The Dark Bride (30 page)

“Even then the tension was noticeable?” I ask Brasco.

“Yes, it was noticeable; don't ask me how I knew, but it was evident. At that point I didn't know that a woman was the cause, so I imagined all sorts of things, like they had different ideas about what to do with me. Believe me, when you are in the gallows you get very paranoid. . . . Had I suspected that the trouble was over a woman, I would have been a little calmer.”

At some point Brasco told them he really needed to urinate.

“That, you're not going to be able to do,” responded one of the drunks after studying him for a minute. “We can't untie your hands and we're not in the mood to grab hold of your thing. Everyone assembled here is too macho for that. Ask for something else, water, a cigarette, anything, and we'll be happy to help you out, but there's no solution for that other little problem.”

“It's urgent,” insisted Frank Brasco. “Don't make me go through the shame of wetting my pants. Payanés, please, untie my hands.”

“I will untie them,” decided Payanés, and he also released his neck from the noose. “But,
míster
Brasco, don't you try to escape.”

“It's a deal,” promised Brasco. Once free he attended to his needs behind the door, then asked permission to rest a little. “I've been standing for too long,” he said, as he sat down on the ground, and his guardians didn't say a word.

“Okay, back to your position,
míster
. If Caranchas comes in here and finds us like this, cuddling on the floor like brothers taking a siesta, he'll shoot us all,” said Payanés after a good while, and Brasco heeded him.

As if a premonition had driven Payanés, barely two seconds later Caranchas returned. He was soaked with sweat, gasping as if he had been running, and frowning as if he had a toothache.

“Your compatriots have abandoned you,
míster
Questions,” Caranchas blurted out. “They say they don't negotiate or compromise, and they won't be blackmailed on account of your kidnapping. They say you could never be trusted and that you're probably our accomplice. They also say that for some time they've been warning you and despite that you got mixed up in this and dug your grave with your own hands.”

“That's not true; I don't believe you, Caranchas. I don't believe they're saying that.”

“If it's not true, then why don't they withdraw the troops? There they are, three hundred yards away, aiming their guns at us from the fence, and any minute now they're going to come in and seize the camp. You're not worth shit to us,
míster
Tell-me-why,” shouted Caranchas, more disillusioned than angry. “We were wrong about you. Anyway, we're not letting the troops in, even if we have to blow up the camp to keep them out.”

“The man spoke with such disenchantment,” Brasco tells me, the snow glistening on his shovel in the Vermont air as he throws it aside, “I would have sworn that the next thing he was going to do was kick the oil drum out from under me to put an end to the comedy of errors. But he didn't do it. He simply left and I just stood there, with the rope around my neck, suddenly very tired and horribly confused.”

Then Payanés said he would go out to verify what Caranchas had said about the closeness of the troops and he came back in a few minutes to confirm that it was true.

“Groups of workers are arming themselves with sticks, bars, and rocks, and they're getting ready to mount resistance,” he reported, then he showed us the ground coffee beans that he was holding in his hand and a pair of tin cans for preparing it. He built a fire on the other side of the door, boiled some water, threw the coffee in, and then he poured it from one can to the other, filtering it through the cloth of his shirt. He approached Brasco with the steaming liquid, whose hands were still tied, and held it as the American drank, sip by sip, blowing on it first so he wouldn't burn his mouth.

“But tell me why,” Brasco murmured, “why do things have to end up like this . . . ?”

“Drink your coffee and don't ask us questions,
míster
gringo,” Payanés advised, “because we can't answer them.”

“So what do we do now?” asked Sacramento worriedly.

“Now we lock Sor Juana Inés in her cell so she can please herself,” answered Payanés, who for a while now had been mulling over the secrets that Pajabrava had said about the nuns.

“I'm serious. I wish I could find old Lino el Titi to ask him what we should do!”

“If there's a strike, we have to support it,” mumbled one of the drunks.

“Of course, you idiot, but how? On one side we have Lino el Titi and his men, on another we have Caranchas and his men, and on yet another we have drunks like you. And you're all proposing different things.”

“Let's arm ourselves with sticks and go out to see who confronts us,” said another man, more drunk than the first, and then he fell asleep, conquered by the
guarapo
. His two friends stood up and went out to participate in the melee.

“A single shot would have been enough to ignite the wells and engulf the whole camp in flames,” Brasco says to me, “and lacking faith I gave myself up to Mohán, Patasola, Luz-de-la-Ciénaga, and to all those ghosts they had been telling me about. If they can't save us, I thought, no one can.”

“Let's loosen that rope necktie,
míster
interrogator, we're leaving,” Payanés suddenly said to him, removing the noose from around his neck and untying his hands. “You too, Sacramento.”

“What for?” asked Sacramento. “I'm not moving until Lino el Titi gives me orders.”

“We're going to defend Emilia until Titi comes and tells us what to do. We're not going to let anyone hurt her, no matter what side they're from. If they get too close, it will have to be over our dead bodies.”

Outside, night had already fallen, the world spun black, and in it reigned a chaos heavy with foreboding. The great rice uprising had just begun.

Night was falling so softly that part of its darkness melted into foam before settling. Sitting in rocking chairs, the women chatted on the patio while upon their heads, shoulders, and laps soft black flakes fell, piling up until they were completely covered. Tana warded off melancholy with the false luxury of her fake jewels. Olguita, always looking for someone to protect, was knitting a scarf for a night watchman, a lover of hers, who coughed because of the damp night air. Sayonara soared far away as she braided and unbraided her lustrous mane, dominating God knows what anxieties in that incessant doing and undoing. Ana and Susana searched for the three bright stars that formed Orion's belt. Sitting at her older sister's feet, little Chuza lined up a long row of pebbles on the ground. Todos los Santos served
mistela
in delicate pink cups. And Machuca fanned herself with the lid of a pot while she told a story from centuries earlier that half intrigued them, half annoyed them, because according to her, it involved real facts about pagan whoring.

The story took place, as Olga remembered it, in a lost, nameless country where all women, regardless of rank or age, had to go once during their lives to the temple of the goddess to give themselves to the first stranger who solicited their love, without denying anyone. They would adorn their heads with garlands of gauze and daisies and offer themselves in honor of the deity. The men, in turn, were to circulate there, also willing to give themselves to any woman for that one time. There were rich women dressed in brocades and attended by servants, beggars covered with rags, beautiful young women who were quickly chosen and could then return home free of the commitment, and ugly women that no man looked at and who had to remain there for two or three years, sitting among the multitudes that filled the temple, before they were able to fulfill their obligation. And there were as many handsome men who were pleasing to the chosen woman as there were deformed or sick men who filled her with horror.

The women of La Catunga listened to all of this openmouthed and confused, and when Machuca finished her story a silence so great fell upon the patio that you could hear, almost, the frozen humming of the three stars adorning Orion's belt.

“That is the strangest story you've ever told us.” Todos los Santos's voice emerged from the darkness. “I think it's pure invention.”

“Wasn't there another temple where the men sat for the women to come and choose?” asked Ana, who now participated in the women's conversations, although no one took the trouble of answering her.

“How dare you, Machuca, say that they gathered in the temple,” said Tana angrily, who was orthodox in her convictions. “Only you would believe that, you're so corrupt and such a heretic. And what temple could it be? It can't be God's temple . . .”

“It was the temple of the goddess.”

“There are no goddesses, you know that. Except Virgin Mary, who is pure and chaste, and doesn't go around offering to raise her skirts.”

“They chase us out of the church when we go to pray,” someone was heard to say, “don't even talk about going there to find a man.”

“There were goddesses before,” Machuca assures the others. “And things were different. Everything was different, because women were in charge.”

“Well, I prefer the world the way it is now,” countered Sayonara, who always took a contrary position. “What if a disgusting man with an ugly face appeared, or one with bad breath, or rough skin, and you weren't allowed to refuse!” She burst out laughing. “What good did it do for women to be in charge if they couldn't refuse an ugly man. I would cover my face with my hair so the man would pass right by me and go bother the next woman.”

Now the others were amused too. Suddenly everything seemed funny and they laughed so hard that they tossed their heads back and hit their legs with their palms, as they usually did when they were really happy.

“You say that now, because you're young,” preached Todos los Santos. “It's worse if you have to wait three years because nobody wants you.”

“Oh, no,” countered Sayonara again. “It's always better to be alone than to be in poor company.”

“You don't know what you're talking about. You don't know loneliness. It really has rough skin.”

While Olga is telling me about what they talked about that night, which would be nearly the same as this one if Sayonara were still here, I try to decipher the mystery that lies beneath contact with the skin of a stranger. To not refuse a man you didn't know? To give yourself up to the unknown, to allow yourself to be taken, would it be burying yourself or saving yourself? What hidden dimensions would be opened, of terror and of pleasure, of discovery and of loss?

“Is it difficult to have an unfamiliar man so close?” I ask, now that I find them sitting in rocking chairs in the middle of another patio like that one, decades later, shrouded by an identical darkness, under the same three stars that mark the belt of Orion, the celestial hunter who this night, just as on that one, wanders the ether, pursuing beasts. When they hear the question they look at each other and the laughter returns and the palms hitting the legs, and they are girls again.

“Sometimes the client turns out to be a fool and things get nasty,” replies Machuca, the pen pusher, who is still wearing half-sleeves of black cloth on her forearms, the ones she uses at the town hall so that her blouse doesn't get stained when she writes.

“Tell the truth,” goad the others, “tell her, Machuca, that you liked it. And how!”

But Machucha doesn't tell; she plays innocent.

“You have to learn to be there without being there. To train your mind to disengage from what the body is doing. You don't let them touch your face, not to kiss you at all, because the only thing they end up doing is messing up your hair and your makeup,” asserts Tana, and my head is filled with the memory of so many paintings of Christian martyrs who turn toward heaven their serene faces, untouched and illumined, while their bodies, subjected to torture, melt in fear.

“And the body,” I ask, “doesn't it feel any desire or pleasure?”

“The desire for the client to finish quickly and the pleasure of him paying you so you can come home with food from the market,” says one of them, and they all laugh heartily.

“Remember Pilar, the island girl,” growls Fideo, in a man's voice from her invalid's hammock, now that she can speak because she has decided to recuperate, just to be contrary, since everyone had accepted her death as a fact. “One day Pilar announced that she was leaving because she couldn't put up with their breaths. That's how she said it: ‘I can't put up with their breaths anymore.' She gathered up her stuff and left.”

“That isn't funny; I understood what she meant,” says Todos los Santos. “To know the breath of a stranger brings an uneasiness that is sometimes too much to bear. I'm not talking about garlic breath or the smell of alcohol or cigarettes; those breaths smell like things, they're always the same. The unbearable breaths are the ones that are particular to the person, to his private affairs.”

“But is there any case where a woman enjoys it?” I ask again, although I have heard here in Tora a phrase that is repeated so often that it has become a saying: Men pay to feel and we charge because we don't feel.

“You tell her, Machuca . . . tell her why they call you the Glutton.”

“I didn't become a
puta
to flee from misery,” says Machuca, “or because I was raped. They didn't drag me into the profession or deceive me into it; I came to it out of sheer pleasure and enjoyment. Why should I lie, I always knew how to enjoy parties, money,
aguardiente
, tobacco, and above all other earthly pleasures, the smell of a man. The warmth of a man, you understand? I'm not one of those women who cries about the life that fate gave her. I enjoyed my youth and spent it going out on the town until I had nothing left but crumbs. And the bed? The bed was my altar, strangers were my fiancés, and the sheets were my wedding dress. That's why these women think I'm a
bruja,
a witch, and I can only say to them: Maybe you're right, and I hope there's a God somewhere so that on Judgment Day I can shout in his face that I did what I did because I did it in honor of lust and because I wanted to.”