The Corpse Bridge (41 page)

But where would she go if she left Grosvenor Avenue? Well, that was yet another decision – one she wasn't equipped to make right now. She had far more important things to think about. Subjects that would dominate her thoughts, if she let them. Decisions that would change her life for ever.

Fry swore under her breath and turned up the fan to coax a bit more action out of the air con. When she first joined the police, back in Birmingham, she hadn't anticipated how much of her time would be spent sitting in cars. And always uncomfortably, too – wearing a uniform that didn't fit because it was designed for a man, strapped into a stab-proof vest that pinched her skin in awkward places because . . . well, because it was designed for a man.

And then, when she moved to CID, she'd been too excited to take in what everyone told her – that she'd spend just as much time in car. And when she wasn't in a car, she would be sitting at a desk, filling in forms, compiling case files, answering endless queries from the Crown Prosecution Service. Like so many other police officers, she lived for the moment when she got a chance to get out of the office. Well, maybe she had the answer to that. Perhaps she had a road trip coming up.

Recently, she'd been working hard to get back in physical condition, to regain all those skills that she'd learned under her old
Shotokan
master in Dudley. If you didn't train regularly, you lost those skills. But now her body was tuned and fit again. Her natural leanness was no longer taken as a sign of poor health. As for her mind . . . well, maybe there was still some work to do.

Then her phone rang. Though she'd been getting desperate for something to happen, Fry was actually irritated. She checked the caller ID and saw it was Ben Cooper. It had better be important.

‘Ben?'

‘She's dead, Diane.'

‘Who is?'

The connection was very bad. His voice was intermittent, crackly and fragmented like a message from outer space. Detective Constable Cooper calling from Planet Derbyshire.

‘The little girl. The paramedics tried to revive her, but she was dead.'

‘Ben, I have no idea what you're talking about.'

‘I tried, Diane. But she was already –'

‘You're breaking up badly. Where are you?'

‘Dovedale. It's –'

But then he was gone completely, his signal lost in some valley in the depths of the Peak District. Dovedale? She had an idea that it was way down in the south of the division, somewhere near Ashbourne.

Fry frowned. Just before Cooper was cut off, she thought she'd heard a siren somewhere in the background. She dialled his mobile number, got the unobtainable tone. She tried again, with the same result. No surprise there. So she used her radio to call the Control Room.

‘An incident in Dovedale. Have you got anything coming in?'

She listened as the call handler found the incident log and read her the details. There was no mention of DC Cooper, just a series of 999 calls recorded from the public at irregular intervals, probably as people got signals on their mobiles. Units were attending the scene, along with paramedics and ambulance. One casualty reported. She supposed it would all become clear in due course.

‘Thank you.'

When she thumbed the button again, she got Gavin Murfin's voice yelling for her.

‘Diane, where are you? He's on the move, on the move. Your direction. Repeat, your direction. Have you got a visual?'

‘What?'

Fry looked up and saw movement on the pavement a few yards ahead of her position. But it was only the old man coming back towards her, flat cap pulled over his eyes, dog lead in one hand, plastic carrier bag in the other. The dog dug its heels in and stopped to water a lamp post.

‘Nothing. Nothing in sight here.'

‘He's long gone,' said Murfin. ‘He was legging it. Didn't you see him?'

‘No.'

While his dog performed its business, the old man stood and stared at her defiantly like some ancient accusing angel.

‘Bloody Hell, Gavin,' said Fry. ‘We've lost him.'

F
OR THE PAST
half hour, Cooper had been listening to the yelp and wail. The modern tones of emergency response vehicles, howling up the dale one after another. The noises merged inside his head with an echo of the screaming. The noise still bounced off the sides of his skull in the same way it had rico-cheted among the caves and pinnacles of Dovedale.

He still didn't know who had screamed. Perhaps it was the mother. Or it might just have been some random bystander, reacting with horror to a glimpse of a body in the water. A small, white face. Long streams of blood, swirling in the current like eels . . .

‘Their name is Nield.'

The tall uniformed sergeant was called Wragg. Cooper remembered him vaguely, and thought he'd probably turned up at a couple of major incidents in E Division when he was still a PC. He was fairly recently promoted, and was based at Ashbourne section now. He was wearing a yellow high-vis jacket over his uniform, and had removed his cap to reveal close-cropped fair hair. He looked harassed, but it might just be the heat.

‘Local?' asked Cooper.

‘Yes, by some miracle. Among all these crowds, you'd think it'd be city people who suffered an incident like this. You know, the sort who've never actually seen a river before. Folk who don't think you can drown in water unless there's a sign telling you so.'

‘You've seen too many tourists.'

‘You got that right,' said Wragg. ‘I never want to catch duty on a bank holiday again, I can tell you. Do you know how long it took me to get my car through those jams? You won't be able to move down here later.'

‘That will be somebody else's headache.'

‘I wish.'

Cooper was leaning against Wragg's car. He had a clear view up the gorge towards the weirs, and beyond them, the pool where he'd pulled the body out of the water.

‘How old is she?' he said.

‘Eight.'

‘She's only eight years old?'

‘Yes.'

‘She was here with her parents. How the hell did it happen?'

‘They say their dog went into the water to fetch a stick. A golden retriever, it is. It seems the girl ran in after the dog. Only the dog came out.'

Cooper shook his head in despair. ‘Where are the parents now?'

‘Gone with her to hospital.'

‘They surely don't think she'll be revived. Do they?'

Wragg shaded his eyes with a hand as he watched some members of the public being shepherded away from the scene.

‘You don't give up in these circumstances,' he said. ‘That's the very last thing you do.'

Events had moved pretty quickly once the girl's body had been recovered from the water. Cooper had carried her to the bank and laid her on the grass. Then a woman had come forward from the crowd of bystanders, saying she was a nurse. Cooper had handed over resuscitation efforts to her, and she kept it going until the fast-response paramedic arrived, closely followed by the ambulance and Sergeant Wragg and his colleagues from the Ashbourne section station.

‘We'll need a statement from you, of course,' said Wragg.

‘But it will do later. We're trying to catch as many witnesses as we can among the public before they disappear.'

‘Of course.'

‘But there doesn't seem any doubt it was an accidental drowning.'

‘There was blood, though,' said Cooper. ‘Blood in the water. She had an injury on her head.'

‘She probably fell and hit her head on a stone. That would explain why she drowned in such a shallow depth.'

‘“Probably“?'

‘There's hardly going to be any trace evidence,' said Wragg irritably. ‘The stone is somewhere out there being washed by thousands of gallons of water every second. We'll see what eye-witness statements say, but I think you'll find that's it.'

‘Yes, all right.'

There had been no blood on the girl when he'd picked her up. But Cooper remembered seeing the wound now, an abrasion and broken skin on her forehead. The toughest thing he'd ever done was putting that body down, handing the little girl over to someone else. It felt like abandoning her to her fate. For some ridiculous reason, his instinct had been telling him he was the only person who could save her.

It was strange what your mind could do in a crisis. Sometimes, the rational part of your brain cut out altogether and you acted entirely on instinct, with no conscious thought involved. But occasionally your mind presented you with odd flashes of information that didn't even seem to be relevant at the time.

Right now, Cooper was remembering images from the last hour or so. Paler rocks under the surface, streams of blood swirling in the current like eels. Jagged limestone spires at crazy angles. A dead, white face with floating hair. And a man with his hands raised, water dripping from his fingers.

‘Anyway, the Nield family . . .' said Wragg, consulting his notebook. ‘Father is a supermarket manager in Ashbourne. Mum is a teacher. There's a boy, about thirteen years old, name of Alex. They're all in a state of shock, as you can imagine.'

‘And the girl?' said Cooper.

‘What?'

‘The girl. You haven't mentioned her name. She must have a name.'

Wragg looked taken aback.

‘Of course. Her name is Emily – Emily Nield. She's eight years old.'

‘Thank you,' said Cooper. ‘That's what I wanted to know.'

He was aware of the noise of tourist cars rattling over the cattle grids out of Dovedale. Streams of scree had spilled from Thorpe Cloud like ash from a small volcano, slithering slowly towards the valley bottom. Two spaniels splashed in the water, scattering the mallards.

Many visitors were still clustered on the smooth, green slopes of the lower dale, where the limestone grassland had been grazed short by rabbits and sheep. Some were making their way down to the car park from the slopes of the dale, where they'd been exploring the woods or the limestone pinnacles and caves.

Suddenly, Cooper pushed himself away from the car.

‘Just a minute.'

‘Where are you going?' asked Wragg.

But Cooper didn't bother answering. He ran over to the car park and began to dodge between the groups of people, searching for a face. Some of them stared at him as if he was mad. But he was sure he'd seen someone he recognized. It was just a glimpse, a face half turned away in shadow, but the angle of a cheek and the tilt of a head were distinctive. It was a face he remembered for a reason, one that should mean something important.

He stopped two women getting into their Land Rover Discovery.

‘Excuse me, did you happen to see . . . ?'

But he didn't know what he wanted to ask them, and they hurriedly slammed their doors, fearing that he was some lunatic.

Cooper stopped, shaking his head. Maybe he
was
mad. But that face had been important, if only he could pin down its meaning.

Frustrated, he walked slowly back to the police vehicles. The River Dove was returning to its normal state after the excitement. Small brown birds with white bibs hopped from stones and plunged into the water after food. Dippers, they were called. It was said that crayfish and freshwater shrimps lived in this river. The water gave life to so many creatures. But it could take life away, too.

‘DC Cooper, are you okay?' asked Wragg.

‘Yes. Why wouldn't I be?'

‘You're shivering.'

‘Oh, I'm just cold.'

Wragg stared at him with a baffled expression. He wiped the sweat from his own face with a handkerchief and squinted up at the glaring sun.

‘Oh, yeah. Chilly day, isn't it?'

Cooper didn't reply. He couldn't tell Wragg what he really felt. It sounded too ridiculous. But right now, he felt chilled to the bone.

STEPHEN BOOTH
was born in the Lancashire mill town of Burnley and has remained rooted to the Pennines during his career as a newspaper journalist. He is well known as a breeder of Toggenburg goats and includes among his other interests folkore, the Internet, and walking in the hills of the Peak District, in which his crime novels are set. He lives with his wife, Lesley, in a former Georgian dower house in Nottinghamshire.

www.stephen-booth.com

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Fiction

Black Dog

Dancing With the Virgins

Blood on the Tongue

Blind to the Bones

One Last Breath

Scared to Live

Dying to Sin

The Kill Call

The Dead Place

Lost River

The Devil's Edge

Dead and Buried

Already Dead

This is a work of fiction. Names, characters, places, and incidents are products of the author's imagination or are used fictitiously and are not to be construed as real. Any resemblance to actual events, locales, organizations, or persons, living or dead, is entirely coincidental.

This book was originally published in 2014 by Sphere, an Imprint of Little, Brown Book Group.

Excerpt from
Lost River
copyright © 2010 by Stephen Booth.

THE CORPSE BRIDGE
. Copyright © 2014 by Stephen Booth. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereafter invented, without the express written permission of HarperCollins e-books.