The Beatles (182 page)

Read The Beatles Online

Authors: Bob Spitz

Tags: #Biography & Autobiography / General, #Music / Genres & Styles - Pop Vocal


When it came down to business
”: Author interview with Alistair Taylor, 1/17/98.


four miners who go down
”: Paul McCartney in
Anthology,
p. 110.


Instead of going to bed
”: C. Lennon,
A Twist,
p. 134.


There was something about the way
”: Author interview with Alistair Taylor, 1/17/98.


I was amazed by the diary
”:
Miles,
Paul McCartney,
p. 115.


Jane knew people in the country
”: Ibid., p. 120.


Paul was clearly in awe
”: Author interview with Peter Brown, 12/10/97.


Jane confided in me
”: C. Lennon,
A Twist,
p. 133.

Jane had “clearly decided
”: Author interview with Peter Brown, 12/10/97.


very tense
”: Miles,
Paul McCartney,
p. 453.

Jane’s “traumatic” confession
: Ibid., p. 452.

Paul “could not get her to name the day
”: Brown & Gaines,
Love You Make,
p. 240.


never available
”: Goldman,
Lives of John Lennon,
p. 290.


this stranger
”: Author interview with Pete Shotton, 1/19/98.


pure shock
”: Coleman,
Lennon,
p. 336.

Yoko had been “particularly persistent
”:
Hello!,
5/28/94.

She once gained admittance
: Coleman,
Lennon,
pp. 335–36.


there were a lot of phone calls
”: Ibid.


She’s crackers
”: Ibid., p. 336.


I want two thousand pounds
”: Author interview with Pete Shotton, 1/19/98.


all beautifully cut in half
”: Wenner,
Lennon Remembers,
p. 175.


In the beginning, all those screwy ideas
”: Author interview with Peter Brown, 12/10/97.


She did a thing called ‘Dance Event’
”: Wenner,
Lennon Remembers,
p. 175.


Use your blood to paint
”: Ono,
Grapefruit,
pages unnumbered.


avant-garde crap
”: Coleman,
Lennon,
p. 345.

descended from samurai
: Hopkins,
Yoko Ono,
p. 6.


they actually went begging
”: Ibid., p. 10.

Vincent Persichetti
: Goldman,
Lives of John Lennon,
p. 214.


promoting living art
”: Fluxus manifesto, 1962, from
Fluxus, etc.


Long before Jimi Hendrix
”: Goldman,
Lives of John Lennon,
p. 217.

Yoko’s “opera
”: from the program, Carnegie Recital Hall, 11/24/61.


would start to feel the environment
”: Hopkins,
Yoko Ono,
p. 29.


I was always having abortions
”:
Esquire,
May 1970.


Tony and the doctors
”: Goldman,
Lives of John Lennon,
p. 226.


Tony got her pregnant
”: Hopkins,
Yoko Ono,
p. 36.


Inside there might be a lot
”: Sheff,
Playboy Interviews,
p. 91.


hypnotically dreamlike
”:
Cue,
3/24/65.

Yoko’s performance “uplifting
”:
Financial Times,
9/26/66.


She said, half-laughingly
”: Hopkins,
Yoko Ono,
p. 58.


far out
”: “Her work is far out.” Wenner,
Lennon Remembers,
p. 172.

she was “somebody that you could go
”: McCabe & Schonfeld,
John Lennon: For the Record,
p. 55.


a tribute to women
”: Miles,
Paul McCartney,
p. 449.


not outright rock
”: “Rock Flavour to Next Beatles’ Single,”
NME,
2/17/68.


rockswing
”: “Ringo Talks,”
NME,
3/23/68.

The opening barrelhouse piano
: “I asked him if it was from ‘Bad Penny Blues,’ and he said it was based [on that].” Author interview with Ray Connolly, 8/17/97.


[The song] reminded me
”: Miles,
Paul McCartney,
p. 449.


I think… we were all
”: Paul McCartney in
Anthology,
p. 281.


I was gonna take her
”: McCabe & Schonfeld,
John Lennon: For the Record,
p. 55.


barracks
”: “It was cold and wet, and the complex… resembled a barracks.”
Hello!,
5/28/94.

nominal rate of $400
: “Beatles’ Guru Is Turning Them into Gurus,”
New York Times,
2/23/68.


We were really getting away
”: John Lennon, 1974 interview, in
Anthology,
p. 281.


There [was] quite a heavy flow
”: George Harrison in ibid.


It was a collision
”: Farrow,
What Falls Away,
p. 132.

Meditation… should last for
:
Melody Maker,
3/9/68.


Nevertheless,” she later wrote
: Farrow,
What Falls Away,
p. 137.


I was meditating about eight hours
”: John Lennon, 1974 interview, in
Anthology,
p. 283.


To John, nothing else mattered
”: C. Lennon,
A Twist,
p. 155.


It was pretty exciting
”: Ringo Starr in
Anthology,
p. 281.


It was quite nice
”: Miles,
Paul McCartney,
p. 413.


It was almost magical
”: Paul McCartney in
Anthology,
p. 283.


like a feather over
”: Miles,
Paul McCartney,
p. 414.


Regardless of what
”: John Lennon, 1971 interview, in
Anthology,
p. 283.

an homage to his boyhood idol
: “ ‘Back in the U.S.S.R.’ was my take-off of Chuck Berry’s ‘Back in the USA.’ ” Miles,
Paul McCartney,
p. 422.

There, in a series of dilapidated tents
:
Hello!,
5/28/94.


Every time we met
”: Miles,
Paul McCartney,
p. 419.


to go shoot a few poor tigers
”: Sheff,
Playboy Interviews,
p. 168.


Prudence meditated and hibernated
”: Ringo Starr in
Anthology,
p. 284.


She went completely mental
”: Sheff,
Playboy Interviews,
p. 168.

George and John had been selected
: Farrow,
What Falls Away,
p. 139.


got her out of the house
”: Sheff,
Playboy Interviews,
p. 168.

using a finger-picking technique
: “I introduced John to a finger-picking style…. With this style he wrote ‘Julia’ and ‘Dear Prudence.’ ” Donovan in Badman,
Off the Record,
p. 341.

“Umbrella”
:
Miles,
Paul McCartney,
p. 421.


We’re not fucking here
”: Ibid., p. 420.

Besides, Maureen had a phobia
: “He couldn’t stand the food and his wife couldn’t stand the flies.” Paul McCartney in
Anthology,
p. 284.


very much like a holiday
”:
Melody Maker,
3/9/68.


Paul and Jane were much too sophisticated
”: Brown & Gaines,
Love You Make,
p. 286.


some huge spiritual lift-off
”: Miles,
Paul McCartney,
p. 409.


John took meditation
”: Coleman,
Lennon,
p. 341.


Something had gone very wrong
”:
Hello!,
5/28/94.


I’m a cloud
”: Fawcett,
John Lennon: One Day at a Time,
p. 33.

John “missed his company
”: “Alex was summoned to Rishikesh by John.” Brown & Gaines,
Love You Make,
p. 287.


because he didn’t approve
”: Miles,
Paul McCartney,
p. 427.


appalled” by the accommodations
: Brown & Gaines,
Love You Make,
p. 287.

Maharishi
might have
come on to her
: Farrow,
What Falls Away,
p. 141.


I think it was completely untrue
”: Miles,
Paul McCartney,
p. 429.


to plug into the divine
”: George Harrison in Badman,
Off the Record,
p. 341.


When George started thinking
”: Wenner,
Lennon Remembers,
pp. 55–56.

“Wait,”
she recalled
: Miles,
Paul McCartney,
p. 428.


John told me he knew
”: Author interview with Peter Brown, 12/10/97.


If you’re so cosmically conscious
”: Variations of this response have been reported in Wenner,
Lennon Remembers;
Brown & Gaines,
Love You Make;
C. Lennon,
A Twist;
and Jenny Boyd’s account in Miles,
Paul McCartney.


You can’t say that
”: George Harrison in
Anthology,
p. 286.

an appearance in a documentary
: “30 New Beatle Tracks,”
NME,
4/20/68.


But you’ve got to bloody hear it
”: Brown & Gaines,
Love You Make,
p. 291. Cynthia confirms this in
Hello!,
5/28/94.


I never dreamed
”: C. Lennon,
A Twist,
p. 163.


We want to help people
”:
The Tonight Show,
5/15/68.

whose brainstorm produced
: “He came up with the idea for the ad in my house.” Author interview with Alistair Taylor, 1/17/98.


Overnight, we were swamped
”:
Ibid.


By the time I came back
”: George Harrison in
Anthology,
p. 287.

George… “had very little to do
”: Ibid.


I hate it
”: D. Taylor,
Fifty Years,
p. 330.


Paul, for the longest time
”: Author interview with Peter Brown, 12/10/97.


he’d stay there all day
”: McCabe & Schonfeld,
Apple to the Core,
p. 102.


John was in a rage
”: D. Taylor,
Fifty Years,
p. 330.


He was more fucked up
”: Author interview with Pete Shotton, 7/10/98.


It seemed like everything
”: Ibid., 1/19/98.

At a London party
: Author interview with a confidential source.


We wanted a grand launch
”: Paul McCartney in
Anthology,
p. 287.


It was a mad, bad week
”: D. Taylor,
Fifty Years,
p. 327.


mild and extremely benign hallucinogen
”: Ibid., p. 329.


He said, ‘We’re leaving’
”: Miles,
Paul McCartney,
p. 450.


There was something awfully steamy
”: Author interview with Nat Weiss, 1/28/98.

761–62 “
didn’t think she was particularly attractive
”: McCabe & Schonfeld,
John Lennon: For the Record,
p. 24.


high-breasted
”: D. Taylor,
Fifty Years,
p. 329.


He was a fairly hip person
”: Author interview with Peter Brown, 12/12/97.


she looked very pretty
”: Miles,
Paul McCartney,
p. 454.


He is an American song writer
”: Memo duplicated in D. Taylor,
Fifty Years,
p. 326.


It all came as a shock
”: Author interview with Tony Bramwell, 8/6/97.


tons of songs
”: Sheff,
Playboy Interviews,
p. 160.


The Beatles were getting real tense
”: Ibid.


I said, ‘What are you doing?’
” Author interview with Pete Shotton, 1/19/98.


I played her all the tapes
”: Wenner,
Lennon Remembers,
p. 176.


We improvised for many hours
”: Coleman,
Lennon,
p. 344.


the babel inside an insane asylum
”: Author interview with Terry Doran, 8/13/97.


enjoying the uncertainty
”: Coleman,
Lennon,
p. 344.


It was dawn
”: Wenner,
Lennon Remembers,
p. 176.


I had no doubt
”: Coleman,
Lennon,
pp. 344–45.


shellshocked
”: Author interview with Pete Shotton, 1/19/98.

CHAPTER 35: GOOD-BYE TO THE BOYS IN THE BAND!


The question they all ask
”:
Melody Maker,
9/3/68.


a hectic recording scene
”: “Beatles George Today,”
NME,
6/1/68.


It seemed to many of us
”: Author interview with Don Short, 8/11/97.


the Beatles were embarrassed
”: Author interview with Peter Brown, 12/10/97.


We bought a few things
”:
NME,
6/1/68.

He was “absolutely fascinated
”: “He wore several of them himself.” Author interview with Peter Brown, 12/12/97.


I had to give it away
”: John Lennon, undated interview, in
Anthology,
p. 290.

John and Paul “blew millions
”: George Harrison in ibid.


tens of thousands” of requests
: Brown & Gaines,
Love You Make,
p. 313.


Suddenly Apple was a free-for-all
”: George Harrison in
Anthology,
p. 290.


Any numbskull could walk in
”: Author interview with Alistair Taylor, 1/17/98.


I remember going round
”: George Harrison in
Anthology,
p. 318.

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