Authors: Malcolm MacDonald
âDon't you see!' Angela exclaimed, her eyes shining, her whole body a-quiver. âHe thought he'd finished us off, both of us. Our deaths were among the millions in his mind when he stood here and danced his little jig. With France in his grasp he had secured the last escape routes out of Europe. From that moment on, we were in the trap and he could hunt us all down at his leisure. But where is
he
now? He's dust and ashes and we're here instead. And we're alive and it's our turn to dance!' At which she grabbed him and whirled him off in a mad polka, round and round on the spot where that man had once dared to suppose he could lift his sights from Europe to take on the world.
At the top of the Eiffel Tower he said, âI don't really know Paris at all. There's Sacré Coeur â I never went inside. All those times I went to Montmartre I never went inside Sacré Coeur. And the Panthéon . . . Napoleon's tomb . . . never went there. Never went inside Nôtre Dame. That's the Pont de la Concorde â the bridge with the famous Marly horses â I never walked across that one.'
âThe Louvre?' she suggested. âYou never went inside there?'
He laughed and, bending his head to hers until they touched, said, âSorry. I was just preparing you not to expect too much in the way of a tour.'
âThis is a good tour â
un tour d'horizon
!' She swept a hand across the panorama. âBut the tour I really want is one around the inside of your head. Paris can wait.'
âWhat d'you expect to find?'
âWhat I'd love to find is the reason why you thought you couldn't trust your own feelings and why you thought something wonderful could never happen to
you
.'
âYou've never doubted such things in yourself?' he asked.
âNever. I can doubt my memory, my judgement, my reasoning, but never my feelings. How can you doubt
feelings
? Doubt itself is a feeling. It's like saying doubt can doubt itself.'
âBut â more
personally
,' he replied. âYou were twice as long in Ravensbrück as I was in Mauthausen, and yet . . .'
âYou think that has made it impossible to have true feelings? Or to trust them?'
He gazed down at cars that were smaller than the smallest Dinky Toys, at huge apartment blocks no larger than sugar cubes, at trees like moss. Somewhere down there, he thought, there must be hundreds of people who could explain this so much more clearly than I can. âYou see . . . with Faithâ'
âTo hell with Faith! Tell me about you, about me and you.'
âNo. The thing is . . . I thought, you see . . . that if I can find life so comfortable and congenial with her . . . stimulating ideas . . . laughs . . . trust . . . I mean, there may not be any love between us but there's lots of emotional trust . . . but then, of course, I could never live a single hour without also thinking of you . . . and . . .'
âWhat does “thinking of” me mean, Felix?'
The sun emerged from behind a cloud, low in the sky and a fiery orange; it was as if a warm spotlight had suddenly been trained upon him. âI thought the worst thing for me would be to tell you I love you and then be rejected. Butâ'
âYou could at leastâ'
âNo â wait! There was something even worse â because, of course, I could feel that you were not indifferent to me.'
She drew breath to say something bitter-sweet . . . and then thought better of it.
âAnd,' he continued, âit would have been even worse if I had been honest about my feelings and you had responded and . . . you know . . . got engaged . . . got married . . . and then found we are too emotionally damaged to . . . I mean, I couldn't face the risk. What d'you think? D'you think we can?'
She leaned out over the rail and watched people moving like ants, casting long shadows in the lowering sun. âYou can see why bomber pilots have such easy consciences,' she murmured.
âPerhaps it's possible?' he prompted. âYou and me?'
âIt will be a tender plant,' she said. âAnd it won't prosper if one of us keeps digging it up to see how the roots are getting along.'
He stared past her, toward the sun; his gaze put her in mind of some raptorial bird â intense, bright-eyed, and yet chillingly expressionless. That, more than anything, gave her an intimation of the trouble he feared. She shrugged it aside; she, at least, was made of stronger, more optimistic mettle. âAnd you
would
be doing that â wouldn't you!' she insisted.
âWords!' he said scornfully as he took her face in his hands and moved close enough for their noses to touch. Staring deep into her eyes he saw them melt and liquefy; when she blinked, the tears overran her lower lids and sprouted on her cheeks. She tilted her face upward until her lips brushed his. He planted a tiny kiss at the more distant corner of her mouth . . . another in the centre . . . another at the nearer corner . . . and then the universe closed around them and it was as if they slaked a thousand-year hunger in one long, sustained kiss of immobilized passion. To a casual observer â and there were several up there on the topmost level â they were no more than a pair of lovers yielding to some trivial stimulus. Outwardly there was nothing to reveal that
this
kiss, at
this
moment, in
this
place, was the kind that changes the entire course of two people's lives.
And when it was over, they both felt an enormous sense of calm. Still too close to focus her clearly, Felix peered into the dark, misty pools of her eyes and thought, A lifetime will not be long enough.
And Angela . . . well, to be honest, she was thinking, Must get him a better razor.
Hand in hand they returned to earth in easy silence. They recrossed the Seine by the Pont de l'Alma and walked up the right bank, along the Quai de la Conférence, saying things like â
Liebe dich!
' and â
Je t'aime!
' as they strolled, because the things they really wanted to say were all too momentous and too ill-formed and, anyway, they didn't need to be put into words just yet.
They hugged so tightly into each other that their steps became clumsy and they had to relax a little. And then everything was funny â ducks, fishermen, the
bateaux mouches
, the floating swimming baths where intrepid Parisians could swim in filtered Seine water . . . they smiled or giggled or laughed aloud at each until they came back at last to earth.
âTalking of the Dower House . . .' she said
âWere we?'
âWell â we are now . . . what to do about it? Do you move in with me in Robert Street and travel out of town to work each day at the Dower House, in the studio part of what will be Faith's cottage? Or what?'
âI thought we'd just â you know â talk it over with Faith. She will certainly have her own ideas.'
âShe won't give up the stabling for Jupiter too easily.'
âExactly,' he said. âI'm glad you see the problem. D'you think we could buy your flat in Robert Street and keep it as a pied-à -terre? It would be nice to have a little place in Town. We could go to the opera . . . the theatre . . . concerts . . . without having to trek all the way out to Hertfordshire when it's over.'
She dragged him to a halt and jerked his arm to make him face her. âYou're serious!'
âWell, I am doing quite well â largely thanks to Fogel . . . which really means largely thanks to Faith. I've been invited to become a sculpture tutor at the Slade â two days a week â and I have a commission from the
BBC
at Ally Pally and another from the
LCC
for a large piece in Battersea Park â and there's a convent in Chelsea where they wantâ'
âAll right!' Angela laughed. âI had no idea.'
âAnd since I can't buy the cottage . . . I mean, the gravel company is never going to sell the Dower House â it would make sense to buy a property somewhere. Your flat seems ideal. Or should we look around Primrose Hill? That's also within walking distance of the West End and there are some lovely places there, starting at under five thousand.'
âFive
thousand
? Whew! Could you afford that much?'
âWe.'
She stopped and faced him. âWe! Is that a proposal, Felix?'
He took up both her hands and kissed them, first the right, then the left. âI suppose it is. Of course, you'll need time to think it over.'
She gazed skyward for about five seconds. âOK. I've thought it over and I accept. You did say five
thousand
? What about Faith â if you and I are living at the cottage . . . ?'
âI'm sure we could reach some accommodation,' he said vaguely.
âYou mean . . .
no
! She could stay on?'
âIt's quite a big cottage â and there's an unused one-up-one-down at the end. She could have that. And we could knock a doorway through to it so she could use the bathroom and kitchen.' He laughed. âJust think! Back in 'forty-four â if anyone had told us then “Three years from now Hitler will be two years dead and you'll be walking by the Seine, in a Paris free of Nazis, arm-in-arm with the one you love, discussing living in an English stately home and buying a pied-à -terre in London” . . . we'd have said he was delirious.' After a pause he added, âI suppose that's why I find it impossible to plan too far ahead.'
âOr at all,' she murmured.
That night they did, indeed, have separate rooms.
âShall I come night-crawling?' Felix asked at the parting of their ways.
After a brief hesitation she said, âA bit treacherous? To our host and hostess, I mean? We have the sleepers tomorrow night.'
When they kissed goodnight she felt him harden. She pushed him away. âCan you wait?' she asked.
âSure.' He set off for his room, adding over his shoulder, âIt's just hooked up to the wrong parts of the nervous system. The bits we can't reach.'
The dangerous bits, she thought.
Wednesday, 1 October 1947
They left their bags in a locker at the Gare du Nord and then, at her pleading, he rather reluctantly showed Angela his old apartment â or the exterior of the building, at least â in the Rue d'Argenteuil. âThey took three Jewish families from that building over there,' he said. âAnd I stood up there and wondered what I could do to help. Give them a character reference? Protest? Being German, I thought my protests might carry some weight!' He gave a single harsh laugh that turned a few nearby heads.
âWhere had you been living for the previous
nine years
?' she asked.
He nodded ruefully. âNot in the real world. Being German, I hadn't paid too much heed to the situation of the Jews. And then the police crossed the street and entered my building. I thought,
Hello! I wonder who's Jewish here?
' He sighed. âOh â enough of this!'
They set off for the Avenue de l'Opéra but had gone only a few paces when a man came running out, hatless, crying, âMonsieur Breit? Herr Breit?
C'est vraiment vous-même?
'
Felix turned and after a shocked moment of non-recognition, cried, â
Monsieur Tesnière! Vraiment?
' Then to Angela: âThis is the gentleman who got word to Dufy.
Oh Pierre . . . mon chèr ami!
' And he pumped the man's arm fit to break its bones.
It was a pleasant shock for Angela to hear herself introduced as his fiancée â the first public acknowledgement.
âYou must look after this gentleman, mam'selle,' Tesnière told her solemnly. âHe is a great artist.'
âAh, Pierre, you have no idea how important this young lady is!' Felix slipped his arm around her. âAnd how precious.'
Tesnière made an expansive Parisian gesture. âYou must come up to the apartment. Hélène will be so pleased! I saved some of your smaller sculptures.'
Felix's jaw dropped.
âIt's true. I have kept them for you. I knew you would be back.'
The concierge was new; the introduction was brief. With the merest shake of his head, Tesnière nipped in the bud Felix's questions about Mme Réage, the concierge of his day.
Steps
. These familiar â and safe again.
âLa Réage informed for the Gestapo,' he explained when they were out of earshot . . . and he drew a finger across his throat. âIn the Seine.' Without a pause he continued, âYou recall that it was just one
flic
and one Gestapo man who arrested you? Well, in the four or five minutes your apartment was empty and unguarded . . .
pffft!
Out came six little sculptures. I had to leave two or they would have been angry enough to search the entire building. They were angry anyway â but they had more important business that day.'
Angela was surprised. âSo when they released you that day â you didn't come back here at all?'
âCertainly not! I sat in a café â
La vache qui rit
â and sent light-hearted
pneumatiques
to my friends â because I knew the Gestapo would intercept them and it would make them relax. And meanwhile the best forger in Paris was producing the necessary papers â and so, by midnight, I was out of the city and on the road to Vichy France.' He grinned at Tesnière. âOnly five years ago, eh!'
âWe heard this,' Tesnière said. âWe knew you got away safely because they offered rewards for your capture. You joined the Resistance, I suppose?'
Madame T. was waiting for them at the head of the last flight of stairs.
âHélène!' Unusually for him, Felix took them two at a time.
Moments later both had tears running down their cheeks. Angela realized she had never seen him cry. In the apartment Felix said, âBut nothing has changed!'
âWhat should we change?' Hélène asked. âThere is nothing in the shops half so good as this. Aiee, it will be
years
before Paris becomes again the city
we
all knew.'