Read The City Born Great Online
Authors: N.K. Jemisin
screaming
screaming metal and tires as reality stretches, and nothing stops for the Mega Cop; it does not belong here and the FDR is an artery, vital with the movement of nutrients and strength and attitude and adrenaline, the cars are white blood cells and the thing is an irritant, an infection, an invader to whom the city gives no consideration and no quarter
screaming, as the Mega Cop is torn to pieces by the semi and the taxi and the Lexus and even that adorable Smart Car, which actually swerves a little to run over an extra-wiggly piece. I collapse onto a square of grass, breathless, shaking, wheezing, and can only stare as a dozen limbs are crushed, two dozen eyes squashed flat, a mouth that is mostly gums riven from jaw to palate. The pieces flicker like a monitor with an AV cable short, translucent to solid and back againâbut FDR don't stop for shit except a presidential motorcade or a Knicks game, and this thing sure as hell ain't Carmelo Anthony. Pretty soon there's nothing left of it but half-real smears on the asphalt.
I'm alive. Oh, God.
I cry for a little while. Mama's boyfriend ain't here to slap me and say I'm not a man for it. Daddy would've said it was okayâtears mean you're aliveâbut Daddy's dead. And I'm alive.
With limbs burning and weak, I drag myself up, then fall again. Everything hurts. Is this that heart attack? I feel sick. Everything is shaking, blurring. Maybe it's a stroke. You don't have to be old for that to happen, do you? I stumble over to a garbage can and think about throwing up into it. There's an old guy lying on the benchâme in twenty years, if I make it that far. He opens one eye as I stand there gagging and purses his lips in a judgy way, like he could do better dry-heaves in his sleep.
He says, “It's time,” and rolls over to put his back to me.
Time. Suddenly I have to move. Sick or not, exhausted or not, something is ⦠pulling me. West, toward the city's center. I push away from the can and hug myself as I shiver and stumble toward the pedestrian bridge. As I walk over the lanes I previously ran across, I look down onto flickering fragments of the dead Mega Cop, now ground into the asphalt by a hundred car wheels. Some globules of it are still twitching, and I don't like that. Infection, intrusion. I want it gone.
We
want it gone. Yes. It's time.
I blink and suddenly I'm in Central Park. How the fuck did I get here? Disoriented, I realize only as I see their black shoes that I'm passing another pair of cops, but these two don't bother me. They shouldâskinny kid shivering like he's cold on a June day; even if all they do is drag me off somewhere to shove a plunger up my ass, they should
react
to me. Instead, it's like I'm not there. Miracles exist, Ralph Ellison was right, any NYPD you can walk away from, hallelujah.
The Lake. Bow Bridge: a place of transition. I stop here, stand here, and I know ⦠everything.
Everything Paulo's told me: It's true. Somewhere beyond the city, the Enemy is awakening. It sent forth its harbingers and they have failed, but its taint is in the city now, spreading with every car that passes over every now-microscopic iota of the Mega Cop's substance, and this creates a foothold. The Enemy uses this anchor to drag itself up from the dark toward the world, toward the warmth and light, toward the defiance that is
me
, toward the burgeoning wholeness that is
my city
. This attack is not all of it, of course. What comes is only the smallest fraction of the Enemy's old, old evilâbut that should be more than enough to slaughter one lowly, worn-out kid who doesn't even have a real city to protect him.
Not yet. It's time.
In
time? We'll see.
On Second, Sixth, and Eighth avenues, my water breaks. Mains, I mean. Water mains. Terrible mess, gonna fuck up the evening commute. I shut my eyes and I am seeing what no one else sees. I am feeling the flex and rhythm of reality, the contractions of possibility. I reach out and grip the railing of the bridge before me and feel the steady, strong pulse that runs through it.
You're doing good, baby. Doing great.
Something begins to shift. I grow bigger, encompassing. I feel myself upon the firmament, heavy as the foundations of a city. There are others here with me, looming, watchingâmy ancestors' bones under Wall Street, my predecessors' blood ground into the benches of Christopher Park. No,
new
others, of my new people, heavy imprints upon the fabric of time and space. São Paulo squats nearest, its roots stretching all the way to the bones of dead Machu Picchu, watching sagely and twitching a little with the memory of its own relatively recent traumatic birth. Paris observes with distant disinterest, mildly offended that any city of our tasteless upstart land has managed this transition; Lagos exults to see a new fellow who knows the hustle, the hype, the fight. And more, many more, all of them watching, waiting to see if their numbers increase. Or not. If nothing else, they will bear witness that I, we, were great for one shining moment.
“We'll make it,” I say, squeezing the railing and feeling the city contract. All over the city, people's ears pop, and they look around in confusion. “Just a little more. Come on.” I'm scared, but there's no rushing this.
Lo que pasa, pasa
âdamn, now that song is in my head,
in me
like the rest of New York. It's all here, just like Paulo said. There's no gap between me and the city anymore.
And as the firmament ripples, slides, tears, the Enemy writhes up from the deeps with a reality-bridging roarâ
But it is too late
. The tether is cut and we are here. We become! We stand, whole and hale and independent, and our legs don't even wobble. We got this. Don't sleep on the city that never sleeps, son, and don't fucking bring your squamous eldritch bullshit here.
I raise my arms and avenues leap. (It's real but it's not. The ground jolts and people think,
Huh, subway's really shaky today
.) I brace my feet and they are girders, anchors, bedrock. The beast of the deeps shrieks and I laugh, giddy with postpartum endorphins.
Bring it
. And when it comes at me I hip-check it with the BQE, backhand it with Inwood Park, drop the South Bronx on it like an elbow. (On the evening news that night, ten construction sites will report wrecking-ball collapses. City safety regulations are so lax; terrible, terrible.) The Enemy tries some kind of fucked-up wiggly shitâit's all tentaclesâand I snarl and bite into it 'cause New Yorkers eat damn near as much sushi as Tokyo, mercury and all.
Oh, now you're crying! Now you wanna run? Nah, son. You came to the wrong town.
I curb stomp it with the full might of Queens and something inside the beast breaks and bleeds iridescence all over creation. This is a shock, for it has not been truly hurt in centuries. It lashes back in a fury, faster than I can block, and from a place that most of the city cannot see, a skyscraper-long tentacle curls out of nowhere to smash into New York Harbor. I scream and fall, I can
hear
my ribs crack, andâno!âa major earthquake shakes Brooklyn for the first time in decades. The Williamsburg Bridge twists and snaps apart like kindling; the Manhattan groans and splinters, though thankfully it does not give way. I feel every death as if it is my own.
Fucking kill you for that, bitch
, I'm not-thinking. The fury and grief have driven me into a vengeful fugue. The pain is nothing; this ain't my first rodeo. Through the groan of my ribs I drag myself upright and brace my legs in a pissing-off-the-platform stance. Then I shower the Enemy with a one-two punch of Long Island radiation and Gowanus toxic waste, which burn it like acid. It screams again in pain and disgust, but
Fuck you, you don't belong here, this city is mine, get out!
To drive this lesson home I cut the bitch with LIRR traffic, long vicious honking lines; and to stretch out its pain I salt these wounds with the memory of a bus ride to LaGuardia and back.
And just to add insult to injury? I backhand its ass with Hoboken, raining the drunk rage of ten thousand dudebros down on it like the hammer of God. Port Authority makes it honorary New York, motherfucker; you just got Jerseyed.
The Enemy is as quintessential to nature as any city. We cannot be stopped from becoming, and the Enemy cannot be made to end. I hurt only a small part of itâbut I know damn well I sent that part back broken. Good. Time ever comes for that final confrontation, it'll think twice about taking me on again.
Me.
Us
. Yes.
When I relax my hands and open my eyes to see Paulo striding along the bridge toward me with another goddamned cigarette between his lips, I fleetingly see him for what he is again: the sprawling thing from my dream, all sparkling spires and reeking slums and stolen rhythms made over with genteel cruelty. I know that he glimpses what I am, too, all the bright light and bluster of me. Maybe he's always seen it, but there is
admiration
in his gaze now, and I like it. He comes to help support me with his shoulder, and he says, “Congratulations,” and I grin.
I live the city. It thrives and it is mine. I am its worthy avatar, and together? We will never be afraid again.
*Â Â Â *Â Â Â *
Fifty years later.
I sit in a car, watching the sunset from Mulholland Drive. The car is mine; I'm rich now. The city is not mine, but that's all right. The person is coming who will make it live and stand and thrive in the ancient way ⦠or not. I know my duty, respect the traditions. Each city must emerge on its own or die trying. We elders merely guide, encourage. Stand witness.
There: a dip in the firmament near the Sunset Strip. I can feel the upwelling of loneliness in the soul I seek. Poor, empty baby. Won't be long now, though. Soonâif she survivesâshe'll never be alone again.
I reach for my city, so far away, so inseverable from myself.
Ready?
I ask New York.
Fuck yeah
, it answers, filthy and fierce.
We go forth to find this city's singer, and hopefully to hear the greatness of its birthing song.
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Contents
Copyright © 2016 by N. K. Jemisin
Art copyright © 2016 by Richie Pope