The Collected Stories of Lydia Davis (62 page)

When she was a young mother, she would take her small sons out into the countryside onto friends’ farmland to pick berries, which she would then bake into a pie.

Helen walked wherever she needed to go. Her house was four blocks up from the main street, the last block very steep. She walked down to the shop where she worked, and walked home again. When she went into the city to work or to shop at G. Fox’s department store, she would walk to and from the train station, a distance of at least six blocks. In her later years, when she no longer went down to Main Street, she would still walk half a block up the hill and then several blocks over to her church on Sunday and, unless a friend gave her a lift, back home again.

Besides this lifetime—more than eighty years—of walking up and down the long hill, there was the work in and around the house. Like Vi, Helen, when she lived in her house, did all the housework and yard work herself. In the course of her day, it was not unusual for her to go down into the basement several times to fetch something or to hang out some wet clothes, and to climb, more than once, one flight to the second floor or two flights to the attic to find a piece of clothing or put a photograph away.

Even after her eyesight went, Helen continued to look after the house without regular help, tidying and cleaning, watering the African violets on the dining-room windowsills and the Christmas cactuses upstairs in the sunny front room. The house was still perfectly neat, though not quite as clean, since she could not see that the ruffled yellow curtains in the kitchen were becoming dingy or that there were fingermarks on the woodwork by the downstairs bathroom where she rested her hand going in. She worked slowly and meticulously. She had such a habit of neatness, and was so attentive, that even with her advanced macular degeneration she would find, in tidying the house after the family had departed, a single small jigsaw puzzle piece on the porch floor. She was so patient that although she could not see more than light and shadows, she would slowly peel the potatoes for dinner, feeling for the eyes with her fingertips and digging each one out with the tip of the peeler. She would gently but firmly insist on doing the dishes herself, though she would sometimes lie down and rest first.

In the yard, she would rake the leaves and pick up the sticks that dropped from the many overhanging trees; in winter, she shoveled at least some of the snow. Family would help only with the heavier jobs: a visiting son would trim the hedge, bring the porch furniture up from the basement, put on or take off storm windows. A grandchild would sometimes help with the leaves or the sticks. If there was an unusual problem she could not handle, such as squirrels in the attic, one of her sons would help. If there was an emergency, such as a fire in the chimney, she would call her next-door neighbors.

All these various activities continued until she entered the nursing home at age ninety-one.

Whereas Vi is still active, Helen now spends the better part of her day sitting in a chair by her bed. She must deliberately seek exercise: with a nursing home aide or volunteer, or a family member, she walks all the way around the nursing home, which is laid out in the shape of a diamond surrounding an open-air courtyard. Leaning on her walker, she heads off in one direction or the other, past the residents’ rooms, most of them doubles, past the hairdressing salon (hours posted on the door), past the doors out to the courtyard, the front lobby and the stained-glass swinging doors into the chapel, a lounge with a large-screen television and a card table, a nurses’ station, another passage leading to the courtyard, the recreation room, the residents’ showers, the dining room, another nurses’ station, the staff lounge with its locked door and its snack and soda machines visible through a window, another residents’ lounge with a smaller television and a bookcase, the kitchen, and more residents’ rooms, until she reaches her own room again. Here she parks her walker, backs up to her chair, bends to grip its arms, and sinks down into it saying “Ah” with a smile, relieved that the walk is done.

Hope, too, deliberately seeks her exercise: she takes her walker out into the long hall of her apartment building with its smell of fresh plaster; and with a friend, a family member, or her paid companion by her side, she walks a set number of times to the windowed door at the far end and back to the identical windowed door at the near end, sometimes encountering a neighbor along the way. She then returns to her apartment, lies back on her old blue sleigh bed with its litter of books and magazines, papers and notebooks, purse, tray table, and ragged cloth napkin, and rests for a moment before continuing her exercise with a set number of arm and leg lifts. When she is done, she asks for her water to be refilled; she must have water in two glasses by her bedside, one half full, next to her, the other full, at arm’s length.

Helen’s house is a large one, with four floors that were once in constant use: a basement for storage and laundry, a ground floor with kitchen, dining room, two parlors, a small bathroom, and Helen’s bedroom; a second floor with another kitchen, a large front room, two bedrooms, and a larger bathroom; and an attic floor containing one bedroom and one storeroom.

Though Vi’s house is smaller than Helen’s, it, too, has a basement, a ground floor, a second floor, and an attic. And like Helen’s, it has a second kitchen on the second floor, part of a self-contained apartment created for rental. Three generations of a family lived there at one time: a grandfather, granddaughter, and the granddaughter’s child.

Vi’s house is in a pleasant, integrated neighborhood of modest but attractive and generally well-cared-for older houses that sits high above the confluence of a wide creek and an estuary, though most of the houses do not have a view of the water. Many are single-family houses, with their own well-tended yards. Many, like Vi’s, are of brick, since the manufacture of bricks was once a dominant industry of the region, while some are of clapboard. Vi’s house is painted white, and the eave of her enclosed front porch is lined by a black-and-white-striped metal awning. Her yard contains a small patch of lawn in front and a larger square of lawn in back by the garage. It is bordered by a low hedge along the driveway, and is ornamented by a variety of perennial plantings, including several clumps of phlox, a few hostas, and one rosebush.

Vi’s house and Helen’s are both clean and tidy, but whereas Helen’s rooms are, some of them, remarkably empty, Vi’s are crowded. One upstairs bedroom in Helen’s house, for instance, contains nothing but a single bed, a folding wooden chair, and a lamp; the closet is empty, the windows curtainless, and the floor and the walls bare. Even in the reception rooms downstairs, very few decorative objects are in evidence. In the back parlor, the end tables by the sofa display only two: one a delicate Venetian glass vase brought back to her from Italy by her younger son; the other of unknown provenance and harder to classify—a teacup and saucer knitted from blue and white cotton. Every room in Vi’s house, on the other hand, is filled with knickknacks, whatnot tables, easy chairs, heavy rugs and drapes, lamps, stacks of storage boxes, and vases of artificial flowers.

Whereas Vi’s walls are covered with photographs and plaques awarded to her by her church, Helen has only three or four photos on display in each of her two parlors, her bedroom, and the upstairs guest room; she possesses many more, but keeps them in albums or boxes in bureau drawers. Vi has perhaps seventy to eighty photos hanging on the walls or standing on the surfaces of, particularly, her living and dining rooms. Both Vi and Helen display pictures of grandparents, parents, brothers and sisters, husbands, children, grandchildren, and friends. In addition, Vi likes to display pictures of her employers’ pets, though not her employers themselves. Because one of Helen’s sons is an artist, her parlor walls are hung with his paintings, the earlier ones figurative and the later ones abstract. These contrast noticeably in spirit with such odd, occasional knickknacks as the knitted cup and saucer.

Vi’s closets are packed with clothes, some of which she has not worn in years. (When she wants to describe a closet full of clothes all in a mess, she says they “walk out of the closet and say how de do!”) The organizer of a recent church fashion show made a visit to Vi’s house to search these closets and created a good number of outfits from them. Helen’s closets, on the other hand, are spare and reduced to the essentials, containing mostly just a few simple, functional, everyday clothes: cardigans, blouses, shirt-waist dresses, skirts, and housecoats. Some of these clothes came as gifts from her family at Christmas and birthdays, but often they are clothes that she has worn for years, sometimes passed on to her long ago by a friend, her sister, or her sister-in-law. She can afford to buy new clothes, but a long habit of thrift makes her see such expenditure as rarely necessary. She seems perfectly content with what she has.

Unused clothing is stored in the spare rooms of Helen’s house. In a bureau drawer in a guest room is a box containing a bed jacket or nightie that she has been given as a gift. A closet in one upstairs bedroom and a rack in the attic contain a small number of seasonal outfits that she is not wearing at the moment. When the season changed, she used to bring these down to replace the clothes in her bedroom closet; now she asks someone else to bring the clothes to her in the nursing home. When she still lived at home, she was continually sorting through what she had and reducing it further. She would come down with her slight stoop and her small steps from an upstairs room or the attic carrying an item of clothing or a piece of table linen or a brooch: “Could you use this?” she would ask.

Helen’s house was always tidy, because she cleaned up right away. She had a place for each thing and she put it away in its place as soon as she was finished using it. There was one exception to this practice: instead of carrying an empty cardboard box down to the cellar and putting it away immediately, she would toss it down the cellar stairs and put it away the next time she went down—in this one case valuing economy of motion over tidiness. Tidiness is her habit, but she does not preach it, whereas Vi readily tells a child or young person that it is important to put his or her things away in order to know where to find them again. Vi’s house is so much more crowded than Helen’s that it does not look as obviously tidy as Helen’s.

Both Vi and Helen have mottoes on the walls of the kitchen, but Vi’s tend to be purely humorous while Helen’s—in Swedish, English, or both—are either religious (“God Bless This House”) or sentimental (“Home Sweet Home” and
“Hem kara hem”
) or moralistic (
“Den som vinner tid, vinner allt”
) or humorous with a moral message (“The hurrieder I go, the behinder I get”) or simply friendly (
“Villkomen”
). Also hanging in Helen’s kitchen are several pictures intended to charm or entertain, such as a photograph of a frightened kitten clinging by its front paws to a thin branch.

Though she goes back to visit her house from time to time, Helen now lives in a shared room in a pleasant nursing home. Her half of the room is on the hall side rather than the window side, and is therefore darker, but she prefers not to be moved. She has had two roommates so far. The first was bedridden and mentally incompetent, emitting only groans and shouts except for the one intermittent phrase “Oh boy oh boy.” This woman died after a year, and the space is now occupied by an active woman in her forties with chronic progressive dementia. She is in the early stages of the disease and currently functions very well, caring for the cats and birds that live in the nursing home and giving Helen whatever help she can, as with the telephone, with selecting food choices from the daily menu offerings, and with many other necessary tasks. Helen and she have become fond of each other, and Helen’s only difficulty with her is that the roommate, whether because of her disease or her medication, talks perhaps twice as fast as the average person, so that Helen, with her impaired hearing, cannot always understand her.

Because the nursing home is located in the town in which Helen has lived all her life, she regularly discovers, among the other residents, old friends or acquaintances who are in the home either for a short rehabilitation or, more usually, for permanent care. She had not been living there long, for instance, when one of her sons read off to her the names of the two women who lived directly across the hall. To her astonishment, one was Ruth, a close friend from her childhood with whom she had lost touch. Helen immediately went across the hall to visit her friend. The woman, however, was mentally incapacitated and, though Helen spent some time talking to her and recalling events from their youth, did not recognize her. Later, Helen showed her son a photograph in which she, in the front row, and Ruth, in the second, stood among ten or twelve other girls in their white confirmation dresses and curled hair, holding flowers.

Although Vi sings in church, she does not sing while she works, or at other times.

Helen sang in church regularly as part of the congregation. She also sang Swedish songs with her family when she was growing up. When she still lived at home, she would sometimes hum softly along with the hymns that were chimed by a nearby church every evening at six o’clock. In the nursing home, she has occasionally been induced to sing a few carols with the other residents during a Christmas sing-along. She sings tremulously and so faintly as to be almost inaudible, her expression vacant and her eyes, behind their wide bifocal lenses, directed into the vague distance.

Every evening before bedtime, however, she goes across the hall to sing a Swedish children’s prayer to her old friend Ruth.

When Vi’s granddaughters lived with her, she used to come home in the evening exhausted after working sometimes not just one but two jobs, and the little girls would want to teach her a new dance. “Come on, Gramma,” they would say, “come on, dance with us.” She would say, “No, I’m tired, I’m too tired.” They would say, “Come on, Gramma, come on, dance with us—it’s good exercise!” and she would give in and dance with them before she went to lie down.