The Collected Works of Chogyam Trungpa: Volume Three: 3 (56 page)

Read The Collected Works of Chogyam Trungpa: Volume Three: 3 Online

Authors: Chögyam Trungpa

Tags: #Tibetan Buddhism

So meditation practice has to be approached in a very simple and very basic way. That seems to be the only way that it will apply to our experience of what we actually are. That way, we do not get into the illusion that we can function as a hundred people at once. When we lose the simplicity we begin to be concerned about ourselves: “While I’m doing this, such-and-such is going to happen. What shall I do?” Thinking that more than
that
is happening, we get involved in hope and fear in relation to all kinds of things that are not actually happening. Really it does not work that way. While we are doing
that,
we are doing that. If something else happens, we are doing something else. But two things cannot happen at once; it is impossible. It is easy to
imagine
that two things are happening at once, because our journey back and forth between the two may be very speedy. But even then we are doing only one thing at a time.

The idea of mindfulness of mind is to slow down the fickleness of jumping back and forth. We have to realize that we are not extraordinary mental acrobats. We are not all that well trained. And even an extraordinarily well-trained mind could not manage that many things at once—not even two. But because things are very simple and direct, we can focus on, be aware and mindful of, one thing at a time. That one-pointedness, that bare attention, seems to be the basic point.

It is necessary to take that logic all the way and realize that even to apply bare attention to what we are doing is impossible. If we try, we have two personalities: one personality is the bare attention; the other personality is doing things. Real bare attention is being there all at once. We do not apply bare attention
to
what we are doing; we are not mindful
of
what we are doing. That is impossible. Mindfulness is the act as well as the experience, happening at the same time. Obviously, we could have a somewhat dualistic attitude at the beginning, before we get into real mindfulness, that we are willing to be mindful, willing to surrender, willing to discipline ourselves. But then we do the thing; we just do it. It is like the famous Zen saying “When I eat, I eat; when I sleep, I sleep.” You just do it, with absolutely no implication behind what you are doing, not even of mindfulness.

When we begin to feel implications of mindfulness, we are beginning to split ourselves. Then we are faced with our resistance, and hundreds of other things seemingly begin to attack us, to bother us. Trying to be mindful by deliberately looking at oneself involves too much watcher. Then we have lost the one-shot simplicity. Perhaps we could have a discussion.

Student:
I don’t understand how sem works.

Trungpa Rinpoche:
Sem is basic mind. But instead of using the word
mind
as a noun, it might be more helpful to think of it as a verb, as in “minding one’s business.” Sem is an active process, because you cannot have mind without an object of mind. Mind and its object are one process. Mind only functions in relation to a reference point. In other words, you cannot see anything in the dark. The function of sight is to see something that is not darkness—to see an object, in the light. In the same way, the function of mind is to have a reference point, a relative reference point which survives the mind, the minding process. That is happening right now, actually, everywhere.

Student:
I was wondering if you could speak a little more about how mind, or “minding,” creates the world. Are you talking about creating in the sense that if we are not mindful of the world the world does not exist? I feel you’re saying something else besides that.

Trungpa Rinpoche:
Well, mind is very simple perception: it can only survive on “other.” Otherwise it starves to death.

S:
You mean the mind can only exist on things outside of itself?

TR:
That is right. But there is also the possibility that mind can go too far in that direction. Mind cannot exist without the projection of a relative reference point; on the other hand, mind also cannot exist if it is too crowded with projections. That way it also loses its reference point. So mind has to maintain a certain balance. To begin with, mind looks for a way to secure its survival. It looks for a mate, a friend; it creates the world. But when it begins to get too crowded—too many connections, too much world—it rejects its projections; it creates a little niche somewhere and fights tooth and nail to maintain it in order to survive. Sometimes mind loses the game. It becomes psychotic, completely mad. You “lose your mind,” as we say: you cannot even function on an ordinary logical level. Such psychosis results from either of the two extremes: you are completely overcrowded by the whole projection of the world or, on the other hand, you lack anything for mind to work with. So mind can only exist in the neurosis of relative reference, not in psychosis. When it reaches the psychotic level, mind ceases to function as mind. It becomes something else, something poisonous.

Student:
According to that model, how would meditation practice affect the relationship between mind and the world it’s doing battle with?

Trungpa Rinpoche:
The purpose of meditation practice is to try to save oneself from psychosis.

S:
But you still maintain the world? You still maintain the neurotic state, basically?

TR:
Not that necessarily, either. There is an alternative mind that does not need the neurotic world. This is where the idea of enlightenment comes in. Enlightened mind can go further and further, beyond questions of relative reference. It does not have to keep up with this world. It reaches a point where it does not have to sharpen itself on this neurotic world any more. There is another level of experience which still has a reference point, but it is a reference point without demand, a reference point that does not need further reference points. That is called nonduality. This does not mean to say that you dissolve into the world or the world becomes you. It’s not a question of oneness but rather a question of zeroness.

Student:
Rinpoche, how does the notion of mind that you’ve talked about relate to the notion of ego and the strategies of maintaining ego?

Trungpa Rinpoche:
Mind as we have been talking about it
is
ego. Ego can survive only in relation to a reference point, not by itself. But I am trying to make the whole thing quite simple and relate it directly to the practice of meditation. If we think practicing meditation is concerned with working with ego, that sounds like too big a deal. Whereas if we just work with mind, that is an actual, real thing to us. In order to wake up in the morning you have to know it is morning—there is light outside and you have awakened. Those simple things are a perfect example of basic ego. Ego survives and thrives on reference point. So sem is ego, yes.

Student:
You talked about mind relating to externals only. What do you consider it when the mind is functioning in pure intellection or imagination, creating its own object, so to speak?

Trungpa Rinpoche:
That is external.

S:
But there could be nothing out there. You could be in a darkened cell imagining that you are hearing a symphony, for example; it exists only in your mind.

TR:
Sure. That is outside. That seems to be the point. Maybe you are not really talking to me now. Maybe you are in a dark room and you are talking to your version of me. Somehow the physical visual situation is not that important a factor. Any mental object, mental content, is regarded as an external thing.

Student:
In regard to the technique of breathing, is there any particular reason why we identify with the out-breath rather than the in-breath?

Trungpa Rinpoche:
That’s a question of openness. You have to create some kind of gap, some area where there is less strain. Once you breathe out, you’re sure to breathe in again, so there’s room for relief of some kind. Nothing needs watching there.

Also, out-breathing is an expression of stepping out of your centralized system. Out-breathing has nothing to do with centralizing in your body, where usually everything is psychosomatically bottled up. Instead, by identifying with the out-breath you are sharing, you are giving something out.

Student:
When you were talking about “flat-bottomed” ideas, you said that the flat bottom is what provides an openness, or a space, as opposed to having wings on your mind—flying thoughts or whatever. What makes the panic arise that made the retreatant you spoke of turn to her book, and that makes us run away from that sense of groundedness?

Trungpa Rinpoche:
A lot of fear comes when things are too clearly defined. The situation becomes overwhelmingly sharp and direct and accurate, so that you would rather interpret it than simply acknowledge it. It is like when you say something very plain and direct to someone and you find him saying, “In other words, you are saying blah, blah, blah, blah, blah.” Instead of relating directly to what has been said, he has a tendency to try to keep his twist. That seems to be a problem of shyness, of being shy of the bluntness of reality, of the “formness,” the “thingness” that exists in our world and that nobody wants to face. Facing that is the highest form of sanity and enlightened vision. That seems to be the basic point of certain descriptions in the
Tibetan Book of the Dead
, where it describes a bright light coming toward you that you shy away from; you are frightened of it. Then there is a dull, seductive light coming from one of the six realms of neurotic existence, and you are attracted to that instead. You prefer the shadow to the reality. That is the kind of problem that exists. Often the reality is so blunt and outrageous and overwhelming that you feel facing it would be like sitting on a razor blade.

Student:
You spoke of experiencing the body. There are a lot of techniques and practices for feeling the body, where you focus attention on a physical sensation, tension, or whatever you feel when you attempt to feel the physical body. I’m wondering what relation that kind of practice has to the practice with the breath that you described. Are those techniques a different thing, or would they reinforce the practice with the breath?

Trungpa Rinpoche:
Your breath
is
your physical body from the point of view of this approach. There are all kinds of sensations that you experience along with the breath: pains, aches, itches, pleasurable feelings, and so on. You experience all those things along with the breath. Breath is the theme, and the other things go along with it. So the idea of the breathing technique is simply to be very precise about what you are experiencing. You relate to those sensations as they come up, along with your breath, without imagining that you are experiencing your body. Those experiences are not at all your body’s experiences. That is impossible. Actually, you are in no way in a position to experience your body. Those experiences are just thoughts: “I’m thinking I’m in pain.” It is the thought of pain, the thought of itch, and so forth.

S:
So you are saying that the breathing technique is in a way a saner attitude than believing, “Now I’ll feel my body” and making a project out of that?

TR:
The breathing technique is a literal one, a direct one. It faces what is actually the case rather than just trying to turn out some result.

Student:
Before, you were saying that when we are sitting here and taking notes, or focusing on the speaker and relaxing, we have a psychosomatic notion of body. And
psychosomatic,
the way I understand it, is sort of an imagined thing, or something that has to do with one’s mind, with how the mind is affecting the body. Like when we say someone has a psychosomatic disease, it means their mind is having some effect on their body. How is that related to the fact that we’re sitting here relaxing and listening to a speaker? How is that a psychosomatic sense of body?

Trungpa Rinpoche:
The point is that whatever we do in our lives, we don’t actually just do it; we are affected by mind. Maybe the body, the true body, is being pressured by the psychosomatic speed of the mind. You might say that there is a possibility that you are sitting here now properly, in a nonpsychosomatic way. But still, the whole situation of sitting here was brought together, the whole incident was moved into place, by a psychosomatic driving force. So your sitting here was set up by the psychosomatic system, basically. If you have some kind of psychosomatic convulsion and you throw up—you actually do throw up stuff, which is not psychosomatic stuff but body stuff—it is nevertheless manifested in psychosomatic style. Its being thrown up was instigated by a psychosomatic process. That is the kind of situation we are in. Fundamentally our whole world is psychosomatic from that point of view. The whole process of living is composed of psychosomatic hangups. The desire to listen to the teachings comes from beginning to be aware of one’s hang-ups. Since we have begun to be aware of our hang-ups we would like to create this further hang-up to clear up the existing hang-ups.

S:
Instead of relating directly?

TR:
Well, one never does that until one has some kind of flash of something on the level of enlightenment. Until that point everything one does is always by innuendo.

S:
So any kind of disease or anything that’s affecting you is psychosomatic?

TR:
It is not only disease that is psychosomatic. Your process of health is psychosomatic, already. Actually, disease is sort of an extra thing, like yeast growing on top of your back.

Student:
Rinpoche, with regard to touch-and-go, if a fantasy arises, to what point do you allow that fantasy to develop before you let go of it?

Trungpa Rinpoche:
Once it arises, that is already “touch.” Then let it be as it is. Then it goes. There is a peak point there. First, there is creation of the fantasy; then it reaches maturity; then it is beyond its prime; and then it slowly vanishes or tries to turn into something else.

Other books

Airborn by Kenneth Oppel
The Precipice by Ben Bova
Birthday Blues by Karen English
Backlands by Euclides da Cunha