The Dead Girls' Dance

Read The Dead Girls' Dance Online

Authors: Rachel Caine

Praise for Rachel Caine's Weather Warden series

“You'll never watch the Weather Channel the same way again.'”

—Jim Butcher

“The Weather Warden series is fun reading…more engaging than most TV.”

—
Booklist

“A kick-butt heroine who will appeal strongly to fans of Tanya Huff, Kelley Armstrong, and Charlaine Harris.'”

—
Romantic Times

“Hugely entertaining.'”

—SF Crowsnest

“A fast-paced thrill ride [that] brings new meaning to stormy weather.'”

—
Locus

“An appealing heroine with a wry sense of humor that enlivens even the darkest encounters.'”

—SF Site

“I dare you to put this book down.'”

—
University City Review
(Philadelphia)

“Rachel Caine takes the Weather Wardens to places the Weather Channel never imagined!'”

—Mary Jo Putney

“A spellbinding…thought-provoking, action-packed thriller.'”

—
Midwest Book Review

THE DEAD GIRLS' DANCE

THE MORGANVILLE VAMPIRES, BOOK TWO

R
ACHEL
C
AINE

NAL Jam

Published by New American Library, a division of
Penguin Group (USA) Inc., 375 Hudson Street,
New York, New York 10014, USA

Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.)

Penguin Books Ltd., 80 Strand, London WC2R 0RL, England

Penguin Ireland, 25 St. Stephen's Green, Dublin 2, Ireland (a division of Penguin Books Ltd.)

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Penguin Books India Pvt. Ltd., 11 Community Centre, Panchsheel Park, New Delhi - 110 017, India

Penguin Group (NZ), 67 Apollo Drive, Mairangi Bay, Auckland 1311, New Zealand (a division of Pearson New Zealand Ltd.)

Penguin Books (South Africa) (Pty.) Ltd., 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa

Penguin Books Ltd., Registered Offices:
80 Strand, London WC2R 0RL, England

First published by NAL Jam, an imprint of New American Library,
a division of Penguin Group (USA) Inc.

ISBN: 1-101-12866-6

Copyright © Roxanne Longstreet Conrad, 2007

All rights reserved

NAL JAM and logo are trademarks of Penguin Group (USA) Inc.

Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.

PUBLISHER'S NOTE

This is a work of fiction. Names, characters, places, and incidents either are the product of the author's imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.

     The publisher does not have any control over and does not assume any responsibility for author or third-party Web sites or their content.

The scanning, uploading, and distribution of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the author's rights is appreciated.

For Ter, who helped lay the cornerstone of Morganville.

For Katy, who helped me through the plot jitters!

ACKNOWLEDGMENTS

Musical inspiration from Joe Bonamassa,
a genius at his art.

Editorial excellence from Liz Scheier,
truly a master.

And a special shout-out to my friends at
Mysterious Galaxy bookstore in San Diego!

1

I
t didn't happen,
Claire told herself.
It's a bad dream, just another bad dream. You'll wake up and it'll be gone like fog….

She had her eyes squeezed tight shut. Her mouth felt dry, shriveled-up, and she was pressed against Shane's hot, solid side, curled up on the couch in the Glass House.

Terrified.

It's just a bad dream.

But when she opened her eyes, her friend Michael was still dead on the floor in front of her.

“Shut those girls up, Shane, or I will,'” Shane's father snapped. He was pacing the wooden floor, back and forth, hands clasped behind him. He wasn't looking at Michael's body, shrouded under a thick, dusty velvet curtain, but it was
all
Claire could see, now that she'd opened her eyes again. It was as big as the world, and it wasn't a dream, and it wasn't going away. Shane's dad was here, and he was terrifying, and Michael—

Michael was dead. Only Michael had already been dead, hadn't he? Ghostly. Dead during the day…alive at night…

Claire realized she was crying only when Shane's dad turned on her, staring with red-rimmed eyes. She hadn't felt that scared when she'd stared into vampire eyes…well, maybe once or twice, because Morganville was a scary place, generally, and the vampires were pretty terrifying.

Shane's father—Mr. Collins—was a tall, long-legged man, and his hair was wild and curly and going gray. Long enough to reach the collar of his leather jacket. He had dark eyes. Crazy eyes. A scruffy beard. And a huge scar running across his face, puckered and liver colored.

Yeah, definitely scary. Not a vampire, just a man, and that made him scary in whole different ways.

She sniffled and wiped her eyes and quit crying. Something in her said,
Cry later; survive now
. She figured that voice had spoken inside of Shane, too, because Shane wasn't looking at the velvet-covered sprawl of his best friend's body. He was watching his father. His eyes were red, too, but there were no tears.

Now Shane was scaring her, too.

“Eve,'” Shane said softly, and then, louder, “Eve! Put a sock in it!'”

Their fourth roommate, Eve, was collapsed in an awkward heap against the far wall by the bookcases, as far from Michael's body as she could get. Knees up, head down, she was crying hard and hopelessly. She looked up when Shane yelled her name, and her face was streaked with black from running mascara, half her Goth white makeup gone. She had on her death's-head Mary Jane shoes, Claire noticed. She didn't know why that seemed important.

Eve looked completely lost, and Claire slipped off the couch and went to sit beside her. They put their arms around each other. Eve smelled of tears and sweat and some kind of sweet vanilla perfume, and she couldn't seem to stop shaking. Shock. That was what they always said on TV, anyway. Her skin felt cold.

“Shhhh,'” Claire whispered to her. “Michael's okay. It's all going to be okay.'” She didn't know why she said that—it was a lie; it had to be a lie; they'd all seen…what happened…but something told her it was the right thing to say. And sure enough, Eve's sobbing slowed, then stopped, and she covered her face with shaking hands.

Shane hadn't said anything else. He was still watching his dad, with the kind of intense stare most guys reserved for people they'd like to pound into hamburger. If his dad noticed, he clearly didn't care. He continued to pace, up and down. The guys he'd brought with him—walking slabs of muscle in black motorcycle leather, shaved heads and tattoos and everything—were standing in the corners, arms folded. The one who'd killed Michael looked bored as he flipped the knife in his fingers.

“Get up,'” Shane's dad said. He'd stopped pacing, and was standing right in front of his son. “Don't you dare give me any crap, Shane. I told you to stand up!'”

“You didn't have to do that,'” Shane said, and slowly stood, feet slightly apart. Ready to take (or give) a punch, Claire thought. “Michael wasn't any threat to you.'”

“He's one of them. Undead.'”

“I said he wasn't a threat!'”

“And
I
say that you just don't want to admit your friend's turned freak of nature on you.'” Shane's dad reached out and awkwardly punched Shane on the shoulder. It was supposed to be a gesture of affection, Claire supposed. Shane just rode with the blow. “Anyway, done is done. You know why we're here. Or do you need a reminder?'”

When Shane didn't answer, his father reached into his leather jacket and took out a handful of photographs. He threw them at Shane. They bounced off of Shane's chest, and he reflexively tried to catch them, but some drifted free and fell to the wood floor. Some slid over toward Claire and Eve.

“Oh God,'” Eve whispered.

They were pictures of Shane's family, Claire guessed—Shane as a cute little boy, arm around an even tinier little girl with a cloud of curly black hair. A pretty woman standing behind them, and a man she could barely recognize as Shane's dad. No scar, back then. Hair cut short. He looked…normal. Smiling and happy.

There were other pictures, too. Eve was staring at one of them, and Claire couldn't make any sense of it. Something black and twisted and—

Shane bent over and snatched it up, fumbling it back into the pile.

His house burned. He got out. His sister wasn't so lucky.

Oh
God,
that twisted thing was Alyssa. That was Shane's sister. Claire's eyes filled up with tears, and she covered her mouth with both hands to hold in a scream, not because what was in the picture was gross—it was—but Shane's
own father
had made him look at it.

That was cruel. Really cruel. And she knew it wasn't the first time.

“Your mother and sister are both dead because of this place, because of the
vampires
. You didn't forget that, did you, Shane?'”

“I didn't forget!'” Shane shouted. He kept trying to make the pictures fit into a neat stack, but he didn't look at them at all. “I dream about them every night, Dad. Every night!'”

“Good. It was you got this started. You'd better remember that, too. Can't back out now.'”

“I'm not backing out!'”

“Then what's all this crap,
Things have changed, Dad
?'” Shane's dad mimicked him, and Claire wanted to punch him, never mind that he was about four times her size and probably a whole lot meaner. “You hook up with your old friends and next thing I know, you lose your nerve. That thing was Michael, right? The Glass kid?'”

“Yes.'” Shane's throat worked hard, and Claire saw tears glitter in his eyes. “Yeah, it was Michael.'”

“And these two?'”

“Nobody.'”

“That one looks like another vamp.'” Shane's father fixed his red-rimmed glare on Eve, and took a step toward where Claire and Eve were huddled on the floor.

“You leave her alone!'” Shane dropped the pictures into a pile on the couch and jumped into his father's path, fists clenched. His dad's eyebrows raised, and he gave Shane a scar-twisted grin. “She's not a damn vampire. That's Eve Rosser, Dad. Remember Eve?'”

“Huh,'” his father said, and stared at Eve for a few seconds before shrugging. “Turned into a wannabe, then, just about as bad in my book. What about the kid?'”

He was talking about Claire.

“I'm not a kid, Mr. Collins,'” Claire said, and clambered to her feet. She felt awkward, all strings and wires, nothing working right. Her heart was hammering so hard, it hurt to breathe. “I live here. My name is Claire Danvers. I'm a student at the university.'”

“Are you.'” He didn't make it a question. “You look a little young.'”

“Advanced placement, sir. I'm sixteen.'”

“Sweet sixteen.'” Mr. Collins smiled again, or tried to—the scar pulled the right side of his mouth down. “Never been kissed, I'll bet.'”

She felt her face go red. Couldn't stop it, or keep herself from looking at Shane. Shane's jaw was set tight, muscles fluttering. He wasn't looking at anything in particular.

“Oho! So it's like that. Well, you watch yourself around the jailbait, my boy.'” Still, Shane's dad looked weirdly pleased. “My name's Frank Collins. Guess you figured out that I'm this one's father, eh? Used to live in Morganville. I've been gone a few years now.'”

“Since the fire,'” Claire said, and swallowed hard. “Since Alyssa died. And—Shane's mom?'” Because Shane had never said a word about her.

“Molly died later,'” Mr. Collins said. “After we left. Murdered by the vamps.'”

Eve spoke for the first time—a soft, tentative voice. “How did you remember? About Morganville, after you left town? I thought nobody did, once they left.'”

“Molly remembered,'” Mr. Collins replied. “Little bit at a time. She couldn't forget Lyssa, and that opened the door, inch by inch, until it was all there. So we knew what we had to do. We had to bring it down. Bring it all down. Right, boy?'”

Shane nodded. It didn't look like agreement so much as a wish not to get smacked for disagreeing.

“So we spent time preparing, and then I sent Shane here back to Morganville to map the town for us, identify targets, do all the stuff we wouldn't have time to do once we rolled in. Couldn't wait any longer once he yelled for help, though. Came running.'”

Shane looked sick. He wouldn't look at Eve, or Claire, or Michael's body. Or his father. He just—stared. There were tear tracks on his cheeks, but Claire couldn't remember seeing him cry, really.

“What are you going to do?'” Claire asked faintly.

“First thing, I guess we bury that,'” Mr. Collins said, and nodded toward Michael's shrouded body. “Shane, best you stay out of the way—'”

“No! No, don't you touch him! I want to do it!'”

Mr. Collins gave him a long frowning look. “You know what we're going to have to do'”—he glanced at Eve and Claire—“to make sure he doesn't come back.'”

“That's folklore, Dad. You don't have to—'”

“That's the way we're going to do things. The right way. I don't want your friend coming back at me next time the sun goes down.'”

“What is he talking about?'” Claire whispered to Eve. Sometime in the last few minutes, Eve had gotten up to stand next to her, and their hands were clasped. Claire's fingers felt cold, but Eve's were like ice.

“He's going to put a stake in his heart,'” Eve said numbly. “Right? And garlic in his mouth? And—'”

“You don't need all the details,'” Mr. Collins interrupted. “Let's get this done, then. And once we're finished, Shane's going to draw us a map of where to find the high-rolling vampires of Morganville.'”

“Don't you know?'” Claire asked. “You lived here.'”

“Doesn't work like that, little girl. Vamps don't trust us. They move around—they have all kinds of Protection to keep themselves safe from retribution. But my boy's found a way. Right, Shane?'”

“Right,'” Shane said. His voice sounded absolutely flat. “Let's get this done.'”

“But—Shane, you can't—'”

“Eve,
shut up
. Don't you get it? There's nothing we can do for Michael now. And if he's dead, it won't matter what we do to him. Right?'”

“You
can't
!'” Eve yelled it.
“He isn't dead!'”

“Well,'” Mr. Collins said, “I guess that'll be his problem when we plant a stake in him and chop off his head.'”

Eve screamed into her clenched fists, and collapsed to her knees. Claire tried to hold her up, but she was more solid than she looked. Shane instantly whirled and crouched next to her, hovering protectively and glaring at his father and the two motorcycle dudes standing guard over Michael's body.

“You're a bastard,'” he said flatly. “I told you, Michael was no threat to you before, and he's no threat now. You killed him already. Let it go.'”

For answer, Shane's father nodded to his two friends—accomplices?—who then reached down, seized hold of Michael's body, and dragged him out and around the corner to the kitchen door. Shane bolted back to his feet.

His father stepped into his path and backhanded him across the face, hard enough to stagger him. Shane put up his palms—defense, not offense. Claire's heart sank.

“Don't,'” Shane panted. “Don't, Dad. Please don't.'”

His father lowered the fist he'd raised for a second blow, looked down at his son, and turned away. Shane stood there, shaking, eyes cast down, until his father's footsteps moved away, toward the kitchen.

Then Shane spun around, lunged forward, and grabbed Claire and Eve by the arms. “Come on!'” he hissed, and towed them both stumbling toward the stairs. “Move!'”

“But—,'” Claire protested. She looked over her shoulder. Shane's father had gone to look out the window, presumably at whatever they were doing in the backyard (oh God) to Michael's body. “Shane—'”

“Upstairs,'” he said. He didn't leave them much choice; Shane was a big guy, and this time he was using his muscle. By the time Claire got herself together, they were upstairs, in the hallway, and Shane was shoving open the door to Eve's room. “Inside, girls. Lock the door. I mean it. Don't open it for anybody but me.'”

“But—Shane!'”

He turned to Claire, took hold of both of her shoulders in those big hands, and leaned forward to plant a warm kiss on her forehead. “You don't know these guys,'” he said. “You're not safe. Just—stay in there until I get back.'”

Eve, looking dazed, murmured, “You have to stop them. You can't let them hurt Michael!'”

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