The Complete Works of Stephen Crane (118 page)

“Crawford’s the hardest-ridin’ cavalryman in the army. An he don’t use up a horse, neither — much. They stay fresh when the others are most a-droppin’.”

“Finerty, will yeh moind that cow a yours?”

Amid a bustle of gossip and banter, the horses retained their air of solemn rumination, twisting their lower jaws from side to side and sometimes rubbing noses dreamfully.

Over in front of the barn three troopers sat talking comfortably. Their carbines were leaned against the wall. At their side and outlined in the black of the open door stood a sentry, his weapon resting in the hollow of his arm. Four horses, saddled and accoutred, were conferring with their heads close together. The four bridle reins were flung over a post.

Upon the calm green of the land, typical in every way of peace, the hues of war brought thither by the troops shone strangely. Mary, gazing curiously, did not feel that she was contemplating a familiar scene. It was no longer the home acres. The new blue, steel, and faded yellow thoroughly dominated the old green and brown. She could hear the voices of the men, and it seemed from their tone that they had camped there for years. Everything with them was usual. They had taken possession of the landscape in such a way that even the old marks appeared strange and formidable to the girl.

Mary had intended to go and tell the commander in blue that her mother did not wish his men to use the barn at all, but she paused when she heard him speak to the sergeant. She thought she perceived then that it mattered little to him what her mother wished, and that an objection by her or by anybody would be futile. She saw the soldiers conduct the prisoner in gray into the barn, and for a long time she watched the three chatting guards and the pondering sentry. Upon her mind in desolate weight was the recollection of the three men in the feed box.

It seemed to her that in a case of this description it was her duty to be a heroine. In all the stories she had read when at boarding school in Pennsylvania, the girl characters, confronted with such difficulties, invariably did hair breadth things. True, they were usually bent upon rescuing and recovering their lovers, and neither the calm man in gray nor any of the three in the feed box was lover of hers, but then a real heroine would not pause over this minor question. Plainly a heroine would take measures to rescue the four men. If she did not at least make the attempt, she would be false to those carefully constructed ideals which were the accumulation of years of dreaming.

But the situation puzzled her. There was the barn with only one door, and with four armed troopers in front of this door, one of them with his back to the rest of the world, engaged, no doubt, in a steadfast contemplation of the calm man and, incidentally, of the feed box. She knew, too, that even if she should open the kitchen door, three heads and perhaps four would turn casually in her direction. Their ears were real ears.

Heroines, she knew, conducted these matters with infinite precision and despatch. They severed the hero’s bonds, cried a dramatic sentence, and stood between him and his enemies until he had run far enough away. She saw well, however, that even should she achieve all things up to the point where she might take glorious stand between the escaping and the pursuers, those grim troopers in blue would not pause. They would run around her, make a circuit. One by one she saw the gorgeous contrivances and expedients of fiction fall before the plain, homely difficulties of this situation. They were of no service. Sadly, ruefully, she thought of the calm man and of the contents of the feed box.

The sum of her invention was that she could sally forth to the commander of the blue cavalry, and confessing to him that there were three of her friends and his enemies secreted in the feed box, pray him to let them depart unmolested. But she was beginning to believe the old graybeard to be a bear. It was hardly probable that he would give this plan his support. It was more probable that he and some of his men would at once descend upon the feed box and confiscate her three friends. The difficulty with her idea was that she could not learn its value without trying it, and then in case of failure it would be too late for remedies and other plans. She reflected that war made men very unreasonable.

All that she could do was to stand at the window and mournfully regard the barn. She admitted this to herself with a sense of deep humiliation. She was not, then, made of that fine stuff, that mental satin, which enabled some other beings to be of such mighty service to the distressed. She was defeated by a barn with one door, by four men with eight eyes and eight ears — trivialities that would not impede the real heroine.

The vivid white light of broad day began slowly to fade. Tones of gray came upon the fields, and the shadows were of lead. In this more sombre atmosphere the fires built by the troops down in the far end of the orchard grew more brilliant, becoming spots of crimson colour in the dark grove.

The girl heard a fretting voice from her mother’s room. “Mary!” She hastily obeyed the call. She perceived that she had quite forgotten her mother’s existence in this time of excitement.

The elder woman still lay upon the bed. Her face was flushed and perspiration stood amid new wrinkles upon her forehead. Weaving wild glances from side to side, she began to whimper. “Oh, I’m just sick — I’m just sick! Have those men gone yet? Have they gone?”

The girl smoothed a pillow carefully for her mother’s head. “No, ma. They’re here yet. But they haven’t hurt anything — it doesn’t seem. Will I get you something to eat?”

Her mother gestured her away with the impatience of the ill. “No — no — just don’t bother me. My head is splitting, and you know very well that nothing can be done for me when I get one of these spells. It’s trouble — that’s what makes them. When are those men going? Look here, don’t you go ‘way. You stick close to the house now.”

“I’ll stay right here,” said the girl. She sat in the gloom and listened to her mother’s incessant moaning. When she attempted to move, her mother cried out at her. When she desired to ask if she might try to alleviate the pain, she was interrupted shortly. Somehow her sitting in passive silence within hearing of this illness seemed to contribute to her mother’s relief. She assumed a posture of submission. Sometimes her mother projected questions concerning the local condition, and although she laboured to be graphic and at the same time soothing, unalarming, her form of reply was always displeasing to the sick woman, and brought forth ejaculations of angry impatience.

Eventually the woman slept in the manner of one worn from terrible labour. The girl went slowly and softly to the kitchen. When she looked from the window, she saw the four soldiers still at the barn door. In the west, the sky was yellow. Some tree trunks intersecting it appeared black as streaks of ink. Soldiers hovered in blue clouds about the bright splendour of the fires in the orchard. There were glimmers of steel.

The girl sat in the new gloom of the kitchen and watched. The soldiers lit a lantern and hung it in the barn. Its rays made the form of the sentry seem gigantic. Horses whinnied from the orchard. There was a low hum of human voices. Sometimes small detachments of troopers rode past the front of the house. The girl heard the abrupt calls of sentries. She fetched some food and ate it from her hand, standing by the window. She was so afraid that something would occur that she barely left her post for an instant.

A picture of the interior of the barn hung vividly in her mind. She recalled the knot-holes in the boards at the rear, but she admitted that the prisoners could not escape through them. She remembered some inadequacies of the roof, but these also counted for nothing. When confronting the problem, she felt her ambitions, her ideals tumbling headlong like cottages of straw.

Once she felt that she had decided to reconnoitre at any rate. It was night; the lantern at the barn and the camp fires made everything without their circle into masses of heavy mystic blackness. She took two steps toward the door. But there she paused. Innumerable possibilities of danger had assailed her mind. She returned to the window and stood wavering. At last, she went swiftly to the door, opened it, and slid noiselessly into the darkness.

For a moment she regarded the shadows. Down in the orchard the camp fires of the troops appeared precisely like a great painting, all in reds upon a black cloth. The voices of the troopers still hummed. The girl started slowly off in the opposite direction. Her eyes were fixed in a stare; she studied the darkness in front for a moment, before she ventured upon a forward step. Unconsciously, her throat was arranged for a sudden shrill scream. High in the tree branches she could hear the voice of the wind, a melody of the night, low and sad, the plaint of an endless, incommunicable sorrow. Her own distress, the plight of the men in gray — these near matters as well as all she had known or imagined of grief — everything was expressed in this soft mourning of the wind in the trees. At first she felt like weeping. This sound told her of human impotency and doom. Then later the trees and the wind breathed strength to her, sang of sacrifice, of dauntless effort, of hard carven faces that did not blanch when Duty came at midnight or at noon.

She turned often to scan the shadowy figures that moved from time to time in the light at the barn door. Once she trod upon a stick, and it flopped, crackling in the intolerable manner of all sticks. At this noise, however, the guards at the barn made no sign. Finally, she was where she could see the knot-holes in the rear of the structure gleaming like pieces of metal from the effect of the light within. Scarcely breathing in her excitement she glided close and applied an eye to a knothole. She had barely achieved one glance at the interior before she sprang back shuddering.

For the unconscious and cheerful sentry at the door was swearing away in flaming sentences, heaping one gorgeous oath upon another, making a conflagration of his description of his troop horse.

“Why,” he was declaring to the calm prisoner in gray, “you ain’t got a horse in your hull —— army that can run forty rod with that there little mar’!”

As in the outer darkness Mary cautiously returned to the knothole, the three guards in front suddenly called in low tones: “S-s-s-h!”

“Quit, Pete; here comes the lieutenant.” The sentry had apparently been about to resume his declamation, but at these warnings he suddenly posed in a soldierly manner.

A tall and lean officer with a smooth face entered the barn. The sentry saluted primly. The officer flashed a comprehensive glance about him. “Everything all right?”

“All right, sir.”

This officer had eyes like the points of stilettos. The lines from his nose to the corners of his mouth were deep and gave him a slightly disagreeable aspect, but somewhere in his face there was a quality of singular thoughtfulness, as of the absorbed student dealing in generalities, which was utterly in opposition to the rapacious keenness of the eyes which saw everything.

Suddenly he lifted a long finger and pointed. “What’s that?”

“That? That’s a feed box, I suppose.”

“What’s in it?”

“I don’t know. I — —”

“You ought to know,” said the officer sharply. He walked over to the feed box and flung up the lid. With a sweeping gesture, he reached down and scooped a handful of feed. “You ought to know what’s in everything when you have prisoners in your care,” he added, scowling.

During the time of this incident, the girl had nearly swooned. Her hands searched weakly over the boards for something to which to cling. With the pallor of the dying she had watched the downward sweep of the officer’s arm, which after all had only brought forth a handful of feed. The result was a stupefaction of her mind. She was astonished out of her senses at this spectacle of three large men metamorphosed into a handful of feed.

IV.