The Blackhouse

THE BLACKHOUSE

THE BLACKHOUSE

Peter May

First published in Great Britain in 2011 by

Quercus
21 Bloomsbury Square
London
WC1A 2NS

Copyright © 2011 by Peter May

The moral right of Peter May to be
identified as the author of this work has been
asserted in accordance with the Copyright,
Designs and Patents Act, 1988.

All rights reserved. No part of this publication
may be reproduced or transmitted in any form
or by any means, electronic or mechanical,
including photocopy, recording, or any
information storage and retrieval system,
without permission in writing from the publisher.

A CIP catalogue reference for this book is available from the British Library

ISBN (HB) 978 1 84916 384 2
ISBN (TPB) 978 1 84916 385 9

This book is a work of fiction. Names, characters,
businesses, organizations, places and events are
either the product of the author’s imagination
or are used fictitiously. Any resemblance to
actual persons, living or dead, events or
locales is entirely coincidental.

10 9 8 7 6 5 4 3 2 1

Typeset by Ellipsis Books Limited, Glasgow

Printed and bound in Great Britain by Clays Ltd, St Ives plc

PRONUNCIATION

Here is a simple guide to the English pronunciation of some of the Gaelic names and words in the book.
ch
is pronounced as in the Scottish word
loch
, and the emphasis is placed on the underlined syllable:

Machair
, pronounced
ma
cher
, is the Gaelic word for the fertile sandy soil around the coastal areas of the Western Isles of Scotland. It has passed into the English language as a result of international concern over the problem of ‘machair erosion’. Much of the machair is gradually being reclaimed by the sea.

That is the land of lost content,
I see it shining plain,
The happy highways where I went
And cannot come again.

– A. E. Housman,
‘Blue Remembered Hills’

Tri rudan a thig gun iarraidh: an
t-eagal, an t-eudach ’s an gaol
.
(Three things that come without
asking: fear, love and jealousy.)

– a Gaelic proverb

For Stephen, with whom I travelled those happy highways.

PROLOGUE

They are just kids. Sixteen years old. Emboldened by alcohol, and hastened by the approaching Sabbath, they embrace the dark in search of love, and find only death.

Unusually, there is just a light wind. And for once it is warm, like breath on the skin, caressing and seductive. A slight haze in the August sky hides the stars, but a three-quarters moon casts its pale, bloodless light across the compacted sand left by the outgoing tide. The sea breathes gently upon the shore, phosphorescent foam bursting silver bubbles over gold. The young couple hurry down the tarmac from the village above, blood pulsing in their heads like the beat of the waves.

Off to their left, the rise and fall of the water in the tiny harbour breaks the moonlight on its surface, and they hear the creaking of small boats straining at ropes, the soft clunk of wood on wood as they jostle for space, nudging each other playfully in the darkness.

Uilleam holds her hand in his, sensing her reluctance. He has tasted the sweetness of the alcohol on her breath and felt the urgency in her kiss, and knows that tonight she will finally succumb. But there is so little time. The Sabbath is close. Too close. Just half an hour, revealed in a stolen glance at his watch before leaving the street lights behind.

Ceit is breathing rapidly now. Afraid, not of the sex, but of the father she knows will be sitting by the fire, watching the embers of the peat fade towards midnight, timed with a practised perfection to die before the coming day of rest. She can almost feel his impatience slow-burning
to anger as the clock ticks towards tomorrow and she has not yet returned. How is it possible that things can have changed so little on this God-fearing island?

Thoughts crowd her mind, fighting for space with the desire which has lodged there, and the alcohol which has blunted her youthful resistance to it. Their Saturday night at the Social Club had seemed, just a few short hours ago, to stretch ahead to eternity. But time never passes so quickly as when it is in short supply. And now it is all but gone.

Panic and passion rise together in her chest as they slip past the shadow of an old fishing boat canted at an angle on the pebbles above the watermark. Through the open half of the concrete boatshed, they can see the beach beyond, framed by unglazed windows. The sea seems lit from within, almost luminous. Uilleam lets go of her hand and slides open the wooden door, just enough to allow them past. And he pushes her inside. It is dark here. A rank smell of diesel and salt water and seaweed fill the air, like the sad perfume of hurried, pubescent sex. The dark shadow of a boat on its trailer looms above them, two small rectangular windows opening like peepholes on to the shore.

He pushes her up against the wall, and at once she feels his mouth on hers, his tongue forcing its way past her lips, his hands squeezing the softness of her breasts. It hurts, and she pushes him away. ‘Not so rough.’ Her breath seems to thunder in the darkness.

‘No time.’ She hears the tension in his voice. A male tension, filled at the same time with desire and anxiety. And she begins to have second thoughts. Is this really how she wants her first time to be? A few sordid moments snatched in the dark of a filthy boatshed?

‘No.’ She pushes him aside and steps away, turning towards the window and a breath of air. If they hurry there is still time to get back before twelve.

She sees the dark shape drift out of the shadows almost at the same moment she feels it. Soft and cold and heavy. She lets out an involuntary cry.

‘For God’s sake, Ceit!’ Uilleam comes after her, frustration added now to desire and anxiety, and his feet slide away from under him, for all the world as if he has stepped on ice. He lands heavily on his elbow and a pain shoots through his arm. ‘Shit!’ The floor is wet with diesel. He feels it soaking through the seat of his trousers. It is on his hands. Without thinking, he fumbles for the cigarette lighter in his pocket. There just isn’t enough damned light in here. Only as he spins the wheel with his thumb, sparking the flame, does it occur to him that he is in imminent danger of turning himself into a human torch. But by then it is too late. The light is sudden and startling in the dark. He braces himself. But there is no ignition of diesel fumes, no sudden flash of searing flame. Just an image so profoundly shocking it is impossible at first to comprehend.

The man is hanging by his neck from the rafters overhead, frayed orange plastic rope tilting his head at an impossible angle. He is a big man, buck naked, blue-white flesh hanging in folds from his breasts and his buttocks, like a loose-fitting suit two sizes too big. Loops of something smooth and shiny hang down between his legs from a gaping smile that splits his belly from side to side. The flame sends the dead man’s shadow dancing around the scarred and graffitied walls like so many ghosts welcoming a new arrival. Beyond him Uilleam sees Ceit’s face. Pale, dark-eyed, frozen in horror. For a moment he thinks, absurdly, that the pool of diesel around him is agricultural, dyed red by the Excise to identify its tax-free status – before realizing it is blood, sticky and thick and already drying brown on his hands.

ONE

I

It was late, sultry warm in a way that it only ever gets at festival time. Fin found concentration difficult. The darkness of his small study pressed in around him, like big, black, soft hands holding him in his seat. The circle of light from the lamp on his desk burned his eyes, drawing him there like a moth, blinding now, so that he found it hard to keep his notes in focus. The computer hummed softly in the stillness, and its screen flickered in his peripheral vision. He should have gone to bed hours ago, but it was imperative that he finish his essay. The Open University offered his only means of escape, and he had been procrastinating. Foolishly.

He heard a movement at the door behind him and swivelled angrily in his seat, expecting to see Mona. But his words of rebuke never came. Instead, he found himself looking up in astonishment at a man so tall that he could not stand upright. His head was tipped to one side to avoid the ceiling. These were not big rooms, but this man must have been eight feet tall. He had very long legs, dark trousers gathering in folds around black boots. A checked cotton shirt was tucked in at a belted waist, and over it he wore an anorak, hanging open, the hood falling away from an upturned collar. His arms dangled at his sides, big hands protruding from sleeves that were too short. To Fin he looked about sixty, a lined, lugubrious face with dark, expressionless eyes. His silver-grey hair was long and greasy and hung down below his ears. He said nothing. He just stood staring at Fin, deep shadows cut in stony features by the light on Fin’s desk. What in the name of God was he doing there? All the hair on Fin’s neck and arms stood on end, and he felt fear slip over him like a glove, holding him in its grasp.

And then somewhere in the distance he heard his own voice wailing, childlike, in the dark. ‘Funny ma-an …’ The man remained staring at him. ‘There’s a funny ma-an …’

‘What is it, Fin?’ It was Mona’s voice. She was alarmed, shaking him by the shoulder.

And even as he opened his eyes and saw her frightened face, perplexed and still puffy from sleep, he heard himself wail, ‘Funny ma-an …’

‘For God’s sake, what’s wrong?’

He turned away from her on to his back, breathing deeply, trying to catch his breath. His heart was racing. ‘Just a dream. A bad dream.’ But the memory of the man in his study was still vivid, like a childhood nightmare. He glanced at the clock on the bedside table. The digital display told him it was seven minutes past four. He tried to swallow, but his mouth was dry, and he knew that he would not get back to sleep.

‘You just about scared the life out of me.’

‘I’m sorry.’ He pulled back the covers and swung his legs down to the floor. He closed his eyes and rubbed his face, but the man was still there, burned on his retinas. He stood up.

‘Where are you going?’

‘For a pee.’ He padded softly across the carpet and opened the door into the hall. Moonlight fell across it, divided geometrically by ersatz Georgian windows. Halfway down the hall he passed the open door of his study. Inside, it was pitch-black, and he shuddered at the thought of the tall man who had invaded it in his dream. How clear and strong the image remained in his mind. How powerful the presence had been. At the bathroom door he paused, as he had every night for nearly four weeks, his eyes drawn to the room at the end of the hall. The door stood ajar, moonlight washing the space beyond it. Curtains that should have been drawn but weren’t. It contained only a terrible emptiness. Fin turned away, heart sick, a cold sweat breaking out across his forehead.