The Complete Novels of Mark Twain and the Complete Biography of Mark Twain (219 page)
Read The Complete Novels of Mark Twain and the Complete Biography of Mark Twain Online
Authors: A. B. Paine (pulitzer Prize Committee),Mark Twain,The Complete Works Collection
To-morrow.
It is here. And with it the end. About midnight I awoke, and saw that hag making curious passes in the air about The Boss's head and face, and wondered what it meant. Everybody but the dynamo-watch lay steeped in sleep; there was no sound. The woman ceased from her mysterious foolery, and started tip-toeing toward the door. I called out:
"Stop! What have you been doing?"
She halted, and said with an accent of malicious satisfaction:
"Ye were conquerors; ye are conquered! These others are perishing—you also. Ye shall all die in this place—every one—except
him
. He sleepeth now—and shall sleep thirteen centuries. I am Merlin!"
Then such a delirium of silly laughter overtook him that he reeled about like a drunken man, and presently fetched up against one of our wires. His mouth is spread open yet; apparently he is still laughing. I suppose the face will retain that petrified laugh until the corpse turns to dust.
The Boss has never stirred—sleeps like a stone. If he does not wake to-day we shall understand what kind of a sleep it is, and his body will then be borne to a place in one of the remote recesses of the cave where none will ever find it to desecrate it. As for the rest of us—well, it is agreed that if any one of us ever escapes alive from this place, he will write the fact here, and loyally hide this Manuscript with The Boss, our dear good chief, whose property it is, be he alive or dead.
THE END OF THE MANUSCRIPT
FINAL P.S. BY M.T.
The dawn was come when I laid the Manuscript aside. The rain had almost ceased, the world was gray and sad, the exhausted storm was sighing and sobbing itself to rest. I went to the stranger's room, and listened at his door, which was slightly ajar. I could hear his voice, and so I knocked. There was no answer, but I still heard the voice. I peeped in. The man lay on his back in bed, talking brokenly but with spirit, and punctuating with his arms, which he thrashed about, restlessly, as sick people do in delirium. I slipped in softly and bent over him. His mutterings and ejaculations went on. I spoke—merely a word, to call his attention. His glassy eyes and his ashy face were alight in an instant with pleasure, gratitude, gladness, welcome:
"Oh, Sandy, you are come at last—how I have longed for you! Sit by me—do not leave me—never leave me again, Sandy, never again. Where is your hand?—give it me, dear, let me hold it—there—now all is well, all is peace, and I am happy again—
we
are happy again, isn't it so, Sandy? You are so dim, so vague, you are but a mist, a cloud, but you are
here
, and that is blessedness sufficient; and I have your hand; don't take it away—it is for only a little while, I shall not require it long.... Was that the child?... Hello-Central!... she doesn't answer. Asleep, perhaps? Bring her when she wakes, and let me touch her hands, her face, her hair, and tell her good-bye.... Sandy! Yes, you are there. I lost myself a moment, and I thought you were gone.... Have I been sick long? It must be so; it seems months to me. And such dreams! such strange and awful dreams, Sandy! Dreams that were as real as reality—delirium, of course, but
so
real! Why, I thought the king was dead, I thought you were in Gaul and couldn't get home, I thought there was a revolution; in the fantastic frenzy of these dreams, I thought that Clarence and I and a handful of my cadets fought and exterminated the whole chivalry of England! But even that was not the strangest. I seemed to be a creature out of a remote unborn age, centuries hence, and even
that
was as real as the rest! Yes, I seemed to have flown back out of that age into this of ours, and then forward to it again, and was set down, a stranger and forlorn in that strange England, with an abyss of thirteen centuries yawning between me and you! between me and my home and my friends! between me and all that is dear to me, all that could make life worth the living! It was awful—awfuler than you can ever imagine, Sandy. Ah, watch by me, Sandy—stay by me every moment—
don't
let me go out of my mind again; death is nothing, let it come, but not with those dreams, not with the torture of those hideous dreams—I cannot endure
that
again.... Sandy?..."
He lay muttering incoherently some little time; then for a time he lay silent, and apparently sinking away toward death. Presently his fingers began to pick busily at the coverlet, and by that sign I knew that his end was at hand with the first suggestion of the death-rattle in his throat he started up slightly, and seemed to listen: then he said:
"A bugle?... It is the king! The drawbridge, there! Man the battlements!—turn out the—"
He was getting up his last "effect"; but he never finished it.
HE AMERICAN CLAIMANT
By
Mark Twain
THE AMERICAN CLAIMANT CONTENTS
The Colonel Mulberry Sellers here re-introduced to the public is the same person who appeared as Eschol Sellers in the first edition of the tale entitled "The Gilded Age," years ago, and as Beriah Sellers in the subsequent editions of the same book, and finally as Mulberry Sellers in the drama played afterward by John T. Raymond.
The name was changed from Eschol to Beriah to accommodate an Eschol Sellers who rose up out of the vasty deeps of uncharted space and preferred his request—backed by threat of a libel suit—then went his way appeased, and came no more. In the play Beriah had to be dropped to satisfy another member of the race, and Mulberry was substituted in the hope that the objectors would be tired by that time and let it pass unchallenged. So far it has occupied the field in peace; therefore we chance it again, feeling reasonably safe, this time, under shelter of the statute of limitations.
MARK TWAIN. Hartford, 1891.
No weather will be found in this book. This is an attempt to pull a book through without weather. It being the first attempt of the kind in fictitious literature, it may prove a failure, but it seemed worth the while of some dare-devil person to try it, and the author was in just the mood.
Many a reader who wanted to read a tale through was not able to do it because of delays on account of the weather. Nothing breaks up an author's progress like having to stop every few pages to fuss-up the weather. Thus it is plain that persistent intrusions of weather are bad for both reader and author.
Of course weather is necessary to a narrative of human experience. That is conceded. But it ought to be put where it will not be in the way; where it will not interrupt the flow of the narrative. And it ought to be the ablest weather that can be had, not ignorant, poor-quality, amateur weather. Weather is a literary specialty, and no untrained hand can turn out a good article of it. The present author can do only a few trifling ordinary kinds of weather, and he cannot do those very good. So it has seemed wisest to borrow such weather as is necessary for the book from qualified and recognized experts—giving credit, of course. This weather will be found over in the back part of the book, out of the way. See Appendix. The reader is requested to turn over and help himself from time to time as he goes along.
T IS a matchless morning in rural England. On a fair hill we see a majestic pile, the ivied walls and towers of Cholmondeley Castle, huge relic and witness of the baronial grandeurs of the Middle Ages. This is one of the seats of the Earl of Rossmore, K. G. G. C. B. K. C. M. G., etc., etc., etc., etc., etc., who possesses twenty-two thousand acres of English land, owns a parish in London with two thousand houses on its lease-roll, and struggles comfortably along on an income of two hundred thousand pounds a year. The father and founder of this proud old line was William the Conqueror his very self; the mother of it was not inventoried in history by name, she being merely a random episode and inconsequential, like the tanner's daughter of Falaise.
In a breakfast room of the castle on this breezy fine morning there are two persons and the cooling remains of a deserted meal. One of these persons is the old lord, tall, erect, square-shouldered, white-haired, stern-browed, a man who shows character in every feature, attitude, and movement, and carries his seventy years as easily as most men carry fifty. The other person is his only son and heir, a dreamy-eyed young fellow, who looks about twenty-six but is nearer thirty. Candor, kindliness, honesty, sincerity, simplicity, modesty—it is easy to see that these are cardinal traits of his character; and so when you have clothed him in the formidable components of his name, you somehow seem to be contemplating a lamb in armor: his name and style being the Honourable Kirkcudbright Llanover Marjorihanks Sellers Viscount-Berkeley, of Cholmondeley Castle, Warwickshire. (Pronounced K'koobry Thlanover Marshbanks Sellers Vycount Barkly, of Chumly Castle, Warrikshr.) He is standing by a great window, in an attitude suggestive of respectful attention to what his father is saying and equally respectful dissent from the positions and arguments offered. The father walks the floor as he talks, and his talk shows that his temper is away up toward summer heat.