The Complete Works of Leo Tolstoy (25+ Works with active table of contents) (129 page)

"That is, you mean that sin keeps him back?" said Lidia Ivanovna. "But that is a false idea. There is no sin for believers, their sin has been atoned for. Pardon," she added, looking at the footman, who came in again with another letter. She read it and gave a verbal answer: "Tomorrow at the Grand Duchess's, say." "For the believer sin is not," she went on.

"Yes, but faith without works is dead," said Stepan Arkadyevitch, recalling the phrase from the catechism, and only by his smile clinging to his independence.

"There you have it--from the epistle of St. James," said Alexey Alexandrovitch, addressing Lidia Ivanovna, with a certain reproachfulness in his tone. It was unmistakably a subject they had discussed more than once before. "What harm has been done by the false interpretation of that passage! Nothing holds men back from belief like that misinterpretation. 'I have not works, so I cannot believe,' though all the while that is not said. But the very opposite is said."

"Striving for God, saving the soul by fasting," said Countess Lidia Ivanovna, with disgusted contempt, "those are the crude ideas of our monks.... Yet that is nowhere said. It is far simpler and easier," she added, looking at Oblonsky with the same encouraging smile with which at court she encouraged youthful maids of honor, disconcerted by the new surroundings of the court.

"We are saved by Christ who suffered for us. We are saved by faith," Alexey Alexandrovitch chimed in, with a glance of approval at her words.

"Vous comprenez l'anglais?" asked Lidia Ivanovna, and receiving a reply in the affirmative, she got up and began looking through a shelf of books.

"I want to read him 'Safe and Happy,' or 'Under the Wing,'" she said, looking inquiringly at Karenin. And finding the book, and sitting down again in her place, she opened it. "It's very short. In it is described the way by which faith can be reached, and the happiness, above all earthly bliss, with which it fills the soul. The believer cannot be unhappy because he is not alone. But you will see." She was just settling herself to read when the footman came in again. "Madame Borozdina? Tell her, tomorrow at two o'clock. Yes," she said, putting her finger in the place in the book, and gazing before her with her fine pensive eyes, "that is how true faith acts. You know Marie Sanina? You know about her trouble? She lost her only child. She was in despair. And what happened? She found this comforter, and she thanks God now for the death of her child. Such is the happiness faith brings!"

"Oh, yes, that is most..." said Stepan Arkadyevitch, glad they were going to read, and let him have a chance to collect his faculties. "No, I see I'd better not ask her about anything today," he thought. "If only I can get out of this without putting my foot in it!"

"It will be dull for you," said Countess Lidia Ivanovna, addressing Landau; "you don't know English, but it's short."

"Oh, I shall understand," said Landau, with the same smile, and he closed his eyes. Alexey Alexandrovitch and Lidia Ivanovna exchanged meaningful glances, and the reading began.

Chapter 22

Stepan Arkadyevitch felt completely nonplussed by the strange talk which he was hearing for the first time. The complexity of Petersburg, as a rule, had a stimulating effect on him, rousing him out of his Moscow stagnation. But he liked these complications, and understood them only in the circles he knew and was at home in. In these unfamiliar surroundings he was puzzled and disconcerted, and could not get his bearings. As he listened to Countess Lidia Ivanovna, aware of the beautiful, artless--or perhaps artful, he could not decide which--eyes of Landau fixed upon him, Stepan Arkadyevitch began to be conscious of a peculiar heaviness in his head.

The most incongruous ideas were in confusion in his head. "Marie Sanina is glad her child's dead.... How good a smoke would be now!... To be saved, one need only believe, and the monks don't know how the thing's to be done, but Countess Lidia Ivanovna does know.... And why is my head so heavy? Is it the cognac, or all this being so queer? Anyway, I fancy I've done nothing unsuitable so far. But anyway, it won't do to ask her now. They say they make one say one's prayers. I only hope they won't make me! That'll be too imbecile. And what stuff it is she's reading! but she has a good accent. Landau--Bezzubov-- what's he Bezzubov for?" All at once Stepan Arkadyevitch became aware that his lower jaw was uncontrollably forming a yawn. He pulled his whiskers to cover the yawn, and shook himself together. But soon after he became aware that he was dropping asleep and on the very point of snoring. He recovered himself at the very moment when the voice of Countess Lidia Ivanovna was saying "he's asleep." Stepan Arkadyevitch started with dismay, feeling guilty and caught. But he was reassured at once by seeing that the words "he's asleep" referred not to him, but to Landau. The Frenchman was asleep as well as Stepan Arkadyevitch. But Stepan Arkadyevitch's being asleep would have offended them, as he thought (though even this, he thought, might not be so, as everything seemed so queer), while Landau's being asleep delighted them extremely, especially Countess Lidia Ivanovna.

"Mon ami," said Lidia Ivanovna, carefully holding the folds of her silk gown so as not to rustle, and in her excitement calling Karenin not Alexey Alexandrovitch, but "mon ami," "donnez-lui la main. Vous voyez? Sh!" she hissed at the footman as he came in again. "Not at home."

The Frenchman was asleep, or pretending to be asleep, with his head on the back of his chair, and his moist hand, as it lay on his knee, made faint movements, as though trying to catch something. Alexey Alexandrovitch got up, tried to move carefully, but stumbled against the table, went up and laid his hand in the Frenchman's hand. Stepan Arkadyevitch got up too, and opening his eyes wide, trying to wake himself up if he were asleep, he looked first at one and then at the other. It was all real. Stepan Arkadyevitch felt that his head was getting worse and worse.

"Que la personne qui est arrivee la derniere, celle qui demande, qu'elle sorte! Qu'elle sorte!" articulated the Frenchman, without opening his eyes.

"Vous m'excuserez, mais vous voyez.... Revenez vers dix heures, encore mieux demain."

"Qu'elle sorte!" repeated the Frenchman impatiently.

"C'est moi, n'est-ce pas?" And receiving an answer in the affirmative, Stepan Arkadyevitch, forgetting the favor he had meant to ask of Lidia Ivanovna, and forgetting his sister's affairs, caring for nothing, but filled with the sole desire to get away as soon as possible, went out on tiptoe and ran out into the street as though from a plague-stricken house. For a long while he chatted and joked with his cab-driver, trying to recover his spirits.

At the French theater where he arrived for the last act, and afterwards at the Tatar restaurant after his champagne, Stepan Arkadyevitch felt a little refreshed in the atmosphere he was used to. But still he felt quite unlike himself all that evening.

On getting home to Pyotr Oblonsky's, where he was staying, Stepan Arkadyevitch found a note from Betsy. She wrote to him that she was very anxious to finish their interrupted conversation, and begged him to come next day. He had scarcely read this note, and frowned at its contents, when he heard below the ponderous tramp of the servants, carrying something heavy.

Stepan Arkadyevitch went out to look. It was the rejuvenated Pyotr Oblonsky. He was so drunk that he could not walk upstairs; but he told them to set him on his legs when he saw Stepan Arkadyevitch, and clinging to him, walked with him into his room and there began telling him how he had spent the evening, and fell asleep doing so.

Stepan Arkadyevitch was in very low spirits, which happened rarely with him, and for a long while he could not go to sleep. Everything he could recall to his mind, everything was disgusting; but most disgusting of all, as if it were something shameful, was the memory of the evening he had spent at Countess Lidia Ivanovna's.

Next day he received from Alexey Alexandrovitch a final answer, refusing to grant Anna's divorce, and he understood that this decision was based on what the Frenchman had said in his real or pretended trance.

Chapter 23

In order to carry through any undertaking in family life, there must necessarily be either complete division between the husband and wife, or loving agreement. When the relations of a couple are vacillating and neither one thing nor the other, no sort of enterprise can be undertaken.

Many families remain for years in the same place, though both husband and wife are sick of it, simply because there is neither complete division nor agreement between them.

Both Vronsky and Anna felt life in Moscow insupportable in the heat and dust, when the spring sunshine was followed by the glare of summer, and all the trees in the boulevards had long since been in full leaf, and the leaves were covered with dust. But they did not go back to Vozdvizhenskoe, as they had arranged to do long before; they went on staying in Moscow, though they both loathed it, because of late there had been no agreement between them.

The irritability that kept them apart had no external cause, and all efforts to come to an understanding intensified it, instead of removing it. It was an inner irritation, grounded in her mind on the conviction that his love had grown less; in his, on regret that he had put himself for her sake in a difficult position, which she, instead of lightening, made still more difficult. Neither of them gave full utterance to their sense of grievance, but they considered each other in the wrong, and tried on every pretext to prove this to one another.

In her eyes the whole of him, with all his habits, ideas, desires, with all his spiritual and physical temperament, was one thing--love for women, and that love, she felt, ought to be entirely concentrated on her alone. That love was less; consequently, as she reasoned, he must have transferred part of his love to other women or to another woman--and she was jealous. She was jealous not of any particular woman but of the decrease of his love. Not having got an object for her jealousy, she was on the lookout for it. At the slightest hint she transferred her jealousy from one object to another. At one time she was jealous of those low women with whom he might so easily renew his old bachelor ties; then she was jealous of the society women he might meet; then she was jealous of the imaginary girl whom he might want to marry, for whose sake he would break with her. And this last form of jealousy tortured her most of all, especially as he had unwarily told her, in a moment of frankness, that his mother knew him so little that she had had the audacity to try and persuade him to marry the young Princess Sorokina.

And being jealous of him, Anna was indignant against him and found grounds for indignation in everything. For everything that was difficult in her position she blamed him. The agonizing condition of suspense she had passed in Moscow, the tardiness and indecision of Alexey Alexandrovitch, her solitude--she put it all down to him. If he had loved her he would have seen all the bitterness of her position, and would have rescued her from it. For her being in Moscow and not in the country, he was to blame too. He could not live buried in the country as she would have liked to do. He must have society, and he had put her in this awful position, the bitterness of which he would not see. And again, it was his fault that she was forever separated from her son.

Even the rare moments of tenderness that came from time to time did not soothe her; in his tenderness now she saw a shade of complacency, of self-confidence, which had not been of old and which exasperated her.

It was dusk. Anna was alone, and waiting for him to come back from a bachelor dinner. She walked up and down in his study (the room where the noise from the street was least heard), and thought over every detail of their yesterday's quarrel. Going back from the well-remembered, offensive words of the quarrel to what had been the ground of it, she arrived at last at its origin. For a long while she could hardly believe that their dissension had arisen from a conversation so inoffensive, of so little moment to either. But so it actually had been. It all arose from his laughing at the girls' high schools, declaring they were useless, while she defended them. He had spoken slightingly of women's education in general, and had said that Hannah, Anna's English protegee, had not the slightest need to know anything of physics.

This irritated Anna. She saw in this a contemptuous reference to her occupations. And she bethought her of a phrase to pay him back for the pain he had given her. "I don't expect you to understand me, my feelings, as anyone who loved me might, but simple delicacy I did expect," she said.

And he had actually flushed with vexation, and had said something unpleasant. She could not recall her answer, but at that point, with an unmistakable desire to wound her too, he had said:

"I feel no interest in your infatuation over this girl, that's true, because I see it's unnatural."

The cruelty with which he shattered the world she had built up for herself so laboriously to enable her to endure her hard life, the injustice with which he had accused her of affectation, of artificiality, aroused her.

"I am very sorry that nothing but what's coarse and material is comprehensible and natural to you," she said and walked out of the room.

When he had come in to her yesterday evening, they had not referred to the quarrel, but both felt that the quarrel had been smoothed over, but was not at an end.

Today he had not been at home all day, and she felt so lonely and wretched in being on bad terms with him that she wanted to forget it all, to forgive him, and be reconciled with him; she wanted to throw the blame on herself and to justify him.