The Complete Works of Leo Tolstoy (25+ Works with active table of contents) (446 page)

THE DOCTOR. About 40. Healthy, fat, red-faced, loud-voiced, and rough; with a self-satisfied smile constantly on his lips.

MÁRYA KONSTANTÍNOVNA. A girl of 20, from the Conservatoire, teacher of music. Wears a fringe, and is super-fashionably dressed. Obsequious, and gets easily confused.

PETRÍSTCHEF. About 28; has taken his degree in philology, and is looking out for a position. Member of the same clubs as Vasíly Leoníditch, and also of the Society for the Organisation of Calico Balls. [1] Is bald-headed, quick in movement and speech, and very polite.

THE BARONESS. A pompous lady of about 50, slow in her movements, speaks with monotonous intonation.

THE PRINCESS. A society woman, a visitor.

HER DAUGHTER. An affected young society woman, a visitor.

THE COUNTESS. An ancient dame, with false hair and teeth. Moves with great difficulty.

GROSSMAN. A dark, nervous, lively man of Jewish type. Speaks very loud.

THE FAT LADY: MÁRYA VASÍLYEVNA TOLBOÚHINA. A very distinguished, rich, and kindly woman, acquainted with all the notable people of the last and present generations. Very stout. Speaks hurriedly, trying to be heard above every one else. Smokes.

BARON KLÍNGEN (nicknamed KOKO). A graduate of Petersburg University. Gentleman of the Bedchamber, Attaché to an Embassy. Is perfectly correct in his deportment, and therefore enjoys peace of mind and is quietly gay.

TWO SILENT LADIES.

SERGÉY IVÁNITCH SAHÁTOF. About 50, an ex-Assistant Minister of State. An elegant gentleman, of wide European culture, engaged in nothing and interested in everything. His carriage is dignified and at times even severe.

THEODORE IVÁNITCH. Personal attendant on Zvezdíntsef, aged about 60. A man of some education and fond of information. Uses his pince-nez and pocket-handkerchief too much, unfolding the latter very slowly. Takes an interest in politics. Is kindly and sensible.

GREGORY. A footman, about 28, handsome, profligate, envious, and insolent.

JACOB. Butler, about 40, a bustling, kindly man, to whom the interests of his family in the village are all-important.

SIMON. The butler's assistant, about 20, a healthy, fresh, peasant lad, fair, beardless as yet; calm and smiling.

THE COACHMAN. A man of about 35, a dandy. Has moustaches but no beard. Rude and decided.

A DISCHARGED MAN-COOK. About 45, dishevelled, unshaved, bloated, yellow and trembling. Dressed in a ragged, light summer-overcoat and dirty trousers. Speaks hoarsely, ejecting the words abruptly.

THE SERVANTS' COOK. A talkative, dissatisfied woman of 30.

THE DOORKEEPER. A retired soldier.

TÁNYA (TATYÁNA MÁRKOVNA). LADY's-maid, 19, energetic, strong, merry, with quickly-changing moods. At moments, when strongly excited, she shrieks with joy.

FIRST PEASANT. About 60. Has served as village Elder. Imagines that he knows how to treat gentlefolk, and likes to hear himself talk.

SECOND PEASANT. About 45, head of a family. A man of few words. Rough and truthful. The father of Simon.

THIRD PEASANT. About 70. Wears shoes of plaited bast. Is nervous, restless, hurried, and tries to cover his confusion by much talking.

FIRST FOOTMAN (in attendance on the Countess). An old man, with old-fashioned manners, and proud of his place.

SECOND FOOTMAN. Of enormous size, strong, and rude.

A PORTER FROM A FASHIONABLE DRESSMAKER'S SHOP. A fresh-faced man in dark-blue long coat. Speaks firmly, emphatically, and clearly.

The action takes place in Moscow, in Zvesdíntsef's house.

ACT I

The entrance hall of a wealthy house in Moscow. There are three doors: the front door, the door of LEONÍD FYÓDORITCH'S study, and the door of VASÍLY LEONÍDITCH'S room. A staircase leads up to the other rooms; behind it is another door leading to the servants' quarters.

SCENE I

GREGORY (looks at himself in the glass and arranges his hair, etc.). I am sorry about those moustaches of mine! "Moustaches are not becoming to a footman," she says! And why? Why, so that any one might see you're a footman,--else my looks might put her darling son to shame. He's a likely one! There's not much fear of his coming anywhere near me, moustaches or no moustaches! (Smiling into the glass.) And what a lot of 'em swarm round me. And yet I don't care for any of them as much as for that Tánya. And she only a lady's-maid! Ah well, she's nicer than any young lady. (Smiles.) She's a duck! (Listening.) Ah, here she comes. (Smiles.) Yes, that's her, clattering with her little heels. Oh!

[Enter TÁNYA, carrying a cloak and boots.

GREGORY. My respects to you, Tatyána Márkovna.

TÁNYA. What are you always looking in the glass for? Do you think yourself so good-looking?

GREGORY. Well, and are my looks not agreeable?

TÁNYA. So, so; neither agreeable nor disagreeable, but just betwixt and between! Why are all those cloaks hanging there?

GREGORY. I am just going to put them away, your lady-ship! (Takes down a fur cloak and, wrapping it round her, embraces her.) I say, Tánya, I'll tell you something....

TÁNYA. Oh, get away, do! What do you mean by it? (Pulls herself angrily away.) Leave me alone, I tell you!

GREGORY (looks cautiously around). Then give me a kiss!

TÁNYA. Now, really, what are you bothering for? I'll give you such a kiss!

[Raises her hand to strike.

VASÍLY LEONÍDITCH (off the scene, rings and then shouts). Gregory!

TÁNYA. There now, go! Vasíly Leoníditch is calling you.

GREGORY. He'll wait! He's only just opened his eyes! I say, why don't you love me?

TÁNYA. What sort of loving have you imagined now? I don't love anybody.

GREGORY. That's a fib. You love Simon! You have found a nice one to love--a common, dirty-pawed peasant, a butler's assistant!

TÁNYA. Never mind; such as he is, you are jealous of him!

VASÍLY LEONÍDITCH (off the scene). Gregory!

GREGORY. All in good time.... Jealous indeed! Of what? Why, you have only just begun to get licked into shape, and who are you tying yourself up with? Now, wouldn't it be altogether a different matter if you loved me?.... I say, Tánya....

TÁNYA (angrily and severely). You'll get nothing from me, I tell you!

VASÍLY LEONÍDITCH (off the scene). Gregory!

GREGORY. You're mighty particular, ain't you?

VASÍLY LEONÍDITCH (off the scene, shouts persistently, monotonously, and with all his might) Gregory! Greg--ory! Gregory!

[TÁNYA and GREGORY laugh.

GREGORY. You should have seen the girls that have been sweet on me.

[Bell rings.

TÁNYA. Well then, go to them, and leave me alone!

GREGORY. You are a silly, now I think of it. I'm not Simon!

TÁNYA. Simon means marriage, and not tomfoolery!

[Enter PORTER, carrying a large cardboard box.

PORTER. Good morning!

GREGORY. Good morning! Where are you from?

PORTER. From Bourdey's. I've brought a dress, and here's a note for the lady.

TÁNYA (taking the note). Sit down, and I'll take it in.

[Exit.

[VASÍLY LEONÍDITCH looks out of the door in shirt-sleeves and slippers.

VASÍLY LEONÍDITCH. Gregory!

GREGORY. Yes, sir.

VASÍLY LEONÍDITCH. Gregory! Don't you hear me call?

GREGORY. I've only just come, sir.

VASÍLY LEONÍDITCH. Hot water, and a cup of tea.

GREGORY. Yes, sir; Simon will bring them directly.

VASÍLY LEONÍDITCH. And who is this? Ah, from Bourdier?

PORTER. Yes, sir.

[Exeunt VASÍLY LEONÍDITCH and GREGORY. Bell rings. TÁNYA runs in at the sound of the bell and opens the front door.

TÁNYA (to PORTER). Please wait a little. Porter. I am waiting.

[SAHÁTOF enters at front door.

TÁNYA. I beg your pardon, but the footman has just gone away. This way, sir. Allow me, please.

[Takes his fur cloak.

SAHÁTOF (adjusting his clothes). Is Leoníd Fyódoritch at home? Is he up?

[Bell rings.

TÁNYA. Oh yes, sir. He's been up a long time.

[DOCTOR enters and looks around for the footman. Sees SAHÁTOF and addresses him in an offhand manner.

DOCTOR. Ah, my respects to you!

SAHÁTOF (looks fixedly at him). The Doctor, I believe?

DOCTOR. And I thought you were abroad! Dropped in to see Leoníd Fyódoritch?

SAHÁTOF. Yes. And you? Is any one ill?

DOCTOR (laughing). Not exactly ill but, you know.... It's awful with these ladies! Sits up at cards till three every morning, and pulls her waist into the shape of a wine-glass. And the lady is flabby and fat, and carries the weight of a good many years on her back.

SAHÁTOF. Is this the way you state your diagnosis to Anna Pávlovna? I should hardly think it quite pleases her!

DOCTOR (laughing). Well, it's the truth. They do all these tricks--and then come derangements of the digestive organs, pressure on the liver, nerves, and all sorts of things, and one has to come and patch them up. It's just awful! (Laughs.) And you? You are also a spiritualist, it seems?

SAHÁTOF. I? No, I am not also a spiritualist.... Good morning!

[Is about to go, but is stopped by the DOCTOR.

DOCTOR. No! But I can't myself, you know, positively deny the possibility of it, when a man like Krougosvétlof is connected with it all. How can one? Is he not a professor,--a European celebrity? There must be something in it. I should like to see for myself, but I never have the time. I have other things to do.

SAHÁTOF. Yes, yes! Good morning.

[Exit, bowing slightly.

DOCTOR (to Tánya). Is Anna Pávlovna up?

TÁNYA. She's in her bedroom, but please come up.

[DOCTOR goes upstairs.

[THEODORE IVÁNITCH enters with a newspaper In his hand.

THEODORE IVÁNITCH (to PORTER). What is it you want?

PORTER. I'm from Bourdey's. I brought a dress and a note, and was told to wait.

THEODORE IVÁNITCH. Ah, from Bourdey's! (To Tánya.) Who came in just now?

TÁNYA. It was Sergéy Ivánitch Sahátof and the Doctor. They stood talking here a bit. It was all about spiritalism.

THEODORE IVÁNITCH (correcting her). Spiritualism.

TÁNYA. Yes, that's just what I said--spiritalism. Have you heard how well it went off last time, Theodore Ivánitch? (Laughs). There was knocks, and things flew about!

THEODORE IVÁNITCH. And how do you know?

TÁNYA. Miss Elizabeth told me.

[JACOB runs in with a tumbler of tea on a tray.

JACOB (to the PORTER). Good morning!

PORTER (disconsolately). Good morning!

[JACOB knocks at VASÍLY LEONÍDITCH'S door.

[GREGORY enters.

GREGORY. Give it here.

JACOB. You didn't bring back all yesterday's tumblers, nor the tray Vasíly Leoníditch had. And it's me that have to answer for them!

GREGORY. The tray is full of cigars.

JACOB. Well, put them somewhere else. It's me who's answerable for it.

GREGORY. I'll bring it back! I'll bring it back!

JACOB. Yes, so you say, but it is not where it ought to be. The other day, just as the tea had to be served, it was not to be found.

GREGORY. I'll bring it back, I tell you. What a fuss!

JACOB. It's easy for you to talk. Here am I serving tea for the third time, and now there's the lunch to get ready. One does nothing but rush about the livelong day. Is there any one in the house who has more to do than me? Yet they are never satisfied with me.

GREGORY. Dear me! Who could wish for any one more satisfactory? You're such a fine fellow!

TÁNYA. Nobody is good enough for you! You alone....

GREGORY (to TÁNYA). No one asked your opinion!

[Exit.

JACOB. Ah, well, I don't mind. Tatyána Márkovna, did the mistress say anything about yesterday?

TÁNYA. About the lamp, you mean?

JACOB. And how it managed to drop out of my hands, the Lord only knows! Just as I began rubbing it, and was going to take hold of it in another place, out it slips and goes all to pieces. It's just my luck! It's easy for that Gregory Miháylitch to talk--a single man like him! But when one has a family, one has to consider things: they have to be fed. I don't mind work.... So she didn't say anything? The Lord be thanked!... Oh, Theodore Ivánitch, have you one spoon or two?