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Authors: Joyce Carol Oates

The Falls

T
Z

he F

alls

Joyce Carol Oates

a n o v e l

To Nancy Van Goethem and Larry Joseph

The cruel beauty of The Falls

That calls to you—

Surrender!

M. L. Trau,

“The Ballad of the Niagara,” 1931

The Falls at Niagara, comprising the American, the Bridal Veil and the
enormous Horseshoe falls, exert upon a proportion of the human population, perhaps as many as forty percent (of adults), an uncanny effect
called the
hydracropsychic.
This morbid condition has been known to
render even the will of the active, robust man in the prime of life temporarily invalid, as if under the spell of a malevolent hypnotist. Such a
one, drawn to the turbulent rapids above The Falls, may stand for long
minutes staring as if paralyzed. Speak to him in the most forcible tone, he
will not hear you. Touch him, or attempt to restrain him, he may throw
off your hand angrily. The eyes of the enthralled victim are fixed and dilated. There may be a mysterious biological attraction to the thunderous
force of nature represented by the The Falls, romantically misinterpreted
as “magnificent”—“grand”—“Godly”—and so the unfortunate victim
throws himself to his doom if he is not prevented.

We may speculate: Under the spell of The Falls the hapless individual
both ceases to exist and yet wills to become immortal. A new birth, not unlike the Christian promise of the Resurrection of the Body, may be the
cruellest hope. Silently the victim vows to The Falls—“Yes, you have killed
thousands of men and women but you can’t kill me.
Because I am me.”

Dr. Moses Blaine,

A Niagara Falls Physician’s Log 1879‒1905.

By 1900
Niagara Falls had come to be known, to the dismay of local citizens and promoters of the prosperous tourist trade, as “Suicide’s
Paradise.”

A Brief History of Niagara Falls, 1969

Author’s Note

Though there are numerous elements of historical and geographical accuracy in this portrait of Niagara Falls, New York, it should be stressed that the city and its environs are finally mythological.

Especially, resemblances to actual persons living or dead are coincidental.

Contents

part 1 W
Honeymoon

The Gatekeeper’s Testimony: 12 June 1950

3

The Bride

7

The Fossil-Seeker

26

The Widow-Bride of The Falls: The Search

40

The Widow-Bride of The Falls: The Vigil

73

The Proposal

86

7 July 1950

110

part i1 W
Marriage

They Were Married . . .

115

First-Born

140

The Little Family

163

Before . . .

186

. . . And After

194

The Underworld

209

W
Contents

“Zarjo”

254

The Fall

259

11 June 1962

267

part 1ii W
Family

Baltic

275

The Woman in Black

279

Pilgrims

337

Hostages

341

Our Lady of The Falls

407

The Voices

411

epilogue

In Memoriam: Dirk Burnaby 21 September 1978

465

Acknowledgments

About the Author

Other Ecco/HarperCollins Books by Joyce Carol Oates

Credits

Cover

Copyright

About the Publisher

PART I

Z

Honeymoon

The Gatekeeper’s Testimony:

12 June 1950

A
t the time unknown, unnamed, the individual who was to throw himself into the Horseshoe Falls appeared to the gatekeeper of the Goat Island Suspension Bridge at approximately 6:15 a.m. He would be the first pedestrian of the day.

Could I tell, right away? Not exactly. But looking back, yes I should have
known. Might’ve saved him if I had
.

So early! The hour should have been dawn except that shifting walls of fog, mist, and spray rising in continuous billowing clouds out of the 180-foot Niagara Gorge obscured the sun. The season should have been early summer except, near The Falls, the air was agitated and damp, abrasive as fine steel filings in the lungs.

The gatekeeper surmised that the strangely hurrying distracted individual had come directly through Prospect Park from one of the old stately hotels on Prospect Street. The gatekeeper observed that the individual had a “young-old pinched face”—“wax-doll skin”—

“sunken, kind of glaring eyes.” His wire-rimmed glasses gave him an 4 W
Joyce Carol Oates

impatient schoolboy look. At six feet he was lanky, lean, “slightly round-shouldered like he’d been stooping over a desk all his life.” He hurried purposefully yet blindly, as if somebody was calling his name.

His clothes were conservative, somber, nothing a typical Niagara Falls tourist would be wearing. A white cotton dress shirt open at the throat, unbuttoned dark coat and trousers with a jammed zipper

“like the poor guy had gotten dressed real fast, in the dark.” The man’s shoes were dress shoes, black leather polished “like you’d wear to a wedding, or a funeral.” His ankles shone waxy-white, sockless.

No socks! With fancy shoes like that. A giveaway.

The gatekeeper called out, “Hello!” but the man ignored him.

Not just he was blind but deaf, too. Anyway not hearing. You could see his mind was fixed like a bomb set to go off: he had somewhere to get to, fast.

In a louder voice the gatekeeper called out, “Hey, mister: tickets are fifty cents,” but again the man gave no sign of hearing. In the arrogance of desperation he seemed oblivious of the very tollbooth. He was nearly running now, not very gracefully, and swaying, as if the suspension bridge was tilting beneath him. The bridge was about five feet above the white-water rapids and its plank floor was wet, treacherous; the man gripped the railing to keep his balance and haul himself forward. His smooth-soled shoes skidded. He wasn’t accustomed to physical exercise. His shiny round glasses slipped on his face and would have fallen if he hadn’t shoved them against the bridge of his nose. His mouse-colored hair, thinning at the waxen crown of his head, blew in wan, damp tendrils around his face.

By this time the gatekeeper had decided to leave his tollbooth to follow the agitated man. Calling, “Mister! Hey mister!”—“Mister, wait!” He’d had experience with suicides in the past. More times than he wished to remember. He was a thirty-year veteran of The Falls tourist trade. He was in his early sixties, couldn’t keep up with the younger man. Pleading, “Mister! Don’t! God damn I’m begging you:
don’t
!”

He should have dialed his emergency number, back in the tollbooth. Now it was too late to turn back.

Once on Goat Island the younger man didn’t pause by the railing
The Falls
X 5

to gaze across the river at the Canadian shore, nor did he pause to contemplate the raging, tumultuous scene, as any normal tourist would do. He didn’t pause even to wipe his streaming face, or brush his straggly hair out of his eyes.
Under the spell of The Falls. Nobody mortal was going to stop him.

But you have to interfere, or try. Can’t let a man—or a woman—

commit suicide, the unforgiveable sin, before your staring eyes.

The gatekeeper, short of breath, light-headed, limped after the younger man shouting at him as he made his unerring way to the southern tip of the little island, Terrapin Point, above the Horseshoe Falls. The most treacherous corner of Goat Island, as it was the most beautiful and enthralling. Here the rapids go into a frenzy. White frothy churning water shooting up fifteen feet into the air. Hardly any visibility. The chaos of a nightmare. The Horseshoe Falls is a gigantic cataract a half-mile long at its crest, three thousand tons of water pouring over the Gorge each second. The air roars, shakes. The ground beneath your feet shakes. As if the very earth is beginning to come apart, disintegrate into particles, down to its molten center. As if time has ceased. Time has exploded. As if you’ve come too near to the radiant, thrumming, mad heart of all being. Here, your veins, arteries, the minute precision and perfection of your nerves will be unstrung in an instant. Your brain, in which you reside, that one-of-a-kind repository of
you,
will be pounded into its chemical compo-nents: brain cells, molecules, atoms. Every shadow and echo of every memory erased.

Maybe that’s the promise of The Falls? The secret?

Like we’re sick of ourselves. Mankind. This is the way out, only a few have
the vision.

Thirty yards from the younger man, the gatekeeper saw him place one foot on the lowest rung of the railing. A tentative foot, on the slippery wrought iron. But the man’s hands gripped the top rung, both fists, tight,

“Don’t do it! Mister! God damn—”

The gatekeeper’s words were drowned out by The Falls. Flung back into his face like cold spit.

Near to collapsing, himself. This would be his last summer at 6 W
Joyce Carol Oates

Goat Island. His heart hurt, pounding to send oxygen to his stunned brain. And his lungs hurt, not only the stinging spray of the river but the strange metallic taste of the air of the industrial city sprawling east and north of The Falls, in which the gatekeeper had lived all his life.
You wear out. You see too much. Every breath hurts.

The gatekeeper would afterward swear he’d seen the younger man make a gesture of farewell in the instant before he jumped: a mock salute, a salute of defiance, as a bright brash schoolboy might make to an elder, to provoke; yet a sincere farewell too, as you might make to a stranger, a witness to whom you mean no harm, whom you wish to absolve of the slightest shred of guilt he might feel, for allowing you to die when he might have saved you.

And in the next instant the young man, who’d been commandeer-ing the gatekeeper’s exclusive attention, was simply—gone.

In a heartbeat, gone. Over the Horseshoe Falls.

Not the first of the poor bastards I’ve seen, but God help me he will be the last.

When the distraught gatekeeper returned to his booth to dial Niagara County Emergency Services, the time was 6:26 a.m., approximately one hour after dawn.

The Bride

1

N
o. Please, God. Not this.”

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