The Glass Palace (6 page)

‘Saya,' Rajkumar shrugged offhandedly, ‘they're just tools. Without minds of their own. They count for nothing.'

Saya John glanced at him, startled. There was something unusual about the boy—a kind of watchful determination. No excess of gratitude here, no gifts or offerings, no talk of honour, with murder in the heart. There was no simplicity in his face, no innocence: his eyes were filled with worldliness, curiosity, hunger. That was as it should be.

‘If you ever need a job,' Saya John said, ‘come and talk to me.'

Just before sunset the occupying troops withdrew from the fort. They carried away cartloads of booty from the palace. To the astonishment of the townsfolk, they left without posting pickets around the fort. For the first time that anyone could remember the gateways of the citadel stood open and unguarded.

The soldiers marched back the way they had come but through streets that were now empty. As the tramp of their feet faded away an uneasy quiet descended on the city. Then, with the suddenness of a night-time eruption in a chicken-coop, a group of women burst out of the fort and came racing over the funeral bridge, their feet pounding a drum roll on its wooden surface.

Ma Cho recognised some of the women. They were palace servants; she had seen them going in and out of the fort for years, stepping haughtily down the road in their slippered feet, their longyis plucked daintily above their ankles. They were running now, stumbling through the dust without a thought for their clothes. They were carrying bundles of cloth, sacks, even furniture; some were bent over like washerwomen on their way to the river. Ma Cho ran out into the street and stopped one of the women. ‘What are you doing? What's happened?'

‘The soldiers—they've been looting the palace. We're trying to save a few things for ourselves.' The women disappeared and all was quiet again. Presently the shadows around the fort began to stir. There were ripples of activity in the darkness, like the fluttering of moths in the recesses of a musty cupboard. People crept slowly out of the dwellings that surrounded the citadel. Advancing to the walls they peered distrustfully at the empty guard-posts. There were no soldiers anywhere in sight, nor even any sentries from the palace guard. Was it really possible that the gates had been left unguarded? A few people stepped on the bridges, testing the silence. Slowly, walking on the balls of their feet, they began to advance towards the far bank of the eighty-foot moat. They reached the other side and went creeping to the gates, holding themselves ready to run back at the slightest check.

It was true: the guards and sentries were all gone. The palace was unguarded. The intruders slipped through the gates and vanished into the fort.

Ma Cho had been watching undecided, scratching her chin. Now she picked up her sharp-bladed da. Tucking the wooden handle into her waist she started towards the funeral bridge. The fort's walls were a blood-red smear in the darkness ahead.

Rajkumar ran after her, reaching the bridge abreast of a charging crowd. This was the flimsiest of the fort's bridges, too narrow for the mass that was trying to funnel through. A frenzy of jostling broke out. The man beside Rajkumar found himself stepping on air and dropped over the side; a wooden plank flipped up, tipping two women screaming into the moat. Rajkumar was younger than the people around him and lighter on his feet. Slipping through the press of bodies, he went sprinting into the fort.

Rajkumar had imagined the fort to be filled with gardens and palaces, richly painted and sumptuously gilded. But the street he now found himself on was a straight and narrow dirt path, lined with wooden houses, not much different from any other part of the city. Directly ahead lay the palace and its nine-roofed spire—he could see the gilded hti flashing in the darkness. People were pouring down the street now, some carrying flaming torches. Rajkumar caught a glimpse of Ma Cho rounding a corner in the distance. He sprinted after her, his longyi tucked tight around his waist. The palace stockade had several entrances, including doorways reserved for the use of servants and tradespeople. These were set low in the walls, like mouseholes, so that no one could pass through them without bowing. At one of these small doorways Rajkumar caught up again with Ma Cho. The gate was quickly forced. People began to tumble through, like water over the lip of a spout.

Rajkumar stayed close behind Ma Cho as she elbowed her way to the entrance. She heaved him in and then squeezed through herself. Rajkumar had the impression of having fallen upon a perfumed sheet. Then he rolled over and found that
he was lying on a bed of soft grass. He was in a garden, within reach of a sparkling canal: the air was suddenly clear and cool, free of dust. The orientation of the palace's gateways was towards the east: it was from that direction that ceremonial visitors approached, walking down the formal pathway that led to the great glass-tiled pavilion where the King held court. On the western side of the stockade—the side that was closest to the funeral gate—lay the women's quarters. These were the halls and apartments that now lay ahead of Ma Cho and Rajkumar. Ma Cho picked herself up and hurried, panting, in the direction of a stone archway. The doors of the main chamber of the women's palace lay just beyond, yawning open. People stopped to run their fingers over the doors' jade-studded panels. A man fell on his knees and began to pound the slats of wood with a rock, trying to knock out the ornaments. Rajkumar ran past, into the building, a couple of steps behind Ma Cho. The chamber was very large and its walls and columns were tiled with thousands of shards of glass. Oil lamps flared in sconces, and the whole room seemed to be aflame, every surface shimmering with sparks of golden light. The hall was filled with a busy noise, a workmanlike hum of cutting and chopping, of breaking wood and shattering glass. Everywhere people were intently at work, men and women, armed with axes and das; they were hacking at gem-studded
Ook
offering boxes; digging patterned gemstones from the marble floor; using fish-hooks to pry the ivory inlays from lacquered sadaik chests. Armed with a rock, a girl was knocking the ornamental frets out of a crocodile-shaped zither; a man was using a meat cleaver to scrape the gilt from the neck of a
saung-gak
harp and a woman was chiselling furiously at the ruby eyes of a bronze
chinthe
lion. They came to a door that led to a candlelit anteroom. There was a woman inside, standing by the latticed window in the far corner.

Ma Cho gasped. ‘Queen Supayalat!'

The Queen was screaming, shaking her first. ‘Get out of here. Get out.' Her face was red, mottled with rage, her fury caused as much by her own impotence as by the presence of
the mob in the palace. A day before, she could have had a commoner imprisoned for so much as looking her directly in the face. Today all the city's scum had come surging into the palace and she was powerless to act against them. But the Queen was neither cowed nor afraid, not in the least. Ma Cho fell to the floor, her hands clasped over her head in a reverential
shiko.

Rajkumar dropped to his knees, unable to wrench his gaze away. The Queen was dressed in crimson silk, in a loose garment that billowed over her hugely distended stomach. Her hair was piled in lacquered coils on her tiny, delicately shaped head; the ivory mask of her face was scarred by a single dark furrow, carved by a bead of sweat. She was holding her robe plucked above her ankle and Rajkumar noticed that her legs were encased in a garment of pink silk—stockings, an article of clothing he had never seen before. The Queen glared at Ma Cho, lying on the floor in front of her. In one hand, Ma Cho was holding a brass candlestand with a chrysanthemum pedestal.

The Queen lunged at the prostrate woman. ‘Give that to me; where did you get it? Give it back.' Leaning stiffly over her swollen stomach, the Queen tried to snatch away the candlestand. Ma Cho eluded her hands, pushing herself backwards, crab-like. The Queen hissed at her: ‘Do you know who I am?' Ma Cho offered her yet another respectful genuflection, but she would not part with her candlestand. It was as though her determination to cling to her loot was in no way at odds with her wish to render due homage to the Queen.

Just one day earlier the crime of entering the palace would have resulted in summary execution. This they all knew—the Queen and everyone who had joined the mob. But yesterday had passed: the Queen had fought and been defeated. What purpose was to be served by giving her back what she had lost? None of those things was hers any more: what was to be gained by leaving them to the foreigners to take away?

Through all the years of the Queen's reign the townsfolk
had hated her for her cruelty, feared her for her ruthlessness and courage. Now through the alchemy of defeat she was transformed in their eyes. It was as though a bond had been conjured into existence that had never existed before. For the first time in her reign she had become what a sovereign should be, the proxy of her people. Everyone who came through the door fell to the floor in a spontaneous act of homage. Now, when she was powerless to chastise them, they were glad to offer her these tokens of respect; they were glad even to hear her rail at them. It was good that they should shiko and she berate them. Were she meekly to accept her defeat none would be so deeply shamed as they. It was as though they were entrusting her with the burden of their own inarticulate defiance.

Rajkumar's eyes fell on a girl—one of the Queen's maids. She was slender and long-limbed, of a complexion that was exactly the tint of the fine
thanaka
powder she was wearing on her face. She had huge dark eyes and her face was long and perfect in its symmetry. She was by far the most beautiful creature he had ever beheld, of a loveliness beyond imagining.

Rajkumar swallowed to clear his throat, which was suddenly swollen and dry. She was in the far corner of the room with a group of other girls. He began to work his way towards her along the wall.

She was an attendant, he guessed, perhaps nine or ten years old. He could tell that the bejewelled little girl beside her was a Princess. In the corner behind them lay a heap of richly coloured cloths and objects of brass and ivory. The girls had evidently been busy salvaging the Queen's possessions when they were interrupted by the mob.

Rajkumar looked down at the floor and saw a jewelled ivory box lying forgotten in a corner. The box had a gold clasp and on its sides were two small handles, carved in the shape of leaping dolphins. Rajkumar knew exactly what he
had to do. Picking the box off the ground, he ran across the room and offered it to the slender little girl.

‘Here.'

She wouldn't look at him. She turned her head away, her lips moving silently as though in a chant.

‘Take it,' said one of the other girls. ‘He's giving it to you.'

‘Here.' He thrust the box at her again. ‘Don't be afraid.'

He surprised himself by taking hold of her hand and placing it gently on the box. ‘I brought it back for you.'

She let her hand rest on the lid. It was as light as a leaf. Her lowered eyes went first to the jewelled lid and then travelled slowly from the dark knots of his knuckles to his torn and dirt-spattered vest and up to his face. And then her eyes clouded over with apprehension and she dropped her gaze. He could tell that her world was ringed with fear so that every step she took was a venture into darkness.

‘What's your name?' Rajkumar said.

She whispered a couple of inaudible syllables.

‘Doh-lee?'

‘Dolly.'

‘Dolly,' repeated Rajkumar. ‘Dolly.' He could think of nothing else to say, or as much worth saying, so he said the name again louder and louder, until he was shouting. ‘Dolly. Dolly.'

He saw a tiny smile creep on to her face and then Ma Cho's voice was in his ear. ‘Soldiers. Run.' At the door, he turned to look back. Dolly was standing just as he'd left her, holding the box between her hands, staring at him.

Ma Cho tugged at his arm. ‘For what are you staring at that girl, you half-wit kalaa? Take what you've got and run. The soldiers are coming back. Run.'