Authors: Bernhard Schlink
He got up and went back to the gift shop. He showed the cashier Françoise’s picture, an enlarged close-up of her reading on the bed. “Do you happen to know her?”
The young woman looked at him cautiously. “What do you want? Who are you?”
He had conjured up a romantic story: Françoise had visited Europe, their meeting in France, their love, a silly lover’s quarrel in which he had walked out in a huff, his not being able to find her. He looked the cashier in the eye and then lowered his gaze: such a foolish quarrel, his foolish pride, his foolish temper, he was ashamed of himself. Then he raised his eyes again with a sincere and determined look. “I’ve come to ask her to marry me.”
Since the cashier had not been working there very long, she took him to her boss, who had been the manager for ten years. The manager didn’t remember ever seeing Françoise either, but all that meant was that Françoise hadn’t worked there during the past ten years. Whether she had been a customer was another question—that, she couldn’t say. She herself wasn’t always on the floor, and she’d had many shop assistants over the years.
GEORG WAS NEVER SURE
whether people were won over by his tale because they believed it, or because he was so sincere. Besides his romantic tale he also had one in which he was a young lawyer and Françoise an acquaintance of a client in France who didn’t know her full name or address. She was to be a key witness in a trial, the trial was vital for the client, and the client vital for Georg, who was an up-and-coming lawyer. What people liked about both tales was the role played by the picture of the cathedral, their cathedral. They looked at the photo carefully, gave the matter some thought, said they were sorry they couldn’t help him, and sometimes suggested where he might look further.
He spoke to current and former priests connected with the cathedral, with parishioners who had been volunteers, with the head of the Ladies Guild, the head of the theater workshop. Nobody recognized the face in the photograph. At times he felt her face becoming more unfamiliar to him every time he took out the picture and showed it. Was this the face that had smiled at him, that he had seen from so close, and touched and kissed? He felt that his growing unfamiliarity had to do with Françoise’s lowered eyes. But perhaps it would be even worse if her eyes had been
visible. Maybe they, too, would wear away as he kept taking out the picture and showing it around. Usually the past lurks unnoticed behind the present, but Georg felt as if the past was being slowly sucked away under his helpless gaze.
In two weeks he had met over twenty people. He now knew the Upper West Side where most of them lived, and the subways and buses that took him to those who lived in other places. He knew the baroque, putto-decorated entrance of the Polish consulate, and the cold, white facade of the Soviet one. He often stood outside, or sat on a stoop across from the grand townhouse of the Poles or on the steps of the synagogue that the Russians eyed with grim faces. He didn’t know whether secret-service agents reported to their consulates, but a consulate offers a connection between its nation and the host nation, and Georg was seeking just such a relationship in the hope of finding out more about Françoise or even Bulnakov. He went inside both consulates and asked for Françoise Kramsky’s address, telling the staff he believed she had once either worked there or was somehow connected to the consulate. Both the Poles and the Russians told him they were not at liberty to provide that kind of information. He told them his tales in vain. He showed the officials her picture, but their faces betrayed no reaction.
He experienced Manhattan as a forest. This city isn’t on an island, he thought, it is an island. It isn’t part of a landscape, it is the landscape, a landscape of stone vegetation alien to its people, who must first hack paths through it and build dwellings that always risked being overwhelmed by the vegetation. Sometimes he came upon burned-out shells of buildings, lots heaped with rubble, facades with windows and doors that were empty or bricked up. It was as if they had been ravaged by war—but since there had been no war, it was as if nature had reclaimed them: not a rampant forest but a raging earthquake. The new buildings towered into the sky like growing crystals.
At night he had weird dreams. Many days he didn’t talk to a soul.
His money was running out. He only had a thousand dollars left, which wouldn’t last long in New York. The Epps gave him to understand, pleasantly but firmly, that it was time he moved on. He had gotten nowhere. Should he give up?
He sat in the Hungarian Pastry Shop, a café across from the cathedral. One could sit there as long as one liked. They served homemade cookies, and there were free coffee refills. The air was heavy with smoke. The paintings in the café were ugly, its mirrors dull; the paint was flaking off the walls and the column in the center of the room, beside which was a chest of drawers with a jug of coffee on top. The shop was a refuge for those who hadn’t yet made it or who no longer had any prospects of making it. Georg came here to relax and do some thinking. He exchanged a few words with people sitting at nearby tables, borrowed a newspaper, was asked for a light, or offered a cigarette.
Two men at the next table were talking about apartments and rents. One of them, Larry, was looking for a roommate. Georg told him he was looking for a place, and Larry said he had a room he could have for four hundred dollars. Larry taught German at Columbia, and liked the idea of having a German roommate. Within minutes everything was settled, and later that day Georg moved in.
He had the corner room of a twelfth-floor apartment, whose two windows looked out on different parts of the city. One faced a church tower, backyards, fire escapes, and rooftops, and had an uptown view of Broadway until the haze of the day swallowed the cars and houses, and the darkness of night swallowed their lights. His sleep was pierced by the howl of sirens, feverish spirals of sound that began and ended with a high-pitched gasp. From the other window he looked out onto a parking lot, low buildings, the
trees of Riverside Park, and the Hudson River, lying wide and idle with its metallic sheen in the sun, and in bad weather melting into the opposite bank. From time to time a barge plowed its waters. The sun set between the wooden water towers on the roofs. The window facing west was larger, and the view from it wider. At times Georg felt as if he could spread out his arms and fling himself out over the parking lot, gliding over houses and trees and over the Hudson, and land like a large bird on the water. Why should he, who only had to spread out his arms in order to fly, give up his search?
Georg still hadn’t seen one of the former coordinators of the theater workshop or the former head of the Ladies Guild who was now running the kindergarten. He called and made appointments. Calvin Cope, the former director of the cathedral’s theater workshop, was now a real director, and initially said he was too busy to meet. It was a matter of life and death? he asked. Georg had crossed the Atlantic, come all the way from Europe? Well, in that case he’d meet him for lunch at a place on Fifty-second Street.
THE RESTAURANT SOUNDED EXPENSIVE
, and Georg borrowed a jacket and tie from Larry, his roommate. The coat check and bar were at street level, and the maître d’ escorted Georg upstairs, where a table by the window had been reserved for Mr. Cope.
Georg ordered a glass of white wine and gazed out at the street. The traffic flowed by in a slow stream; there were many yellow cabs, and the occasional black limousine with tinted windows and a TV antenna on its trunk. It began to rain. A street hawker appeared on the opposite sidewalk, selling umbrellas. A young man with shining red hair, holding his coat collar up, stood huddling by the entrance of a shoe store with a large display window that exhibited only one or two pairs of shoes on tiled stands.
The waiter brought an elderly gentleman and a young woman to the table and pulled out chairs for them.
“Mr. Cope?” Georg said, standing up.
“This is the European romantic I was telling you about, Lucy, the one who followed his sweetheart across the ocean!”
They sat down. Georg couldn’t take his eyes off Lucy. She was a beauty, an American beauty. Her face was sculptured, with high
cheekbones, a strong chin, deep-set eyes, and a childlike mouth with full lips. She was slender, but with wide shoulders and big breasts. He had first noticed such women in commercials, and then had seen them on the street too. He had often wondered what gave them that special something that made them stand apart from European women. He looked at her and still couldn’t figure it out.
Cope eyed him with amusement. “She’s very beautiful and young, and destined to be a marvelous actress.”
“I’m springtime and Calvin is autumn,” Lucy said laughing, and by the time Georg thought of the compliment that he would consider himself lucky to be such an autumn, the moment had passed. The compliment would have been quite sincere, not only because of Lucy, but also because Cope obviously took great pleasure in his maturity and lifestyle. He had a full head of gray hair, and peered at the menu over his spectacles with a senatorial air.
“Leave the ordering to me,” Cope said. “I’ve been coming here for years. In the meantime, aren’t you going to say something?”
Georg hadn’t said a word yet. “I’m very grateful you have taken the time to see me, Mr. Cope. I don’t even know her real name: she wanted me to call her Françoise, as it’s a French name and she loves France. But I do know,” he lied smoothly, “that she was involved with the cathedral’s theater workshop and that she had a great teacher. She often spoke of it. This rather bad picture is the only thing I have.” Georg took out the photo and gave it to Cope, who passed it on to Lucy and looked at Georg pensively.
“Isn’t there a German poem about a woman searching for someone?” Cope asked. “All she knows is his name, and she follows him across the sea? Or is it the other way around, he follows her? My mother’s Swiss. She used to recite that poem when I was a boy.”
“Do you speak German?”
“I used to. But that poem—your touching story reminded me
of it when we were talking on the phone. Do you know the one I mean?”
“Am Gestade Palästinas, auf und nieder, Tag um Tag …”
Georg began.
“That’s it! I remember it now. Do you know the whole poem?”
“No, but I remember a Saracen maiden who follows a man to London, and then, lost in the crowds of the city, calls out ‘Gilbert’ and finds him. The man had been captured in one of the Crusades, and she had freed him. She only knew two English words: ‘Gilbert’ and ‘London.’ The poem says that love will cross the seas even with only two words. We learned it at school.”
“Well, let’s drink to that,” Cope said, raising his glass. “Now, let me see the picture.”
Lucy gave him the photo.
“What’s that poem about?” she asked Georg. “I didn’t quite understand.” She spoke in a soft American English, as if chewing on a potato. Georg told her about the poem and about Conrad Ferdinand Meyer and about his grandparents, who had lived by the lake in Zurich.
“I recognize the face,” Cope said suddenly. “That girl used to be in my workshop, but I just can’t remember her name.” He continued studying the photograph. “I’m not sure who might know. I never kept records. I have a good eye for faces and have never had trouble remembering who was paid up and who still owed me—not to mention that I always gave the students in my class new names.”
“Yes, they’re names that suit them,” Lucy said. “Calvin still does that, and most of the actors like it, and then keep it as a stage name.”
“But I know that you don’t like the name I gave you,” Cope said to her, “and autumn wouldn’t pick a fight with beautiful spring
over a name, would he, which is why you are Lucy, nothing but Lucy, forever Lucy.” He laughed, but Georg wasn’t sure if there might be a touch of poison in his joviality.
The Châteaubriand arrived, was carved up, and served.
“Do you perhaps remember any of the other members of the workshop from back then?”
“No, I’m sorry, I can’t recall anyone. It’s been five or six years. You’re lucky I have such a good memory for faces, since this picture here is quite bad—was it you who took it? It’s no use. I’m sorry, but you’ll have to follow the example of the Saracen maiden. You crossed the ocean and came to New York convinced you’d find her, and now you’ll have to walk the streets of New York with the same conviction.”
Georg thought that sounded snide. Was Cope’s joviality indeed poisoned? Was he somehow irritated? Georg glanced out of the window. It wasn’t raining anymore, but the red-haired man was still standing in the doorway across the street. They ate in silence.
“Are you working on a new piece?” Georg asked in order to start a conversation.
“Why do you want to know? What do you know about the theater? What is all this? Goddamn it, nothing but idiots everywhere! First Goldberg, then Sheldon, and now this crazy lovebird from Europe!” Cope’s voice had gotten louder.
The waiter was more amused than put out, and seemed to be used to Cope’s scenes. Lucy put down her knife and fork, took a hairpin out of her bag, gathered her long, thick brown hair with both hands into a bun, and stuck it fast.
“Let’s go, I’ve had enough of this!” Cope shouted. “Waiter! Put the meal on my tab!” He jumped up and hurried down the stairs.
“It was nice meeting you,” Lucy said with a smile. “Can you write your name down? I can send you a ticket for opening night. I wouldn’t take any of this too seriously.”
Georg sat alone at the table in front of all the full plates. The waiter took the bottle out of the ice bucket and poured more wine. Georg ate the entire Châteaubriand and all the side orders and finished the bottle. The waiter brought him an espresso without asking if he wanted one and Georg ordered a brandy. He was celebrating. Françoise really had been in New York.
GEORG HAD NEVER BEEN SHADOWED BEFORE
. Was it a coincidence that the red-haired man he’d seen from the restaurant window was now also strolling around the skating rink at Rockefeller Center? Georg stopped in front of boutiques, seeking the reflection of the street in the display windows, sometimes quickly glancing back. He knew this from the movies. He went into a bookstore and stood in the aisles, blindly leafing through books. It didn’t work: he could only keep the street in sight by standing next to the cashier. He went outside. It had started to rain again. There was a light gray haze around the tops of the skyscrapers, projectors throwing streams of light into the low-hanging clouds. Raindrops fell on his glasses. He looked up and felt as if he were soaring into a deep and starry sky, like the crane shot at the opening of some movies. The traffic was heavy, with a swarm of yellow cabs and crowds of people walking fast. Somebody bumped into him and he almost fell. He turned around, and though he didn’t see who had run into him, he caught sight of the red-haired man, who was now only a few yards behind him—he too without an umbrella, his wet hair plastered to his head.