Authors: Alice Munro
So she kept driving. Muskoka; the Lakehead; the Manitoba border. Sometimes she slept in the car, pulled off to the side of the road for an hour or so. In Manitoba it was too cold to do that; she checked into a motel. She ate in roadside restaurants. Before she entered a restaurant she combed her hair and made up her face and put on that distant, dreamy, shortsighted look women wear when they think some man may be watching them. It was too much to say that she really expected Simon to be there, but it seemed she did not entirely rule him out.
The force did weaken, with distance. It was as simple as that, though the distance, she thought afterward, would have to be covered by car, or by bus, or bicycle; you couldn’t get the same results by flying. In a prairie town within sight of the Cypress Hills she recognized the change. She had driven all night until the sun came up behind her and she felt calm and clearheaded as you do at such times. She went into a café and ordered coffee and fried eggs. She sat at the counter looking at the usual things there are behind café counters—the coffeepots
and the bright, probably stale pieces of lemon and raspberry pie, the thick glass dishes they put ice cream or jello in. It was those dishes that told her of her changed state. She could not have said she found them shapely, or eloquent, without misstating the case. All she could have said was that she saw them in a way that wouldn’t be possible to a person in any stage of love. She felt their solidity with a convalescent gratitude whose weight settled comfortably into her brains and feet. She realized then that she had come into this café without the least farfetched idea of Simon, so it seemed the world had stopped being a stage where she might meet him, and gone back to being itself. During that bountifully clear half hour before her breakfast made her so sleepy she had to get to a motel, where she fell asleep with her clothes on and the curtains open to the sun, she thought how love removes the world for you, and just as surely when it’s going well as when it’s going badly. This shouldn’t have been, and wasn’t, a surprise to her; the surprise was that she so much wanted, required, everything to be there for her, thick and plain as ice cream dishes, so that it seemed to her it might not be the disappointment, the losses, the dissolution, she had been running from, any more than the opposite of those things: the celebration and shock of love, the dazzling alteration. Even if that was safe, she couldn’t accept it. Either way you were robbed of something—a private balance spring, a little dry kernel of probity. So she thought.
She wrote to the college that while in Toronto attending the deathbed of her friend she had run into an old acquaintance who had offered her a job on the west coast, and that she was going there immediately. She supposed they could make trouble for her but she also supposed, rightly, that they would not bother, since the terms of her employment, and particularly her pay, were not quite regular. She wrote to the agency from which she rented the house; she wrote to the woman at the store, good luck and good-bye. On the Hope-Princeton highway she got out of the car and stood in the cool rain of the coastal mountains. She felt relatively safe, and exhausted, and sane, though she knew she had left some people behind who would not agree with that.
Luck was with her. In Vancouver she met a man she knew who was casting a new television series. It was to be produced on the west coast
and concerned a family, or pseudo-family, of eccentrics and drifters using an old house on Salt Spring Island as their home or headquarters. Rose got the role of the woman who owned the house, the pseudo-mother. Just as she had said in the letter; a job on the west coast, possibly the best job she had ever had. Some special makeup techniques, aging techniques, had to be used on her face; the makeup man joked that if the series was a success, and ran for a few years, these techniques would not be necessary.
A word everybody at the coast was using was
fragile.
They spoke of feeling fragile today, of being in a fragile state. Not me, Rose said, I am getting a distinct feeling of being made of old horsehide. The wind and sun on the prairies had browned and roughened her skin. She slapped her creased brown neck, to emphasize the word
horsehide.
She was already beginning to adopt some of the turns of phrase, the mannerisms, of the character she was to play.
A
year or so later Rose was out on the deck of one of the B.C. ferries, wearing a dingy sweater and a head scarf. She had to creep around among the lifeboats, keeping an eye on a pretty young girl who was freezing in cut-off jeans and a halter. According to the script, the woman Rose played was afraid this young girl meant to jump off the boat because she was pregnant.
Filming this scene, they collected a sizeable crowd. When they broke and walked toward the sheltered part of the deck, to put on their coats and drink coffee, a woman in the crowd reached out and touched Rose’s arm.
“You won’t remember me,” she said, and in fact Rose did not remember her. Then this woman began to talk about Kingston, the couple who had given the party, even about the death of Rose’s cat. Rose recognized her as the woman who had been doing the paper on suicide. But she looked quite different; she was wearing an expensive beige pantsuit, a beige and white scarf around her hair; she was no longer fringed and soiled and stringy and mutinous-looking. She introduced a husband, who grunted at Rose as if to say that if she expected him to make a big fuss about her, she had another think coming. He moved away and the woman said, “Poor Simon. You know he died.”
Then she wanted to know if they were going to be shooting any more scenes. Rose knew why she asked. She wanted to get into the background or even the foreground of these scenes so that she could call up her friends and tell them to watch her. If she called the people who had been at that party she would have to say that she knew the series was utter tripe but that she had been persuaded to be in a scene, for the fun of it.
“Died?”
The woman took off her scarf and the wind blew her hair across her face.
“Cancer of the pancreas,” she said, and turned to face the wind so that she could put the scarf on again, more to her satisfaction. Her voice seemed to Rose knowledgeable and sly. “I don’t know how well you knew him,” she said. Was that to make Rose wonder how well
she
knew him? That slyness could ask for help, as well as measure victories; you could be sorry for her perhaps, but never trust her. Rose was thinking this instead of thinking about what she had told her. “So sad,” she said, businesslike now, as she tucked her chin in, knotting the scarf. “Sad. He had it for a long time.”
Somebody was calling Rose’s name; she had to go back to the scene. The girl didn’t throw herself into the sea. They didn’t have things like that happening in the series. Such things always threatened to happen but they didn’t happen, except now and then to peripheral and unappealing characters. People watching trusted that they would be protected from predictable disasters, also from those shifts of emphasis that throw the story line open to question, the disarrangements which demand new judgments and solutions, and throw the windows open on inappropriate unforgettable scenery.
Simon’s dying struck Rose as that kind of disarrangement. It was preposterous, it was unfair, that such a chunk of information should have been left out, and that Rose even at this late date could have thought herself the only person who could seriously lack power.
Spelling
I
n the store, in the old days, Flo used to say she could tell when some woman was going off the track. Special headgear or footwear were often the first giveaways. Galoshes flopping open on a summer day. Rubber boots they slopped around in, or men’s workboots. They might say it was on account of corns, but Flo knew better. It was deliberate, it was meant to tell. Next might come the old felt hat, the torn raincoat worn in all weathers, the trousers held up at the waist with twine, the dim shredded scarves, the layers of ravelling sweaters.
Mothers and daughters often the same way. It was always in them. Waves of craziness, always rising, irresistible as giggles, from some place deep inside, gradually getting the better of them.
They used to come telling Flo their stories. Flo would string them along. “Is that so?” she would say. “Isn’t that a shame?”
My vegetable grater is gone and I know who took it.
There is a man comes and looks at me when I take my clothes off at night. I pull the blind down and he looks through the crack.
Two hills of new potatoes stolen. A jar of whole peaches. Some nice ducks’ eggs.
One of those women they took to the County Home at last. The first thing they did, Flo said, was give her a bath. The next thing they did was cut off her hair, which had grown out like a haystack. They expected to find anything in it, a dead bird or maybe a nest of baby mouse skeletons. They did find burrs and leaves and a bee that must
have got caught and buzzed itself to death. When they had cut down far enough they found a cloth hat. It had rotted on her head and the hair had just pushed up through it, like grass through wire.
F
lo had got into the habit of keeping the table set for the next meal, to save trouble. The plastic cloth was gummy, the outline of the plate and saucer plain on it as the outline of pictures on a greasy wall. The refrigerator was full of sulfurous scraps, dark crusts, furry oddments. Rose got to work cleaning, scraping, scalding. Sometimes Flo came lumbering through on her two canes. She might ignore Rose’s presence altogether, she might tip the jug of maple syrup up against her mouth and drink it like wine. She loved sweet things now, craved them. Brown sugar by the spoonful, maple syrup, tinned puddings, jelly, globs of sweetness to slide down her throat. She had given up smoking, probably for fear of fire.
Another time she said, “What are you doing in there behind the counter? You ask me what you want, and I’ll get it.” She thought the kitchen was the store.
“I’m Rose,” Rose said in a loud, slow voice. “We’re in the kitchen.
I’m cleaning up the kitchen.”
The old arrangement of the kitchen: mysterious, personal, eccentric. Big pan in the oven, medium-sized pan under the potato pot on the corner shelf, little pan hanging on the nail by the sink. Colander under the sink. Dishrags, newspaper clippings, scissors, muffin tins, hanging on various nails. Piles of bills and letters on the sewing machine, on the telephone shelf. You would think someone had set them down a day or two ago, but they were years old. Rose had come across some letters written by herself, in a forced and spritely style. False messengers; false connections, with a lost period of her life.
“Rose is away,” Flo said. She had a habit now of sticking her bottom lip out, when she was displeased or perplexed. “Rose got married.”
The second morning Rose got up and found that a gigantic stirring-up had occurred in the kitchen, as if someone had wielded a big shaky spoon. The big pan was lodged behind the refrigerator; the egg lifter was in with the towels, the bread knife was in the flour bin and the roasting pan wedged in the pipes under the sink. Rose made Flo’s
breakfast porridge and Flo said, “You’re that woman they were sending to look after me.”
“Yes.”
“You aren’t from around here?”
“No.”
“I haven’t got money to pay you. They sent you, they can pay you.”
Flo spread brown sugar over her porridge until the porridge was entirely covered, then patted the sugar smooth with her spoon.
After breakfast she spied the cutting board, which Rose had been using when she cut bread for her own toast. “What is this thing doing here getting in our road?” said Flo authoritatively, picking it up and marching off—as well as anybody with two canes could march—to hide it somewhere, in the piano bench or under the back steps.
Y
ears ago, Flo had had a little glassed-in side porch built on to the house. From there she could watch the road just as she used to watch from behind the counter of the store (the store window was now boarded up, the old advertising signs painted over). The road wasn’t the main road out of Hanratty through West Hanratty to the Lake anymore; there was a highway bypass. And it was paved, now, with wide gutters, new mercury vapor street lights. The old bridge was gone and a new, wide bridge, much less emphatic, had taken its place. The change from Hanratty to West Hanratty was hardly noticeable. West Hanratty had got itself spruced up with paint and aluminum siding; Flo’s place was about the only eyesore left.
What were the things Flo put up to look at, in her little porch, where she had been sitting for years now with her joints and arteries hardening?
A calendar with a picture of a puppy and a kitten on it. Faces turned toward each other so that the noses touched, and the space between the two bodies made a heart.
A photograph, in color, of Princess Anne as a child.
A Blue Mountain pottery vase, gift from Brian and Phoebe, with three yellow plastic roses in it, vase and roses bearing several seasons’ sifting of dust.
Six shells from the Pacific coast, sent home by Rose but not gathered by her, as Flo believed, or had once believed. Bought on a vacation
in the state of Washington. They were an impulse item in a plastic bag by the cashier’s desk in a tourist restaurant.
THE LORD IS MY SHEPHERD
, in black cutout scroll with a sprinkling of glitter. Free gift from a dairy.
Newspaper photograph of seven coffins in a row. Two large and five small. Parents and children, all shot by the father in the middle of the night, for reasons nobody knew, in a farmhouse out in the country. That house was not easy to find but Flo had seen it. Neighbors took her, on a Sunday drive, in the days when she was using only one cane. They had to ask directions at a gas station on the highway, and again at a crossroads store. They were told that many people had asked the same questions, had been equally determined. Though Flo had to admit there was nothing much to see. A house like any other. The chimney, the windows, the shingles, the door. Something that could have been a dish towel, or a diaper, that nobody had felt like taking in, left to rot on the line.