The Ghosts of Peppernell Manor (26 page)

“Harlan wasn't bad!” Vivian cried.
“He killed Mother. He told me so,” Ruby whispered. We had to lean in close to hear her.
Right then I knew Ruby was telling the truth. A business associate hadn't killed Harlan; his aunt had killed him. She killed him because he killed her mother.
“You rest now, Ruby,” I told her softly. “Thank you for telling us.”
I left the room and returned to Lucy. Heath went back to see Ruby. I thought I would see her again, but I was wrong.
Heath came to Lucy's room a short time later. “She's gone,” he whispered, tears beginning to well up in his eyes. He rubbed them impatiently and blinked several times, gathering himself. “Dad told me what Ruby said.”
“About Harlan?”
“Yes.”
I didn't want to tell Heath that I had known all along about Harlan and Cora-Camille, but I knew I had to. I couldn't allow our marriage to start off with such a secret.
“Heath, I have to tell you something.”
“What is it?”
“Harlan was the one who tried to poison your grandmother, so she would die before being able to change her will to leave the management of Peppernell Manor to the state of South Carolina. At the same time, he was trying to get her to sign on with the investors that he brought to the manor, and she refused.
“When the poison didn't seem to be working fast enough, he dressed up as your grandfather and tried to talk to her in the middle of the night one night. She had a heart attack. I knew that Harlan had killed your grandmother.
“Please forgive me for not telling you. I felt it wasn't my place to tell anyone, since I'm not part of the family. I felt it was up to Evie to tell people what Harlan had done, since she was aware of the facts. And when he died, there seemed to be no reason to tell anyone.”
There. I'd told him. And I felt an overwhelming relief at being able to share what Evie and I had heard on her phone the day Harlan was shot.
Heath was quiet for a moment, then he took one of my hands in his. “Of course I forgive you. You were in a very awkward spot. I wish Evie had told someone, though I don't know what I would have done with the information, either.”
He looked over at Lucy. “I'm glad she's okay. Have you told Brad that she's here?”
“Not yet. I'll call him in the morning.”
And that's what I did. He was upset and angry, blaming me for Lucy's disappearance from the party.
“I told you, Brad, she was with me every minute except for the few minutes when Evie had her. I just let go of her hand for a second. I will live with it the rest of my life. It could have happened to anyone. Even you.”
“I want to see her.”
I told him her room number. Even with the charges pending against him, this was a situation in which I couldn't deny him seeing her. He had to see with his own eyes that she was okay and I understood that feeling.
I learned later that the police had gone through Odeile's purse. Apparently she, like me, had a penchant for before-and-after pictures. They had found such photos on her cell phone of the ruined wallpaper in the slave cabins. So Odeile had been the culprit. I had been so sure it was Brad. I apologized to him and he accepted my apology graciously.
Lucy was in the hospital for several days, and I stayed by her side the entire time. I let Brad visit as often as he wanted, and my parents even came from Florida to see her.
Not long after she got out of the hospital I got back to work restoring Peppernell Manor. My work took me through the spring, but I finally finished the manor house and the barn and the privy. Everyone was thrilled with my work, and the family loved to entertain in it and show off their new—old—house. I earned a solid reputation in Charleston, and my restoration work was featured in a national architecture magazine.
Most importantly, Sarah loved the renovated manor house and slave cabins. Phyllis came to talk to me one day as I was working upstairs in Evie's bedroom.
“I just wanted to tell you that I spoke to Sarah again. She said you got the cabins just right. That's just how they looked when she lived there.”
I smiled. “Thank you, Phyllis. I'm really happy to hear that. Did Sarah have anything else to say?”
“She loves the fiddle.”
“I'm thrilled!”
“Thank you for doing the cabins justice,” she said shyly.
“I wouldn't have restored them if I couldn't do it right,” I told her.
Just then Addie came bounding into the room. Heath had taken to leaving her at the manor house during the day so she would have company and stop chewing all the furniture in the carriage house while he was at work.
“Things around here have been so peaceful lately, and nothing bad has happened since the day of the open house,” I noted pointedly. “Do you still think Addie is bad luck?”
Phyllis smiled and dodged the question. “I'm getting used to her being around,” she said, as she reached down and fluffed the dog's ears.
Shortly after I finished the restoration of Peppernell Manor, I moved my business permanently from Chicago to South Carolina and never looked back. My assistants, though they had done a great job in my absence, were only too happy to hand the reins back to me. When I opened my business in Charleston, I asked Phyllis to come to work for me as an interior designer. She kept her job at Peppernell Manor, but agreed to work with me part-time.
Vivian finally agreed that there had been enough sadness, enough grief and violence, over the future management of Peppernell Manor. She let go all of her talk of investors and tourists. I'm sure the topic will be revisited someday, but for now, life at the manor has become quieter.
Ruby was missed at Peppernell Manor. Though she had made some poor choices during the last months of her life, her family forgave her, too. It was strange to think that not so long ago, I had been angry with Ruby for taking Lucy without my permission. Now she was gone, giving her own life to save mine and Lucy's.
Going through Ruby's things shortly after her death, Evie found a gallon of black paint in the back of Ruby's closet.
So she had been the one.
We could only guess at the reason. Though we'll never know for sure, we suspect she did it to slow down the restoration and scare off the investors.
The day Heath and I and Lucy became a family on the patio of the carriage house, the sky, pink from the setting sun, floated above us softly. It was a warm late-summer evening with the scents of roses and Confederate jasmine and honeysuckle perfuming the air. It was low-key and intimate, with just Lucy, my parents, Heath's family, and Phyllis present. And Addie, of course, who sat quietly next to Phyllis as she surreptitiously fed her treats throughout the ceremony.
I never imagined when I first set eyes on the carriage house that it would one day be my home. And in the twilight of that South Carolina evening, we finally had the Lowcountry boil that I had been promised when I first arrived at Peppernell Manor. It was delicious.
Turn the page for a special excerpt of Amy M. Reade's
SECRETS OF HALLSTEAD HOUSE

You are not wanted here. Go away from Hallstead Island or you will be very sorry you stayed.”
 
Macy Stoddard had hoped to ease the grief of losing her parents in
a fiery car crash by accepting a job as a private nurse to the wealthy
and widowed Alexandria Hallstead. But her first sight of Hallstead
House is of a dark and forbidding home. She quickly finds its
winding halls and shadowy rooms filled with secrets and suspicions.
Alex seems happy to have Macy's help, but others on the island,
including Alex's sinister servants and hostile relatives, are far less
welcoming. Watching eyes, veiled threats . . . slowly, surely, the
menacing spirit of Hallstead Island closes in around Macy. And she
can only wonder if her story will become just one of the many
secrets of Hallstead House . . .
 
A Lyrical Press e-book original on sale now!
CHAPTER 1
My journey was almost over.
It was raining, and I looked out through the drizzle across the blue-gray water of the Saint Lawrence River. Only a few boats were out on such a raw and rainy day. From the bench where I sat on the Cape Cartier public dock, I could see several islands. Each was covered with trees—dark green pine trees and leafy maples, oaks, birches, and weeping willows. In the chilly late September air, the leaves were already tinged with the colors of fall: yellows, reds, oranges, browns. I could glimpse homes on the islands, but I didn't see any people. It was beautiful here—so different from the city I had just left behind.
Even though twenty years have come and gone since that day, I can still remember the calm that settled around me as I waited for my ride to Hallstead House in the middle of the Thousand Islands. My nerves were still ragged, but the river had an immediate and peaceful effect on me. I was only twenty then, but I had been through so much. Though I had been traveling for just a few hours, my journey to this place had begun six long weeks earlier.
As I listened to the raindrops plunk into the river, the sound of the motor from an approaching boat cut into my reverie. It was an older boat of gleaming mahogany with a large white awning covering most of it, protecting the cabin and the pilot from the rain. It puttered up to the dock slowly and in a few moments had pulled alongside, close to where I sat. The pilot moved to the stern and climbed out quickly, securing the boat to the dock with a thick rope. He turned to me with a questioning look and said, “Macy Stoddard?”
“Yes.”
He shook my hand curtly. “I'm Pete McHale. I work for Alexandria Hallstead. She sent me here to pick you up. That all the luggage you brought?”
“Yes, that's it.”
He shot me a disapproving look and said, “I hope you brought some warm stuff to wear. It starts getting cold up here pretty early in the fall. It's colder here than it is in the big city, you know.” He smirked.
Determined to stay positive, I ignored his look of reproach and replied that I had plenty of warm clothes. Once he'd stowed my two large suitcases in the boat under the awning, he helped me on board, where I chose a seat in the front so I could see where we were going and stay dry. I had been in a boat once as a child when a furious storm blew up, and I had hated boats ever since. Still, though I was unhappy and nervous to be riding in one, there was absolutely no other way to get to my island destination. Pete untied the boat and we slowly pulled away from the dock. As he scanned the river and began turning the boat to the north, I glanced at his profile. He looked like he was in his mid-thirties—medium height, with light-brown, windblown hair, and green eyes with creases in the corners that made it look like he squinted a lot. He wore faded jeans and a Windbreaker.
When he had steered the boat out of the small, sheltered bay at Cape Cartier and into the more open channel, he glanced at me and said, “We'll be at Summerplace in about ten minutes.”
“Summerplace?”
“That's the name of the house on Hallstead Island.”
“Oh. I thought it was called Hallstead House.”
“Its official name is Hallstead House. The people who live on the island just call it Summerplace.”
We sat in silence for several moments, and finally I asked, “Why is it called Summerplace?”
Pete sighed. Evidently he didn't relish playing the role of tour guide. “It's called Summerplace because it used to be a summer retreat for the Hallstead family. Now Miss Hallstead stays there for as much of the year as she can. In early to mid-October she moves the household over to Pine Island and spends the winter there.”
To keep my mind off my abject fear of being on the water, I turned my attention to the islands we were passing. Each one had a home on it, and all of the homes were beautiful. Some looked empty, since their occupants had probably left after the summer ended, but some still had boats tied to docks or housed in quaint boathouses. The homes themselves, most of which were huge and had large, welcoming porches, were surrounded by the ever-present trees. Several had bright awnings over the windows.
In the face of Pete's apparent ambivalence, I had determined not to ask any more questions. But as I sat looking around me I forgot my self-imposed rule. “Are there really a thousand islands in this area?” I blurted out.
“There are actually over eighteen hundred islands in the Thousand Islands,” he replied. To my surprise, he seemed to warm to this subject and continued. “In order to be included in the count, an island has to be above water three hundred and sixty-five days a year and support at least two living trees.”
I continued to draw him out, asking, “What do you do for Mrs. Hallstead?”
His attitude changed again, becoming colder. “It's
Miss
Hallstead. She never took her husband's name. But to answer your question, I'm one of the handymen. I'm also the boat captain—I maintain and pilot this and one other boat. I don't do a lot of chauffeuring. The people who live on Hallstead Island don't get out much. I just ferry the visitors.”
“Who else lives on the island besides Miss Hallstead?”
“Just another handyman and a housekeeper. They're an older married couple. Leland and Valentina Byrd. They have quarters next to the main residence.
“How did you get the job as Miss Hallstead's private nurse?” Pete asked.
“My agency got a request for a private nurse for an elderly woman who had broken a hip. They knew I was looking for a change, so they offered it to me.”
“Oh. Aren't you a little young for a job like that?”
“I'm almost twenty-one,” I said a little indignantly. “I've been working for over a year at a hospital.”
“Oh. I beg your pardon.”
I turned to observe my new surroundings. Each island that we passed seemed to have its own unique personality. Some seemed dominated by magnificent homes; others were more notable for their stunning natural beauty. I prattled on with my usual tact. “Who can afford to live in these places?”
“A lot of these islands used to be owned by big businessmen. Nowadays they're mostly owned by regular people, but some of the bigger ones are still owned by the families of the original owners.”
“How long have the Hallsteads been coming here?”
“Three generations now. The Hallsteads are an old oil family. They own HSH Oil Company—the ‘HSH' stands for Henry S. Hallstead, the company founder and Miss Hallstead's grandfather. He bought the island originally.”
“Do the Hallsteads still run the oil company?” It was none of my business and I regretted the question immediately. Pete shot me a look confirming my thoughts, but he answered my question nonetheless.
“Yes, they do. They run the day-to-day operations.”
“How do you know all this?”
“I've been around for quite a while,” he said dryly.
“Does Miss Hallstead get many visitors?”
Pete smirked. “Hardly. The only two people who ever stay at the house with her are her adviser and her nephew. They each have rooms in the house.”
“Do you live on the island?”
“You ask a lot of questions.”
“I'm just curious.”
And nervous
.
“I can see that. I usually stay on the island. I have rooms over the boathouse. My family lives on Heather Island, which is not too far from Hallstead Island. I stay there every so often. Hallstead Island can get a little gloomy.”
“Gloomy? What's gloomy about it?”
Pete didn't answer. He steered the boat slightly to the right and pointed to an island looming up ahead. “That's Hallstead Island. The boathouse is just around the other side, right off the channel. I'll drive you around back so you can see the island before we dock.”
As the boat slowly approached, I got my first glimpse of the place that would be my new home. It was stunning. Where the island rose out of the river, a stone wall was visible above the surface of the water. The wall was about five feet high and appeared to stretch around the entire island. It had been built of gray stones of varying thickness, stacked on top of one another, and it had the effect of making the island look almost fortress-like. On the wall were long striations of colors ranging from white to dark gray to mossy green. I asked Pete what they were and he informed me that they marked past high-water levels of the river.
Rising from the stone wall were gently sloping expanses of rock, some covered with moss, some bare of any vegetation, looking dark and slick from the rain. Still other areas of the rocky surface contained large crevices choked with shaggy shrubs and wild grasses. As we continued around the considerable perimeter of the island, I saw several neighboring islands. One or two of them seemed rather large, like Hallstead Island, and one of them was tiny, with no more than a cottage and a few trees rising from the surface of the water. The boat moved slowly, barely creating a wake, and we rounded the northern end of the island. A leafy red maple tree leaned far out over the water. It was an unusual tree and looked as if a ceaseless wind had caused it to grow sideways. As we passed under, it was so near the boat that I could have reached up to touch the dancing leaves on its gently curving branches.
Trying to forget my churning nerves, I turned my attention toward the center of the island. The trees there grew in a dense stand. Some were leafy, but mostly they were evergreens, tall and dark and sturdy looking, moving in unison as the wind gently blew through their long, graceful branches. They grew thickly, reminding me of a peaceful, primeval forest. I closed my eyes and listened to the soft, low song of the wind in the trees and the tapping of the raindrops on the boat's canopy. For a moment I was even able to shut out the quiet hum of the boat's motor.
“It's beautiful,” I breathed, almost afraid that talking aloud would break the spell of silence and beauty around me.
“It is,” Pete agreed quietly. I glanced over at him and saw that he, too, was gazing appreciatively at the island.
“Where's the house?” I asked.
Pete looked surprised. “Don't you see it?” He pointed into the dark cluster of trees, nodding toward the middle of the island. “Summerplace—Hallstead House—is right in the middle of those trees.”
I looked more closely, and this time I spied a dark-green structure rising from the forest floor. I couldn't see it very well, but as I scanned the woods I saw several dark-green turrets, each with a rich chocolate-brown roof. I would have to wait until I was closer to see the rest of Summerplace.
“The house certainly blends in well with its surroundings. I can hardly see it.”
Pete nodded, saying, “Miss Hallstead likes it that way.” His comment about Summerplace being gloomy came to mind, and I had to admit that the home did conjure up an image of darkness and gloom, at least from what little I could see of it.
But I wasn't ready to make any judgments yet. After all, this was to be my new job and my new home, at least for now. I forced myself to be cheerful, and asked Pete, “The boathouse is around the back of the island?”
“Yeah—it'll just take a minute.” He steered the boat slowly around the side of the island facing away from the channel. The back side was just like the front: a low stone wall, rocks, grasses, wild shrubs, and lots of trees. In another moment we pulled up to the boathouse, a large, square, two-story structure painted the same shade of green as the main residence. It had a dark-brown roof, and above the roofline at each corner rose a small turret with several tall windows marching around it. A long balcony stretched around the structure's entire second story. A large cupola in the center of the peaked boathouse roof held a verdigris weathervane in the shape of a ship. In front, three large boat bays stood open, and I could see two boats moored inside.
“I love it!” I cried spontaneously.
“It's a pretty fair reproduction of Summerplace, only on a much smaller scale,” Pete noted proudly. “Of course, it's not exactly like Summerplace because the front is all taken up by boat bays, but you get the idea. We keep this boat in there, plus a smaller one, plus my own boat. My rooms are upstairs, and the rest of the second story is used as storage and for maintenance equipment for the house and boats.”
I nodded, absorbed in taking in the details of the boathouse and watching Pete maneuver our boat into its bay and up against the dock. He turned off the engine, jumped up onto the dock, and secured the boat with thick, heavy ropes. He hopped into the boat again to get my suitcases, and then, carrying both, he led the way out of the boathouse. I was very grateful to get onto land again.
It had started to rain a little harder, and I followed Pete away from the boathouse toward Summerplace. We made our way from a slippery, rocky surface to a well-worn path that entered the trees through a graceful arch of branches. Our shoes made almost no sound on the carpet of wet leaves and pine needles, and the trees created their own darkness, especially on this dreary day. A chill blew through me with the wind.
Neither of us spoke in the hush of the trees until Pete turned back to me and said, “Here's Summerplace.”
We had reached an area where the trees were thinning and, almost out of nowhere, Summerplace appeared before me. It was dark and breathtaking. Just like its miniature double, the boathouse, Summerplace was painted a deep shade of forest green that perfectly matched the trees surrounding it. It was quite large. It had two stories, and a turret rose from each corner of the home, four in all, like those on the boathouse, but on a grander scale. Each turret was at least one full story higher than the rest of the house and wreathed in tall windows. The rich brown roof was peaked in the center, and it held an enormous cupola topped by a weathervane like the one on the boathouse, shaped like a ship and covered with the green patina of age. Around the ground floor was a wide porch covered by dark brown awnings, and around the second floor, again like that on the boathouse, was a wide balcony. Neither the porch nor the balcony held any furniture.

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