The Blue Last (53 page)

“Get me a cab,
now
!”

 

 

 

The Nine-One-Nine was a place he'd never have found unless he'd known exactly where it was, a half dozen steps down and bearing no identification except for its street number. He had been here years before, after that rock concert and just before seeing Vivian off on the
Orient Express.

There was an air of smoke and languor about the club that put Melrose in mind of those 1930s prewar Berlin clubs that exist only in films and imagination. He stood at the bar and ordered another whiskey (his fourth tonight? fifth?). As he glanced at the other patrons, he thought he detected a few approving glances from the women and put this down to his black clothes. He was still wearing them.

When the group (what was its name?) broke, Melrose immediately pushed his way up to the small stage area and cut in front of the two girls hanging on Stan's leather jacket and every word. “Mr. Keeler? You don't remember me, but—”

“Hey! Your earlship, sure I remember. What's up?”

“I've got to find Richard Jury and don't even know his address and as you live in the same house—”

“Haven't seen him today, but I know he was having Christms dinner with Carole-anne and Mrs. Wasserman.”

(Wasserman, of course!)

“What's going on? Is something wrong? . . . Later,” he said to a girl with a helmet of slick black hair who was trying to engage his attention.

“I can't get him on the phone.”

“That's probably from Carole-anne messing with that answering machine. You got a car? I'd drive you, man, except I'm locked in here for another couple hours.” Stan was writing the address on a paper napkin. “Here.”

“Thanks.”

“Listen, come back and let me know if anything's wrong. Please.” Stan looked worried.

For an icon, thought Melrose, he was
way
cool. Melrose sketched a salute and left.

 

 

 

Outside, Jury had stopped on his way to his car to thank Mrs. Wasserman again for the dinner, when he heard the phone ring, thought it was his again, but knew it would stop before he could get up there to answer. Let the answering machine do what it's paid for, for once.

“I'll come back for that in a while,” he said to Mrs. Wasserman, with a nod at the dessert.

She was holding a green glass plate on which was a portion of pudding. “I'll keep it for you and when you come back—” Suddenly, she stopped, as if the words had stuck in her throat.

“Mrs. Wasserman?” Jury put his hands on her shoulders. “Mrs.
Wasserman
?” He tilted his head, trying to see her face. It was bent over the plate of pudding. Then she raised her face and her look was so sorrowful, Jury was alarmed. “What is it?”

“Nothing, nothing. It was just for a moment I had this—”

“Yes?” Jury's tone was encouraging. When she didn't go on, he said, “You look so awfully worried.”

“It was—” She shook her head. “Where are you going?”

Jury was so surprised by her questioning him he took a step back. Mrs. Wasserman never asked questions that might be construed as prying. So scrupulous was she and with so strong a sense of privacy that a question like this one would be considered an invasion of it.

He said, “Just to meet someone. The case we're working on.”

She kept looking at him, hard, when upstairs a window flew up and Carole-anne leaned out of it. It was Jury's window, not Carole-anne's. “Super! There's a message on your machine!” She seemed proud that the machine was functioning.

“Who?” The light in the flat behind her flooded her hair and made her dress glisten. What a sight.

“Well, I don't know, do I? He never said his name. What I think was he got cut off in the middle of talking. It was a peculiar message anyway.”

Jury was looking up, waiting. Carole-anne seemed to be thinking, if one could judge thought from down here on the pavement. “What did he say?”

“It was something like, you could only trust your greengrocer. No,
don't
trust your greengrocer. Something like that.”

Knowing Carole-anne's penchant for messing up messages, Jury bet it was “something like that.” For a weird moment all he could think of was Mr. Steptoe. Jury told Mrs. Wasserman he was going back to his flat and for her not to worry. “It's too cold for being out here without a coat. Go back inside and I'll see you later.” He knew he sounded impossibly condescending, which he hated.

Shimmering, silver-dust fingernails on shimmering turquoise hip, Carole-anne punched the replay button. Melrose Plant's voice, sounding surprisingly untaped, said, “
Don't
trust your grocer, like Masaccio, and don't—” End of message.

“He got cut off,” said Carole-anne, reproachfully. “It's something wrong with the machine.”

Jury found the number for Ardry End and dialed. Carole-anne was looking so troubled, he winked at her, then said, “Ruthven, this is Richard Jury. Is Mr. Plant there?”

“No, sir. But he wanted me to give you a message—”

(Jury hoped it wasn't the one about the grocer.)

“—that he'd be at his club and for you to ring him there. And you weren't to talk to anyone until you'd talked to him. He was most emphatic on that point, sir.”

Jury frowned. “But—what's he doing at Boring's? I thought he drove back to Northamptonshire this morning.”

“He did, sir. But this afternoon he turned right around and returned to London. I should say that he did so in an enormous hurry and in a highly agitated state.”

Jury smiled fractionally. He wondered if he'd ever seen Melrose Plant in a “highly agitated state.” He rang off and saw that Carole-anne was herself looking agitated and put his arm around her shoulders. Then he thumbed his small telephone index and came up with Boring's number. Carole-anne seemed to be settling in, head against his chest. Everyone was acting queerly tonight, including, he supposed, himself. When the porter answered (not Young Higgins, but the ginger-haired lad) Jury asked for Mr. Plant. After some asking around had been done, the young porter returned and said that Mr. Plant had just left.

“Not more'n five minutes ago, sir. Is there a message?”

The night seemed made of nothing but messages. “Just tell him Superintendent Jury called, will you?”

His arm still around Carole-anne, he frowned, wondering what was going on. Obviously, Plant knew something, or had come up with something, but . . . Masaccio's grocer? What the hell was that supposed to mean?

“Super?”

“Huh?”

“What's going on? And where are you off to?”

He looked down at her. “Just to meet someone. Another copper.”

“But it's Christmas.”

“Yep. And we haven't had our Christmas kiss.”

Intake of breath on her part. “What Christmas—?”

“This one.” He kissed her.

The kiss was not terribly long, or terribly hard. There have been longer, harder kisses in this world, but it was longer, perhaps, and harder than need be.

Carole-anne was knocked for a loop. “Super!” She staggered back to look at him, probably in much the same way Cinderella had looked at the coach and footmen. Then, rearranging a sleeve and a curl (which needed none), she said, “I'll still be here New's Year, in case you didn't know.”

Jury laughed.

She went upstairs and he went down.

B
y now he was late and Mickey was probably already waiting for him at the Croft house, so he knew he shouldn't be stopping at the bridge, but he did anyway. He wanted to check on Benny. He parked his car along the Embankment and went down the steps.

There was a small cluster of people there, warming themselves at a small stove.

“Benny around?” asked Jury.

“Wasn't you 'ere before, mate?”

Jury recognized the man in the greatcoat. Tonight he was wearing an olive green soldier's cap. “I was, yes. I'm a friend.”

The soldier snorted. “You're the Filth's, what I say.”

The woman called Mags, blanketed in sweaters and shawls, was there, too. “Benny'll be back. He went off after Sparky. That dog o' his. You want t' leave a message?”

Jury smiled. A night of missed meetings and messages. “No, except you can tell him Happy Christmas for me.”

“Right-o. Who's ‘me'?”

“The Filth.”

She chortled.

 

 

 

Before he got into his car, he looked over his shoulder at Waterloo Bridge. The old bridge had been a granite thing with columns and arches, wrought iron and black lamps. It had been so romantic—the black Thames, the night, the fog. Even the war was made out to be romantic. He imagined Vivien Leigh looking into the dark water. Robert Taylor with that hint of a smile playing around his lips, smoking a cigarette. Myra and Roy. What a lie.

 

 

 

As he entered the forecourt, the car caught Mickey in its headlights, making him look vulnerable and unprotected. He was standing out on the dock, smoking. Certainly, Mickey
was
vulnerable and unprotected. Jury wondered how he himself would take the verdict that he was going to die. Not well. Who would? “Mickey!” he called and walked through the forecourt out onto the pier.

Mickey took the cigarette from his mouth and flicked it into the water. He said, “Always love doing that, Rich. Flick the butts away, watch them arc and fall.” He dug his hands deeper into the pockets of his overcoat.

Jury smiled. “You're worse than I am, seeing cigarettes in such a romantic light. How was Christmas, Mickey?”

“Terrific. Exhausting.” He laughed a little.

That Mickey was exhausted was evident. “Sorry I'm late. I stopped at Waterloo Bridge to check on Benny.”

“He holes up there, doesn't he? That kid. God.”

“He does. But I think somehow he's making it.” Jury paused. “You look pretty tired.”

“Yeah. I am.” He nodded toward the boat farther out. “I was just looking at that boat, thinking about Gemma Trimm.” He smiled. “Some kids those two are.”

Jury nodded. “So are yours.”

“Don't I know it. What gets to me more than anything is that they probably won't have the opportunity to find that out.”

“But they will.”

Mickey shook his head. “Not without the right schools. Not without Oxford.”

“Come on, Mickey. Is this what you dragged me away from my Christmas dinner for?”

“Sorry. No, of course not. Waterloo Bridge.” Mickey sighed, as if the same nostalgia that had rushed Jury were rushing him, too. “I was sure you must've caught on at the Liberty Bounds that night.”

“ ‘Caught on'?” Jury frowned, started to say something else, but didn't because he didn't know what he was responding to. Then it came to him. “You know who killed Simon Croft.”

Mickey watched the water, nodded. “I did.”

Jury stepped back. Plant's message hit him right between the eyes. The grocer. The one person Masaccio knew he could trust. Mickey was the person he had known he could trust. In another moment of standing there, staring at Mickey, Jury felt something leave him. It could have been courage; it could have been reason, or rationality, or sanity; it could have been faith. He didn't think it was any of those things. He thought it was hope. And it was gone for good. If he lived, something that looked like it would come back: a poor imitation, a shadow, but not the real thing. He thought all of this in exactly three seconds.

And why wouldn't he live?

Mickey took a few steps back from Jury. He had always been so fluid in his movements that Jury didn't see the gun until it was in Mickey's hand.

“What in hell are you doing, Mickey?”

“I'm really sorry, Rich. Sounds meaningless, but I really am.”

“For Christ's sakes, you're pointing that at
me
!” Jury took three furious steps toward Mickey. The shot spun him around, but it had only raked his shoulder. His other hand flew to the place. Blood, but not much. Mickey was one of the best shots in the City police. He hadn't tried to kill him. That time. “What . . .
Why
?”

“Because you'd sort it, Rich. You'd work it out. I'm surprised you haven't. But that's only because you're my friend.”

He said this in a tone of such demonic innocence, Jury wanted to weep. “Mickey, look—” When an answer comes, there is no orderly procession of facts—first this, then this caused this, then this . . . Jury thought it was more like one of those kaleidoscopes he remembered as a kid, where all the little bits of colored glass or plastic fly together in a pattern. The vanishing point. When you see it, it's too late; it's gone.

Mickey said, “You only had one more step to take, and you were about to. Elizabeth Woburn. They named her after the aunt.”

Liza,
thought Jury. My God,
Liza. We were all orphans . . .

He had said it aloud without realizing it. Mickey said, “When you started all of that stuff about the film—I mean,
Waterloo Bridge
—I was sure you knew. Myra and Roy. How much Alexandra looked like Vivien Leigh, and how much Liza did. I thought you were trying to warn me off. To do what, I don't know—” Mickey shrugged, almost absently.

The waters of the Thames undulated as a speedboat rushed by. The dock swayed.

“Can you reason for a minute, Mickey? If I found out Liza was Tynedale's granddaughter, what possible harm could it do? If I told Tynedale, the man would be ecstatic!”