaned up against the door-posts: European muskets and cutlasses. Dim moanings, mutterings, and controversies emanating from the other side of that door told Jack that the boys had finally found what they had been looking for in the way of Oriental decadence, though Jack honestly could no longer tell it apart from the Occidental kind. In any event Jack left the boys there to pursue their own story while he sailed away to pursue his.

Two of Queen Kottakkal’s ships sailed on that tide, and turned opposite ways when they cleared the harbor. The one on which Jack was a passenger planned to coast southwards until it rounded Cape Comorin at the tip of Hindoostan. Then it would turn north and sally through one of the gaps in Adam’s Bridge—the chain of reefs and isles that stretched between the mainland and the Island of Serendib. From there it would be a short voyage to Dalicot, where the Cabal’s ship was being built. Their eventual purpose was to raid shipping around the Dutch settlements of Tegnapatam and Negapatam, and the English ones at Tranquebar and Fort St. David, but they said they would be happy to deposit Jack on the shores of his
jagir,
which was not too far north of those places. Enoch Root, meanwhile, took passage on a northbound ship, intending to make a rendezvous in Surat with a Danish merchantman that was ballasted with cannons, and that wanted to unload them to make space for saltpeter and cloth.

T
HREE MONTHS LATER
J
ACK WAS
a King no longer: merely a Vagabond sailor infringing on the hospitality of the Malabar pirate-queen. He and van Hoek, Jan Vroom, Surendranath, Padraig Tallow, and various Dutchmen sailed into Queen Kottakkal’s harbor aboard something that was close to being a ship. Her hull was painted and ballasted, her decks were in place, and a temporary foremast had been jury-rigged, giving her the ability to crawl through the water before a following wind. Her gunports were caulked shut. She was unarmed and helpless, but four of the Queen’s pirate-ships had escorted, and occasionally towed, her around Cape Comorin. She had not been christened yet—it had been decided to save that ceremony for when the masts were stepped, the guns installed, and all members of the Cabal on hand.

The cannons had preceded them, and were stacked on logs just above the tide-line. Jack, ever disposed to view things from a wretch’s standpoint, grasped right away that the movement of these objects from the hold of the Danish ship to their current position, concealed just within the first rank of palm trees, embodied a lavish expenditure of human toil—perhaps not so much as the Pyramids but still enough to give him pause.

For his part van Hoek, once he had sloshed ashore, stomped past the cannons without breaking stride, and did not even pause to light his pipe until he had encountered his three masts lying side-by-side in the middle of the town, out back of the Temple of Kali. He walked up and down the length of each one, stooping to inspect how they had been blocked up off the ground. He stood at their narrow ends and peered down them to check for undue curvature, and ambled up and down pounding on them with a pistol-butt and listening to the wood’s reverberations with a hand cupped to his ear. He frowned at cracks, as if he could weld these imperfections shut with his furious gaze, and rested his hand contemplatively on places that had been scarred by the sawing friction of hawsers, collisions with spars, and impacts of pistol-balls. At first van Hoek seemed in the grip of something that approached panic, such was his anxiety that the masts would be found wanting. Gradually this eased into the quotidian fretting and continual state of low-level annoyance that Jack knew to be the perpetual lot of all competent sea-captains.

Then the Dutchman stopped for a while to gaze at the butt of the mainmast. Nowhere was it more obvious than from this standpoint that what they were really looking at, here, was a stupendous tree-trunk, most likely from a virgin forest in America. In other places its nature was somewhat concealed by the carpenters’ work, and by
bands of iron that had been hammered out in some enormous forge somewhere and, while still red-hot, slipped onto it like rings onto a finger so that as they cooled and shrank they would cut into the wood and become one with it. But here at the foot of the mainmast—which was almost as thick as van Hoek was tall—the tree’s growth rings, and the boundary between heartwood and sapwood, were obvious even through diverse layers of tar, caulk, and paint. Van Hoek had gazed upon it twice as he circled round the mast, and seen nothing untoward, But on this third circuit he came in closer and began to hammer at the wood with the pistol-butt. Jack heard a solid
thunk, thunk
and then a sharp
whack;
a moment’s silence; and then a cry from the Dutchman.

“What’s amiss? Smash your finger?” Jack inquired. Meanwhile Jan Vroom came loping out of the trees, looking a bit peaked, asking in Dutch if van Hoek had discovered rot in the mast’s heart.

Van Hoek was gazing incredulously at a flake of yellow metal embedded in the foot of the mainmast.

Now it was a longstanding tradition that whenever mariners stepped a mast they slipped a coin beneath it. Supposedly this was to placate sea-gods, or buy them passage to the afterlife when the ship went down to David Jones’s Locker and took them with it. Normally such a coin became embedded in the bottom of the mast and could be viewed the next time it was pulled out. Masts that had been stepped several times had as many coins stuck to their bottoms. This particular mast had three of them, but they had been painted over, and so were visible only as blurred scabs. Van Hoek had just knocked a disk of paint clean off one of them with a blow of his pistol-butt. It was a French louis d’or. And that was how it came about that Jack Shaftoe, Otto van Hoek, Jan Vroom, and an ever-growing crowd of curious Nayar children found themselves staring into the face of King Louis XIV of France, stamped in fine gold, out behind the Temple of Kali in Malabar.

“Really the coiner was a flattering knave,” Jack said. “In person he is not half so handsome as all that.”

Van Hoek let go his pistol, yanked a dagger from his belt, and assaulted the mast. Jack guessed he was trying to get the point of the weapon beneath the coin and worry it loose; but the way he was flailing and jabbering he was unlikely to succeed. Anyway Vroom, who was two heads taller, grabbed van Hoek’s arm on the backswing and stopped it.
“It is bad luck! Leave the coin be!”
Jack understood that much Dutch, anyway. He did not understand what van Hoek said in return—some sort of advanced calculus of luck, he gathered, in which the sacrilege of removing the coin was weighed against the ill
omen of having a golden effigy of Leroy eternally planted in the heart of the ship.

Jack looked carefully left, right, and behind, in case cobras or crocodiles were creeping up on them, which in these parts was a routine precaution to take before fastening one’s attention on any particular thing for more than a few moments. Then he stepped round this dangerous pair of struggling Dutchmen, drew out his own pistol, and struck one of the other coins. Paint fell away to reveal William of Orange on an English guinea. A blow to the last remaining coin produced King Carlos II on a Spanish doubloon.

“For God’s sake, hasn’t he died yet!?” Jack exclaimed. “Twenty years ago people were expecting him to drown in his own spit at the next moment.”

Van Hoek calmed down and Vroom relaxed, but did not let go of his arms.

“As I read the signs, the Spanish made this mast in America for a treasure-galleon. English privateers then took it as a prize, or perhaps salvaged its wreck after some hurricanoe. Later those poor Englishmen ran afoul of the French Navy—courtesy of my old friend the duc d’Arcachon.” Jack pointed with his pistol-barrel to each of the coins in turn as he made this all up. “That French ship later came east, escorting some merchant-vessels of the
Compagnie des Indes,
where God only knows what befell it. At any rate, the Wheel has now turned again—you may consult our new Pilot, Father Gabriel Goto, for more concerning the Wheel—and the mast is now ours. So let’s put a fucking rupee underneath it and be on our way, shall we?”