The Essential Writings of Ralph Waldo Emerson (66 page)

European civility is the triumph of talent, the extension of system, the sharpened understanding, adaptive skill, delight in forms, delight in manifestation, in comprehensible results. Pericles, Athens, Greece, had been working in this element with the joy of genius not yet chilled by any foresight of the detriment of an excess. They saw before them no sinister political economy; no ominous Malthus; no Paris or London; no pitiless subdivision of classes—the doom of the pin-makers, the doom of the weavers, of dressers, of stockingers, of carders, of spinners, of colliers; no Ireland; no Indian caste, superinduced by the efforts of Europe to throw it off. The understanding was in its health and prime. Art was in its splendid novelty. They cut the Pentelican marble as if it were snow, and their perfect works in architecture and sculpture seemed things of course, not more difficult than the completion of a new ship at the Medford yards or new mills at Lowell. These things are in course, and may be taken for granted. The Roman legion,
Byzantine legislation, English trade, the saloons of Versailles, the cafés of Paris, the steam-mill, steamboat, steam-coach, may all be seen in perspective; the town-meeting, the ballot-box, the newspaper and cheap press.

Meantime, Plato, in Egypt and in Eastern pilgrimages, imbibed the idea of one Deity, in which all things are absorbed. The unity of Asia and the detail of Europe; the infinitude of the Asiatic soul and the defining, result-loving, machine-making, surface-seeking, opera-going Europe—Plato came to join, and, by contact, to enhance the energy of each. The excellence of Europe and Asia are in his brain. Metaphysics and natural philosophy expressed the genius of Europe; he substructs the religion of Asia, as the base.

In short, a balanced soul was born, perceptive of the two elements. It is as easy to be great as to be small. The reason why we do not at once believe in admirable souls is because they are not in our experience. In actual life, they are so rare as to be incredible; but primarily there is not only no presumption against them, but the strongest presumption in favor of their appearance. But whether voices were heard in the sky, or not; whether his mother or his father dreamed that the infant man-child was the son of Apollo; whether a swarm of bees settled on his lips, or not— a man who could see two sides of a thing was born. The wonderful synthesis so familiar in nature; the upper and the under side of the medal of Jove; the union of impossibilities, which reappears in every object; its real and its ideal power— was now also transferred entire to the consciousness of a man.

The balanced soul came. If he loved abstract truth, he saved himself by propounding the most popular of all principles, the absolute good, which rules rulers, and judges the judge. If he made transcendental distinctions, he fortified himself by drawing all his illustrations from sources disdained by orators and polite conversers; from mares and puppies; from pitchers and soup-ladles; from cooks and criers; the shops of potters, horse-doctors, butchers and fishmongers. He cannot forgive in himself a partiality, but is resolved that the two poles of thought shall appear in his statement. His argument and his sentence are self-poised and spherical. The two poles appear; yes, and become two hands, to grasp and appropriate their own.

Every great artist has been such by synthesis. Our strength is transitional, alternating; or, shall I say, a thread of two strands. The
sea-shore, sea seen from shore, shore seen from sea; the taste of two metals in contact; and our enlarged powers at the approach and at the departure of a friend; the experience of poetic creativeness, which is not found in staying at home, nor yet in travelling, but in transitions from one to the other, which must therefore be adroitly managed to present as much transitional surface as possible; this command of two elements must explain the power and the charm of Plato. Art expresses the one or the same by the different. Thought seeks to know unity in unity; poetry to show it by variety; that is, always by an object or symbol. Plato keeps the two vases, one of æther and one of pigment, at his side, and invariably uses both. Things added to things, as statistics, civil history, are inventories. Things used as language are inexhaustibly attractive. Plato turns incessantly the obverse and the reverse of the medal of Jove.

To take an example: The physical philosophers had sketched each his theory of the world; the theory of atoms, of fire, of flux, of spirit; theories mechanical and chemical in their genius. Plato, a master of mathematics, studious of all natural laws and causes, feels these, as second causes, to be no theories of the world but bare inventories and lists. To the study of nature he therefore prefixes the dogma—“Let us declare the cause which led the Supreme Ordainer to produce and compose the universe. He was good; and he who is good has no kind of envy. Exempt from envy, he wished that all things should be as much as possible like himself. Whosoever, taught by wise men, shall admit this as the prime cause of the origin and foundation of the world, will be in the truth.” “All things are for the sake of the good, and it is the cause of every thing beautiful.” This dogma animates and impersonates his philosophy.

The synthesis which makes the character of his mind appears in all his talents. Where there is great compass of wit, we usually find excellencies that combine easily in the living man, but in description appear incompatible. The mind of Plato is not to be exhibited by a Chinese catalogue, but is to be apprehended by an original mind in the exercise of its original power. In him the freest abandonment is united with the precision of a geometer. His daring imagination gives him the more solid grasp of facts; as the birds of highest flight have the strongest alar bones. His patrician polish, his intrinsic elegance, edged by an irony so subtle that it stings and paralyzes, adorn the soundest
health and strength of frame. According to the old sentence, “If Jove should descend to the earth, he would speak in the style of Plato.”

With this palatial air there is, for the direct aim of several of his works and running through the tenor of them all, a certain earnestness, which mounts, in the Republic and in the Phædo, to piety. He has been charged with feigning sickness at the time of the death of Socrates. But the anecdotes that have come down from the times attest his manly interference before the people in his master’s behalf, since even the savage cry of the assembly to Plato is preserved; and the indignation towards popular government, in many of his pieces, expresses a personal exasperation. He has a probity, a native reverence for justice and honor, and a humanity which makes him tender for the superstitions of the people. Add to this, he believes that poetry, prophecy and the high insight are from a wisdom of which man is not master; that the gods never philosophize, but by a celestial mania these miracles are accomplished. Horsed on these winged steeds, he sweeps the dim regions, visits worlds which flesh cannot enter; he saw the souls in pain, he hears the doom of the judge, he beholds the penal metempsychosis, the Fates, with the rock and shears, and hears the intoxicating hum of their spindle.

But his circumspection never forsook him. One would say he has read the inscription on the gates of Busyrane—“Be bold;” and on the second gate—“Be bold, be bold, and everymore be bold;” and then again had paused well at the third gate—“Be not too bold.” His strength is like the momentum of a falling planet, and his discretion the return of its due and perfect curve—so excellent is his Greek love of boundary and his skill in definition. In reading logarithms one is not more secure than in following Plato in his flights. Nothing can be colder than his head, when the lightnings of his imagination are playing in the sky. He has finished his thinking before he brings it to the reader, and he abounds in the surprises of a literary master. He has that opulence which furnishes, at every turn, the precise weapon he needs. As the rich man wears no more garments, drives no more horses, sits in no more chambers than the poor—but has that one dress, or equipage, or instrument, which is fit for the hour and the need; so Plato, in his plenty, is never restricted, but has the fit word. There is indeed no weapon in all the armory of wit which he did not possess and use— epic, analysis, mania, intuition, music, satire and irony, down to the
customary and polite. His illustrations are poetry and his jests illustrations. Socrates’ profession of obstetric art is good philosophy; and his finding that word “cookery,” and “adulatory art,” for rhetoric, in the Gorgias, does us as a substantial service still. No orator can measure in effect with him who can give good nicknames.

What moderation and understatement and checking his thunder in mid volley! He has good-naturedly furnished the courtier and citizen with all that can be said against the schools. “For philosophy is an elegant thing, if any one modestly meddles with it; but if he is conversant with it more than is becoming, it corrupts the man.” He could well afford to be generous—he, who from the sunlike centrality and reach of his vision, had a faith without cloud. Such as his perception, was his speech: he plays with the doubt and makes the most of it: he paints and quibbles; and by and by comes a sentence that moves the sea and land. The admirable earnest comes not only at intervals, in the perfect yes and no of the dialogue, but in bursts of light. “I, therefore, Callicles, am persuaded by these accounts, and consider how I may exhibit my soul before the judge in a healthy condition. Wherefore, disregarding the honors that most men value, and looking to the truth, I shall endeavor in reality to live as virtuously as I can; and when I die, to die so. And I invite all other men, to the utmost of my power; and you too I in turn invite to this contest, which, I affirm, surpasses all contests here.”

He is a great average man; one who, to the best thinking, adds a proportion and equality in his faculties, so that men see in him their own dreams and glimpses made available and made to pass for what they are. A great common-sense is his warrant and qualification to be the world’s interpreter. He has reason, as all the philosophic and poetic class have: but he has also what they have not—this strong solving sense to reconcile his poetry with the appearances of the world, and build a bridge from the streets of cities to the Atlantis. He omits never this graduation, but slopes his thought, however picturesque the precipice on one side, to an access from the plain. He never writes in ecstasy, or catches us up into poetic raptures.

Plato apprehended the cardinal facts. He could prostrate himself on the earth and cover his eyes whilst he adored that which cannot be numbered, or gauged, or known, or named: that of which every thing
can be affirmed and denied: that “which is entity and nonentity.” He called it super-essential. He even stood ready, as in the Parmenides, to demonstrate that it was so—that this Being exceeded the limits of intellect. No man ever more fully acknowledged the Ineffable. Having paid his homage, as for the human race, to the Illimitable, he then stood erect, and for the human race affirmed, ‘And yet things are knowable! ‘—that is, the Asia in his mind was first heartily honored—the ocean of love and power, before form, before will, before knowledge, the Same, the Good, the One; and now, refreshed and empowered by this worship, the instinct of Europe, namely, culture, returns; and he cries, ‘Yet things are knowable!’ They are knowable, because being from one, things correspond. There is a scale; and the correspondence of heaven to earth, of matter to mind, of the part to the whole, is our guide. As there is a science of stars, called astronomy; a science of quantities, called mathematics; a science of qualities, called chemistry; so there is a science of sciences—I call it Dialectic—which is the Intellect discriminating the false and the true. It rests on the observation of identity and diversity; for to judge is to unite to an object the notion which belongs to it. The sciences, even the best—mathematics and astronomy—are like sportsmen, who seize whatever prey offers, even without being able to make any use of it. Dialectic must teach the use of them. “This is of that rank that no intellectual man will enter on any study for its own sake, but only with a view to advance himself in that one sole science which embraces all.”

“The essence or peculiarity of man is to comprehend a whole; or that which in the diversity of sensations can be comprised under a rational unity.” “The soul which has never perceived the truth, cannot pass into the human form.” I announce to men the Intellect. I announce the good of being interpenetrated by the mind that made nature: this benefit, namely, that it can understand nature, which it made and maketh. Nature is good, but intellect is better: as the lawgiver is before the law-receiver. I give you joy, O sons of men! that truth is altogether wholesome; that we have hope to search out what might be the very self of everything. The misery of man is to be baulked of the sight of essence and to be stuffed with conjectures; but the supreme good is reality; the supreme beauty is reality; and all virtue and all felicity depend on this science of the real: for courage is nothing else than knowledge; the fairest fortune that can befall man is to be
guided by his daemon to that which is truly his own. This also is the essence of justice—to attend every one his own: nay, the notion of virtue is not to be arrived at except through direct contemplation of the divine essence. Courage then! for “the persuasion that we must search that which we do not know, will render us, beyond comparison, better, braver and more industrious than if we thought it impossible to discover what we do not know, and useless to search for it.” He secures a position not to be commanded, by his passion for reality; valuing philosophy only as it is the pleasure of conversing with real being.

Thus, full of the genius of Europe, he said,
Culture
. He saw the institutions of Sparta and recognized, more genially one would say than any since, the hope of education. He delighted in every accomplishment, in every graceful and useful and truthful performance; above all in the splendors of genius and intellectual achievement. “The whole of life, O Socrates,” said Glauco, “is, with the wise, the measure of hearing such discourses as these.” What a price he sets on the feats of talent, on the powers of Pericles, of Isocrates, of Parmenides! What price above price on the talents themselves! He called the several faculties, gods, in his beautiful personation. What value he gives to the art of gymnastic in education; what to geometry; what to music; what to astronomy, whose appeasing and medicinal power he celebrates! In the Timæus he indicates the highest employment of the eyes. “By us it is asserted that God invented and bestowed sight on us for this purpose— that on surveying the circles of intelligence in the heavens, we might properly employ those of our own minds, which, though disturbed when compared with the others that are uniform, are still allied to their circulations; and that having thus learned, and being naturally possessed of a correct reasoning faculty, we might, by imitating the uniform revolutions of divinity, set right our own wanderings and blunders.” And in the Republic—“By each of these disciplines a certain organ of the soul is both purified and reanimated which is blinded and buried by studies of another kind; an organ better worth saving than ten thousand eyes, since truth is perceived by this alone.”