The Daredevils (17 page)

“If he's everything they say he is,” said Farnsworth reasonably and calmly, “then the last thing I should do is leave him alone.” He refocused on Charles. “Are you everything they say you are?”

“I don't know,” Charles said. “I'm afraid that's just another question I can't answer, much as I'd like to.” Succumbing to the guilty pleasure of sarcasm, he added that he'd thought it was understood that he was someone else entirely. Farnsworth ignored him—he was already too goddamned oblique—but the woman fixed him momentarily. Her gaze was like a vise.

She said, in a sweet and gentle voice: “If you are everything they say you are, if you're William Minot's son, if you're ‘the American' everybody's talking about, then I think you would be concerned very deeply indeed with the Preparedness Day Parade and what may or may not happen on that day and to whom.”

“Well!” Charles exclaimed, “for starters, excuse me, ma'am, I guess I'll have to say I'm not everything they say I am. It's true I am William Minot's son, but it's also true that if he learned I was talking to a socialist he'd send me to my room without supper.”

Surprisingly, Farnsworth laughed heartily at the notion, as did Owner and the tall, fair man.

“And ‘the American' is a role I play onstage. I don't know what the hell it has to do with anything you're talking about. Unless it's money you want.”

“Fuck your money,” said Farnsworth with a frightening turn of humor.

“Look here, old man,” said Charles with an all-purpose British accent.

“No,
you
look, sonny boy.”

“I'm here to see my friends and you are not one of them and that's it.”

Owner inserted himself between Charles and Farnsworth, actually put his arm around Charles's shoulder, and steered him a step or two toward
another room. “Vera is here,” he said. He was gesturing around like he was a pimp. In apology or at least recognition that his sudden, if masked, truculence might have been inappropriate, Charles nodded at the woman who still held Farnsworth's arm. She begged his pardon and introduced herself as Minnie, Minnie Moody. She said she gave piano lessons, and that no working life ought to be without music. Surely as gifted a singer as Charles Minot would agree.

“Oh yes!” she cried, “I remember!”

Charles nodded respectfully at her and said he was pleased to meet her and that he couldn't agree more with the idea that music should be a part of every person's life. She said she had had a ticket to hear him and Mrs. Minot sing Pergolesi the night before the earthquake.

Charles stared at her, genuinely amazed.

Farnsworth looked like he might boil over again, and she moved him away. Charles eased his way through another thick crowd, making for the center of the room. A dozen chairs were arranged in a circle and he could see the faces of perhaps nine of the people sitting in those chairs, as well as the faces of the people standing behind the chairs, hanging over them like drooping flowers. The chair nearest had a very high back and concealed whoever was sitting in it completely.

The discussion was of the war and fears not just of the entry of the United States into it, which was assured now, but of conscription. Charles had a very simple belief about wars, about fighting: every culture he knew of venerated its warriors and applauded the skill and bravery of those warriors in battle. They accorded them great respect and furnished them with medals or other insignia to distinguish them from those who had not fought. He wanted to believe that he was intelligent and strong and brave, that he was, despite his metaphysics, the leader of men Father insisted he was or could be—or could have been—something along the lines of Prince Hal—that when the skies trembled and the caves were not safe and people could see and hear and feel unmediated the wrath of God, he would stand firm because the wrath of God was
so amusing
to him, and consequently was determined
to go to war—he really couldn't imagine the alternative (though one indeed had been bandied about to the point where it seemed a certainty, one that would keep him stateside) war was every bit the natural disaster that an earthquake was, the force of evil in human nature just another kind of trade wind or ocean current—so he listened to this discussion with something like aggrieved confusion. Because he had been taught to keep an open mind and nurture a reflexive sympathy for Christian Americans, he was able to listen through the murmur of his misunderstanding, and came to think toward the close of it that he could certainly forgive a poor man for not wanting to fight and likely die for the welfare of rich men, and could understand as well the general argument of the radicals—that the working people of the world had no quarrel with each other—but felt even more strongly that he himself was of a class, or a caste within a class, of honest, principled, capable men who were utterly depended upon by their fellow citizens to fight the dishonest and unprincipled tyrant when that tyrant moved to subjugate his neighbors. Stirred by the conversation with Warren Farnsworth and Minnie Moody, his blood not boiling but as nearly so as he ever allowed it, he would have spoken had not the woman sitting concealed in the chair stood and revealed herself.

It was Vera. She came around her chair and people in the way moved obligingly. Standing in front of Charles, revealing a possibly true self at last, she extended her hand, and he took it. Her face, in repose, in that moment of repose, was half-mad, one of those faces that when split down the middle and the halves viewed separately, suggests two different people. How had he not seen it before, in all his deep probings in rehearsal? But she had only to smile, brightening the dark features of her face and the whole room with it, to banish this superimposition of schizophrenia and confirm that he really did know her, and she him.

“First, allow me to congratulate you on behalf of everybody here,” said Vera K., in a perfect imitation of a fashionable society hostess, warm but even, “on the splendid job you are doing in
The American
.”

“Thank you,” responded Charles, naturally picking up the same tone. “I don't know how I could be doing it without you!”

Everybody laughed heartily.

“No one is clear on what makes a good job a good job when it's that kind of work you're doing—all right, that
we
are doing—but we all agree you do well.”

“Thank you,” Charles repeated, this time with more feeling, but with a great deal of doubt as well, centering mainly on who “we” was.

“Nor do we understand what we're supposed to
do about it
.”

“I'm sorry,” Charles said, doubt metastasizing, “I'm afraid I don't understand what you don't understand. Given that you are so intimately involved. Is this some kind of inquisition? Have I been set up?”

“Some of us—if you will allow me to be frank and revealing and come swiftly to my point? Thank you. Some of us feel we ought to tar and feather you.”

“I see!” Charles said. “Yes. Now I understand you.”

“Maybe that strikes you as simpleminded of us.”

“Not at all. I'm glad you could tell me so straightforwardly. I would never have come had I known, but having come, I am very grateful that you could tell me as quickly and succinctly as you have. Really, I am. Very grateful indeed.”

“How very charming of you to be so sympathetic to our really helpless reactions to your play. Because we were helpless. We were just like children. It wasn't until the illusion had faded that we were able to realize just how much we hated you.”

“Ah, but if it's hate you feel, then you really
must
excuse me.”

“If we could excuse you, we wouldn't hate you!” This was said clearly in an attempt to delay his departure, and Vera continued in different vein. “There's been a great deal of talk about you. Speculation is running high. Our expectations are consequently exaggerated, and our eloquence fails us just when we would like most to compose a little sinfonietta of clever conversation for you.”

This was such a polite and formal speech that he had to bow. When he straightened he said that he was sure he wasn't worth all the trouble.

“Whether you're worth it or not, or whether you think you're worth it or not, the trouble is being taken.” Vera returned to her seat but did not sit down. “Do you see? What you think of yourself doesn't matter. Nor do polite demurrals.” She seemed to be trying to be helpful rather than hurtful. Her dark eyes were impossibly large as she studied him, goofily big, and one of them seemed to be canted slightly away, so that the most imperceptible movement, the most minute readjustment of focus, seemed loaded with danger and meaning.

“Jules insists you're not at all like ‘the American.'”

“Whoever Jules is, I'm flattered that he paid enough attention to me to gather the raw materials necessary to form even a superficial opinion.”

Owner identified himself as Jules, and extended his hand. Charles took it and shook it and smiled at him in just the way his brothers had parodied him years before, confirming whomever in the continuing belief that they were friends putting on not only a polite show but an important one of formal salon manners. And of course they were, but that was not all that they were doing.

“Now you're flattered! What next, Mr. Minot! Raw materials . . .!”

“I admit I overextended myself there. That kind of talk might pass in the debating hall, but has a hollow ring, I hear it quite distinctly, here with the radical set.” Charles was angry now, and had become so without actually knowing that it was happening. Vera and he were at the very least friends. There was no call to play him publicly like she was. Or was there? What was the point? Why was she working so hard to appear to hold me in contempt? “You are more amenable to fire-breathing and the violent homilies of failed tradesmen.”

“Let me just ask you this: what is it that you were doing up there on the stage that makes you ‘the American,' and why was everybody going nuts as they watched you do it?”

“First off, I am not ‘the American.'”

“You're not?”

“You're being ridiculously disingenuous, Vera.”

“Well, who the hell are you then?”

“Charles Minot.”

“Who becomes somebody or something eight times a week called ‘the American,' but who cannot or will not, for undisclosed reasons that nevertheless make him look like either a stooge or chicken, own up to it and tell us what we're supposed to make of all the whistling and cheering and boot-stomping and flower-throwing he so easily and naturally elicits when he
is
‘the American' he insists he is
not
!”

“You are pretending to be a simpleton, Vera, just to get my goat and perhaps the applause of this audience here around us. Now are you or are you not a simpleton?”

“What are the consequences of my deceit, Mr. Minot?”

Charles laughed, hoping that Vera might too, but she did not.

“I suppose,” he said, “you get my goat and the applause of your friends!”

“And the consequences of your deceit, Mr. Minot?”

“It's not deceit, Vera.”

“It looks very much like deceit!”

“Yes, but there's a long history of people of goodwill, like us, all over the world agreeing that it's not.”

“Excellent: What is the consequence of this deceit that the world has decided is not deceit? Surely it has a consequence no matter what we call it . . .?”

“Surely.” Charles smiled.

While he was smiling, Vera told him that the consequence of his deceitful display of American character would be to help spur the country into the war, that he was part of a propaganda machine, a mouthpiece, a puppet, and when everybody was done cheering, a million Americans would have joined the ten million dead Englishmen and Germans and Frenchmen.

Charles, strangely, continued to smile. He said he was doing no such thing, and that the only person he was encouraging to go to war was himself. Even more strangely, Vera broke into a grin. She demanded to know who was being disingenuous now. She seemed on the verge of flirtatiousness.

“I'm not responsible for the fucking crowd,” Charles said, taking himself completely by surprise with the vulgarity. Had her sudden and shocking smile elicited this roguishness? Had he only just remembered that he was amongst safecrackers? He continued with an air of having learned something the hard way. “The audience gets the show they want. And if they don't get it, they get what they deserve. What I want and what I deserve just don't figure. What
you
want and what
you
deserve are different concerns, you incredibly deceitful and hypocritical woman!”

The dense formation of the people in the room shifted in some small way, and Charles, feeling the movement, looked away from Vera to see Sir Edwin standing next to Jules the Owner. They were standing side by side, two dark men with flamboyant moustaches and luminous eyes, who could have been taken for brothers. Sir Edwin made a face of great disdain and said that the actor was a lightning rod and nothing more. If he was a good one, he might conduct violent force from the heavens for many years, but if a bad one, if there was some small fault in him, he would be burned to death at the first strike.

And Jules said, “He's an ordinary kid. He's one of us, or he could pass, even if he is filthy stinking rich. That's what I told you, Vera, from the very first, and I know you know it's true.”

Charles affirmed that it was true: he was an ordinary kid. He believed nothing of the kind, but this seemed an appropriate falsehood.

“Just stupefyingly rich,” Vera reminded him.

“Yes,” he said evenly, “that's right. Here we are back at money! How surprising! How refreshing!”

“Whose daddy thinks he will be
pwezzydent
some day!”

“I'm sorry: thinks I will be what?”