The Element of Fire (2 page)

Rolling onto his back to make himself a smaller target, Thomas dropped the rapier and drew one of his wheellocks. He'd loaded both pistols down in the alley, and now as he wound up the mainspring, an arrow thudded into the over-stuffed chair seat. The other chair began to edge sideways using the clawed feet at the ends of its splayed legs; without thinking Thomas muttered, "Stop that." He set the spring, braced the pistol on his forearm and fired.

The plaster statue shattered in the deafening impact. The shot scarred the wall behind it and filled the room with the stink of gunpowder.

Thomas got to his feet, tucking away the empty pistol and picking up his rapier.
Now the whole damned house knows I'm here.
He hadn't planned to do this alone either, but the vines filling up the first room and curling round the doorway into this one committed him to it.

Avoiding the animate furniture, he went to the door in the opposite wall and tried the handle. It was unlocked, and he eased it open carefully. The room within was dark, but the archway beyond revealed a chamber lit by a dozen or so red glass candelabra.

Thomas pulled the door closed behind him and moved forward. The dim light revealed stealthy movement in the carvings on the fireplace mantel and along the bordered paneling. In the more brightly lit chamber beyond the arch, he could see an open door looking out onto the main stairwell.

He stopped just before the fall of light from the next room would have revealed his presence. There was something... Then he heard the creak of leather and a harsh rasp of breath. It came from just beyond his range of sight, past the left side of the arch. They knew Grandier had hired men to guard the house; it was the only way the King's Watch had been able to trace the sorcerer, since there was no one in the city who could identify him. The man in the next room must have heard the shot; possibly he was waiting for the protective spells to dispose of any intruders. Thomas had planned on something to distract the sorcerer's human watchdogs, to send them down to the lower part of the house, if Gideon would just get on with it...

From somewhere below there was a muffled thump, and the floorboards trembled under his feet. Thomas smiled to himself; shouts and running footsteps sounded from the stairs as the hired swords hastened for the front door. In theory, he wasn't disobeying the King's orders to keep the raid on Grandier's house secret. Placed correctly, a small charge of gunpowder could blow a wooden door to pieces while making little noise, and the houses to either side of Grandier's were empty anyway.

The waiting guard did not take the bait with the others, but went forward to stand at the doorway into the stairwell, his rapier drawn. He was big, with greasy blond hair tied back from his face, and dressed in a dun-colored doublet. Thomas had already decided to kill him and had started forward when the man turned and saw him.

The hired sword's shout was muffled by the clatter of his comrades on the stairs and he rushed forward without waiting for help. Thomas parried two wild blows, then beat his opponent's sword aside and lunged for the kill. The man jerked away and took the point between the ribs instead of under the breastbone, dropping his weapon and staggering back. Cursing his own sloppiness, Thomas leapt after him, grappling with him and trying to drive his main gauche up under the man's chin. In another moment Thomas was easing the limp body to the floor. There was blood pooling on the rug and on his boots, but hopefully the others were occupied below and there was no one left to follow his trail.

He glanced quickly around the room and noted it was free of the sorcerous animation. There was a closed door on the opposite wall, and it bore examining before he ventured out onto the main stairs.

As Thomas was reaching for the handle, he felt a sharp stab of unease. He stepped back, his hand tightening on his sword-hilt, baffled by his own reaction. It was only a door, as the others had been. He reached out slowly and felt his heart pound faster with anxiety as his hand neared the knob.

Either I've gone mad,
he thought,
or this door is warded.
Testing it with his own reactions, he found the ward began about a foot from the door and stretched out to completely cover the surface. It was a warning, with a relatively mild effect, more than likely meant to keep the hired swords and servants away from this portion of the house. It could also explain why the dead man hadn't left his post to investigate the pistol shot or to follow his comrades to the front entrance. He had been guarding something of crucial importance.

Thomas stepped back and kicked the center panel, sending the door crashing open. Beyond was a staircase leading upward, softly lit by candlelight glowing down from the floor above.

Bracing himself, Thomas stepped through the ward and onto the first step, and had to steady himself against the wall as the effect faded. He shook his head and started up the stairs.

The banister was carved with roses which swayed under a sorcerous breeze only they could sense. Thomas climbed slowly, looking for the next trap. When he stopped at the first landing, he could see that the top of the stairs opened into a long gallery, lit by dozens of candles in mirror-backed sconces. Red draperies framed mythological paintings and classical landscapes. At the far end was a door, guarded on either side by a man-sized statuary niche. One niche held an angel with flowing locks, wings, and a beatific smile. The other niche was empty.

Thomas climbed almost to the head of the stairs, looking up at the archway that was the entrance to the room. Something suspiciously like plaster dust drifted down from the carved bunting.

A tactical error,
Thomas thought. Whatever was hiding up there wasn't doing it to be decorative. He took a quiet step back down the stairs, drawing his empty pistol. The air felt warm; beneath his doublet, sweat was sticking the thin fabric of his shirt to his ribs. From the powder flask on his belt he measured out a double charge and poured it into the barrel. He pushed the bullet and wadding down with the short ramrod, thinking that it would be quite ironic if the pistol exploded and ended the matter here.

Thomas wound and set the spring, carefully aimed the pistol at the top of the archway and fired. The fifty-caliber ball tore through the light ornamental wood and into the body of the plaster statue that had perched up on the opposite side of the arch. Thomas shielded his face as splintered wood and fragments of plaster rained down. A sculpted head, arm, and pieces of a foot thudded to the floor in front of him.

He climbed the last few steps and stopped at the front of the gallery, which was now wreathed in the heavy white smoke of the pistol's discharge. This next trap wasn't bothering to conceal itself.

Ponderously the angel statue turned its head toward him and stepped out of its niche in the far wall. Thomas shoved the empty pistol back into his sash and drew the second loaded one, circling away from the angel. It was slow, its feet striking the polished floor heavily, plaster wings flapping stiffly.

It stalked him like a stiff cat as he backed away. He wanted to save the pistol for whatever was behind the next door, so he was reluctant to fire.

Then his boot knocked against something that seized his ankle. He fell heavily and dropped the wheellock, which spun across the polished floor and somehow managed not to go off. Rolling over, he saw that the hand and arm of the broken statue had tripped him and was still holding onto his ankle. He drew his main gauche and smashed at it with the hilt. The hand shattered and fell away, but the angel was almost on top of him.

Scrambling desperately backward, he caught the base of a tall bronze candlestand and pulled it down on the angel. The heavy holder in the top struck the statue in the temple, knocking loose a chunk of plaster. It reared back and Thomas got to his feet, keeping hold of the candlestand. As it lurched toward him again he swung the stand. A large piece of the wing cracked and fell away as the blow connected, and the creature staggered, suddenly unbalanced.

Past the stumbling statue he saw movement on the stairs. There were dark writhing shapes climbing the steps, dragging themselves upward on the banisters. He backed away, realizing it was the vines that had sprung out of the carpet in the first room.
Are they filling the entire house?
The situation was horrible enough, it hardly needed that. And he had known he couldn't get out the way he had gotten in, but he had hoped to have the front door as an option. Now that way was blocked. Thomas dropped the candlestand and turned to the other door.

He pulled it open and one quick glance told him the room seemed unoccupied by statues. He slammed the door closed as the angel lumbered awkwardly toward him, bracing against it as he shoved the bolt home. He stepped back as the thing battered against the other side.

Moonlight from high undraped windows revealed shelf-lined walls stacked with leatherbound books, most chained to the shelves. It was a large room, crowded with the paraphernalia of both library and alchemical laboratory, quiet except for the erratic tick of several lantern docks. There was a writing desk untidily crammed with paper, and workbenches cluttered with flasks and long-necked bottles of colored glass. It smelled of tallow from cheap candles, the musty odor of books, and an acrid scent from residue left in the containers or staining floors and tabletops. He drew his rapier again and moved around the overladen tables, inbred caution making him avoid the stained patches left by alchemical accidents on the floor. He knew he would have to come back to this house at some point: the desks and cabinets crammed with scribbled papers would undoubtedly hold some of Grandier's secrets, but now he hadn't time to sort the vital information from the trash.

Thomas circled the rotting bulk of a printing press and a cabinet overflowing with ink-stained type, and stopped. At the far end of the room, hidden by stacked furniture and shadows, was a man seated in a plain chair. He faced the wall and seemed to be lost in thought. Dressed in a black cope and a baggy scholar's cap, his face was angular and lean in profile and his hair and beard were gray. He didn't seem to be breathing.

Then Thomas saw the shimmer of reflected moonlight from the window and realized the man was encased in an immense glass ball. Wondering at it, he took a step forward. The enigmatic figure didn't move. He went closer and lifted a hand to touch the glass prison, but thought better of it.

As if the gesture was somehow perceptible to the man inside, he turned his head slowly toward Thomas. For a moment his expression was vacant, eyes fixed on nothing. Then the blue eyes focused and the mouth smiled, and he said, "Captain Thomas Boniface. We haven't formally met, but I have heard of you."

Thomas had not known Galen Dubell closely, the fifteen years ago when the old sorcerer had been at court, but he had seen the portraits. "Dr. Dubell, I presume." Thomas circled the glass prison. "I hope you have some idea of how I'm to get you out of there."

There was another heavy crash against the door. The statue, the animate vines, or something else was intent on battering its way in.

"The power in this bauble is directed inward, toward me. You should be able to break it from the outside," Dubell said, his composure undisturbed by the pounding from the door.

It would be dangerous for the old sorcerer but Thomas couldn't see any other way. At least the heavy wool of his scholar's robe would provide some protection. "Cover your head."

Using the hilt of his rapier, Thomas struck the glass sphere. Lines of white fire radiated out along the cracks. The material was considerably stronger than it looked, and cracked like eggshell rather than glass. He hit it twice more, then it started to shatter. A few of the larger shards broke loose, but none fell near the old man.

Galen Dubell stood carefully and shook the smaller fragments out of his robes. "That is a welcome relief, Captain." He looked exhausted and bedraggled as he stepped free of his prison, glass crackling under his boots.

Thomas had already sheathed his rapier and was overturning one of the cabinets beneath the window. He stepped atop it and twisted the window's catch. Cool night air entered the stuffy room as he pushed it open. An ornamental sill just below formed a narrow slanted ledge. Leaning out, he could see the edge of the roof above. They would have to climb the rough brickwork.

He pulled his head back in and said, "I'm afraid we'll have to take the footpad's way out, Doctor." He just hoped the old man could make it, and speedily; the battering at the door was growing louder.

Dubell scrambled up the cabinet easily enough. As if he'd read Thomas's thought, he said, "It's quite all right, Captain. I prefer the risk to more of Urbain Grandier's hospitality." He might have the easier time of it; he was almost a head taller than Thomas.

As Dubell pulled himself carefully out onto the narrow sill, the door gave way.

The sorcerer used the scrollwork around the window casement as a ladder, drawing himself up toward the roof. Thomas swung out onto the sill after him and stood, holding onto the window frame. Broken fragments of brick sprinkled down as Dubell grasped the edge of the roof above.

Thomas boosted him from below and the scholar scrambled over the edge. Digging fingertips into the soft stone, Thomas started to pull himself upward. Dubell had barely been able to grasp the ledge from here; Thomas knew he would have to stand on top of the cornice before he could reach safety.

There was a crash just inside. Straining to reach the edge of the roof, Thomas bit his lip as something gave way beneath his left boot. Fingers wedged between the soft brick, he groped for another hold and felt the mortar under his hand crumble.