The Complete Novels of Mark Twain and the Complete Biography of Mark Twain (311 page)

The Paladin was gone only a couple of minutes; he found out at once that a trick had been played on him, so he came back. When he approached the door he heard Noel ranting in there and recognized the state of the case; so he remained near the door but out of sight, and heard the performance through to the end. The applause Noel got when he finished was wonderful; and they kept it up and kept it up, clapping their hands like mad, and shouting to him to do it over again.

But Noel was clever. He knew the very best background for a poem of deep and refined sentiment and pathetic melancholy was one where great and satisfying merriment had prepared the spirit for the powerful contrast.

So he paused until all was quiet, then his face grew grave and assumed an impressive aspect, and at once all faces sobered in sympathy and took on a look of wondering and expectant interest. Now he began in a low but distinct voice the opening verses of The Rose. As he breathed the rhythmic measures forth, and one gracious line after another fell upon those enchanted ears in that deep hush, one could catch, on every hand, half-audible ejaculations of "How lovely—how beautiful—how exquisite!"

By this time the Paladin, who had gone away for a moment with the opening of the poem, was back again, and had stepped within the door. He stood there now, resting his great frame against the wall and gazing toward the reciter like one entranced. When Noel got to the second part, and that heart-breaking refrain began to melt and move all listeners, the Paladin began to wipe away tears with the back of first one hand and then the other. The next time the refrain was repeated he got to snuffling, and sort of half sobbing, and went to wiping his eyes with the sleeves of his doublet. He was so conspicuous that he embarrassed Noel a little, and also had an ill effect upon the audience. With the next repetition he broke quite down and began to cry like a calf, which ruined all the effect and started many to the audience to laughing. Then he went on from bad to worse, until I never saw such a spectacle; for he fetched out a towel from under his doublet and began to swab his eyes with it and let go the most infernal bellowings mixed up with sobbings and groanings and retchings and barkings and coughings and snortings and screamings and howlings—and he twisted himself about on his heels and squirmed this way and that, still pouring out that brutal clamor and flourishing his towel in the air and swabbing again and wringing it out. Hear? You couldn't hear yourself think. Noel was wholly drowned out and silenced, and those people were laughing the very lungs out of themselves. It was the most degrading sight that ever was. Now I heard the clankety-clank that plate-armor makes when the man that is in it is running, and then alongside my head there burst out the most inhuman explosion of laughter that ever rent the drum of a person's ear, and I looked, and it was La Hire; and the stood there with his gauntlets on his hips and his head tilted back and his jaws spread to that degree to let out his hurricanes and his thunders that it amounted to indecent exposure, for you could see everything that was in him. Only one thing more and worse could happen, and it happened: at the other door I saw the flurry and bustle and bowings and scrapings of officials and flunkeys which means that some great personage is coming—then Joan of Arc stepped in, and the house rose! Yes, and tried to shut its indecorous mouth and make itself grave and proper; but when it saw the Maid herself go to laughing, it thanked God for this mercy and the earthquake that followed.

Such things make a life of bitterness, and I do not wish to dwell upon them. The effect of the poem was spoiled.

THIS EPISODE disagreed with me and I was not able to leave my bed the next day. The others were in the same condition. But for this, one or another of us might have had the good luck that fell to the Paladin's share that day; but it is observable that God in His compassion sends the good luck to such as are ill equipped with gifts, as compensation for their defect, but requires such as are more fortunately endowed to get by labor and talent what those others get by chance. It was Noel who said this, and it seemed to me to be well and justly thought.

The Paladin, going about the town all the day in order to be followed and admired and overhear the people say in an awed voice, "'Ssh!—look, it is the Standard-Bearer of Joan of Arc!" had speech with all sorts and conditions of folk, and he learned from some boatmen that there was a stir of some kind going on in the bastilles on the other side of the river; and in the evening, seeking further, he found a deserter from the fortress called the "Augustins," who said that the English were going to send me over to strengthen the garrisons on our side during the darkness of the night, and were exulting greatly, for they meant to spring upon Dunois and the army when it was passing the bastilles and destroy it; a thing quite easy to do, since the "Witch" would not be there, and without her presence the army would do like the French armies of these many years past—drop their weapons and run when they saw an English face.

It was ten at night when the Paladin brought this news and asked leave to speak to Joan, and I was up and on duty then. It was a bitter stroke to me to see what a chance I had lost. Joan made searching inquiries, and satisfied herself that the word was true, then she made this annoying remark:

"You have done well, and you have my thanks. It may be that you have prevented a disaster. Your name and service shall receive official mention."

Then he bowed low, and when he rose he was eleven feet high. As he swelled out past me he covertly pulled down the corner of his eye with his finger and muttered part of that defiled refrain, "Oh, tears, ah, tears, oh, sad sweet tears!—name in General Orders—personal mention to the King, you see!"

I wished Joan could have seen his conduct, but she was busy thinking what she would do. Then she had me fetch the knight Jean de Metz, and in a minute he was off for La Hire's quarters with orders for him and the Lord de Villars and Florent d'Illiers to report to her at five o'clock next morning with five hundred picked men well mounted. The histories say half past four, but it is not true, I heard the order given.

We were on our way at five to the minute, and encountered the head of the arriving column between six and seven, a couple of leagues from the city. Dunois was pleased, for the army had begun to get restive and show uneasiness now that it was getting so near to the dreaded bastilles. But that all disappeared now, as the word ran down the line, with a huzza that swept along the length of it like a wave, that the Maid was come. Dunois asked her to halt and let the column pass in review, so that the men could be sure that the reports of her presence was not a ruse to revive their courage. So she took position at the side of the road with her staff, and the battalions swung by with a martial stride, huzzaing. Joan was armed, except her head. She was wearing the cunning little velvet cap with the mass of curved white ostrich plumes tumbling over its edges which the city of Orleans had given her the night she arrived—the one that is in the picture that hangs in the Hotel de Ville at Rouen. She was looking about fifteen. The sight of soldiers always set her blood to leaping, and lit the fires in her eyes and brought the warm rich color to her cheeks; it was then that you saw that she was too beautiful to be of the earth, or at any rate that there was a subtle something somewhere about her beauty that differed it from the human types of your experience and exalted it above them.

In the train of wains laden with supplies a man lay on top of the goods. He was stretched out on his back, and his hands were tied together with ropes, and also his ankles. Joan signed to the officer in charge of that division of the train to come to her, and he rode up and saluted.

"What is he that is bound there?" she asked.

"A prisoner, General."

"What is his offense?"

"He is a deserter."

"What is to be done with him?"

"He will be hanged, but it was not convenient on the march, and there was no hurry."

"Tell me about him."

"He is a good soldier, but he asked leave to go and see his wife who was dying, he said, but it could not be granted; so he went without leave. Meanwhile the march began, and he only overtook us yesterday evening."

"Overtook you? Did he come of his own will?"

"Yes, it was of his own will."

"He a deserter! Name of God! Bring him to me."

The officer rode forward and loosed the man's feet and brought him back with his hands still tied. What a figure he was—a good seven feet high, and built for business! He had a strong face; he had an unkempt shock of black hair which showed up a striking way when the officer removed his morion for him; for weapon he had a big ax in his broad leathern belt. Standing by Joan's horse, he made Joan look littler than ever, for his head was about on a level with her own. His face was profoundly melancholy; all interest in life seemed to be dead in the man. Joan said:

"Hold up your hands."

The man's head was down. He lifted it when he heard that soft friendly voice, and there was a wistful something in his face which made one think that there had been music in it for him and that he would like to hear it again. When he raised his hands Joan laid her sword to his bonds, but the officer said with apprehension:

"Ah, madam—my General!"

"What is it?" she said.

"He is under sentence!"

"Yes, I know. I am responsible for him"; and she cut the bonds. They had lacerated his wrists, and they were bleeding. "Ah, pitiful!" she said; "blood—I do not like it"; and she shrank from the sight. But only for a moment. "Give me something, somebody, to bandage his wrists with."

The officer said:

"Ah, my General! it is not fitting. Let me bring another to do it."

"Another? De par le Dieu!
You would seek far to find one that can do it better than I, for I learned it long ago among both men and beasts. And I can tie better than those that did this; if I had tied him the ropes had not cut his flesh."

The man looked on silent, while he was being bandaged, stealing a furtive glance at Joan's face occasionally, such as an animal might that is receiving a kindness form an unexpected quarter and is gropingly trying to reconcile the act with its source. All the staff had forgotten the huzzaing army drifting by in its rolling clouds of dust, to crane their necks and watch the bandaging as if it was the most interesting and absorbing novelty that ever was. I have often seen people do like that—get entirely lost in the simplest trifle, when it is something that is out of their line. Now there in Poitiers, once, I saw two bishops and a dozen of those grave and famous scholars grouped together watching a man paint a sign on a shop; they didn't breathe, they were as good as dead; and when it began to sprinkle they didn't know it at first; then they noticed it, and each man hove a deep sigh, and glanced up with a surprised look as wondering to see the others there, and how he came to be there himself—but that is the way with people, as I have said. There is no way of accounting for people. You have to take them as they are.

"There," said Joan at last, pleased with her success; "another could have done it no better—not as well, I think. Tell me—what is it you did? Tell me all."

The giant said:

"It was this way, my angel. My mother died, then my three little children, one after the other, all in two years. It was the famine; others fared so—it was God's will. I saw them die; I had that grace; and I buried them. Then when my poor wife's fate was come, I begged for leave to go to her—she who was so dear to me—she who was all I had; I begged on my knees. But they would not let me. Could I let her die, friendless and alone? Could I let her die believing I would not come? Would she let me die and she not come—with her feet free to do it if she would, and no cost upon it but only her life? Ah, she would come—she would come through the fire! So I went. I saw her. She died in my arms. I buried her. Then the army was gone. I had trouble to overtake it, but my legs are long and there are many hours in a day; I overtook it last night."

Joan said, musingly, as if she were thinking aloud:

"It sounds true. If true, it were no great harm to suspend the law this one time—any would say that. It may not be true, but if it is true—" She turned suddenly to the man and said, "I would see your eyes—look up!" The eyes of the two met, and Joan said to the officer, "This man is pardoned. Give you good day; you may go." Then she said to the man, "Did you know it was death to come back to the army?"

"Yes," he said, "I knew it."

"Then why did you do it?"

The man said, quite simply:

"Because it was death. She was all I had. There was nothing left to love."

"Ah, yes, there was—France! The children of France have always their mother—they cannot be left with nothing to love. You shall live—and you shall serve France—"

"I will serve you!"—"you shall fight for France—"

"I will fight for you!"

"You shall be France's soldier—"

"I will be your soldier!"—"you shall give all your heart to France—"

"I will give all my heart to you—and all my soul, if I have one—and all my strength, which is great—for I was dead and am alive again; I had nothing to live for, but now I have! You are France for me. You are my France, and I will have no other."

Joan smiled, and was touched and pleased at the man's grave enthusiasm—solemn enthusiasm, one may call it, for the manner of it was deeper than mere gravity—and she said: