The Clouds Roll Away
the clouds roll away
A RALEIGH HARMON NOVEL
SIBELLA
GIORELLO
© 2010 by Sibella Giorello
All rights reserved. No portion of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any meansâelectronic, mechanical, photocopy, recording, scanning, or any otherâexcept for brief quotations in printed reviews or articles, without the prior written permission of the publisher.
Published in Nashville, Tennessee, by Thomas Nelson. Thomas Nelson is a registered trademark of Thomas Nelson, Inc.
Thomas Nelson, Inc., titles may be purchased in bulk for educational, business, fund-raising, or sales promotional use. For information, e-mail [email protected].
This novel is a work of fiction. Any references to real events, businesses, organizations, and locales are intended only to give the fiction a sense of reality and authenticity. Any resemblance to actual persons, living or dead, is entirely coincidental.
Reference in
chapter 33
to George Kennan,
Tent Life in Siberia: An Incredible
Account of Siberian Adventure, Travel, and Survival
(New York: Skyhorse, 2007).
Library of Congress Cataloging-in-Publication Data
Giorello, Sibella.
  The clouds roll away : a Raleigh Harmon novel / Sibella Giorello.
      p. cm. â (A Raleigh Harmon series; 2)
  ISBN 978-1-59554-534-3 (pbk.)
  1. Women geologistsâFiction. 2. United States. Federal Bureau of InvestigationâOfficials and employeesâFiction. 3. Civil rightsâFiction.
4. Richmond (Va.)âFiction. I. Title.
   PS3607.I465C56 2010
   813'.6âdc22
2009048448
Printed in the United States of America
10 11 12 13 RRD 5 4 3 2 1
One exile holds us both, and we are bound
     To selfsame home-joys in the land of light.
Weeping thou walkest with him; weepeth he?
Some sobbing weep, some weep and make no sound.
â C
HRISTINA
R
OSSETTI
,
“They Desire a Better Country”
For Richmond
Table of Contents
W
inter rode into Richmond on the chattering breath of the Atlantic. Each year the season blew itself into existence. The ancient elms crystallized and frost crocheted the birches into lace doilies. On this particular December morning, with a bright sun overhead, I drove out New Market Road past fields that glistened like crushed diamonds. For this moment, my hometown looked cryogenically frozen, preserved for future generations to discover Richmond's wide river, verdant soils, and the plantation lifestyle forged through generationsâ gone tragically, humanly awry.
But the reverie was shattered by two elephants. Carved from white granite, they stood on either side of a black asphalt driveway with a steel sign naming the property: Rapland.
The scene of the crime.
I turned down the asphalt driveway. It was a long drive, rolling over fenced fields where satiny horses were grazing, their breath quick clouds that evaporated in the sun. At the other end, an old plantation house faced the James River. The historic clapboards were painted polo white, the copper cupola green from exposure. But pink stucco additions rose starkly on either side, modern additions with plate-glass windows that stared down on the historic middle and made it look priggish and stuffy, like a dusty repository for outdated books.
A muscular man stepped from the guardhouse as my car came around the driveway's final curve. His thighs were wide and carried him in a twisting, muscle-bound stride. In his right hand he held an assault rifle.
I stopped my car behind the gray Bentley parked in the driveway and reached under my blazer, placing my right hand on my Glock. With my left, I opened the car door six inches, preparing to use it as a shield if necessary. The man stood beside my car. He wore mirrored aviator sunglasses. In the reflection, I saw myself, my old white car, and the new pink additions to the house.
“Agent Raleigh Harmon with the FBI,” I said. “We got a call this morning.”
“I need to see the ID.”
My right hand remained on the Glock. I lifted my credentials with my left. He stared at the picture with the Bureau's blue-and-gold insignia and then flicked his chin, indicating I could put them away.
“What're you carrying?” he asked.
“Pardon?”
“It's a .45, isn't it?”
I gave him my official smileâthe smile of an armed public servant. “The phone call we received this morning sounded urgent,” I said.
“We can get to that after we play show-and-tell.” He popped gum between his white teeth, a brisk scent of spearmint filling the air. “If you're not carrying a .45, then it's a nine.”
“Nine millimeter?”
“Yeah.”
“Wrong. It's a forty. The game's officially over. Who's in charge around here?”
He strode back to the guardhouse, slid open the pocket door, and picked up the telephone. “The Feds are here,” he said into the receiver. “And the G-man? It's a girl.”
The historic part of the house smelled pungent, like clove cigarettes smoked after a spicy meal, and another guard greeted me at the front door. He wore combat fatigues and a three-carat diamond stud in each ear. When he extended his hand, it was three times the size of mine. I saw a .45 in his hip holster.
“I'm Sid,” he said. “You want to talk to RPM? He's upstairs. Top of the steps, turn right, walk down the hall.”
I counted twenty-two steps, the exotic wood shining like polished onyx. At the top of the stairs, I turned right and crossed a landing decorated with framed recordsâseven gold, eight platinum. At the end of the landing, the last door was open.
The famous rap musician and producer known as RPM was sitting in a green leather chair, a cello balanced between his long legs. Eyes closed, he bowed the strings, caressing a slow largo that sounded grieving and nocturnal. His fingers pressed the board as if staunching a deep wound. For his sake, and mine, I did not want to break the music. I stood in the doorway, listening until the piece descended to its final note, the lowest G on the scale.
When he opened his eyes, he looked startled.
“Pardon me,” I said. “I didn't want to interrupt. Raleigh Harmon, FBI.”
“You're the FBI agent?” His voice had a quiet tone, in a deep register.
I nodded. “âSarabande'?” I gave him my card.
“Yes. Bach's my favorite,” he said. He pivoted the cello on its spike, resting it on the chair. Sharp creases in his slacks extended his lean physique, making him appear even taller than the six-foot-three I was guessing.
“Did my guards give you a difficult time downstairs?” he asked.
“Only the one outside.” I smiled.
“My apologies. They're on high alert after what happened last night.”
“After what happened last night,” I said, “no apologies are necessary.”
He nodded. “Would you like to see where they burned the cross?”
The cross had burned the back lawn like a branded emblem. The main beam seared twelve feet, four inches. The intersecting beam scorched almost five feet of grass.
Releasing my aluminum tape measure, then letting it rattle closed, I wrote the numbers in my notebook and took several photographs. RPM stood to the side, quietly watching as I snapped on latex gloves, kneeled, and pinched the soil. It smelled of soot and scorched minerals, like a doused campfire. But I pinched another sample and waved it back and forth under my nose, detecting something else. It smelled bitter and acidic.
Hate didn't have a smell, I told myself. But maybe I was wrong.
“I suppose this is one way of telling me to get out of the neighborhood,” he said.
I glanced over my shoulder. He wore sunglasses now but I could see his long eyelashes, the almond shape of his dark eyes, the face seen on countless magazine covers. I found it difficult to look at him and not remember he was among the fifty most beautiful people.
“What time did this happen?” I asked.
“The sheriff wrote down that information last night,” he said.
“Our investigation will run separate from the sheriff 's. I need to get the information from you directly.”
He drew a deep breath, nodding. “Yes, I understand.”
But he didn't respond further, and I knew fresh wounds required time. Kneeling again to my work, I reached into a black nylon satchel and removed a sterilized paint can. I wiped down my pocketknife with an alcohol swab and popped the paint can's lid. With a sterilized garden trowel, I dug into the scorched cross and deposited a large section inside the can, pressing the round top in place, hammering it shut with the trowel's handle, making sure all the volatile compounds were sealed inside.