When she arrived at the clinic Frau Krebs admitted her, ordering Lili into one of the clinic’s white gowns that tied around the waist with a cabled cord.
Frau Krebs, whose face was rosy with blooms of burst capillaries, led Lili to the room at the back of the clinic where she would rest for the week. There was a bed with a steel-pipe footrest. Frau Krebs pulled back the window’s yellow curtain. The room looked out over a little park sloping down to a field at the edge of the Elbe. The river was steely blue in winter, and Lili could see sailors on the deck of a freighter huddling in their coats. “You’ll be happy here,” Frau Krebs said. There were shifting clouds in the sky, and one pulled away from the others, and a hole opened up. A column of light fell upon the Elbe, hammering a circle of water in front of the freighter as gold as the necklace around Lili’s throat.
Frau Krebs cleared her throat. “Professor Bolk told me you’d be coming,” she said. “But he failed to give me your name. So typical of him.”
“It’s Lili.”
“Lili what?”
And outside another cloud shifted, opening a larger pale-blue hole in the sky, and the river brightened and the sailors in their coats looked heavenward, and Lili thought and held her breath and then said, “Elbe. Lili Elbe.”
That afternoon she went downstairs to take her tea in the
Wintergarten
. She found a metal chair off by itself, and soon Lili felt the sun on her face through the glass. The day had opened up, and now the sky was blue. The sun had warmed the solarium enough to fill the air with the showery smell of the curling-arm ferns and the ivy climbing strings tacked to the walls. The
Wintergarten
looked down to the Elbe, and the wind that had swept away all the clouds was whitecapping the river. The whitecaps reminded Lili of the Kattegat in Denmark, and the paintings that Einar had done of the winter sea. Years ago, Lili used to sit in the rope-bottom chair in the Widow House and stare at Einar’s paintings; she would look at them with a sense of detachment, as if they had been painted by an ancestor of whom she was vaguely proud.
During that week, Lili slept late in the mornings; it was as if the more rest she got, the more tired she became. In the afternoons she’d take her tea and torte in the
Wintergarten
. She would sit there in the metal chair, her teacup balanced on her knee, nodding shyly at the other girls who came down for gossip. Occasionally one of them would laugh so loudly that she would draw Lili’s eye: a circle of girls, young girls, with longish hair and healthy throats, each swelling at her own pace beneath the regulation gown with the cabled cord-belt. Most of the residents were at the clinic for that reason, Lili knew; and out of the corner of her eye she would watch them not with scorn or pity but with interest and longing, for the girls all seemed to know one another and none of them—from the way their high-pitched laughs would shoot around the
Wintergarten
at such a force that Lili thought for sure those silver-ball peals would shatter the glass walls—seemed to care in the least that they were living in the Dresden Municipal Women’s Clinic for the next several months. The clinic seemed like a society, one that had not yet inducted her. Maybe one day, she told herself, feeling the sun on her knees and on her wrists, which she overturned so that the undersides could feel the warmth that had begun to seep into the rest of her.
She knew that Professor Bolk wanted her to gain weight. Frau Krebs would bring her a dish of rice pudding in the afternoons, thoughtfully hiding an almond in it in the Danish way. The first time Lili spooned the clumpy pudding into her mouth and tasted the hard, ribbed seed of the almond, she lifted her eyes and said, in Danish, forgetting where she was,
“Tak, tak.”
On her third day at the clinic, Lili was sitting in the
Wintergarten
when she noticed the green shoots of crocuses on the other side of the glass wall. They were bright and trough-shaped, and they were huddling in the breeze. They looked bold against the patchy brown lawn, which Lili imagined unfurling into a carpet of green over the next several weeks. The river was flowing the color of oil today, the current slow and carrying a low-sitting freighter whose deck was covered by black tarps pulled tightly with rope.
“Do you think spring will come early?”
“I’m sorry?” Lili said.
“I noticed you were looking at the crocuses.” A girl had somehow taken the metal chair next to Lili, pulling it at an angle so that they could look at each other across the white cast-iron table.
“They seem early to me,” Lili said.
“It’s what I would expect for this year,” said the girl, whose woody blond hair fell past her shoulders, whose nose turned up at the end. Her name would turn out to be Ursula, an orphan from Berlin, not yet twenty and landed in Dresden because of the simplest of mistakes. “I thought I loved him,” she would later say.
The day after they met, the sun was even stronger. Lili and Ursula, wrapped in roll-neck sweaters and fur hats with ear flaps borrowed from Frau Krebs, headed into the park. They walked down the path that led through the field of crocus shoots, which had now spread like a rash. Out there, overlooking the Elbe, in a breeze that was more ferocious than Lili could ever have guessed from inside the
Wintergarten,
Ursula asked, “And you, Lili? Why are you here?”
Lili thought about the question, biting her lip and burying her wrists inside her sleeves, and finally said, “I’m ill inside.”
Ursula, whose mouth naturally pouted up, said, “I see.”
From then on the two girls took their tea and torte together each afternoon. They would choose chocolates from one of the many boxes Ursula had smuggled out of her last place of employment. “It’s these chocolates that caused all my trouble,” Ursula said, holding up one shaped like a seashell and then pushing it into her mouth. Ursula told Lili about the chocolate shop on Unter den Linden where she had worked, where the richest men in Berlin hurried in at lunch or at five o’clock, their topcoats hanging over their arms, to buy three-layered boxes of chocolates wrapped in gold foil, the packages tied up in a satin ribbon. “You probably think it was one of them who I loved,” Ursula told Lili, setting her teacup into its saucer. “But it wasn’t. It was the mixing boy in the back, the boy who dumped the sacks of walnuts and the tubs of butter and the buckets of milk and the ground cocoa beans into the vats.” Vats big enough for two young lovers to curl up into. His name was Jochen, and he had freckles from head to toe. He was from Cottbus, near the Polish border, in Berlin to make his fortune but now indentured to the stainless-steel vats and the mixing arm whose blade, were he not careful, could catch his bony hand and turn it around a hundred times in less than a minute. It was four months before Ursula and Jochen spoke, the girls in front in their pink button-up uniforms forbidden to speak to the mixers in the back, where the air was hot and smelled of sweat and bittersweet chocolate and filled with language that mostly revolved around the private parts of the girls stationed behind the glass cases at the front of the shop. Then one day Ursula had to go into the back to ask when the next batch of nougat would emerge, and Jochen, who was then just seventeen, pushed his cap back on his head and said, “No more nougat today. Tell the jerk to go home and apologize to his wife instead.” That was when Ursula’s heart filled up.
The rest Lili could imagine: the first kiss in the back room; the gentle tumble into the bowl of the stainless-steel vat; the passion in the middle of the night when the chocolate house lay still, when all the mixing arms hung motionless; the sobs of love.
How very sad, Lili thought, sitting in her metal chair as the afternoon sun hit the Elbe. In five fast days she and Ursula had become friends. And despite Ursula’s current predicament, Lili longed for something similar to happen to her. Yes, she told herself. It will be like that with me: instant love; helpless, regrettable passion.
The next morning Professor Bolk appeared in the door of her room. “Please don’t eat anything today,” he said. “Not even cream with your tea. Nothing at all.” Then he added, “Tomorrow’s the day.”
“Are you sure?” Lili asked. “You won’t change your mind?”
“The amphitheater is scheduled. The nurses’ shifts have been assigned. You’ve gained some weight. Yes, I’m sure. Tomorrow is your day, Lili.” Then he was gone.
She went to breakfast in the hall with the arched windows and the pine-plank floor and the side table laid with plates of rolled meats and baskets of caraway-seed rolls and an urn of coffee. Lili took her coffee to a table in the corner and sat alone. She ran a butter knife under the seal of a tissuey blue envelope and opened a letter from Greta.
Dear Lili,
I wonder how you’re liking Dresden? And Professor Bolk, whom I assume you have met by now. His reputation is very impressive. He is nearly famous, and maybe after all of this he most certainly will be.
No real news from Paris. My work has slowed down since you left. You are the perfect subject to paint, and when you’re gone it is difficult to find anyone quite as beautiful. Hans visited yesterday. He’s worried about the art market. He says the money is drying up, not just here but all over Europe. But that doesn’t concern me. It never has, but you know that. I told him this, and he said it was easy for me to say because between Einar and me we would always have something to sell. I’m not sure why he said this, but I suppose it would be true if Einar still painted. Lili, have you ever thought of painting? Maybe you could buy yourself a little tin of watercolors and a sketch pad to help pass the time, which must move slowly there. Despite what they say, Dresden isn’t Paris, I am sure.
I hope you are comfortable. That’s what worries me the most. I wish you had let me come with you but I understand. Some things you must do alone. Lili, don’t you just sometimes stop and think about what it will be like when it’s all over? The freedom! That’s how I think of it. Is that how you think of it? I hope so. I hope you think of it that way because that is what it should feel like to you. It does to me, at least.
Send word as soon as you can. Edvard IV and I miss you terribly. He’s sleeping on your daybed. Me, I’m hardly sleeping at all.
If you want me, just send word. I can arrive overnight.
With love,
Greta
Lili thought of her life in the casita: Einar’s former workroom, tidy and untouched; the morning light that poured into Greta’s studio; the ottoman quilted with velvet and dented beneath the handsome weight of Carlisle; Greta in her smock, hardened with a dozen smears of paint, her hair running like icewater down her back; Hans honking his horn from the streets below, calling Lili’s name. Lili wanted to go back, but that would have been impossible now.
In the afternoon she met Ursula again, who was red in the cheek from running down the stairs. “There’s a letter from him!” she said, waving an envelope. “It’s from Jochen.”
“How’d he know where to find you?”
“I wrote him. I couldn’t help it, Lili. I broke down and wrote him and told him how much I loved him and it wasn’t too late.” Her hair was pulled into a tail, and she looked even younger today, with cheeks that were full and dimpled twice. “What do you think he wants to say?”
“Find out,” said Lili. Ursula opened the envelope and her eyes began to move across the letter. Her smile started to fall almost imperceptibly, and by the time she turned over the page her mouth was a tight little frown. Then she ran the back of her hand beneath her nose and said, “He might come to visit me. If he can save enough money and get time off from the chocolate shop.”
“Do you want him to come?”
“I suppose so.” And then, “I mustn’t get my hopes up, though. It might be hard for him to get the time off from the shop. But he says he’ll come if he has the time.”
They said nothing for several minutes. Then Ursula cleared her throat. “I understand there’s going to be an operation.”
Lili said yes; she picked at the lint in her lap.
“What are they going to do to you? Are you going to be all right? Will you be just the same when they’re through?”
“I’ll be better,” Lili said. “Professor Bolk is going to make me better.”
“Oh, creepy old Bolk. I hope he doesn’t do anything wrong to you. Bolk the Blade—that’s what they call him, you know. Always ready to open a girl up with his knife.”
For a second Lili became frightened.
“I’m sorry,” Ursula said. “I didn’t mean anything by that. You know how girls can talk. They don’t know anything.”
“It’s all right,” Lili said.
Later, in her room, Lili prepared for bed. Frau Krebs had given her a small chalky pill. “To help you sleep,” Frau Krebs had said, biting her lip. And Lili washed her face at the sink with the rose-colored washcloth. The makeup—the muted orange of her powder, the pink of her lipstick, the brown of the wax she used on her eyebrows—ran down the sink with the water. When she would hold the eyebrow pencil with the waxy tip, her fingers poised to draw, a strange feeling would fill her chest, as if she were reliving something. Einar had been an artist, and she wondered if that feeling, the tight flutter just beneath the ribs, was what he experienced as the slick tip of his brush moved into the rough blank expanse of a new canvas. Lili shuddered, and a taste of something not unlike regret rose in her throat, and she had to swallow hard to hold down the sleeping pill.
The next morning she felt dreamy and dull. A knock on the door. A nurse with upturned hair shifting Lili out from beneath the sheets. A transporting ambulance, smelling like alcohol and steel, waiting at the side of her bed to take her away. The distant sight of Professor Bolk’s face, asking, “Is she all right? Let’s make sure she’s all right.” But not much else registered with Lili. She knew it was still early, and she was wheeled down the hall of the clinic before the sun lifted over the rape fields east of Dresden; she knew the swinging doors with the porthole windows closed on her before the dawn light hit the cornerstones of the Brühlsche Terrace, where she had looked out over the Elbe and the city and all of Europe and where she had convinced herself she would never again look back.